DOCSLIB.ORG

ANNEX a Complete List of Featured Artists and a I Light Marina Bay 2012 9 March – 1 April Marina Bay Featured Artists And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ANNEX a Complete List of Featured Artists and a I Light Marina Bay 2012 9 March – 1 April Marina Bay Featured Artists And i Light Marina Bay 2012 9 March – 1 April Marina Bay ANNEX A Complete List of Featured Artists and Art Installations No Artist Gender Born Country of Birth Base 1 Aleksandra Stratimirovic * F 1968 Yugoslavia Sweden Andrew Daly F 1986 Australia Australia 2 Katherine Fife M 1990 Australia Australia 3 Angela Chong* F 1977 Singapore Singapore 4 Be Takerng Pattanopas* M 1965 Thailand Bangkok 5 BIBI M 1964 France France 6 Cornelia Erdmann* F 1976 Germany Hong Kong 7 Craig Walsh M 1966 Australia Australia 8 Dev Harlan M 1978 USA USA 9 Edwin Tan* M 1981 Singapore Singapore Groupe LAPS 10 Thomas Veyssiere (Director) M 1971 France France Hexogon Solution* 11 M 1976 Singapore Singapore Adrian Goh (Team Leader) 12 Li Hui M 1977 China China Light Collective* 13 Martin Lupton M 1969 UK UK Sharon Stammers F 1971 UK UK France, 14 Marine Ky* F 1966 Cambodia Cambodia, Australia Martin Bevz M 1986 Australia Australia 15 Kathryn Clifton F 1985 Australia Australia OCUBO* 16 Nuno Maya M 1978 Portugal Portugal Carolle Pumelle F 1964 Democratic Republic of Portugal Congo 17 Olivia d’Aboville* F 1986 Philippines Philippines 18 Olivia Lee* F 1985 Singapore Singapore 19 Ryf Zaini* M 1980 Singapore Singapore 20 Shinya Okuda M - Japan Singapore 21 StoryBox M 1975 New Zealand New Zealand Singapore Student 22 Showcase 1: - - - Singapore LASALLE College of the Arts 23 Singapore Student - - - Singapore Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Showcase 2: School of the Arts Singapore 24 Takahiro Matsuo M 1979 Japan Japan 25 Tay Swee Siong* M 1968 Singapore Singapore 26 Teddy Lo* M 1974 Hong Kong Hong Kong The Propeller Group Phu Nam M 1974 Vietnam Vietnam 27 Matt Lucero M 1976 USA Vietnam Tuan Andrew Nguyen M 1976 Vietnam Vietnam 28 Uno Lai* M 1975 Taiwan Taiwan Vertical Submarine Loke Kian Whee, Justin M 1979 Singapore Singapore 29 Yang Kwang Yong, Joshua M 1974 Malaysia Singapore Koh Wen Chii, Fiona F 1983 Singapore Singapore 30 Wiyoga Muhardanto* M 1979 Indonesia Indonesia 31 Zulkifle Mahmod* M 1975 Singapore Singapore *Presenting Festival Commissions Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Sweet Home (2011) Aleksandra Stratimirovic, Sweden Bio Aleksandra Stratimirovic was born in Yugoslavia and currently lives in Stockholm, Sweden. Stratimirovic completed her studies in specialized lighting design at the University of Fine Arts and Crafts and the Royal Institute of Technology (KTH), both in Stockholm. Stratimirovic has completed numerous temporary and permanent site -specific light-art installati ons on public places in Sweden, Serbia, Slovenia and Netherlands. She is the co - founder of the Lighting Guerilla Festival in Ljubljana, Slovenia, and the founder and artistic director of the Belgrade of Light festival in Serbia. In 2010 and 2011, her work was shown in exhibitions in New York, Stockholm, Ljubljana, Belgrade, Tokyo, Osaka and Verona. Concept Sweet Home is an adaptation of an original work created by Stratimirovic for Belgrade of Light 2011. The work is a site -specific light installation co mprising lanterns taking the form of ordinary lampshades. In Belgrade, Stratimirovic created the work in order to bring warmth and a homely atmosphere to one of the most polluted, busiest and exciting streets in the city. Stratimirovic envisioned for the work to encourage stroller to “take control of the street, monster-trucks to be replaced by babies in push -chairs, towers to grow out of the asphalt, for the smell of fresh pastry to sweep away exhaust gas, and for old ruined buildings to smile at us.” Wh ile the Singapore streetscape at Marina Bay may be a different environment than the one Stratimirovic worked with in Belgrade, the colourful forms of the lanterns nonetheless aim at spreading warmth and homeliness in the urban environment and create a spec ial, cosy character in the area. Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Sweet Home is supported by Philips Lighting. Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Crystallised (2011) Andrew Daly and Katherine Fife, Australia Bio Andrew Daly participated in the inaugural Sydney Smart Light Festival with the installation Lumenocity displayed in the forecourt of Customs House. The installation won the Australian Broadcasting Corporation BC 702 People’s Choice Award, and was subsequently exhibited at i Light Marina Bay 2010. In 2011, Daly exhibited two installations Crystallised and Carnivlux at Vivid Sydney with design collaborator Katharine Fife. Daly recently earned a masters degree in architecture and is currently based in Sydney. Katharine Fife participated in Vivid Sydney 2011 as a co -creator of Crystallised and Carnivlux . Katharine completed her Bachelors of Design in Architecture at Sydney University in 2011. She is currently working at PTW Architects in Sydney and will shortly be moving to Paris to intern with Ateliers Jean Nouvel. Concept Today, the scattered twink ling stars are diminished by city light pollution, clouding our view of the night sky. Crystallised is an abstraction of the starry night sky, a spatial installation for people to walk beneath and reflect on the impact of poorly considered lighting on city life. Crystallised creates a space “hollowed out” of five thousand edge-lit acrylic rods - a glowing internal landscape like a cave with a ceiling of glittering stalactites. The rods act as a canopy, using programmed LED’s to create an ever fluctuating colourful abstraction of the night sky. Crystallised is supported by the Faculty of Architecture, Design and Planning and the University of Sydney. Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Tree Stories (2012) Angela Chong, Singapore Bio Angela Chong graduated from the Royal Melbourne Institute of Technology with a degree in sculpture. Currently a practicing installation artist, Chong has a keen interest in creating a narrative in her works. Her works deals with light and darkness, constan tly blurring the line between fiction and reality. She is currently interested in creating interactive works and had her first outdoor public light work at i Light Marina Bay Singapore in 2010. This work was also shown in Australia at Vivid Sydney in 201 1. Chong has participated in several art residencies, notably in Iceland in 2010 and Japan in 2008 as well as participating in the Sense of Fear Festival in the Czech Republic in 2006. Chong is a recipient of the National Arts Councils' Local Bursary and Georgette Chen Scholarship awards, and currently lectures part -time at LASALLE College of the Arts. Concept The inspiration for Tree Stories comes from the past when light played a major role in storytelling; from sharing folktales at bonfires to shadow plays; from magic lanterns to the cinema. The installation also refocuses attention on trees: inanimate living beings quietly growing and dyin g around us. Time seems to have forgotten them in spite of the important role they have played in protecting the health of our earth. Tree Stories is a tribute to the resilience and existence of these beings. Walking amidst the installation, the visitor re ads the illuminated text on the trunks and attempts to see the world from their point of view. The fictional passages encourage a dialogue between the reader and the tree, and allow the visitor to enter into an intimate encounter with nature. Hopefully, the Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay encounter enables the visitor to become more conscious of his/her responsibility toward the environment. In Chong's own words, “The site specific installation has come about through my reflection on the history of parks in the Marina Bay area such a s Esplanade Park, one of the oldest parks in Singapore. Since its opening after World War II, the trees there would have experienced the progression of the country and bore witness to the trials and times of our young nation.” Tree Stories is a festival c ommission. Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Gap the Mind (2012) Be Takerng Pattanopas, Thailand Bio Be Takerng Pattanopas is a Bangkok -based artist who works primarily in sculptures and installations. Since embarking on his doctoral research at the University of Gloucestershire (UK) in 1996, Pattanopas’ work has explored the notion of space in relation to the human body. The spatial embodiments he creates have always been animated by precisely controlled lighting to create an effective visceral experience for viewers. Pattanopas has exhibited in London and other cities in the UK, Bangkok, Brussels, and New York. His works have been mentioned and reviewed in such magazines as Flash Art, Frieze and Art in America. Currently he is an assistant professor of art and design at Chulalongkorn University and Bangkok University. Concept Gap the Mind is the antithesis of most light installations which usually employ hi -tech visual vocabulary. Comprising of a long row of fabric shelters illuminated from within by different levels of pulsating lights and triggered by a programmed sound-scape, the work a ims to translate Asian vernacular rituality into the language of light art. The glowing fabric shelters are a reinterpretation of traditional umbrella shelters used by Thai monks, called glod . Within each glod is a set of low-energy LED lights programmed to emit different levels of light triggered by different sounds resonated from a batr , or a Thai monk’s metal food bowl. Gap the Mind is a powerful, multi - sensory expression of Pattanopas’ Thai cultural identity and his work in sculptural light art.
Load more

Recommended publications
  • Download SB2016 Exhibition Guide
    ORGANISED BY COMMISSIONED BY SUPPORTED BY SINGAPORE SINGAPORE BIENNALE 2016 BIENNALE 2016 ARTISTS AHMAD FUAD OSMAN 59 KENTARO HIROKI 21, 49 SHARMIZA ABU HASSAN 27 MALAYSIA THAILAND/JAPAN MALAYSIA MARTHA ATIENZA 31 HTEIN LIN 46 DO HO SUH 28 PHILIPPINES/NETHERLANDS MYANMAR SOUTH KOREA/UNITED STATES/ UNITED KINGDOM AZIZAN PAIMAN 41 JIAO XINGTAO 59 MALAYSIA CHINA ADEELA SULEMAN 49 PAKISTAN RATHIN BARMAN 51 SAKARIN KRUE-ON 61 INDIA THAILAND MELATI SURYODARMO 23 INDONESIA HEMALI BHUTA 26 MARINE KY 57 SEA OF INDIA CAMBODIA/FRANCE EDDY SUSANTO 25 JAPAN INDONESIA SOUTH KOREA JAPAN BUI CONG KHANH 50 PHASAO LAO 35 VIETNAM TCHEU SIONG NOBUAKI TAKEKAWA 48 LAOS JAPAN YELLOW SEA DAVID CHAN 54 CHINA SINGAPORE H.H. LIM 21 JACK TAN 47 MALAYSIA/ITALY SINGAPORE/UNITED KINGDOM CHIA CHUYIA 41 MALAYSIA/SWEDEN LIM SOO NGEE 20 MELISSA TAN 42 PAKISTAN SINGAPORE SINGAPORE CHOU SHIH HSIUNG 29 TAIWAN MADE DJIRNA 27 TAN ZI HAO 28 EAST INDONESIA MALAYSIA CHINA SEA ADE DARMAWAN 48 TAIWAN BANGLADESH INDONESIA MADE WIANTA 25 TITARUBI 34 HONG KONG INDONESIA INDONESIA DENG GUOYUAN 34 INDIA TROPIC OF CANCER MYANMAR CHINA MAP OFFICE 23 TUN WIN AUNG & WAH NU 32 LAOS HONG KONG/FRANCE MYANMAR DEBBIE DING 55 SINGAPORE/UNITED KINGDOM MUNEM WASIF 42 RYAN VILLAMAEL 36 BANGLADESH PHILIPPINES 3 PAGE THAILAND PHILIPPINES PATRICIA PEREZ EUSTAQUIO 22 PHILIPPINE SEA PHILIPPINES PHUONG LINH NGUYEN 33 WEN PULIN 43 VIETNAM BAY VIETNAM ZANG HONGHUA OF SOUTH BENGAL FAIZAL HAMDAN 47 CHINA CAMBODIA CHINA SEA BRUNEI NI YOUYU 30 CHINA WITNESS TO PARADISE 2016: 44 ANDAMAN DEX FERNANDEZ 26 NILIMA SHEIKH, PRANEET SOI, SRI LANKA SEA PHILIPPINES PERCEPTION3 55 ABEER GUPTA & SANJAY KAK SINGAPORE INDIA MALAYSIA BRUNEI FYEROOL DARMA 33 SINGAPORE PALA POTHUPITIYE 24 XIAO LU 20 SRI LANKA CHINA SINGAPORE SUBODH GUPTA 54 INDIA QIU ZHIJIE 29 PANNAPHAN YODMANEE 31 EQUATOR CHINA THAILAND GREGORY HALILI 30 PHILIPPINES NIRANJAN RAJAH 50 HARUMI YUKUTAKE 22 MALAYSIA/CANADA JAPAN HAN SAI POR 37 SINGAPORE ARAYA RASDJARMREARNSOOK 36 ZULKIFLE MAHMOD 24 INDONESIA JAVA FLORES SEA SEA THAILAND SINGAPORE AGAN HARAHAP 32 INDONESIA S.
    [Show full text]
  • Introducing the Museum Roundtable
    P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore.
    [Show full text]
  • Caitlind Rc Brown & Wayne Garrett
    CAITLIND r.c. BROWN & WAYNE GARRETT [email protected] | 403-616-3147 | www.incandescentcloud.com EDUCATION BROWN BFA with distinction, Alberta College of Art and Design (ACAD) | Calgary, Canada, 2010 GARRETT Music Performance, Jazz, Mount Royal University | Calgary, Canada, 2012 Red Seal, Journeyman Machinist, Southern Alberta Institute of Technology | Calgary, Canada, 2009 AWARDS + GRANTS 2015 WRECK CITY, Project Grant for Organizations in the Visual Arts, Canada Council for the Arts | Canada 2013 CLOUD, Finalist, Spaces Award, Innovation by Design, Fast Company | USA 2013 Visual Arts Grant, Alberta Foundation for the Arts | Canada 2013 Film and Video Production Grant, Alberta Foundation for the Arts | Canada 2012 Cultural Relations Grant, Alberta Foundation for the Arts | Canada 2012 Travel Grant, Canada Council for the Arts | Canada 2011 Film and Video Production Grant, Alberta Foundation for the Arts | Canada RESIDENCIES 2015 Artists in Residence, Klondike Institute of Art & Culture | Dawson City, Canada 2015 Blueprint for Happiness, The Banff Centre | Banff, Canada 2014 Luminosity, Lexington Art League | Lexington (KY), USA EXHIBITIONS 2016 The Deep Dark [through], SPRING/BREAK, Moynihan Station | New York, USA 2016 CLOUD, Temporarily Visible, Weisman Art Museum | Minneapolis, USA 2015 SOLAR FLARE, Sun Light/Star Light, Louisiana Art & Science Museum | Baton Rouge, USA 2014 SOLAR FLARE, Site Whanki_Wave, Whanki Museum | Seoul, South Korea 2014 BELLWETHER, Site Whanki_Wave, Whanki Museum | Seoul, South Korea 2014 NEW MOON,
    [Show full text]
  • F Y E R O O L D a R
    YEO F Y E R O O L D A R M A Born 1987, lives and work in Singapore EDUCATION HISTORY Class of 2012 LASALLE College of the Arts Fine Arts Attained Bachelor of Arts (Honors) in Fine Arts EXHIBITIONS HISTORY INDIVIDUAL 2017 Monsoon Song, Yeo Workshop, Singapore 2015 MOYANG, flaneur gallery, Singapore GROUP 2017 Beyond… boundless oceans and vast seas, islands.peninsula Fantasy Islands, Objectifs Ubi, Ubi! UbiStudio 2016 SEMANGAT X/Contemporary Expressions of Southeast Asia Spirit, Galeri Petronas Singapore Biennale 2016: An Atlas of Mirrors, Singapore Art Museum SCOUT Singapore: Emerging Art Practices, Gillman Barracks 2015 SEMANGAT: Art of ASEAN, Bank Negara Malaysia Museum and Art Gallery, Kuala Lumpur, MY Portraits in Verses, Fred Torres Gallery, New York, USA (in collaboration with Galerie Steph) Coming Home, Bedok Reservoir, Singapore 2014 Cam Biasa, ArtOne 21, Singapore FRAGMENTS, TAKSU, Singapore An Eminent Takeover, Eminent Plaza, Singapore SENI MINI, Mi Casa Su Casa, Singapore 2013 GLIMPSE, BUNC@Radius, Singapore Treehugger, FOXRIVER, Singapore MICASA SUCASA, Mi Casa Su Casa, Singapore A National Conversation: blah! Institute of Contemporary Arts Singapore D U S T B U N N I E S, Société General Gallery, Alliance Française de Singapour 2012 The Kids Aren’t Alright, Almanic Clinic, Blue House Artist Village, Singapore Painting 12B, Brunswick Street Gallery, Melbourne, Australia OCCUPIED ART (Lit Up ’12), Telok Ayer Performing Arts Center, Singapore Paradox-ity: City of Contrast, World Expo ’12, SG Pavilion, Yeosu, South Korea L A S A L L E S H O W ’12, Institute of Contemporary Arts Singapore 2011 D A I X Y G A L A S Y, INSTINC, Singapore The City Limits (Lit Up ’11), Goodman Arts Center Art Gallery, Singapore Minimart ’11, The Substation, Singapore 2009 W H I T E W A S H E D II: grRR! Dbl O Art Space, Singapore Journey through our eyes, Art House, Singapore Sour Jokes, Société General Gallery, Alliance Française de Singapour 2008 BE(long)ING, Mint Museum of Toys, Singapore Insert Title, The Art Studio, Old School at Mt.
    [Show full text]
  • Exhibition Guide
    ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter.
    [Show full text]
  • Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
    Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How
    [Show full text]
  • JEREMY SHARMA Born 1977, Singapore
    JEREMY SHARMA Born 1977, Singapore EDUCATION 2006 Master of Art (Fine Art), LASALLE College of the Arts, Singapore 2003 Bachelor of Art (Fine Art) with High Distinction, LASALLE College of the Arts (RMIT), Singapore RESIDENCIES 2016 Stelva Artist in Residence, Italy 2015 NTU Centre for Contemporary Arts, Singapore 2014 Temenggong Artist in Residence with Fundación Sebastián, Mexico City 2008 Artist Residency & Exchange Program (REAP) by Artesan Gallery Singapore, Manila, The Philippines 2007 Royal Over-Seas League (ROSL), Travel Scholarship, Hospitalfield, Arbroath, Scotland, United Kingdom 2004 Studio 106, Former Residential-Studio of the late Cultural Medallion Dr. Ng Eng Teng, Joo Chiat Place, Managed by LASALLE-SIA College of the Arts, Singapore AWARDS AND PRIZES 2013 RPF Grant, LASALLE College of the Arts, Singapore 2013 Creation Grant, National Arts Council, Singapore 2007 Royal Over-Seas League (ROSL) Travel Scholarship 2005 LASALLE-SIA Scholarship 2005 JCCI Arts Award, Japanese Chamber of Commerce and Industry, Recipient (with KYTV) 2003 Phillip Morris Singapore Arts Award, Honorable Mention 2003 Studio 106, Residency Award 2002 The Lee Foundation Study Grant, Singapore 2000 Action for Aids Award, First Prize (Open Category), Singapore 1999 The Della Butcher Award, Presented by The Rotary Club of Singapore, winner COLLECTIONS Singapore Art Museum Ngee Ann Kongsi, Singapore SOCIÈTÉ GÉNÈRALE The Westin, Singapore One Farrer Private Limited NUS Business School, Singapore Prime Partners COMMISSIONS Slow Fury, Asian Film Archives,
    [Show full text]
  • Annex A: Bios of Creative Directors - Clara Yee and Randy Chan
    Annex A: Bios of Creative Directors - Clara Yee and Randy Chan Clara Yee Creative Director Singapore: Inside Out Tokyo Clara Yee is the creative director of nomadic creative house, in the wild. After graduating from Central Saint Martins College of Art and Design London, Yee has been actively developing her creative practice, creating and collaborating across disciplines from fashion to spatial interventions. To date, Yee has worked with many prolific private and public clients, including Alexander McQueen, Barbican London and Warner Music. Her work has brought her on cross-country cultural adventures to Beijing, London, Mexico City, New York, Taiwan and Japan, where she collaborated with international talents. She has exhibited her works as part of London Design Festival, Taiwan Design Expo, Singapore Design Week and Archifest, showing at galleries in London, Singapore and USA such as Blackall Studios, Sculpture Square, Berkeley Foundation and Singapore Art Museum’s 8Q @ SAM. Yee is part of The Straits Times’ 30 rising stars of Singapore under 30 and is also a Forbes Asia’s inaugural 30 under 30 honouree. Randy Chan Creative Director Singapore: Inside Out Sydney One of Singapore's leading young architects, Randy's architectural and design experience includes work on projects as diverse as stage design, private housing, cluster housing and master-planning – all of which are guided by the simple philosophy that architecture and the aesthetics originate from the same impulse. Randy takes a multidisciplinary architectural approach to his projects and specializes in the convergence between Art and Architecture. His works have been published in numerous local architecture magazines and international publications, including Robert Powell’s Singapore Houses.
    [Show full text]
  • Sherman ONG (B
    Sherman ONG (b. 1971) Education 1995 National University of Singapore, LLB (Hons.), Singapore Selected Solo Exhibitions 2014 Spurious Stories from the Land and Water, Art Plural Gallery, Singapore 2010 ICON de Martell Photography Award, Institute of Contemporary Arts, Singapore Ticket Seller, Sikkema Jenkins & Co., New York, USA 2009 Sherman Ong, Contemporary Art Centre of South Australia, Australia 2008 Hanoi Monogatari (Hanoi Story), Zeit Foto Salon, Tokyo, Japan HanoiHaiku: Month of Photography Asia, 2902 Gallery, Singapore 2007 Missing You, Fukuoka Art Asian Museum, Fukuoka, Japan 2006 HanoiHaiku, Angkor Photography Festival, Siem Reap, Cambodia Selected Group Exhibitions 2014 Flux: Collective Exhibition, Art Plural Gallery, Singapore Lost in Landscape, MART – Museum of Contemporary Art of Ternto & Roverto, Italy The Disappearance, Centre for Contemporary Art, Singapore 2013 Asia Pacific Triennial of Contemporary Art (Cinema), Gallery of Modern Art, Brisbane, Australia. Cinema Encounters: Sherman Ong, Casa Asia, Barcelona & Madrid, Spain Migrants (in)visibles, Espace Khiasma, Paris, France Motherland - Xiao Jing, Open House (Marina), Singapore 2012 Little Sun by Olafur Eliasson, Tate Modern, London, United Kingdom Asia Serendipity, Teatro Fernando Gomez, Photo Espana Madrid, Spain Panorama, Singapore Art Museum, Singapore PIMP the TIMP Volume II, Galerie Lichtblick, 21st International Photoszene Cologne, Germany. Cross-Scape, GoEun Museum of Photography, Busan, Korea I want to remember, Rotterdam International Film Festival, Netherlands
    [Show full text]
  • Only a Fragment
    ONLY A FRAGMENT Eiffel Chong Minstrel Kuik May Sherman Ong 7 – 21 2015 Only a Fragment “A photograph Nowadays, we are constantly bombarded by the photo- and the strict visual structure, Eiffel is able to conjure a is only a graphed image, scattered everywhere in the urban breath of associations such as Color Field paintings to landscape, seducing us with their auratic quality, at the minimal abstraction. As in his other previous series, Eiffel fragment, same time attempting to sell something, while in cyber- considers the abstract concepts of life and death through an and with the space, the digital image mutate, grow, change via digital economical visual language, highlighting banal details such passage of time tools or disintegrate via sharing and usage. Furthermore, as soft clouds in the sky and the horizon line into delicate its moorings the act of taking a photograph has become an innate gesture textures. Furthermore their uniformed stillness links them to most people equipped with smartphones and mobile as one, and one is again reminded that all seas are actually come unstuck. digital devices. These photos captured anywhere using part of the same mass of water. Finally, there is a sense It drifts a mobile device could mean something for a moment of calmness fabricated by the images as one is given an away into a either as a way to document vital information or freeze opportunity to view nature before the intervention of man. soft abstract meaningful moments, but usually in time end up as hopeless digital relics forgotten in the phone's memory.
    [Show full text]
  • Nhb13093018.Pdf
    Annual Report 2012/2013 CONTENTS 2 Highlights for FY2012 14 Board Members 16 Corporate Information 17 Organisational Structure 18 Corporate Governance 20 Grants & Capability Development 24 Giving 32 Donations & Acquisitions 38 Publications FY2012 was an exciting year of new developments. On 1 November 2012, we came under a new ministry – the Ministry of Culture, Community and Youth. Under the new ministry, we aspire 40 Financial Statements to deepen our conversations and engagements with various sectors. We will continue to nurture Statement by Board Members an appreciation for Singapore’s diverse and multicultural heritage and provide platforms for Independent Auditors’ Report community involvement. Financials A new family member, the Language Council joined the NHB family and we warmly welcome Notes to Financial Statements them. Language is closely linked to one’s heritage and the work that the LCS does will allow NHB to be more synergistic in our heritage offerings for Singaporeans. In FY2012, we launched several new initiatives. Of particular significance was the launch of Our Museum @ Taman Jurong – the first community museum in Singapore’s heartlands. The Malay Heritage Centre was re-opened with a renewed focus on Kampong Gelam, and the contributions of the local Malay community. The Asian Civilisations Museum also announced a new extension, which will allow for more of our National Collection to be displayed. Community engagement remained a priority as we stepped up our efforts to engage Singaporeans from all walks of life – heritage enthusiasts, corporations, interest groups, volunteer guides, patrons and many more, joined us in furthering the heritage cause. Their stories and memories were shared and incorporated into a wide range of offerings including community exhibitions and events, heritage trails, merchandise and e-books.
    [Show full text]
  • Wong Lip Chin Galtd
    WONG LIP CHIN GALTD Born in 1987, lives and works between Singapore & Shanghai. RELATED PROFESSIONAL EXPERIENCE Adjunct lecturer at LASALLE College of the Arts. www.lasalle.edu.sg (2014 - 2018) EDUCATION 2009 Bachelor of Art (Fine Art -Printmaking) with Honours LASALLE College of the Arts, Singapore SOLO EXHIBITIONS 2020 Sometimes I You Don‘t Dive Hard Enough. Yeo Workshop, Singapore 2015 Thousand Knives. Galerie Michael Janssen, Singapore 2009 Now You See. Marina Mandarin Hotel, Singapore GROUP EXHIBITIONS 2020 Strange Things, Singapore Arts Club, Singapore 2018 You don‘t need 100 editions, McNally School of Fine Arts, Singapore 2016 A Touch for the Now in Southeast Asia, Rarytas Art Foundation, Poznan, Poland Artling Pop Up, Artling, Singapore 2015 Plastic Myth. Asian Culture Centre Creation, Asian Culture Institute, GwangJu, Korea Asean 5. Wei-Ling Gallery at Victory Annexe, Penang, Malaysia Reflexion. Galerie Michael Janssen, Singapore 2014 The Drawing Show. Yeo Workshop, Singapore Two Man Show. Galerie Michael Janssen, Singapore 2013 Between Conversations. Yavuz Fine Art, Singapore Going Where. ShanghArt, Singapore 2009 RuckUs Rubix. Ng Eng Teng Gallery, NUS Museum, Singapore Art Fare. Housed in conjunction with Project Midas, Singapore 2007 27th Anniversary Exhibition of Printmaking Society. Singapore Tyler Print Institute, Singapore 2005 The HYPE Gallery. The Arts House, Singapore RELATED PROFESSIONAL ACTIVITIES (SELECTED) 2019 Twenty Twenty, Singapore Arts Club, Singapore 2016 ArtWeek at SAM. Exquisite Paradox. Front Lawn, Singapore Art Museum, Singapore Art Stage, Galerie Michael Janssen, Singapore 2015 Formosa Art Show, Art at Project, Taipei, Taiwan Art Stage, Galerie Michael Janssen, Singapore 2014 DRIVE, Gillman Barracks Public Art Project. “La Métamorphose Du Héros”, Galerie Michael Janssen, Singapore DRIVE, Gillman Barracks Public Art Project.
    [Show full text]