THE INSIDE GUIDE TO P L AY WRITING Introduction by 02 Hannah Khalil Playwriting 06 exercises by Sonia Jalaly Artist profile: 12 GUIDE Isabel Hague Guide compiled by Euan Borland Artist profile: 16 Photography Credits Temi Wilkey Ben Carpenter Abby Dunlavy Rachel Hague What your script 20 Manuel Harlan Sarah Keeling should look like Helen Murray Richard Saker Naomi Woddis Artist profile: 24 EDUCATION & COMMUNITY Sabrina Mahfouz Director of Education & Community Hannah Fosker Artist profile: 28 Education Manager Euan Borland Vinay Patel Young Person’s Programme Manager Naomi McKenna Lawson Education & Community Coordinator Further reading, 32 Kate Lawrence-Lunniss Education & Community Intern watching & listening Annys Whyatt With generous thanks to Old Vic staff Glossary of terms 34 and associates If you would like to learn more about our Opportunities 36 education programmes please contact
[email protected] CONTENTS & next steps 2 Back to Contents page 1 At what point can you on a date. He was nice but I wasn’t call yourself a writer? interested. This someone told me if I kept Is it about how many turning down offers of dates from nice words you write a day? blokes, I’d end up old and alone. I was really Or if you’ve finished writing angry. But I couldn’t find the words or the that play? Or does it have confidence to argue with her. So, I sat down to have been produced? and wrote a little play. And that helped me Or is it about if you’ve a lot. I mention this because writing for me earned any money from has become what that first play was: a way writing yet? Or the number to try and understand the world and other of plays you’ve written? human beings and why they do the things Or if you’ve won a prize? they do.