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Performance Art
(hard cover) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Master of Arts Fine Arts 2006 LASALLE-SIA COLLEGE OF THE ARTS (blank page) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Submitted in Partial Fulfillment of the Degree Master of Arts (Fine Arts) LASALLE-SIA College of the Arts Faculty of Fine Arts Singapore May, 2006 ii Accepted by the Faculty of Fine Arts, LASALLE-SIA College of the Arts, In partial fulfillment of the requirements For the degree Master of Arts (Fine Arts). Vincent Leow Studio Supervisor Adeline Kueh Thesis Supervisor I certify that the thesis being submitted for examination is my own account of my own research, which has been conducted ethically. The data and the results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequently to my registration for the degree for which I am submitting this document. Lee Wen In submitting this thesis to LASALLE-SIA College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property. -
Download SB2016 Exhibition Guide
ORGANISED BY COMMISSIONED BY SUPPORTED BY SINGAPORE SINGAPORE BIENNALE 2016 BIENNALE 2016 ARTISTS AHMAD FUAD OSMAN 59 KENTARO HIROKI 21, 49 SHARMIZA ABU HASSAN 27 MALAYSIA THAILAND/JAPAN MALAYSIA MARTHA ATIENZA 31 HTEIN LIN 46 DO HO SUH 28 PHILIPPINES/NETHERLANDS MYANMAR SOUTH KOREA/UNITED STATES/ UNITED KINGDOM AZIZAN PAIMAN 41 JIAO XINGTAO 59 MALAYSIA CHINA ADEELA SULEMAN 49 PAKISTAN RATHIN BARMAN 51 SAKARIN KRUE-ON 61 INDIA THAILAND MELATI SURYODARMO 23 INDONESIA HEMALI BHUTA 26 MARINE KY 57 SEA OF INDIA CAMBODIA/FRANCE EDDY SUSANTO 25 JAPAN INDONESIA SOUTH KOREA JAPAN BUI CONG KHANH 50 PHASAO LAO 35 VIETNAM TCHEU SIONG NOBUAKI TAKEKAWA 48 LAOS JAPAN YELLOW SEA DAVID CHAN 54 CHINA SINGAPORE H.H. LIM 21 JACK TAN 47 MALAYSIA/ITALY SINGAPORE/UNITED KINGDOM CHIA CHUYIA 41 MALAYSIA/SWEDEN LIM SOO NGEE 20 MELISSA TAN 42 PAKISTAN SINGAPORE SINGAPORE CHOU SHIH HSIUNG 29 TAIWAN MADE DJIRNA 27 TAN ZI HAO 28 EAST INDONESIA MALAYSIA CHINA SEA ADE DARMAWAN 48 TAIWAN BANGLADESH INDONESIA MADE WIANTA 25 TITARUBI 34 HONG KONG INDONESIA INDONESIA DENG GUOYUAN 34 INDIA TROPIC OF CANCER MYANMAR CHINA MAP OFFICE 23 TUN WIN AUNG & WAH NU 32 LAOS HONG KONG/FRANCE MYANMAR DEBBIE DING 55 SINGAPORE/UNITED KINGDOM MUNEM WASIF 42 RYAN VILLAMAEL 36 BANGLADESH PHILIPPINES 3 PAGE THAILAND PHILIPPINES PATRICIA PEREZ EUSTAQUIO 22 PHILIPPINE SEA PHILIPPINES PHUONG LINH NGUYEN 33 WEN PULIN 43 VIETNAM BAY VIETNAM ZANG HONGHUA OF SOUTH BENGAL FAIZAL HAMDAN 47 CHINA CAMBODIA CHINA SEA BRUNEI NI YOUYU 30 CHINA WITNESS TO PARADISE 2016: 44 ANDAMAN DEX FERNANDEZ 26 NILIMA SHEIKH, PRANEET SOI, SRI LANKA SEA PHILIPPINES PERCEPTION3 55 ABEER GUPTA & SANJAY KAK SINGAPORE INDIA MALAYSIA BRUNEI FYEROOL DARMA 33 SINGAPORE PALA POTHUPITIYE 24 XIAO LU 20 SRI LANKA CHINA SINGAPORE SUBODH GUPTA 54 INDIA QIU ZHIJIE 29 PANNAPHAN YODMANEE 31 EQUATOR CHINA THAILAND GREGORY HALILI 30 PHILIPPINES NIRANJAN RAJAH 50 HARUMI YUKUTAKE 22 MALAYSIA/CANADA JAPAN HAN SAI POR 37 SINGAPORE ARAYA RASDJARMREARNSOOK 36 ZULKIFLE MAHMOD 24 INDONESIA JAVA FLORES SEA SEA THAILAND SINGAPORE AGAN HARAHAP 32 INDONESIA S. -
Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
F Y E R O O L D a R
YEO F Y E R O O L D A R M A Born 1987, lives and work in Singapore EDUCATION HISTORY Class of 2012 LASALLE College of the Arts Fine Arts Attained Bachelor of Arts (Honors) in Fine Arts EXHIBITIONS HISTORY INDIVIDUAL 2017 Monsoon Song, Yeo Workshop, Singapore 2015 MOYANG, flaneur gallery, Singapore GROUP 2017 Beyond… boundless oceans and vast seas, islands.peninsula Fantasy Islands, Objectifs Ubi, Ubi! UbiStudio 2016 SEMANGAT X/Contemporary Expressions of Southeast Asia Spirit, Galeri Petronas Singapore Biennale 2016: An Atlas of Mirrors, Singapore Art Museum SCOUT Singapore: Emerging Art Practices, Gillman Barracks 2015 SEMANGAT: Art of ASEAN, Bank Negara Malaysia Museum and Art Gallery, Kuala Lumpur, MY Portraits in Verses, Fred Torres Gallery, New York, USA (in collaboration with Galerie Steph) Coming Home, Bedok Reservoir, Singapore 2014 Cam Biasa, ArtOne 21, Singapore FRAGMENTS, TAKSU, Singapore An Eminent Takeover, Eminent Plaza, Singapore SENI MINI, Mi Casa Su Casa, Singapore 2013 GLIMPSE, BUNC@Radius, Singapore Treehugger, FOXRIVER, Singapore MICASA SUCASA, Mi Casa Su Casa, Singapore A National Conversation: blah! Institute of Contemporary Arts Singapore D U S T B U N N I E S, Société General Gallery, Alliance Française de Singapour 2012 The Kids Aren’t Alright, Almanic Clinic, Blue House Artist Village, Singapore Painting 12B, Brunswick Street Gallery, Melbourne, Australia OCCUPIED ART (Lit Up ’12), Telok Ayer Performing Arts Center, Singapore Paradox-ity: City of Contrast, World Expo ’12, SG Pavilion, Yeosu, South Korea L A S A L L E S H O W ’12, Institute of Contemporary Arts Singapore 2011 D A I X Y G A L A S Y, INSTINC, Singapore The City Limits (Lit Up ’11), Goodman Arts Center Art Gallery, Singapore Minimart ’11, The Substation, Singapore 2009 W H I T E W A S H E D II: grRR! Dbl O Art Space, Singapore Journey through our eyes, Art House, Singapore Sour Jokes, Société General Gallery, Alliance Française de Singapour 2008 BE(long)ING, Mint Museum of Toys, Singapore Insert Title, The Art Studio, Old School at Mt. -
Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter. -
Associate Artistic Director, Theatreworks, Singapore Associate Artist, the Substation, Singapore
Associate Artistic Director, Theatreworks, Singapore Associate Artist, The Substation, Singapore vertical submarine is an art collective from Singapore that consists of Joshua Yang, Justin Loke and Fiona Koh (in order of seniority). According to them, they write, draw and paint a bit but eat, drink and sleep a lot. Their works include installations, drawings and paintings which involve text, storytelling and an acquired sense of humour. In 2010, they laid siege to the Singapore Art Museum and displayed medieval instruments of torture including a fully functional guillotine. They have completed projects in Spain, Taiwan, Hong Kong, Korea, The Philippines, Mexico City, Australia and Germany. Collectively they have won several awards including the Credit Suisse Artist Residency Award 2009, The President’s Young Talents Award 2009 and the Singapore Art Show Judges’ Choice 2005. They have recently completed a residency at Gertrude Contemporary in Melbourne. MERITS 2009 President’s Young Talents 2009 Credit Suisse Art Residency Award 2005 Singapore Art Show 2005: New works, Judge’s Choice 2004 1st Prize - Windows @ Wisma competition, Wisma Atria creative windows display PROJECTS 2011 Incendiary Texts, Richard Koh Fine Art, Kuala Lumpur, Malaysia Dust: A Recollection, Theatreworks, Singapore Asia: Looking South, Arndt Contemporary Art, Berlin, Germany Postcards from Earth, Objectifs – Center for Photography and Filmmaking, Singapore Open Studios, Gertrude Contemporary, Melbourne, Australia Art Stage 2011, Marina Bay Sands, Singapore 2010 How -
Art of Tang Da Wu
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Body and communication : the ‘ordinary’ art of Tang Da Wu Wee, C. J. Wan‑Ling 2018 Wee, C. J. W.‑L. (2018). Body and communication : the ‘ordinary’ artof Tang Da Wu. Theatre Research International, 42(3), 286‑306. doi:10.1017/S0307883317000591 https://hdl.handle.net/10356/144518 https://doi.org/10.1017/S0307883317000591 © 2018 International Federation for Theatre Research. All rights reserved. This paper was published by Cambridge University Press in Theatre Research International and is made available with permission of International Federation for Theatre Research. Downloaded on 27 Sep 2021 10:02:22 SGT Accepted and finalized version of: Wee, C. J. W.-L. (2018). ‘Body and communication: The “Ordinary” Art of Tang Da Wu’. Theatre Research International, 42(3), 286-306. C. J. W.-L. Wee [email protected] Body and Communication: The ‘Ordinary’ Art of Tang Da Wu Abstract What might the contemporary performing body look like when it seeks to communicate and to cultivate the need to live well within the natural environment, whether the context of that living well is framed and set upon either by longstanding cultural traditions or by diverse modernizing forces over some time? The Singapore performance and visual artist Tang Da Wu has engaged with a present and a region fractured by the predations of unacceptable cultural norms – the consequences of colonial modernity or the modern nation-state taking on imperial pretensions – and the subsumption of Singapore society under capitalist modernization. Tang’s performing body both refuses the diminution of time to the present, as is the wont of the forces he engages with, and undertakes interventions by sometimes elusive and ironic means – unlike some overdetermined contemporary performance art – that reject the image of the modernist ‘artist as hero’. -
Nhb13093018.Pdf
Annual Report 2012/2013 CONTENTS 2 Highlights for FY2012 14 Board Members 16 Corporate Information 17 Organisational Structure 18 Corporate Governance 20 Grants & Capability Development 24 Giving 32 Donations & Acquisitions 38 Publications FY2012 was an exciting year of new developments. On 1 November 2012, we came under a new ministry – the Ministry of Culture, Community and Youth. Under the new ministry, we aspire 40 Financial Statements to deepen our conversations and engagements with various sectors. We will continue to nurture Statement by Board Members an appreciation for Singapore’s diverse and multicultural heritage and provide platforms for Independent Auditors’ Report community involvement. Financials A new family member, the Language Council joined the NHB family and we warmly welcome Notes to Financial Statements them. Language is closely linked to one’s heritage and the work that the LCS does will allow NHB to be more synergistic in our heritage offerings for Singaporeans. In FY2012, we launched several new initiatives. Of particular significance was the launch of Our Museum @ Taman Jurong – the first community museum in Singapore’s heartlands. The Malay Heritage Centre was re-opened with a renewed focus on Kampong Gelam, and the contributions of the local Malay community. The Asian Civilisations Museum also announced a new extension, which will allow for more of our National Collection to be displayed. Community engagement remained a priority as we stepped up our efforts to engage Singaporeans from all walks of life – heritage enthusiasts, corporations, interest groups, volunteer guides, patrons and many more, joined us in furthering the heritage cause. Their stories and memories were shared and incorporated into a wide range of offerings including community exhibitions and events, heritage trails, merchandise and e-books. -
From Natural History to National Kitchen: Food in the Museums of Singapore, 20062017
From Natural History to National Kitchen: Food in the Museums of Singapore, 20062017 By: Nicole Tarulevicz and Sandra Hudd Abstract Taking museum exhibitions, publications, and restaurants as a focus, this essay explores how food is used and represented in museums in Singapore, revealing a wider story about nationalism and identity. It traces the transition of food from an element of exhibitions, to a focus of exhibitions, to its current position as an appendage to exhibition. The National Museum is a key site for national meaningmaking and we examine the colonial natural history drawings of William Farquhar in several iterations; how food shortages during the Japanese Occupation of Singapore during World War II have been used for nationbuilding; and hawker food as iconography and focus of culinary design objects. Issues of national identity within a multi ethnic society are then highlighted in the context of the National Kitchen restaurant at the National Gallery of Singapore. Key Words: Singapore, museums, hawker food, memory, nation building Introduction From Berlin’s Deutsches Currywurst Museum to Seoul’s Museum Kimchikan (formerly Kimchi Museum), food is increasingly taking center stage in museums. Food also makes regular appearances in conventional museums and galleries, be that the Julia Child exhibition at the National Museum of American History in Washington, D. C., or an exhibition on food cravings at London’s Science Museum. New Zealand’s giant kiwifruit is just one of very many giant tributes intended to attract tourists. The Southeast Asian citystate of Singapore is well known as a foodie destination and it should come as no surprise that there has been a growing interest, in the last decade, in including food and foodways as content in Singapore’s cultural institutions. -
ANNEX a Complete List of Featured Artists and a I Light Marina Bay 2012 9 March – 1 April Marina Bay Featured Artists And
i Light Marina Bay 2012 9 March – 1 April Marina Bay ANNEX A Complete List of Featured Artists and Art Installations No Artist Gender Born Country of Birth Base 1 Aleksandra Stratimirovic * F 1968 Yugoslavia Sweden Andrew Daly F 1986 Australia Australia 2 Katherine Fife M 1990 Australia Australia 3 Angela Chong* F 1977 Singapore Singapore 4 Be Takerng Pattanopas* M 1965 Thailand Bangkok 5 BIBI M 1964 France France 6 Cornelia Erdmann* F 1976 Germany Hong Kong 7 Craig Walsh M 1966 Australia Australia 8 Dev Harlan M 1978 USA USA 9 Edwin Tan* M 1981 Singapore Singapore Groupe LAPS 10 Thomas Veyssiere (Director) M 1971 France France Hexogon Solution* 11 M 1976 Singapore Singapore Adrian Goh (Team Leader) 12 Li Hui M 1977 China China Light Collective* 13 Martin Lupton M 1969 UK UK Sharon Stammers F 1971 UK UK France, 14 Marine Ky* F 1966 Cambodia Cambodia, Australia Martin Bevz M 1986 Australia Australia 15 Kathryn Clifton F 1985 Australia Australia OCUBO* 16 Nuno Maya M 1978 Portugal Portugal Carolle Pumelle F 1964 Democratic Republic of Portugal Congo 17 Olivia d’Aboville* F 1986 Philippines Philippines 18 Olivia Lee* F 1985 Singapore Singapore 19 Ryf Zaini* M 1980 Singapore Singapore 20 Shinya Okuda M - Japan Singapore 21 StoryBox M 1975 New Zealand New Zealand Singapore Student 22 Showcase 1: - - - Singapore LASALLE College of the Arts 23 Singapore Student - - - Singapore Organised by Festival Direction by Held in i Light Marina Bay 2012 9 March – 1 April Marina Bay Showcase 2: School of the Arts Singapore 24 Takahiro Matsuo M 1979 Japan -
World, the Interdisciplinary Arts and the Community: an Interview with the Artistic Director of the Substation – a Home for the Arts
The ‘Real’ World, the Interdisciplinary Arts and the Community: An Interview with the Artistic Director of The Substation – A Home for the Arts Noor Effendy Ibrahim, interviewed by C. J. W.-L. Wee What would you say are the present central goals of the historically first independent Singapore art centre, The Substation – A Home for the Arts? I have been Artistic Director of The Substation since February 2010. The key goal is clear: to continue and develop the legacy of this centre1 through artistic strategies and methods that are sensitive to and aware of the current and immediate cultural, political and economic contexts that exist. The Substation aims to provide a rigorous and safe space for the development and research into art practices that have a primarily interdisciplinary orientation – in short, the aim is to be a venue where dialogues occur and artistic curation and creation can transpire. It is apparent, though, that the physical infrastructure of The Substation is ageing, and that sufficient funding is also another key concern. So, a major issue is the re-thinking of how to make the available resources within The Substation itself good enough such that challenging artwork is possible, and so that the imagination of the larger arts community – the larger public, government agencies and possible funders – can be fired up to comprehend our commitment to interdisciplinary arts creation at The Substation, whatever the limitations and constraints of the moment. A particular challenge that we are face today lies in the education, the nurturing and the sustaining of critically informed and engaged audiences who will not be fearful of the artistic experimentation and exploration that form the backbone of interdisciplinary practice. -
27 August 2020
FOR IMMEDIATE RELEASE NATIONAL GALLERY SINGAPORE AND SINGAPORE ART MUSEUM COME TOGETHER WITH LOCAL ARTISTS AND CURATORS IN TWO NEW SHOWS TO SUPPORT THE ART COMMUNITY Exhibitions by National Gallery Singapore and Singapore Art Museum present a collective response by the art community on moving forward amid COVID-19 (Left to right) Key visual for An Exercise of Meaning in a Glitch Season. Image courtesy of National Gallery Singapore; Key visual for Time Passes. Image courtesy of Singapore Art Museum. Singapore, 27 August 2020 – Two new shows opening at National Gallery Singapore on 4 September will see the local visual arts community come together in a show of solidarity with one another, and with the community at large. The two exhibitions, An Exercise of Meaning in a Glitch Season by National Gallery Singapore, and Time Passes by Singapore Art Museum, are helmed by independent curators, and spotlight established and emerging local contemporary artists and their work. The exhibitions are part of Proposals for Novel Ways of Being, an unprecedented initiative by the two museums in partnership with 10 other local art institutions, independent art spaces and art collectives. The large-scale collaboration features the works of over 170 artists in response 1 to the COVID-19 pandemic, and they offer the public inspiration in moving forward in a changed world. Gallery visitors will experience diverse art works that draw them into poetic meditations on the present state of affairs in society and invite them to explore notions of caretaking and time in a world altered by the pandemic. An Exercise of Meaning in a Glitch Season by guest curator Syaheedah Iskandar features the works of 10 young Singapore-based artists, while Time Passes is helmed by guest curator Samantha Yap and comprises works by 13 artists, 12 of whom are based locally.