F Y E R O O L D a R

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YEO F Y E R O O L D A R M A Born 1987, lives and work in Singapore EDUCATION HISTORY Class of 2012 LASALLE College of the Arts Fine Arts Attained Bachelor of Arts (Honors) in Fine Arts EXHIBITIONS HISTORY INDIVIDUAL 2017 Monsoon Song, Yeo Workshop, Singapore 2015 MOYANG, flaneur gallery, Singapore GROUP 2017 Beyond… boundless oceans and vast seas, islands.peninsula Fantasy Islands, Objectifs Ubi, Ubi! UbiStudio 2016 SEMANGAT X/Contemporary Expressions of Southeast Asia Spirit, Galeri Petronas Singapore Biennale 2016: An Atlas of Mirrors, Singapore Art Museum SCOUT Singapore: Emerging Art Practices, Gillman Barracks 2015 SEMANGAT: Art of ASEAN, Bank Negara Malaysia Museum and Art Gallery, Kuala Lumpur, MY Portraits in Verses, Fred Torres Gallery, New York, USA (in collaboration with Galerie Steph) Coming Home, Bedok Reservoir, Singapore 2014 Cam Biasa, ArtOne 21, Singapore FRAGMENTS, TAKSU, Singapore An Eminent Takeover, Eminent Plaza, Singapore SENI MINI, Mi Casa Su Casa, Singapore 2013 GLIMPSE, BUNC@Radius, Singapore Treehugger, FOXRIVER, Singapore MICASA SUCASA, Mi Casa Su Casa, Singapore A National Conversation: blah! Institute of Contemporary Arts Singapore D U S T B U N N I E S, Société General Gallery, Alliance Française de Singapour 2012 The Kids Aren’t Alright, Almanic Clinic, Blue House Artist Village, Singapore Painting 12B, Brunswick Street Gallery, Melbourne, Australia OCCUPIED ART (Lit Up ’12), Telok Ayer Performing Arts Center, Singapore Paradox-ity: City of Contrast, World Expo ’12, SG Pavilion, Yeosu, South Korea L A S A L L E S H O W ’12, Institute of Contemporary Arts Singapore 2011 D A I X Y G A L A S Y, INSTINC, Singapore The City Limits (Lit Up ’11), Goodman Arts Center Art Gallery, Singapore Minimart ’11, The Substation, Singapore 2009 W H I T E W A S H E D II: grRR! Dbl O Art Space, Singapore Journey through our eyes, Art House, Singapore Sour Jokes, Société General Gallery, Alliance Française de Singapour 2008 BE(long)ING, Mint Museum of Toys, Singapore Insert Title, The Art Studio, Old School at Mt. Sophia, Singapore 2007 Pandora’s Box, Frontroom Gallery, Orita Sinclair, Singapore PROJECTS 2017 After Ballads, [prep-room] NX2 Gallery, NUS Museum, Singapore (Ongoing) COLLECTIONS Singapore Art Museum, National Collections, Singapore Bank Negara Malaysia, Museum and Art Gallery Cuscaden Properties .

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Download SB2016 Exhibition Guide
ORGANISED BY COMMISSIONED BY SUPPORTED BY SINGAPORE SINGAPORE BIENNALE 2016 BIENNALE 2016 ARTISTS AHMAD FUAD OSMAN 59 KENTARO HIROKI 21, 49 SHARMIZA ABU HASSAN 27 MALAYSIA THAILAND/JAPAN MALAYSIA MARTHA ATIENZA 31 HTEIN LIN 46 DO HO SUH 28 PHILIPPINES/NETHERLANDS MYANMAR SOUTH KOREA/UNITED STATES/ UNITED KINGDOM AZIZAN PAIMAN 41 JIAO XINGTAO 59 MALAYSIA CHINA ADEELA SULEMAN 49 PAKISTAN RATHIN BARMAN 51 SAKARIN KRUE-ON 61 INDIA THAILAND MELATI SURYODARMO 23 INDONESIA HEMALI BHUTA 26 MARINE KY 57 SEA OF INDIA CAMBODIA/FRANCE EDDY SUSANTO 25 JAPAN INDONESIA SOUTH KOREA JAPAN BUI CONG KHANH 50 PHASAO LAO 35 VIETNAM TCHEU SIONG NOBUAKI TAKEKAWA 48 LAOS JAPAN YELLOW SEA DAVID CHAN 54 CHINA SINGAPORE H.H. LIM 21 JACK TAN 47 MALAYSIA/ITALY SINGAPORE/UNITED KINGDOM CHIA CHUYIA 41 MALAYSIA/SWEDEN LIM SOO NGEE 20 MELISSA TAN 42 PAKISTAN SINGAPORE SINGAPORE CHOU SHIH HSIUNG 29 TAIWAN MADE DJIRNA 27 TAN ZI HAO 28 EAST INDONESIA MALAYSIA CHINA SEA ADE DARMAWAN 48 TAIWAN BANGLADESH INDONESIA MADE WIANTA 25 TITARUBI 34 HONG KONG INDONESIA INDONESIA DENG GUOYUAN 34 INDIA TROPIC OF CANCER MYANMAR CHINA MAP OFFICE 23 TUN WIN AUNG & WAH NU 32 LAOS HONG KONG/FRANCE MYANMAR DEBBIE DING 55 SINGAPORE/UNITED KINGDOM MUNEM WASIF 42 RYAN VILLAMAEL 36 BANGLADESH PHILIPPINES 3 PAGE THAILAND PHILIPPINES PATRICIA PEREZ EUSTAQUIO 22 PHILIPPINE SEA PHILIPPINES PHUONG LINH NGUYEN 33 WEN PULIN 43 VIETNAM BAY VIETNAM ZANG HONGHUA OF SOUTH BENGAL FAIZAL HAMDAN 47 CHINA CAMBODIA CHINA SEA BRUNEI NI YOUYU 30 CHINA WITNESS TO PARADISE 2016: 44 ANDAMAN DEX FERNANDEZ 26 NILIMA SHEIKH, PRANEET SOI, SRI LANKA SEA PHILIPPINES PERCEPTION3 55 ABEER GUPTA & SANJAY KAK SINGAPORE INDIA MALAYSIA BRUNEI FYEROOL DARMA 33 SINGAPORE PALA POTHUPITIYE 24 XIAO LU 20 SRI LANKA CHINA SINGAPORE SUBODH GUPTA 54 INDIA QIU ZHIJIE 29 PANNAPHAN YODMANEE 31 EQUATOR CHINA THAILAND GREGORY HALILI 30 PHILIPPINES NIRANJAN RAJAH 50 HARUMI YUKUTAKE 22 MALAYSIA/CANADA JAPAN HAN SAI POR 37 SINGAPORE ARAYA RASDJARMREARNSOOK 36 ZULKIFLE MAHMOD 24 INDONESIA JAVA FLORES SEA SEA THAILAND SINGAPORE AGAN HARAHAP 32 INDONESIA S.
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Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore.
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Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter.
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Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How
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Nhb13093018.Pdf
Annual Report 2012/2013 CONTENTS 2 Highlights for FY2012 14 Board Members 16 Corporate Information 17 Organisational Structure 18 Corporate Governance 20 Grants & Capability Development 24 Giving 32 Donations & Acquisitions 38 Publications FY2012 was an exciting year of new developments. On 1 November 2012, we came under a new ministry – the Ministry of Culture, Community and Youth. Under the new ministry, we aspire 40 Financial Statements to deepen our conversations and engagements with various sectors. We will continue to nurture Statement by Board Members an appreciation for Singapore’s diverse and multicultural heritage and provide platforms for Independent Auditors’ Report community involvement. Financials A new family member, the Language Council joined the NHB family and we warmly welcome Notes to Financial Statements them. Language is closely linked to one’s heritage and the work that the LCS does will allow NHB to be more synergistic in our heritage offerings for Singaporeans. In FY2012, we launched several new initiatives. Of particular significance was the launch of Our Museum @ Taman Jurong – the first community museum in Singapore’s heartlands. The Malay Heritage Centre was re-opened with a renewed focus on Kampong Gelam, and the contributions of the local Malay community. The Asian Civilisations Museum also announced a new extension, which will allow for more of our National Collection to be displayed. Community engagement remained a priority as we stepped up our efforts to engage Singaporeans from all walks of life – heritage enthusiasts, corporations, interest groups, volunteer guides, patrons and many more, joined us in furthering the heritage cause. Their stories and memories were shared and incorporated into a wide range of offerings including community exhibitions and events, heritage trails, merchandise and e-books.
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From Natural History to National Kitchen: Food in the Museums of Singapore, 20062017
From Natural History to National Kitchen: Food in the Museums of Singapore, 20062017 By: Nicole Tarulevicz and Sandra Hudd Abstract Taking museum exhibitions, publications, and restaurants as a focus, this essay explores how food is used and represented in museums in Singapore, revealing a wider story about nationalism and identity. It traces the transition of food from an element of exhibitions, to a focus of exhibitions, to its current position as an appendage to exhibition. The National Museum is a key site for national meaningmaking and we examine the colonial natural history drawings of William Farquhar in several iterations; how food shortages during the Japanese Occupation of Singapore during World War II have been used for nationbuilding; and hawker food as iconography and focus of culinary design objects. Issues of national identity within a multi ethnic society are then highlighted in the context of the National Kitchen restaurant at the National Gallery of Singapore. Key Words: Singapore, museums, hawker food, memory, nation building Introduction From Berlin’s Deutsches Currywurst Museum to Seoul’s Museum Kimchikan (formerly Kimchi Museum), food is increasingly taking center stage in museums. Food also makes regular appearances in conventional museums and galleries, be that the Julia Child exhibition at the National Museum of American History in Washington, D. C., or an exhibition on food cravings at London’s Science Museum. New Zealand’s giant kiwifruit is just one of very many giant tributes intended to attract tourists. The Southeast Asian citystate of Singapore is well known as a foodie destination and it should come as no surprise that there has been a growing interest, in the last decade, in including food and foodways as content in Singapore’s cultural institutions.
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ANNEX a Complete List of Featured Artists and a I Light Marina Bay 2012 9 March – 1 April Marina Bay Featured Artists And
i Light Marina Bay 2012 9 March – 1 April Marina Bay ANNEX A Complete List of Featured Artists and Art Installations No Artist Gender Born Country of Birth Base 1 Aleksandra Stratimirovic * F 1968 Yugoslavia Sweden Andrew Daly F 1986 Australia Australia 2 Katherine Fife M 1990 Australia Australia 3 Angela Chong* F 1977 Singapore Singapore 4 Be Takerng Pattanopas* M 1965 Thailand Bangkok 5 BIBI M 1964 France France 6 Cornelia Erdmann* F 1976 Germany Hong Kong 7 Craig Walsh M 1966 Australia Australia 8 Dev Harlan M 1978 USA USA 9 Edwin Tan* M 1981 Singapore Singapore Groupe LAPS 10 Thomas Veyssiere (Director) M 1971 France France Hexogon Solution* 11 M 1976 Singapore Singapore Adrian Goh (Team Leader) 12 Li Hui M 1977 China China Light Collective* 13 Martin Lupton M 1969 UK UK Sharon Stammers F 1971 UK UK France, 14 Marine Ky* F 1966 Cambodia Cambodia, Australia Martin Bevz M 1986 Australia Australia 15 Kathryn Clifton F 1985 Australia Australia OCUBO* 16 Nuno Maya M 1978 Portugal Portugal Carolle Pumelle F 1964 Democratic Republic of Portugal Congo 17 Olivia d’Aboville* F 1986 Philippines Philippines 18 Olivia Lee* F 1985 Singapore Singapore 19 Ryf Zaini* M 1980 Singapore Singapore 20 Shinya Okuda M - Japan Singapore 21 StoryBox M 1975 New Zealand New Zealand Singapore Student 22 Showcase 1: - - - Singapore LASALLE College of the Arts 23 Singapore Student - - - Singapore Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Showcase 2: School of the Arts Singapore 24 Takahiro Matsuo M 1979 Japan
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27 August 2020
FOR IMMEDIATE RELEASE NATIONAL GALLERY SINGAPORE AND SINGAPORE ART MUSEUM COME TOGETHER WITH LOCAL ARTISTS AND CURATORS IN TWO NEW SHOWS TO SUPPORT THE ART COMMUNITY Exhibitions by National Gallery Singapore and Singapore Art Museum present a collective response by the art community on moving forward amid COVID-19 (Left to right) Key visual for An Exercise of Meaning in a Glitch Season. Image courtesy of National Gallery Singapore; Key visual for Time Passes. Image courtesy of Singapore Art Museum. Singapore, 27 August 2020 – Two new shows opening at National Gallery Singapore on 4 September will see the local visual arts community come together in a show of solidarity with one another, and with the community at large. The two exhibitions, An Exercise of Meaning in a Glitch Season by National Gallery Singapore, and Time Passes by Singapore Art Museum, are helmed by independent curators, and spotlight established and emerging local contemporary artists and their work. The exhibitions are part of Proposals for Novel Ways of Being, an unprecedented initiative by the two museums in partnership with 10 other local art institutions, independent art spaces and art collectives. The large-scale collaboration features the works of over 170 artists in response 1 to the COVID-19 pandemic, and they offer the public inspiration in moving forward in a changed world. Gallery visitors will experience diverse art works that draw them into poetic meditations on the present state of affairs in society and invite them to explore notions of caretaking and time in a world altered by the pandemic. An Exercise of Meaning in a Glitch Season by guest curator Syaheedah Iskandar features the works of 10 young Singapore-based artists, while Time Passes is helmed by guest curator Samantha Yap and comprises works by 13 artists, 12 of whom are based locally.
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To Dance Alone Alone Dancing
Exhibition Programme 8 JAN – 9 FEB 2020 Opening reception tuesday, 7 january 2020, 7 – 9pm Guest DJ zai tang Kwek Mambo by Zai Tang Echoing Susie Wong’s Dancing Alone, Zai will be playing an eclectic selection of local and regional music from bygone eras, as well as sonorous offerings from places further afield. Put on your dancing shoes and prepare for some pop yeh yeh, rock Khmer, molam magic, Sumatran sublimation, indigenous ingenuity and much more! To Dance Alone In Conversation saturday, 11 january 2020, 2 – 3pm Dancing Speakers susie wong, kimberly shen, and faith ng This conversation will expand upon the work’s focus on women’s narratives and representation, dovetailing into the liberatory potential of dance, everyday nuances of love, romance, desire and vulnerability. Joget Malam friday, 7 february 2020, 7.30 – 9.30pm Alone Featuring Zai Tang’s music playlist mixed by Mr. Has (Telok Ayer Arts Club) and performances by Sharda Harrison and Sabrina Sng Surrender by Sharda Harrison The body is a pathway to God. Our bodies have a delightful ability to communicate, to commune, to illustrate, to surrender, to liberate, to ... dance. Our bodies are ancient portals that connect us to the spirit world. A Chukchee proverb declares, “Woman is by nature a shaman.” Yet, we now live in a world where the female goddess whom resides in each of us, has been slighted, over-looked and even objectified. This short piece invokes the ultimate goddess in every woman and man, through text, ritual and movement. ( ) ——Kimberly Shen don’t leave me the butterfly effect by Sabrina Sng the butterfly effect invites the watcher to the inner world of a Singaporean woman where she reveals her transformative process in search of herself.
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Of 19 FACTSHEET NIGHT FESTIVAL 2012 Back for Its Fifth Instalment
FACTSHEET NIGHT FESTIVAL 2012 Back for its fifth instalment since 2008, Night Festival 2012 returns with a bang promising a nocturnal extravaganza of spectacular aerial performances, music, and dance and artworks. Held over two weekends on 24th & 25th August and 31st August & 1st September, Night Festival 2012 showcases the buzz and vibrancy in the Bras Basah.Bugis Arts and Heritage Precinct. The entire area will be transformed into a carnival ground with main events taking place on the public green spaces of SMU, National Museum of Singapore, Singapore Art Museum, The Peranakan Museum, The Substation, and more. Night Festival 2012 is bigger than ever as the entire Bras Basah.Bugis community comes together to make the festival a success. Stretching from Cathay building to Armenian Street, this year sees a record number of partners in the area actively involved in the Festival itself, such as The Cathay, Timbre, Switch, Vanguard Building, CHIJMES, LOOF, Select Books and SOTA. Providing a platform for the best of our local talents to perform and collaborate with foreign acts, Night Festival promises a lively exchange of skills, culture and talent for the performers as well as the audience. With the rich line-up of programmes, Singaporeans will be able to come together to celebrate and create new shared memories through meaningful and engaging experiences at the festival this year. As part of Night Festival, the National Museum of Singapore, Singapore Art Museum, and The Peranakan Museum will also be open till 2.00am. Page 1 of 19 NIGHT FESTIVAL 2012 INFORMATION Date: Fri 24 Aug & Sat 25 Aug 2012 Fri 31 Aug & Sat 1 Sep 2012 Time: 7.00pm – 2.00am Venue: Bras Basah.Bugis Precinct Admission: Free Admission Road Closure at Armenian Street For the first time, Armenian Street will be closed on the second festival weekend, 31 August and 1 September from 8.00pm to 2.00am due to strong support from partners who have planned programmes for the public along the street.
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Vertical Submarine Vertical Submarine Is an Art Collective From
Raffles Hotel Arcade • Unit #01-21 • 328 North Bridge Road • Singapore 188719 t: +65 6338 1962 • e: [email protected] www.chanhampegalleries.com Vertical Submarine Vertical Submarine is an art collective from Singapore comprising of three members–Joshua Yang, Justin Loke and Fiona Koh. Their works include installations, drawings and paintings, which involve text, storytelling and an acquired sense of humour. The collective has participated in projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. SELECT EXHIBITIONS 2015 Penetrations Chan Hampe Galleries, Singapore 2015 Residency and Research at Singapour en France – le festival Foundation La Roche Jacquelin, Anjou, France 2015 A View with a Room Musee d' art Contemporain (MAC) Lyon, Lyon, France 2015 Singapore Inside Out, Singapore Tourism Board (STB), SG50 Celebrations Beijing, London, New York, Singapore 2015 John Martin: The Butcher and The Surgeon Dialogic, Singapore 2015 Collective Form Objectifs – Center for Photography and Filmmaking, Singapore 2014 The Roving Eye: Contemporary Art from SE Asia ARTER (Vehbi Koc Foundation), Istanbul, Turkey 2014 Mirrors and Copulation Arter, Istanbul, Turkey 2014 Eville Singapore Night Festival 2014, artspace@222, Singapore 2014 Where have all the Tempinis gone? Coming Home, Passion Arts Month 2014, Singapore 2013 Sun Tzu’s Art of War Southeast Asia Pavilion, Beirut Art Fair, Beirut, Lebanon 2013 Hokkien Rhymes Esplanade, Singapore 2013 Wallflowers Gardens by the Bay Station, Thomson Line Art
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Arts House Limited Annual Report for the Year Ended 31 March 2019
ARTS HOUSE LIMITED ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2019 Arts House Limited (AHL) is a not-for-profit organisation committed to enriching lives through the arts. AHL manages two key landmarks located in the heart of Singapore’s Civic District – The Arts House, a multi-disciplinary arts centre with a focus on literary programming, and the Victoria Theatre & Victoria Concert Hall, a heritage building that is home to the Singapore Symphony Orchestra. It also runs the Goodman Arts Centre and Aliwal Arts Centre, two creative enclaves for artists, arts groups and creative businesses, and performing arts space Drama Centre. AHL presents the Singapore International Festival of Arts, the annual pinnacle celebration of performance and interdisciplinary arts in Singapore commissioned by the National Arts Council. AHL was set up in 11 Dec 2002 as a company limited by guarantee (CLG) under National Arts Council (NAC) and was formerly known as The Old Parliament House Limited. It was officially renamed Arts House Limited on 19 Mar 2014. Vision A leader in nurturing, inspiring and enriching communities through the arts in Singapore Mission Bridging the arts and audiences by transforming ideas into reality through our distinctive spaces and programmes Values Excellence We embrace change and champion innovation in our pursuit of creative explorations and meaningful arts experiences. We perform at the highest standards, striving to be the best that we can be. Respect We treat others how we would like to be treated. We value each person’s worth and contribution and celebrate authenticity and diversity. We remain grounded and humble in our interactions.
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