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Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
Download SB2016 Exhibition Guide
ORGANISED BY COMMISSIONED BY SUPPORTED BY SINGAPORE SINGAPORE BIENNALE 2016 BIENNALE 2016 ARTISTS AHMAD FUAD OSMAN 59 KENTARO HIROKI 21, 49 SHARMIZA ABU HASSAN 27 MALAYSIA THAILAND/JAPAN MALAYSIA MARTHA ATIENZA 31 HTEIN LIN 46 DO HO SUH 28 PHILIPPINES/NETHERLANDS MYANMAR SOUTH KOREA/UNITED STATES/ UNITED KINGDOM AZIZAN PAIMAN 41 JIAO XINGTAO 59 MALAYSIA CHINA ADEELA SULEMAN 49 PAKISTAN RATHIN BARMAN 51 SAKARIN KRUE-ON 61 INDIA THAILAND MELATI SURYODARMO 23 INDONESIA HEMALI BHUTA 26 MARINE KY 57 SEA OF INDIA CAMBODIA/FRANCE EDDY SUSANTO 25 JAPAN INDONESIA SOUTH KOREA JAPAN BUI CONG KHANH 50 PHASAO LAO 35 VIETNAM TCHEU SIONG NOBUAKI TAKEKAWA 48 LAOS JAPAN YELLOW SEA DAVID CHAN 54 CHINA SINGAPORE H.H. LIM 21 JACK TAN 47 MALAYSIA/ITALY SINGAPORE/UNITED KINGDOM CHIA CHUYIA 41 MALAYSIA/SWEDEN LIM SOO NGEE 20 MELISSA TAN 42 PAKISTAN SINGAPORE SINGAPORE CHOU SHIH HSIUNG 29 TAIWAN MADE DJIRNA 27 TAN ZI HAO 28 EAST INDONESIA MALAYSIA CHINA SEA ADE DARMAWAN 48 TAIWAN BANGLADESH INDONESIA MADE WIANTA 25 TITARUBI 34 HONG KONG INDONESIA INDONESIA DENG GUOYUAN 34 INDIA TROPIC OF CANCER MYANMAR CHINA MAP OFFICE 23 TUN WIN AUNG & WAH NU 32 LAOS HONG KONG/FRANCE MYANMAR DEBBIE DING 55 SINGAPORE/UNITED KINGDOM MUNEM WASIF 42 RYAN VILLAMAEL 36 BANGLADESH PHILIPPINES 3 PAGE THAILAND PHILIPPINES PATRICIA PEREZ EUSTAQUIO 22 PHILIPPINE SEA PHILIPPINES PHUONG LINH NGUYEN 33 WEN PULIN 43 VIETNAM BAY VIETNAM ZANG HONGHUA OF SOUTH BENGAL FAIZAL HAMDAN 47 CHINA CAMBODIA CHINA SEA BRUNEI NI YOUYU 30 CHINA WITNESS TO PARADISE 2016: 44 ANDAMAN DEX FERNANDEZ 26 NILIMA SHEIKH, PRANEET SOI, SRI LANKA SEA PHILIPPINES PERCEPTION3 55 ABEER GUPTA & SANJAY KAK SINGAPORE INDIA MALAYSIA BRUNEI FYEROOL DARMA 33 SINGAPORE PALA POTHUPITIYE 24 XIAO LU 20 SRI LANKA CHINA SINGAPORE SUBODH GUPTA 54 INDIA QIU ZHIJIE 29 PANNAPHAN YODMANEE 31 EQUATOR CHINA THAILAND GREGORY HALILI 30 PHILIPPINES NIRANJAN RAJAH 50 HARUMI YUKUTAKE 22 MALAYSIA/CANADA JAPAN HAN SAI POR 37 SINGAPORE ARAYA RASDJARMREARNSOOK 36 ZULKIFLE MAHMOD 24 INDONESIA JAVA FLORES SEA SEA THAILAND SINGAPORE AGAN HARAHAP 32 INDONESIA S. -
Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
Malay Heritage Centre Media Factsheet
MALAY HERITAGE CENTRE MEDIA FACTSHEET ABOUT THE MALAY HERITAGE CENTRE Officially opened by Prime Minister Lee Hsien Loong in June 2005, the Malay Heritage Centre (MHC) showcases the history, culture and contributions of the Malay community within the context of Singapore‟s history and multi-cultural society. Re-opening on 1 September 2012, MHC‟s refurbished permanent galleries will be home to a collection of interesting artefacts that support its new focus on Kampong Gelam‟s history as a bustling port town integral to the development of the Malay community as well as Singapore‟s connections to the region. Through its exhibits, programmes and activities, MHC aspires to be a vibrant destination of historical and cultural significance for both Singaporeans and international visitors. It also hopes to honour the past of the Malay community while providing a means for the community‟s present-day expression. The Malay Heritage Centre is under the management of the National Heritage Board in partnership with the Malay Heritage Foundation. Vision To establish a sustainable destination of historical and cultural significance for visitors and the community Mission To develop the MHC, a heritage institution managed by the National Heritage Board (NHB), into a leading heritage institution and a focal point for the community 1 Key Objectives 1. To establish the MHC as a respected heritage institution through museum excellence; 2. To connect and collaborate with key stakeholders to promote Malay culture and community rootedness; 3. To conduct research to promote a deeper understanding of the MHC and its values; 4. To establish strategic partnerships with regional and international counterparts. -
F Y E R O O L D a R
YEO F Y E R O O L D A R M A Born 1987, lives and work in Singapore EDUCATION HISTORY Class of 2012 LASALLE College of the Arts Fine Arts Attained Bachelor of Arts (Honors) in Fine Arts EXHIBITIONS HISTORY INDIVIDUAL 2017 Monsoon Song, Yeo Workshop, Singapore 2015 MOYANG, flaneur gallery, Singapore GROUP 2017 Beyond… boundless oceans and vast seas, islands.peninsula Fantasy Islands, Objectifs Ubi, Ubi! UbiStudio 2016 SEMANGAT X/Contemporary Expressions of Southeast Asia Spirit, Galeri Petronas Singapore Biennale 2016: An Atlas of Mirrors, Singapore Art Museum SCOUT Singapore: Emerging Art Practices, Gillman Barracks 2015 SEMANGAT: Art of ASEAN, Bank Negara Malaysia Museum and Art Gallery, Kuala Lumpur, MY Portraits in Verses, Fred Torres Gallery, New York, USA (in collaboration with Galerie Steph) Coming Home, Bedok Reservoir, Singapore 2014 Cam Biasa, ArtOne 21, Singapore FRAGMENTS, TAKSU, Singapore An Eminent Takeover, Eminent Plaza, Singapore SENI MINI, Mi Casa Su Casa, Singapore 2013 GLIMPSE, BUNC@Radius, Singapore Treehugger, FOXRIVER, Singapore MICASA SUCASA, Mi Casa Su Casa, Singapore A National Conversation: blah! Institute of Contemporary Arts Singapore D U S T B U N N I E S, Société General Gallery, Alliance Française de Singapour 2012 The Kids Aren’t Alright, Almanic Clinic, Blue House Artist Village, Singapore Painting 12B, Brunswick Street Gallery, Melbourne, Australia OCCUPIED ART (Lit Up ’12), Telok Ayer Performing Arts Center, Singapore Paradox-ity: City of Contrast, World Expo ’12, SG Pavilion, Yeosu, South Korea L A S A L L E S H O W ’12, Institute of Contemporary Arts Singapore 2011 D A I X Y G A L A S Y, INSTINC, Singapore The City Limits (Lit Up ’11), Goodman Arts Center Art Gallery, Singapore Minimart ’11, The Substation, Singapore 2009 W H I T E W A S H E D II: grRR! Dbl O Art Space, Singapore Journey through our eyes, Art House, Singapore Sour Jokes, Société General Gallery, Alliance Française de Singapour 2008 BE(long)ING, Mint Museum of Toys, Singapore Insert Title, The Art Studio, Old School at Mt. -
Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter. -
Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How -
1 MEDIA RELEASE Embargoed Until 4 October 2011, 7.15Pm
MEDIA RELEASE Embargoed until 4 October 2011, 7.15pm INAUGURAL MUSEUM ROUNDTABLE AWARDS CELEBRATED MUSEUM EXCELLENCE AND RECORD-BREAKING VISITORSHIP FIGURES A first ever national accolade for Singapore’s museum industry in the wake of unprecedented visitorship figures to Museum Roundtable museums SINGAPORE, 4 October 2011 – The best of Singapore‟s museums have been recognised and honoured with the launch of the inaugural Museum Roundtable (MR) Awards, an initiative by the National Heritage Board (NHB). The first national accolade dedicated to museums and galleries serves to identify and celebrate shining examples of museum excellence amongst members of the MR. The awards ceremony also celebrated record-breaking visitorship of 7.9 million to MR museums in Financial Year 2010 (FY 2010), a further increase from the 7 million of FY 2009. 2 Following the MR Awards is the annual Business of Heritage (BOH) Conference, which will once again facilitate active discussion on topics relevant to today‟s museum and heritage industry by prominent industry professionals, as well as showcase the latest heritage projects funded under NHB‟s Heritage Industry Incentive Programme (HI²P). MR Awards 2011 3 First announced in September 2010, the MR Awards aim to recognise excellence in the museum sector, celebrate museum best practices and innovation, and enhance the local and international profiles of members of the MR. Since its inception in 1996, the MR has witnessed an impressive growth in membership from 12 since its establishment, to over 50 members today. 4 The MR Awards 2011 featured a total of four winners, one for each of the four categories listed below: a. -
Malay Heri Tage Centre
Jul - Sep 2012 MALAY HERI TAGE CENTRE PROGRAMMES Name: _________________ Class: _________________ Subject: _________________ TAMAN WARISAN MELAYU _________________ ISTANA KAMPONG GELAM Managed by National Heritage Board With support from: Officially opened in June 2005, the Malay Heritage Centre (MHC) Malay Heritage Centre provides wonderful cultural exposure and community learning opportunities for Managed by the National Heritage Board visitors of all ages and interests. It acts as a vital place for the Malay community in Singapore by honouring the past and providing a means for present-day Address expression, nurturing talents and building resources for the future. The MHC is 85 Sultan Gate, Singapore 198501 part of the Singapore government’s larger plan to re-position key community Phone heritage institutions in the branding of Singapore as the global centre for the +65 63910450 various Asian diasporas. Website The Malay Heritage Foundation is working together with the National www.malayheritage.org.sg Heritage Board to develop the centre and achieve this vision. Facebook The revamped MHC will re-open to the public in September 2012. www.facebook.com/malayheritage Email For general enquiries: [email protected] For programme enquiries: [email protected] G lossary F oreword No Malay Term Definition/Translation The ninth month of the Islamic Calendar is In the last 2 quarters, the MHC introduced various forms of Malay arts 1 also the Islamic month of fasting where Muslims Ramadan refrain from eating and drinking from dawn through our monthly Neighbourhood Sketches and engaged the public to dusk. in discussions on subjects and themes related to our permanent galleries through our public lectures. -
From Orphanage to Entertainment Venue: Colonial and Post-Colonial Singapore Reflected in the Convent of the Holy Infant Jesus
From Orphanage to Entertainment Venue: Colonial and post-colonial Singapore reflected in the Convent of the Holy Infant Jesus by Sandra Hudd, B.A., B. Soc. Admin. School of Humanities Submitted in fulfilment of the requirements of the qualification of Doctor of Philosophy University of Tasmania, September 2015 ii Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the Universityor any other institution, except by way of backgroundi nformationand duly acknowledged in the thesis, andto the best ofmy knowledgea nd beliefno material previously published or written by another person except where due acknowledgement is made in the text oft he thesis, nor does the thesis contain any material that infringes copyright. �s &>-pt· � r � 111 Authority of Access This thesis is not to be made available for loan or copying fortwo years followingthe date this statement was signed. Following that time the thesis may be made available forloan and limited copying and communication in accordance with the Copyright Act 1968. :3 £.12_pt- l� �-- IV Abstract By tracing the transformation of the site of the former Convent of the Holy Infant Jesus, this thesis connects key issues and developments in the history of colonial and postcolonial Singapore. The convent, established in 1854 in central Singapore, is now the ‗premier lifestyle destination‘, CHIJMES. I show that the Sisters were early providers of social services and girls‘ education, with an orphanage, women‘s refuge and schools for girls. They survived the turbulent years of the Japanese Occupation of Singapore and adapted to the priorities of the new government after independence, expanding to become the largest cloistered convent in Southeast Asia. -
SPAFA Digest 1990, Vol 11, No. 3
39 (Symbolic Communication in Theatre: A Malaysian Chinese Case by Dr. Chua Soo Pong Theatrical event in Asian Examination of the details of the feelings of the Chinese community in societies has never been a purely structural processes in the artistic Malaysia. But they also reflect the artistic event. It usually has several production of the arts could locate awareness of the Chinese artistes in functions simultaneously. Subli in the specific issues in the wider social stating their inspiration to promote Philippines, Wayang Purwa in Java, context. Malay, Indian, and Chinese dance on Chinese opera in Singapore, Mayong This paper is based on personal equal footing. It is clear that the in Kelantan, or Lakorn Chatri in involvement as adjudicator in the Chinese artistes would prefer the art Thailand, all demonstrate the fact four dance festivals (1983, 1984, 1987, forms of the various ethnic groups to that theatrical events in the region 1989) organized by a number of be developed side by side with one serve a variety of political, social or Chinese cultural organizations in another. religious purposes much more expli- Malaysia and in the author's long citly than the art forms in the West. time observations and research on Gathering in Penang Anthropologists of the art and dance in Malaysia. In this article expressive culture have in recent years the author will focus on three areas. The last two days of 1983 have advanced their studies and proposed It provides an overview of the been most exciting for the dance several approaches in the analysis of festivals organized in the last few audience in Penang. -
Singapore Heritagefest 2015
FACTSHEET – SINGAPORE HERITAGEFEST 2015 SINGAPORE HERITAGEFEST 2015 Duration: 17 April – 18 May 2015 Various venues Into its 12th year, National Heritage Board’s signature Singapore HeritageFest promises yet another edition of heritage fun! Spanning five weekends from 17 April to 18 May, Singapore HeritageFest 2015 will be the largest edition to date with many more community partners coming on board to contribute and participate. In the festival’s spirit of celebration and discovery, explore familiar places, rediscover the lesser known and forgotten stories behind their past, and come to appreciate them in a whole new way. From our humble beginnings on the banks of the Singapore River, to our heartlands and neighbourhoods that are unique in their own ways, join us as we celebrate not just what connects us as one, but also our diversity that make us truly Singaporean. Weekly Programme Highlights: (Details of all the individual programmes can be found on www.heritagefest.sg) Week 1 Great Town – A Tale of Three Campongs Venue: URA Centre Duration: 17 April –17 May 2015 (Exhibition) 2 May 2015, 10.00am – 11.00am (Talk) Great Town – A Tale of Three Campongs takes a timely look at Singapore’s most iconic heritage district in the south of the Singapore River. Typically described today as Singapore’s “Chinatown”, the district was better known as Big Town, or Tua Poh in Hokkien in the past, in contradistinction to Small Town (Sio Poh), which is in the north of the river. Originally set aside by Raffles as a place of settlement for Singapore’s early Chinese immigrant population, Campong China, even in its earliest incarnation, was never an exclusively Chinese enclave.