DOCSLIB.ORG

Legends of the Bocas Trinidad

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Legends of the Bocas Trinidad Le ge nds of the Bocas T rinid a d A . D . RUSSELL n d First Puis e Judge, Trinid a and Tobago An I r r nt oduc tion by Sir John Chanc ello , K. C. M . G - - Governor and Comm and e r in Chie f of th at Colony, 1 9 1 6- 1 92 1 L OND ON CEC IL PAL MER W C OAKL EY H U E Y TRE T . 1 O S , BL OOMSBUR S E , . F I R S T ED IT ION 1 9 z 2 C O P Y R I G H T P rinte d in Gr e a t B rita in R S E Mar h a ls e a oa d Lon n . I KE I ER o L . d b . L H C td 1 1 s o . y J . J , , , , AUTHOR ’ S PREFACE HESE n s n — na m a sa r a lege d , i spired y, it y be id c e ted b s n s th t and y the ce e to which ey rela e, with little oral, less written or printed tradition to a ccount for the marv els n a n n s XXI are h they co t i (except Lege d XVII to , which is torical a n at n a s n ) , c me to their recipie t i terv l duri g the course ’ of fif tee n years residence in what is und oubte d l one of the ' s ti s an s in . S suc as M an mo t beau ful i l d the world ome, " " Grosd e nt L os otorros P t and , C , The resby er the Pitch " ' Me n a i s s as D n , c me to him n mirth . Other uch ue des ” ” " v s L a D na as a Mead, The Three Ca e , ivi P tor , A ” M n n k s n a in s . i or i g Vi io , c me to him orrow All al e, however, a s s no a c me of them elve , with little or drudgery of liter ry s n en us ci is an compo itio . To the g i lo , therefore, due merit m a s s e a they y posse s . For their demerit , which doubt ss re n s d i i umerou , the e fic e ncie s of the med um ought to be remem No sum d i nas a n n bered . n g , though the deity h ve e tered . Whe , ns a va tes sa cer s s s i te d of a dry lawyer, some true vi it these hores, as ss h a e nt or ( will doubtle pen, though the Ser forgot to n n it one s n s s n s a s n me tio ) , pri g rom the oil, the h l be ee the fulness of the inspira tion of Trinidad woods and ca ves and a a s n i as D . w terf ll , a d the amaz ng Boc del rago " s s and The identities of Scribbler, who wrote the ver e , ” n s m a s of Ig otu , who edited them, y afely be left to the a na n im gi tio of the reader . P t S in or of pa , th Ma 1 2 9 rch, 922 . E CONT NTS . PAGE I D DIC IO TO LD . E AT N A CHI . 0 0 0 0 0 ' RP T PROPHECY II . T HE SE EN S 0 0 0 0 0 0 ' I MARY S BAY AND THE N OM O III . SA NT PHA T B AT 0 0 ' M A T U I L GE D OF N GROSDENT . IV . HE A THENT C E N ’ OF L S L V . T HE MAN E D s FIR T TA E 0 0 0 0 ' A AY 0 VI . CORS IR S B 0 0 0 0 H M VII . B OCA C I ES 0 0 0 0 0 0 THE AVES 0 0 0 0 VIII . THREE C 0 0 SIE RA D E D I B LO 0 IX . L A R L A 0 0 0 IN ARIE DE TETERON 0 0 0 X . SA TE M 0 ORNING VISI 0 0 0 XI . A M ON 0 0 0 s OTOR OS 0 0 0 XII . L o C R 0 XIII. THE SOUCOUYEN or SOB OR 0 0 0 0 HE SBY AND THE I C -MEN XIV. T PRE TER P T H ' PAOUA s BAY XV . 0 0 0 0 ' M AD D E D ES 0 XVI . U N E 0 0 0 Cmsr oBAL OL ON 0 0 0 0 XVII . C ' RAL GH C M G 0 0 XVIII . EI S O IN S 0 0 0 0 IX M N FOR Aponoc u 0 0 0 X . LA E T 0 NELS AND VIL L N UV 0 0 0 0 XX . ON E E E ’ XI r on s D R AM 0 0 0 0 0 X . c E ’ T HE MAN or ELD s C D L XXII . SE ON TA E 0 0 ’ B LACKB ARD ONG 0 0 0 0 0 XXIII . E S S I 0 0 0 XXIV . BRIGAND H LL 0 0 L A D IVI S O 0 0 0 0 XXV . NA PA T RA 0 ' RCEDES MESSAG 0 0 0 0 0 XXVI. ME E 0 MPAR 0 0 0 0 0 0 0 XXVII . CO ISONS 0 XXVIIIA WRAITH 0 0 0 0 0 0 0 0 I BOC oss 0 0 0 0 0 0 0 0 XX X . A A R EPILOGUE 0 0 0 0 0 0 0 v ii LIST OF ILLUSTRATIONS . STATUE OF COLUMBUS facin g page 4 COPPER HOLE 8 FIRST BOCA— SIERRA DEL D IAB L O ' T ETERON S Toom ’ HART s CUT GOFFER ' ' CORSAIR S BAY (WINN S BAY) SECOND BOCA TETERON BAY ENNEGAN L , IN THE FIVE ISLAND S MARACAS (a) Pn' c 11 LAKE (b) PITCH LAKE L A IN BAY C C C T TA , CHA A HA ARE ’ A CACIQUE S GRAVE T HE ROAD TO EL D om o A MOUNTAIN BROOK WHERE TEACH L ANDED HIGH Woons ix D INTRO UCT ION . E n s n Mr s ss I HAV bee reque ted by my frie d . Ju tice Ru ell to write an introduction to h is v olume Legends of the B " ocas . a no ualifications a as a Though I h ve q for such t k, I h ve n a n a s h as as o and a s u dert ke it bec u e he ked me to do s , bec u e I ta lge a v ery great interest in everything connected with a Trinid d . Those who ha ve never visited the tropics cannot visualise the physical beauties of Trinidad with its valleys and clear nn n s a s its n a n an s a s ru i g tre m , with mou t i r ge cl d to their highe t pea ks with luxuriant vegetation and lit by a vertical sun whose fie rc e a s are a s r y tempered by the humidity of the tmo phere . n a an s n n a To the i h bit t of cold grey orther l nds, the climate is n a n s a e erv ti g ; but to tho e who from youth h ve lived there, n a is a a n i a n n Tri id d s cou try where it s ever fter oo . It is a mis ta ke to believe that the inhabitants of the tropics do not work hard ; but it is true that there is no part of the n s is o s and so a a as in world where idle e s s ea y gree ble the tropics . Few of those who ha ve lived long in them can be ignorant of the temptation to lead a life of dreamy idleness under those ’ n s . In asan s an n a an sun y s kie the ple t i l d of Tri id d, C dide s maxim il fa ut cultiver notre ja rd in does not apply ; for a scratch will make its fertile soil yield all that is necessary a m an s an s for of imple w t . An English visitor recently addressing a Trinidadian t e a s sa ! a are n posing by the ro d ide, id to him Wh t you doi g " ass n s s 5 No was there, p i g the time, I uppo e , the reply, am n ass . is not a s No, I letti g the time p me But it bec u e a a is n a a no so f ar as am a a h as th t ttitude ge er l th t one, I w re, o n a n s n a up to n w made a collectio of the loc l lege d of Tri id d . It is because the energies of those who are qualifie d to write r in n s s s an them a e fully occupied developi g the re ource of the I l d , on a a ns n n s of which nearly e h lf still rem i u der virgi fore t .
Load more

Recommended publications
  • Tdn Europe • Page 2 of 21 • Thetdn.Com Monday • 3 May 2021
    MONDAY, 3 MAY 2021 MOTHER EARTH COMES MARE AUSTRALIS COMES OF AGE IN THE GANAY THROUGH IN THE GUINEAS There was more Boudot magic at ParisLongchamp on Sunday as APC@ made all to draw the sting from all rivals and land the G1 Prix Ganay with the rapid improver Mare Australis (Ire) (Australia {GB}). Always highly-regarded and now an entirely different proposition from the greenhorn of last summer, Gestut Schlenderhan=s homebred had offered a glimpse of what was to come when second on his return to Skalleti (Fr) (Kendargent {Fr}) in the 10-furlong G2 Prix d=Harcourt at this venue Apr. 11. Asked a new question by his rider on this sternest test of his ability so far, the 5-2 second favourite responded by stretching every rival including Mogul (GB) (Galileo {Ire}) who was in closest attendance. When he kicked in early straight, he turned the screw too tight on Ballydoyle=s 9-5 market-leader raider and kept galloping true to the line to beat the emergent Gold Trip (Fr) (Outstrip {GB}) by 1 3/4 lengths. Cont. p4 Mother Earth | racingfotos.com IN TDN AMERICA TODAY In a renewal of Newmarket=s G1 QIPCO 1000 Guineas which HOW TO BUY A DERBY WINNER FOR $1,000 polarised the dreamers and the cynics, experience ultimately Bill Finley speaks with consignor Christy Whitman on GI Kentucky told on Sunday with Frankie Dettori the chief benefactor as he Derby hero Medina Spirit (Protonico). Click or tap here to go steered Mother Earth (Ire) (Zoffany {Ire}) to glory.
    [Show full text]
  • Congressional Record--House
    : # 3576 CONGRESSIONAL RECORD--HOUSE. MAY 1, except our own. We have no orders in society, no standing armies, no be published in full, in accordance with the leave granted by the House. traditions to which we may cling, no great vested interest, no class to The SPEAKER. 'l'he necessary correction will be made. The Chair lead us. There was a disruption in the South in which everything will cause the Journal to be corrected according to the gentleman's state­ went down into a chasm and beyond recall. ment. By au interposition of Divine Providence a revolution was wrought The bill introduced by ?tfr. BUCHANAN, a bill (H. R. 973!J) to abol­ at the very moment when we were put at the greatest stress of fortune; ish war taxes upon American shipping, was read a first and second time, and will not the people of the North, the generous and patriotic men referred to the Committee on Merchant Marine and Fisheries, ordered and women of the North, who have come to our aid with such abundant to be printed, and also to be publi'lhed in the RECORD. It is as follows: • benevolence in our many trials, be persuaded that the good men and Be it enacted, etc., That the act approved :r.Iay 31, 1830, entitled "An act to re­ good women of the South are striving not for party conquest, not for peal the tonnage duties upon ships and vessels of the United States and upon certain foreign vessels," which was repealed by section 15 of the act approved any base and ignoble purposes, but that they are endeavoring to do all July 14,1862, entitled "An act increasing temporarily
    [Show full text]
  • "Constantin Stanislavski, an Actor Prepares
    THE ACTING TRILOGY An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.” Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shake- speare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor. These three volumes belong on any actor’s short shelf of essential books. CONSTANTIN STANISLAVSKI AN ACTOR PREPARESA Translated by Elizabeth Reynolds Hapgood A Theatre Arts Book Routledge NEW YORK AND LONDON A Theatre Arts Book Published by Routledge 711Third Avenue New York, NY 10017 www.routledge.com Routledge is an imprint of the Taylor & Francis Group. © Copyright 1936 by Theatre Arts, Inc. © Copyright 1948 by Elizabeth R. Hapgood © Copyright Renewed 1964 by Theatre Arts, Inc. All rights reserved under Pan-American Copyright Union © Copyright under Pan-American Copyright Union All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. First paperback printing, 1989 Text reset, 2003 Paperback ISBN 10: 0-87830-983-7 ISBN 13: 978-0-87830-983-2 Contents Note by the Translator vii 1.
    [Show full text]
  • Presents Psychopathology of Everyday Life
    www.all-about-psychology.com Presents Psychopathology of Everyday Life By Prof. Dr. Sigmund Freud (1901) (First Translation by A. A. Brill in 1914) CONTENTS Introduction. 2 Chapter 1. Forgetting of Proper Names 3 Chapter 2. Forgetting of Foreign Words 11 Chapter 3. Forgetting of Names and Order of Words 20 Chapter 4. Childhood and Concealing Memories 41 Chapter 5. Mistakes in Speech 50 Chapter 6. Mistakes in Reading and Writing 86 Chapter 7. Forgetting of Impressions and Resolutions 98 Chapter 8. Erroneously Carried-out Actions 130 Chapter 9. Symptomatic and Chance Actions 158 Chapter 10. Errors 184 Chapter 11. Combined Faulty Acts 194 Chapter 12. Determinism, Chance, And Superstitious Beliefs 201 1 INTRODUCTION Professor Freud developed his system of psychoanalysis while studying the so-called borderline cases of mental diseases, such as hysteria and compulsion neurosis. By discarding the old methods of treatment and strictly applying himself to a study of the patient's life he discovered that the hitherto puzzling symptoms had a definite meaning, and that there was nothing arbitrary in any morbid manifestation. Psychoanalysis always showed that they referred to some definite problem or conflict of the person concerned. It was while tracing back the abnormal to the normal state that Professor Freud found how faint the line of demarcation was between the normal and neurotic person, and that the psychopathologic mechanisms so glaringly observed in the psychoneuroses and psychoses could usually be demonstrated in a lesser degree in normal persons. This led to a study of the faulty actions of everyday life and later to the publication of the Psychopathology of Everyday Life, a book which passed through four editions in Germany and is considered the author's most popular work.
    [Show full text]
  • Edgar Froese Klaus Schulze
    EDGAR FROESE ALBUMS AQUA Virgin V 2016 ??/74 AQUA(mid-price reissue) Virgin OVED 20 03/84 EPSILON IN MALAYSIAN PALE Virgin V 2040 09/75 EPSILON IN MALAYSIAN PALE(mid-price reissue) Virgin OVED 22 03/84 AGES(double) Virgin VD 2507 01/78 STUNTMAN Virgin V 2139 ??/79 STUNTMAN(mid-price reissue) Virgin OVED 21 03/84 SOLO 1974-1979(compilation) Virgin V 2197 ??/82 SOLO 1974-1979(compilation)(mid-price reissue) Virgin OVED 69 ??/84 OST: KAMIKAZE 1989 Virgin V 2255 10/82 OST: KAMIKAZE 1989(mid-price reissue) Virgin OVED 125 08/86 PINNACLES Virgin V 2277 09/83 PINNACLES(mid-price reissue) Virgin OVED 144 08/86 COMPACT DISCS AQUA Virgin CDV 2016 06/87 EPSILON IN MALAYSIAN PALE Virgin CDV 2040 06/87 STUNTMAN Virgin CDV 2139 06/87 STUNTMAN(low-price) Virgin Vault CDV 2139 03/94 OST: KAMIKAZE 1989 Virgin CDV 2255 05/88 PINNACLES Virgin CDV 2277 05/88 IMPORTANT FOREIGN RELEASES Stuntman/Scarlet Score For Mescalero Virgin/Ariola 101258-100 ??/80 [German 7" single] ELECTRONIC DREAMS(compilation) Brain 0040.148 ??/75 [German LP] MACULA TRANSFER Brain 0060.008 ??/76 [German LP] KLAUS SCHULZE ALBUMS MIRAGE Thunderbolt THBL 033 11/86 EN=TRANCE Thunderbolt THBL 2.061 08/88 BLACKDANCE Caroline CA 2003 ??/?? BLACKDANCE(mid-price reissue) Virgin OVED 23 03/84 TIMEWIND Caroline CA 2006 ??/?? TIMEWIND(mid-price reissue) Virgin OVED 24 03/84 OST: ANGST Thunderbolt THBL 2.027 02/86 BABEL Venture VE 5 ??/87 DREAMS Thunderbolt THBL 039 04/87 MIDITERRANEAN PADS Thunderbolt THBL 081 01/90 DRESDEN IMAGINARY SCENES Venture VE 903 11/90 BEYOND RECALL Venture VE 906 ??/91
    [Show full text]
  • The Ks Circle
    Noch ein Circle Mitglied schrieb mir ausführlich zu meiner Frage, welche ihm die liebsten Platten oder Titel sind: (...) Meine liebste Scheibe ist und bleibt DUNE – und zwar die erste Seite (mit Arthur TTHEHE KSKS CCIRCLEIRCLE Brown konnte ich noch nie viel anfangen, bis auf das Titelstück von TIME ACTOR). Der Beginn der ersten Seite mit den - damals - unerhörten Sounds ist auch heute noch beeindruckend. Die Stimmung passt wirklich gut zum gleichnamigen Roman. 21st Year Summer 2016 No. 228 Als zweites kommt IRRLICHT. Das war wirklich revolutionär! Ich habe bei Bekannten einmal versucht zu erklären, warum Klaus Schulze für mich so etwas Besonderes ist: Ich spielte ihnen ein paar Musikstücke aus der damaligen Hitparade vor (The Who, Black Sabbath, CCR….) und dann IRRLICHT! Mehr Worte braucht es Bom dia! Bonjour. ¡Buenos días! Ciao! Dag! Dzie½ Dobry. Hei. Hello. Ola. Privet! glaube ich nicht…. EXIL SILS MARIA fand ich auch schon immer toll Servus, Grüezi & Guten Tag Dann die nächsten Scheiben: Synphära von CYBORG, sozusagen IRRLICHT 2.0 Ways of changes von BLACKDANCE, die anfänglichen Strings passen gut in die dann folgende Elektronik – erstmals mit sowas wie einem richtigen Rhythmus – dem mittleren „Blubberteil“ und dem (typisch) ruhigen Ende Totem von PICTURE MUSIC mit dem blubbernden Sequencer ist ebenfalls eines meiner Lieblinge (das ist "sample & hold" vom ARP Odyssey; siehe þ Bayreuth Return von TIMEWIND findet wohl jeder Klaus Schulze Fan gut. Ich erinnere noch, wie ich ca. 5x die Schallplatte zum Händler zurückbrachte, da die Pressung einen Fehler mit vielen Knacksern im Mittelteil hatte. Nach DUNE meine zweite Lieblingsscheibe ist MIRAGE mit Velvet Voyage.
    [Show full text]
  • Kubla Khan Study Guide
    Kubla Khan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary: The Poem “Kubla Khan,” one of the most famous and most analyzed English poems, is a fifty-four-line lyric in three verse paragraphs. In the opening paragraph, the title character decrees that a “stately pleasure-dome” be built in Xanadu. Although numerous commentators have striven to find sources for the place names used here by Samuel Taylor Coleridge, there is no critical consensus about the origins or meanings of these names. The real-life Kubla Khan, a thirteenth century Mongolian general and statesman who conquered and unified China, lived in an elaborate residence known as K’ai-p’ing, or Shang-tu, in southeastern Mongolia. Coleridge’s Kubla has his palace constructed where Alph, “the sacred river,” begins its journey to the sea. The construction of the palace on “twice five miles of fertile ground” is described. It is surrounded by walls and towers within which are ancient forests and ornate gardens “bright with sinuous rills.” Xanadu is described more romantically in the second stanza. It becomes “A savage place! as holy and enchanted/ As e’er beneath a waning moon was haunted/ By woman wailing for her demon-lover!” It is inhabited not by Kubla’s family and followers, but by images from Coleridge’s imagination.
    [Show full text]
  • Learning and Teaching Mathematics: a Confidence Trick?
    Mathematics Education and Society Proceedings of the 4th International Mathematics Education and Society Conference Edited by Merrilyn Goos, Clive Kanes and Raymond Brown Centre for Learning Research, Griffith University Proceedings of the Fourth International Mathematics Education and Society Conference Edited by Merrilyn Goos, Clive Kanes and Raymond Brown First published 2005 Published by the Centre for Learning Research, Griffith University © Proceedings: Merrilyn Goos, Clive Kanes and Raymond Brown © Articles: Individual authors ISBN 1 920952 35 7 All papers in this publication have been peer reviewed anonymously to comply with the verification requirements of the Department of Education, Science and Training for conference publications — full written paper refereed. For further information please refer to the 2003 Higher Education Research Data Collection: Specifications for Preparing Returns for the Collection of Data, Higher Education Division, Department of Education, Science and Training, Canberra. Available online: www.dest.gov.au/sectors/research_sector/online_forms_services/higher_education_ research_data_collection.htm The Conference Organising Committee accepts no responsibility for any errors in or omissions from this publication. Dick Roebuck Conference Manager MES4 Organising Committee International: Tamara Bibby, Karin Brodie, Dimitris Chassapis, Tony Cotton, Peter Gates, Joao Filipe Matos, Candia Morgan, Paola Valero, Renuka Vithal, Robyn Zevenbergen Local: Bill Atweh, Raymond Brown, Carmel Diezmann, Merrilyn Goos,
    [Show full text]
  • Ulysses" $15.00
    Suzette A. Henke A Study of "Ulysses" $15.00 JOYCE'S MORACULOUS SINDBOOK A Study of Ulysses By Suzette A. Henke Though most critics have been quick to ac­ knowledge the innovative nature of James Joyce's stylistic experiments, few have pointed out the radical content of Ulysses or the revo­ lutionary view of consciousness that is implicit in the novel. Suzette Henke makes use of various Conti­ nental methods of literary criticism to recon­ struct Ulysses as a fictional life-world, and draws upon phenomenology, Geneva criticism, psychoanalytic investigation, and linguistic analysis to illumine the progress of the narra­ tive. Existential philosophy provides the point of departure from which she demonstrates how the principles of Heidegger and Sartre eluci­ date the humanistic dimensions of Joyce's work. Ulysses, she maintains, is no mere tour de force: it has meaning "from and in life" and is significant to us as moral beings. According to Professor Henke, Joyce's char­ acters move from a world of solipsistic fear to one of shared experience, and from psycholog­ ical enclosure to an existential liberation of consciousness. Joyce, she suggests, was far ahead of his contemporaries in his understand­ ing of social interaction and psychological de­ velopment. In Ulysses, he questions traditional notions of identity and reality, of conjugal ap­ propriation and egocentric privilege, and de­ lights in the capaciousness of the human imagination, implying that every individual can become an "artist of life" through myth, sympathy, and creative fantasy. Dr. Henke offers an original and innovative reading of Ulysses that challenges traditional interpretations and reveals dimensions of the text that have hitherto gone unnoticed or un­ explained.
    [Show full text]
  • Knowbotic Research
    V2_Publishing/NAi Publishers Arjun Appadurai Arjen Mulder Knowbotic Research Lars Spuybroek Scott Lash Rafael Lozano-Hemmer V2_Publishing/NAi Publishers Andreas Ruby Edward Soja Rem Koolhaas Brett Steele Roemer van Toorn Mark Wigley Arjen Mulder TransUrbanism 5 Andreas Ruby Transgressing Urbanism 17 Arjun Appadurai The Right to Participate in the Work of the Imagination 33 Scott Lash Informational Totemism 49 Lars Spuybroek The Structure of Vagueness 65 Edward Soja Restructuring the Industrial Capitalist City 89 Mark Wigley Resisting the City 103 Roemer van Toorn Against the Hijacking of the Multitude 123 Rafael Lozano-Hemmer Alien Relationships with Public Space 139 Lars Spuybroek meets Rem Koolhaas Africa Comes First 161 Knowbotic Research Codes Bad Guys Space 197 Brett Steele Transitory Image Spaces: Urbanism 2.0 221 Bibliography 238 5 Arjen Mulder Arjen Mulder is a biologist and media theorist and has published several books of essays on the rela- tionship between technical media, physical experiences and belief systems. He is a member of Adilkno, a collective that published Cracking the Movement (1994) and Media Archive (1998). He is the writer of Het fotografisch genoegen (1999), The Book for the Electronic Arts (with Maaike Post, 2000) and Levende systemen (2002). In retrospect, one can say that the term “postmodernism” had something reas- suring about it, like all “post-” terms. “Post-” means nothing more than that something is undergoing rapid change with an unknown destination. No terms, or no new ones, yet exist for the outcome, so we have to identify the process by reference to its predecessor. However, what went before – modernism as in “postmodernism,” the city as in the “postmetropolis,” and industrial production as in the “postindustrial society” – indeed, all that is past, becomes in turn more comprehensible and tangible the further we move beyond it.
    [Show full text]
  • Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ' & Æ—¶É—´È¡¨)
    Klaus Schulze 音樂專輯 串行 (专辑 & 时间表) Moondawn https://zh.listvote.com/lists/music/albums/moondawn-1940249/songs Cyborg https://zh.listvote.com/lists/music/albums/cyborg-1940930/songs Body Love https://zh.listvote.com/lists/music/albums/body-love-1940263/songs Mirage https://zh.listvote.com/lists/music/albums/mirage-1940957/songs Le Moulin de Daudet https://zh.listvote.com/lists/music/albums/le-moulin-de-daudet-6507321/songs Dune https://zh.listvote.com/lists/music/albums/dune-1942212/songs Body Love Vol. 2 https://zh.listvote.com/lists/music/albums/body-love-vol.-2-1941079/songs In Blue https://zh.listvote.com/lists/music/albums/in-blue-6009101/songs Beyond Recall https://zh.listvote.com/lists/music/albums/beyond-recall-4900020/songs Inter*Face https://zh.listvote.com/lists/music/albums/inter%2Aface-2333807/songs Time Actor https://zh.listvote.com/lists/music/albums/time-actor-657409/songs Moonlake https://zh.listvote.com/lists/music/albums/moonlake-3862768/songs Tonwelle https://zh.listvote.com/lists/music/albums/tonwelle-1979469/songs Drive Inn https://zh.listvote.com/lists/music/albums/drive-inn-5307907/songs Aphrica https://zh.listvote.com/lists/music/albums/aphrica-4779719/songs Are You Sequenced? https://zh.listvote.com/lists/music/albums/are-you-sequenced%3F-3621938/songs Dosburg Online https://zh.listvote.com/lists/music/albums/dosburg-online-3714434/songs The Ultimate Edition https://zh.listvote.com/lists/music/albums/the-ultimate-edition-7771148/songs Kontinuum https://zh.listvote.com/lists/music/albums/kontinuum-1948890/songs
    [Show full text]
  • Magazin 01-2002
    2 Oldie Markt 01/02 Plattenbörsen Plattenbörsen 2001 Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 26. Dezember Frankfurt/Main Saalbau Bornheim ReRo ¤ (02 34) 30 15 60 26. Dezember Duisburg Mercatorhalle JoKo Promotion ¤ (02 71) 23 20 00 29. Dezember Reutlingen Listhalle Arved v. Maltzahn ¤ (071 21) 30 09 13 29. Dezember Karlsruhe Badnerlandhalle Ludwig Reichmann ¤ (01 79) 697 43 12 29. Dezember Mannheim Congresszentrum ReRo ¤ (02 34) 30 15 60 30. Dezember Essen Saalbau Hyssenallee ReRo ¤ (02 34) 30 15 60 6. Januar Braunschweig FBZ Bürgerpark Jürgen Schwarz ¤ (05 31) 35 18 92 6. Januar München Colosseum S. Riedl ¤ (089) 53 81 93 98 6. Januar Offenbach Stadthalle Wolfgang W, Korte ¤ (061 01) 12 86 62 6. Januar Osnabrück Stadthalle ReRo ¤ (02 34) 30 15 60 6. Januar Saarbrücken Congresshalle ReRo ¤ (02 34) 39 15 60 12. Januar Heidelberg St. Albert Frank Lulay ¤ (06 21) 724 48 35 12. Januar München Pschorr-Keller Marylyn Stoschek (085 09) 26 09 13. Januar Bremen Bürgerzentrum Neue Vahr Consensus ¤ (047 46) 93 19 75 13. Januar Magdeburg AMO Kulturhaus WIR ¤ (051 75) 93 23 59 13. Januar Wiesbaden Kurhaus ReRo ¤ (02 34) 30 15 60 13. Januar Linz/Österreich Volkshaus Bindermichl Marylyn Stoschek ¤ (085 09) 26 09 19. Januar Halle Mensa Weinberg Stefan Meiner ¤ (03 41) 699 56 80 19. Januar Stuttgart Liederhalle Wolfgang W Korte ¤ (061 01) 12 86 62 19. Januar Salzburg/A Kleingmainer Saal Marylyn Stoschek ¤ (085 09) 26 099 19. Januar Straßburg/F Parc des Expos du Wacken Valysa Evenements ¤ (00 33) 388 51 55 45 20. Januar Hildesheim Uni Mensa WIR ¤ (051 75) 93 29 93 20.
    [Show full text]