Encorethe Performing Arts Magazine 2008 Spring Season
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The Roles Actors Perform: Role-Play and Reality in a Higher Education Context
The roles actors perform: role-play and reality in a higher education context Matthew Riddle, BA Department of History and Philosophy of Science Faculty of Arts University of Melbourne July, 2006 Submitted in partial fulfilment of the requirements of the degree of Master of Arts (by Advanced Seminar and Shorter Thesis) Abstract This thesis undertakes a description and analysis of the way in which Australian higher education students perform roles through the use of online role-play systems at the University of Melbourne. It includes a description of two case studies: DRALE Online, developed in 1997, and The Campaign, developed in 2003. The research undertakes a detailed study of The Campaign, using empirical data derived from classroom observations, online communications, and semi-structured interviews. It undertakes a qualitative analysis of these data using an interpretive approach informed by models drawn from social theory and sociotechnical theory. Educational authors argue that online educational role-plays engage students in authentic learning, and represent an improvement over didactic teaching strategies. According to this literature, online role-play systems afford students the opportunity of acting and doing instead of only reading and listening. Literature in social theory and social studies of technology takes a different view of certain concepts such as performance, identity and reality. Models such as actor-network theory ask us to consider all actors in the sociotechnical network in order to understand how society and technology are related. This thesis examines these concepts by addressing a series of research questions, such as how students become engaged with identities, how identities are mediated, and the extent to which roles in these role-plays are shaped by the system, the scenario, and the agency of the actors themselves. -
Roger Deakins to Receive Variety Artisan Award At
August 14, 2019 .MEDIA RELEASE. ROGER DEAKINS TO RECEIVE VARIETY ARTISAN AWARD AT TIFF TRIBUTE GALA TORONTO — Joana Vicente and Cameron Bailey, Co-Heads of TIFF, today announced that Academy Award-winning cinematographer Roger Deakins will be honoured with the Variety Artisan Award at this year’s TIFF Tribute Gala awards event. The award recognizes a distinguished filmmaker who has excelled at their craft and made an outstanding contribution to cinema. Taking place on Monday, September 9, at the Fairmont Royal York, during the 44th Toronto International Film Festival, the Gala is an annual fundraiser to support TIFF’s year-round programmes and core mission to transform the way people see the world through film, and to celebrate the film industry’s outstanding contributors. Variety is proud to be the exclusive trade media partner on the event. Deakins won an Academy Award for Blade Runner 2049, and was nominated for an additional 13 Oscars for his work on films including The Shawshank Redemption; O Brother, Where Art Thou?; No Country for Old Men; Skyfall; and Sicario. His illustrious career, spanning more than 40 years, also includes four ASC Award wins for Outstanding Cinematography, four BAFTA Awards, and collaborations with directors such as the Coen brothers, Ron Howard, Martin Scorsese, Angelina Jolie, Sam Mendes and Denis Villeneuve, making him one of the most sought-after cinematographers in the industry. Deakins’ latest work will be featured in the upcoming film The Goldfinch. Directed by John Crowley and starring Ansel Elgort, Oakes Fegley, Aneurin Barnard, Finn Wolfhard, Sarah Paulson, Luke Wilson, Jeffrey Wright and Nicole Kidman, The Goldfinch will have its World Premiere at TIFF and will be released by Warner Bros. -
Cumming, Alan (B. 1965) by Linda Rapp
Cumming, Alan (b. 1965) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Alan Cumming. Detail of Entry Copyright © 2005, glbtq, inc. a photograph by Angela Reprinted from http://www.glbtq.com Brinskele (© Angela Brinskele). Versatile actor Alan Cumming has performed a wide variety of roles on stage, screen, Image courtesy Angela Brinskele. and television. He has earned numerous awards for his acting and also for his support of glbtq causes. The younger son of a forester and a homemaker, Alan Cumming was born January 27, 1965 in Aberfeldy, Perthshire, Scotland. He spent his first year in the neighboring town of Dunkeld, where his father worked on a large estate. The family then moved to Fassfern on the west coast of the country, and three years later settled on the east coast, on another estate near Carnoustie. As a child growing up on an isolated estate he lacked playmates--his only sibling was six years older than he--and so he amused himself by acting out stories of his own invention. His cast, he recalled, consisted of "me and my dog. And imaginary others." After graduating from Carnoustie High School, Cumming worked for a year at a publishing company in Dundee, initially in the fiction department and then interviewing bands for a pop culture magazine called TOPS. Cumming then enrolled in the Royal Scottish Academy of Music and Drama in Glasgow. While attending the academy Cumming met and married fellow student Hilary Lyon. After graduating in 1985, Cumming and a friend, Forbes Masson, developed a stand-up comedy act that proved extremely popular. -
1985 Commencement Program, University Archives, University Of
UNIVERSITY of PENNSYLVANIA Two Hundred Twenty-Ninth Commencement for the Conferring of Degrees PHILADELPHIA CIVIC CENTER CONVENTION HALL Monday, May 20, 1985 Guests will find this diagram helpful in locating the Contents on the opposite page under Degrees in approximate seating of the degree candidates. The Course. Reference to the paragraph on page seven seating roughly corresponds to the order by school describing the colors of the candidates' hoods ac- in which the candidates for degrees are presented, cording to their fields of study may further assist beginning at top left with the College of Arts and guests in placing the locations of the various Sciences. The actual sequence is shown in the schools. Contents Page Seating Diagram of the Graduating Students 2 The Commencement Ceremony 4 Commencement Notes 6 Degrees in Course 8 • The College of Arts and Sciences 8 The College of General Studies 16 The School of Engineering and Applied Science 17 The Wharton School 25 The Wharton Evening School 29 The Wharton Graduate Division 31 The School of Nursing 35 The School of Medicine 38 v The Law School 39 3 The Graduate School of Fine Arts 41 ,/ The School of Dental Medicine 44 The School of Veterinary Medicine 45 • The Graduate School of Education 46 The School of Social Work 48 The Annenberg School of Communications 49 3The Graduate Faculties 49 Certificates 55 General Honors Program 55 Dental Hygiene 55 Advanced Dental Education 55 Social Work 56 Education 56 Fine Arts 56 Commissions 57 Army 57 Navy 57 Principal Undergraduate Academic Honor Societies 58 Faculty Honors 60 Prizes and Awards 64 Class of 1935 70 Events Following Commencement 71 The Commencement Marshals 72 Academic Honors Insert The Commencement Ceremony MUSIC Valley Forge Military Academy and Junior College Regimental Band DALE G. -
Speaking Flyer for February 2013
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB AND EDWIN BOOTH’S CLUB THE PLAYERS, NEW YORK CITY PAUL DICKSON Monday, February 25 How many of our familiar words and phrases originated in the White House? What lexicographer PAUL DICKSON has to report will astonish you. Acclaimed for his authoritative BASEBALL DICTIONARY, now in its third edition, Mr. Dickson has also treated us to THE NATIONAL ARTS CLUB CONGRESS DICTIONARY: The Ways and Meanings of Capitol Hill , JOURNALESE: A Dictionary for Deciphering 15 Gramercy Park South Manhattan the News, LABELS FOR LOCALS: What to Call People from Abilene to Zimbabwe, and DRUNK: The Definitive Drinker’s Program 7:30 p.m. Dictionary. An former editor for Merriam-Webster publi- Reservations Requested cations, Mr. Dickson has appeared frequently on All Things Considered and other NPR programs, and he was an occasional contributor to the late William Safire’s popular “On Language” column for The New York Times Magazine. Copies of WORDS FROM THE WHITE HOUSE will be on hand for purchase and inscription following Mr. Dickson’s interview with John Andrews. THOMAS KEITH Tuesday, March 26 This date marks the 102nd birthday of a playwright whose evocative dialogue has been compared to that of such immortals as Chekhov and Shakespeare. Thomas Lanier “Tennessee” Williams (1911-83) enriched our repertory not only with Cat on a Hot Tin Roof, which is once again riveting Broadway audiences, NATIONAL ARTS CLUB but with classics like A Streetcar Named Desire, Camino 15 Gramercy Park South Real, Orpheus Descending, Summer and Smoke, Sweet Manhattan Bird of Youth, The Glass Menagerie, The Night of the Iguana, and The Rose Tattoo. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
2013 Winners — Broadway.Com Audience Choice Awards
HOME / 2013 WINNERS / ABOUT / BUZZ / VIDEO / PAST WINNERS And the Winners Are... Winners are marked below in bold. FAVORITE NEW MUSICAL A Christmas Story: The Musical (Book by Joseph Robinette; Music and Lyrics by Benj Pasek and Justin Paul) Bring It On: The Musical (Book by Jeff Whitty; Music by Tom Kitt and Lin-Manuel Miranda; Lyrics by Amanda Green and Lin-Manuel Miranda) Kinky Boots (Book by Harvey Fierstein; Music and Lyrics by Cyndi Lauper) Matilda (Book by Dennis Kelly; Music and Lyrics by Tim Minchin) Motown: The Musical (Book by Berry Gordy Jr.) FAVORITE NEW PLAY *Breakfast at Tiffany’s byby RichardRichard GreenbergGreenberg Lucky Guy by Nora Ephron The Nance by Douglas Carter Beane The Performers by David West Read Vanya and Sonia and Masha and Spike by Christopher Durang FAVORITE MUSICAL REVIVAL *Annie Jekyll & Hyde The Mystery of Edwin Drood Pippin Rodgers & Hammerstein’s Cinderella FAVORITE PLAY REVIVAL Cat on a Hot Tin Roof Harvey The Heiress *Macbeth Who’s Afraid of Virginia Woolf? FAVORITE LONG-RUNNING SHOW The Book of Mormon The Lion King Newsies The Phantom of the Opera *Wicked FAVORITE TOUR Anything Goes The Book of Mormon Les Miserables The Lion King *Wicked FAVORITE ACTOR IN A MUSICAL Bertie Carvel, Matilda Will Chase, The Mystery of Edwin Drood Santino Fontana, Rodgers & Hammerstein’s Cinderella *Billy Porter,, Kinky Boots Anthony Warlow, Annie FAVORITE ACTRESS IN A MUSICAL Annaleigh Ashford, Kinky Boots Stephanie J. Block, The Mystery of Edwin Drood Victoria Clark, Rodgers & Hammerstein’s Cinderella Patina Miller, Pippin *Laura Osnes,, Rodgers & Hammerstein’s Cinderella FAVORITE ACTOR IN A PLAY Norbert Leo Butz, Dead Accounts *Alan Cumming, Macbeth Tom Hanks, Lucky Guy Nathan Lane, The Nance Jim Parsons, Harvey FAVORITE ACTRESS IN A PLAY Jessica Chastain, The Heiress Scarlett Johansson, Cat on a Hot Tin Roof Patti LuPone, The Anarchist *Bette Midler, I’llI’ll EatEat YouYou Last:Last: AA ChatChat withwith SueSue MengersMengers Sigourney Weaver, Vanya and Sonia and Masha and Spike FAVORITE DIVA PERFORMANCE *Stephanie J. -
The Old Vic Announces the Old Vic 12 Class of 2016-2017
The Old Vic announces The Old Vic 12 Class of 2016-2017 London, 5th December: Today The Old Vic announces the theatre makers behind this year’s Old Vic 12: a company of talented, developing artists looking to make the next step in their careers. The scheme offers them the opportunity to expand their networks, experience first class mentoring and receive funding to create three brand new plays as a collective. The newly announced Old Vic 12 consists of: ➔ Directors, Chelsea Walker, Lekan Lawal and Jesse Jones ➔ Producers, Molly Roberts, Tobi Kyeremateng and Aaron Rogers ➔ Playwrights, Joe White, Rebecca Crookshank and John O’Donovan ➔ Designer, Fin Redshaw ➔ Movement Director, Rachael Nanyonjo ➔ Composer, Cassie Kinoshi This Autumn, after receiving 1,300 applications and interviewing over 300 candidates, The Old Vic is thrilled to start work with these artists to nurture and unveil the work they produce. Artistic Director, Matthew Warchus said, ‘Supporting the next generation of theatre-makers is one of the most important and effective contributions to our cultural future we can make. It is also one of the most enjoyable. The Old Vic 12 sees emerging creatives engaging with people at the top of their profession across a wide range of theatrical disciplines and it's hugely inspiring to see how much all parties get from the mutual exchange of ideas. The presence of these early-career creative minds in our midst through the year is extremely energising. And it's also exciting to see the partnerships formed within the group and how these develop forward beyond The Old Vic. -
Gender and Sexuality in Adaptations of Shakespeare Organizer: Deanne Williams, York University
SAA Seminar: Gender and Sexuality in Adaptations of Shakespeare Organizer: Deanne Williams, York University. 1. The Fiendlike Queen: Recuperating the Feminine in Modern Adaptations of Macbeth William C. Carroll Boston University Terry Eagleton’s notorious comment – “To any unprejudiced reader – which would seem to exclude Shakespeare himself, his contemporary audiences and almost all literary critics – it is surely clear that positive value in Macbeth lies with the three witches. The witches are the heroines of the piece, however little the play itself recognizes the fact” (William Shakespeare, p. 2) – is just one of many attempts in recent decades to recast the witches in a more positive light, an effort that has had considerable success. Lady Macbeth has proven to be a harder case to rehabilitate, at least on the stage (as seen recently in Kate Fleetwood’s harrowing depiction with Patrick Stewart in Rupert Goold’s version). In adaptations of the past century, however, especially those written by women and those for younger readers, a very different picture of the “fiend-like queen” has emerged. These representations move far away from earlier texts in which “Lady Macbeth” is little more than a synonym for a murderous woman. Several recent works instead seek explanation or rationale for her participation in Duncan’s murder through reference to her earlier marriage and son by that marriage (both suppressed in Shakespeare’s play), to her situation as a woman in a culture of Celtic masculinity, and even to a supposed daughter (Klein) with whom Lady Macbeth (not dead in this version!) is ultimately reunited. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.