UNCLE VANYA by Anton Chekhov
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Five Children and It
Pathé FIVE CHILDREN AND IT Press pack Released Friday 15 October 2004 - Scotland Only Released Friday 22 October 2004 - Nationwide For further information please contact: Emily Carr [email protected] Victoria Keeble [email protected] Bella Gubay [email protected] 020 7426 5700 Pathé FIVE CHILDREN AND IT Press pack Capitol Films and the UK Film Council present in association with the Isle of Man Film Commission and in association with Endgame Entertainment a Jim Henson Company Production a Capitol Films / Davis Films Production Written by: David Solomons Produced by: Nick Hirschkorn Lisa Henson Samuel Hadida Directed by: John Stephenson FIVE CHILDREN AND IT Cast List It .............................................................................. Eddie Izzard Cyril......................................................................... Jonathan Bailey Anthea...................................................................... Jessica Claridge Robert ...................................................................... Freddie Highmore Jane.......................................................................... Poppy Rogers The Lamb................................................................. Alec & Zak Muggleton Horace...................................................................... Alexander Pownall Uncle Albert............................................................. Kenneth Branagh Martha...................................................................... Zoë Wanamaker Father...................................................................... -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 Min.)
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 min.) Best Director (Leigh), Best Actor (Thewliss), Cannes 1993 Directed and written by Mike Leigh Written by Mike Leigh Produced by Simon Channing Williams Original Music by Andrew Dickson Cinematography by Dick Pope Edited by Jon Gregory Production Design by Alison Chitty Art Direction by Eve Stewart Costume Design by Lindy Hemming Steadicam operator: Andy Shuttleworth Music coordinator: Step Parikian David Thewlis…Johnny Lesley Sharp…Louise Clancy Jump, 2010 Another Year, 2008 Happy-Go-Lucky, 2004 Vera Katrin Cartlidge…Sophie Drake, 2002 All or Nothing, 1999 Topsy-Turvy, 1997 Career Girls, Greg Cruttwell…Jeremy G. Smart 1996 Secrets & Lies, 1993 Naked, 1992 “A Sense of History”, Claire Skinner…Sandra 1990 Life Is Sweet, 1988 “The Short & Curlies”, 1988 High Hopes, Peter Wight…Brian 1985 “Four Days in July”, 1984 “Meantime”, 1982 “Five-Minute Ewen Bremner…Archie Films”, 1973-1982 “Play for Today” (6 episodes), 1980 BBC2 Susan Vidler…Maggie “Playhouse”, 1975-1976 “Second City Firsts”, 1973 “Scene”, and Deborah MacLaren…Woman in Window 1971 Bleak Moments/ Gina McKee…Cafe Girl Carolina Giammetta…Masseuse ANDREW DICKSON 1945, Isleworth, London, England) has 8 film Elizabeth Berrington…Giselle composition credits: 2004 Vera Drake, 2002 All or Nothing, 1996 Darren Tunstall…Poster Man Secrets & Lies, 1995 Someone Else's America, 1994 Oublie-moi, Robert Putt...Chauffeur 1993 Naked, 1988 High Hopes, and 1984 “Meantime.” Lynda Rooke…Victim Angela Curran...Car Owner DICK POPE (1947, Bromley, -
The Old Vic Announces the Old Vic 12 Class of 2016-2017
The Old Vic announces The Old Vic 12 Class of 2016-2017 London, 5th December: Today The Old Vic announces the theatre makers behind this year’s Old Vic 12: a company of talented, developing artists looking to make the next step in their careers. The scheme offers them the opportunity to expand their networks, experience first class mentoring and receive funding to create three brand new plays as a collective. The newly announced Old Vic 12 consists of: ➔ Directors, Chelsea Walker, Lekan Lawal and Jesse Jones ➔ Producers, Molly Roberts, Tobi Kyeremateng and Aaron Rogers ➔ Playwrights, Joe White, Rebecca Crookshank and John O’Donovan ➔ Designer, Fin Redshaw ➔ Movement Director, Rachael Nanyonjo ➔ Composer, Cassie Kinoshi This Autumn, after receiving 1,300 applications and interviewing over 300 candidates, The Old Vic is thrilled to start work with these artists to nurture and unveil the work they produce. Artistic Director, Matthew Warchus said, ‘Supporting the next generation of theatre-makers is one of the most important and effective contributions to our cultural future we can make. It is also one of the most enjoyable. The Old Vic 12 sees emerging creatives engaging with people at the top of their profession across a wide range of theatrical disciplines and it's hugely inspiring to see how much all parties get from the mutual exchange of ideas. The presence of these early-career creative minds in our midst through the year is extremely energising. And it's also exciting to see the partnerships formed within the group and how these develop forward beyond The Old Vic. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
David Hare's the Blue Room and Stanley
Schnitzler as a Space of Central European Cultural Identity: David Hare’s The Blue Room and Stanley Kubrick’s Eyes Wide Shut SUSAN INGRAM e status of Arthur Schnitzler’s works as representative of fin de siècle Vien- nese culture was already firmly established in the author’s own lifetime, as the tributes written in on the occasion of his sixtieth birthday demonstrate. Addressing Schnitzler directly, Hermann Bahr wrote: “As no other among us, your graceful touch captured the last fascination of the waning of Vi- enna, you were the doctor at its deathbed, you loved it more than anyone else among us because you already knew there was no more hope” (); Egon Friedell opined that Schnitzler had “created a kind of topography of the constitution of the Viennese soul around , on which one will later be able to more reliably, more precisely and more richly orient oneself than on the most obese cultural historian” (); and Stefan Zweig noted that: [T]he unforgettable characters, whom he created and whom one still could see daily on the streets, in the theaters, and in the salons of Vienna on the occasion of his fiftieth birthday, even yesterday… have suddenly disappeared, have changed. … Everything that once was this turn-of-the-century Vienna, this Austria before its collapse, will at one point… only be properly seen through Arthur Schnitzler, will only be called by their proper name by drawing on his works. () With the passing of time, the scope of Schnitzler’s representativeness has broadened. In his introduction to the new English translation of Schnitzler’s Dream Story (), Frederic Raphael sees Schnitzler not only as a Viennese writer; rather “Schnitzler belongs inextricably to mittel-Europa” (xii). -
Christopher York SERENA MANTEGHI Build a Rocket Was Christopher’S Debut Serena Manteghi Is an Established Play
Stephen Joseph Theatre and Tara Finney Productions present Running time: 75 minutes (no interval) | Age guidance: 14+ (Contains some strong language and adult themes) Tell us what you thought: @thesjt | @tara_finney | #BuildARocket Christopher York SERENA MANTEGHI Build a Rocket was Christopher’s debut Serena Manteghi is an established play. After winning HighTide’s First theatre practitioner and performer, Commissions Award, the text was working extensively in new writing, developed in conjunction with HighTide, devising and physical storytelling. She is Women at RADA and the SJT. It debuted the recipient of the following awards; at the SJT in 2018, and subsequently BankSA ‘Best Theatre’ Award for won The Holden Street Award at The Eurydice Edinburgh Festival, the Adelaide Fringe Best Theatre Weekly , The Sunday Mail’s ‘Best Female Award and was named as The Sunday Mail’s Best Female Solo Performance’ for Build A Rocket, ‘Honourable Mention’ Solo Show. by Critics Circle Award for Build A Rocket and she was shortlisted for the Norman Beaton Fellowship Award in Christopher’s adaptation of The Pit and the Pendulum also 2016. premiered in 2018, set in the modern day Middle East, it scrutinised the attire laws that oppress women in those Her theatre credits include; Hamlet (Shakespeare’s Rose areas. It opened in Oxford’s Bodleian Libraries’ historical Theatre), Salty Irina (Ovalhouse), Eurydice (Holden Street Convocation House before transferring to The Omnibus in Theatres, Adelaide), Build A Rocket (Stephen Joseph Theatre/ London. Various), The Terrible Infants (Wiltons Music Hall), The Rise and His new play 212 is an Arts Council England’s supported Fall of Little Voice (Stephen Joseph Theatre), Echoes (Brits Off project. -
Liz White Is an Actor Who Has Appeared in a Wide Variety of Roles on Stage and in Film and Television
Liz White is an actor who has appeared in a wide variety of roles on stage and in film and television. One of her most recent film roles was in Pride (2014) directed by Marcus Warchus. Among her other film roles, Liz has played Pamela in Vera Drake (2004) directed by Mike Leigh, and she starred as the eponymous woman in the 2012 film version of The Woman in Black, based on the novel by Susan Hill. For BBC Television, Liz played WPC/WDC Annie Cartwright in Life on Mars (2006/7), Caroline in the adaptation of The Crimson Petal and the White (2011), and Lizzie Mottershead in the series Our Zoo (2014). Other television roles have been Eileen in Teachers (2003), Jess Mercer in The Fixer (2008), and Lucille in The Paradise (2013). Liz’s stage credits have included three acclaimed performances at the National Theatre. She played Heavenly Critchfield in Laurie Sansom’s production of Spring Storm by Tennessee Williams, which transferred from the Royal and Derngate, Northampton, to the Cottesloe (2010), Anne Frankford in A Woman Killed With Kindness by Thomas Heywood, directed by Katie Mitchell in the Lyttelton (2010), and double roles in Marianne Elliot’s revival of Port by Simon Stephens in the Lyttelton (2013). In Autumn, 2014, Liz played the role of Chrysothemis in Ian Rickson’s production of Sophocles’ Electra at the Old Vic Theatre. The production used the version of the play written by Frank McGuinness and starred Kristin Scott Thomas as Electra. In this interview, recorded by Chrissy Combes at the Old Vic Theatre on Thursday 11 December 2014, Liz talked about the experience of playing Chrysothemis, Electra’s sister. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
THE BIRTHDAY PARTY by Harold Pinter Directed by Ian Rickson
PRESS RELEASE – Tuesday 6th March 2018 IMAGES CAN BE DOWNLOADED HERE @BdayPartyLDN / TheBirthdayParty.London Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. Delman present THE BIRTHDAY PARTY By Harold Pinter Directed by Ian Rickson CRITICALLY ACCLAIMED 60th ANNIVERSARY REVIVAL OF THE BIRTHDAY PARTY ENTERS FINAL WEEKS AT THE HAROLD PINTER THEATRE STRICTLY LIMITED WEST END RUN STARRING TOBY JONES, STEPHEN MANGAN, ZOË WANAMAKER AND PEARL MACKIE MUST COME TO AN END ON 14TH APRIL Audiences now have just five weeks left to see the critically acclaimed West End production of playwright Harold Pinter’s The Birthday Party. The company for the major revival, which runs 60 years since the play’s debut, includes Toby Jones, Stephen Mangan, Zoë Wanamaker, Pearl Mackie, Tom Vaughan-Lawlor and Peter Wight, and is directed by Ian Rickson. Stanley Webber (Toby Jones) is the only lodger at Meg (Zoë Wanamaker) and Petey Boles’ (Peter Wight) sleepy seaside boarding house. The unsettling arrival of enigmatic strangers Goldberg (Stephen Mangan) and McCann (Tom Vaughan-Lawlor) disrupts the humdrum lives of the inhabitants and their friend Lulu (Pearl Mackie), and mundanity soon becomes menace when a seemingly innocent birthday party turns into a disturbing nightmare. Truth and alliances hastily shift in Pinter's brilliantly mysterious dark-comic masterpiece about the absurd terrors of the everyday. The production is designed by the Quay Brothers, with lighting by Hugh Vanstone, music by Stephen Warbeck, sound by Simon Baker, and casting by Amy Ball. For more information visit TheBirthdayParty.London -ENDS- For further information please contact The Corner Shop PR on 020 7831 7657 Maisie Lawrence [email protected] / Ben Chamberlain [email protected] LISTINGS Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. -
Stephens Plays: 2: One Minute; Country Music; Motortown; Harper
Simon Stephens Plays: 2 One Minute, Country Music Motortown, Pornography, Sea Wall One Minute: ‘Set in London in the aftermath of the disappearance of an eleven-year-old girl, One Minute brings together the girl’s mother, an unreliable witness, a student/barmaid and two investigating officers . the writing cleverly suggests how much the characters would like to connect but never really can.’ Guardian Country Music ‘spotlights four fateful moments in the life of Jamie Carris, an engaging but violent south Londoner. The play unfolds in a series of tightly focused two-handers, set before, during and after the prison sentences he has served for glassing one man and for killing another.’ Independent Motortown: ‘Danny – a squaddie who has served in Basra – is bringing the war back home [to] an England where the “war on terror” has become a war waged using the tactics of the terrorists. It is also a place of dubious moralities, small-time arms dealers and middle-class swingers and anti-war protesters. A searingly honest play written with a deadly coiled energy.’ Guardian Pornography: ‘Set in July 2005, between the announcement that London had been awarded the Olympics and the July 7 bombings, it tells seven entwining stories, including the imagined story of one of the bombers journeying towards London to commit an act of terrorism.’ Guardian Sea Wall: ‘A quietly gripping monologue about grief and belief . this play is like a deceptive calm blue sea beneath which lurks a ferocious riptide of sorrow.’ Guardian Simon Stephens is a British writer whose theatrical career began in the literary department of the Royal Court Theatre where he ran its Young Writers’ Programme. -
The Midlands Essential Entertainment Guide
Midlands Cover - June_Layout 1 24/05/2013 13:55 Page 1 MIDLANDS WHAT’S ON WHAT’S MIDLANDS THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE ISSUE 330 JUNE 2013 JUNE www.whatsonlive.co.uk £1.80 ISSUE 330 JUNE 2013 THE LION KING THE DEFINITIVE LISTINGS GUIDE ARRIVES IN BIRMINGHAM INCLUDING BIRMINGHAM WOLVERHAMPTON WALSALL DUDLEY COVENTRY STRATFORD WORCESTER INSIDE: REDDITCH MALVERN SHREWSBURY Bruce Joel Rubin TELFORD STAFFORD creator of Ghost STOKE interview inside Sean Foley brings Jacobean comedy to the RSC interview inside Peter Lord co-founder of Aardman talks pirates interview inside PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART What’sOn MAGAZINE GROUP ISSN 1462-7035 Grand Theatre (FP-June)_Layout 1 24/05/2013 08:36 Page 1 Contents June_Layout 1 24/05/2013 16:13 Page 1 June 2013 Editor: INSIDE: Davina Evans [email protected] 01743 281708 Editorial Assistants: Ghost The Musical Brian O’Faolain interview with creator [email protected] 01743 281707 Bruce Joel Rubin p6 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] Sean Foley 01743 281714 interview p8 Managing Director: Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell The Lion King arrives in the Midlands, page 29 Chris Atherton Accounts