Edgar Froese Klaus Schulze
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Bio Information: RADIO MASSACRE INTERNATIONAL Title: EMISSARIES (Cuneiform Rune 211/ 212)
Bio information: RADIO MASSACRE INTERNATIONAL Title: EMISSARIES (Cuneiform Rune 211/ 212) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: [email protected] (press & overseas radio); [email protected] (North American radio) http://www.CuneiformRecords.com FILE UNDER: ELECTRONIC / ROCK / SPACE MUSIC As a musical genre, electronic music – music created by, and specifically for, electronic instruments - is now over three decades old, as old as electronic instruments themselves. The mysterious dials, knobs and antennae on the electrically-charged inventions of Robert Moog, Theremin, and others, enticed musicians to explore a universe of sounds radically different from those produced by traditional instruments. American musicians like Terry Riley, Walter Carlos and Mother Mallard’s Portable Masterpiece Co. began writing a new, avant- classical music to exploit synthesized sonics. Overseas, such artists as Tangerine Dream, Cluster and Klaus Schulze in Germany, Heldon in France, and Fripp & Eno in England, created new rock-based electronic musics. The explorations of these electronic pioneers spawned numerous sub-genres of electronic music, with names such as space music, electronic soundscapes, ambient music, new age, space rock, techno, and industrial music. Today, a new generation of visionary musicians continues to explore the frontiers of electronic sound through composition, improvisation, and mixtures thereof. They are expanding the boundaries of electronic music’s interrelated and often overlapping sub-genres, refining and redefining their sound, and creating some of the best instrumental music of the present day. Radio Massacre International (RMI) is a British electronic music trio who is carving out new ground in the genre of space music. -
April 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1923 Volume 41, Number 04 (April 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 04 (April 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/700 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. >< T? <1 Theodore Presser Co., Publishers, Philadelphia, Pa. for Child Pianists Teachers Little Albums of Children .ptaliW P“e‘h Send for our interesting Pearls of Instruction in L “Catalogue of Juvenile •ollections makes them children and the Musical Publications This catalogue ha. many helpful The very appearance of these charming wotk8d«Cirfed._Thck.ndertgc9tK nd the covers are just as delightful. little musical gems beh ■ niiMc MOW HELPFUL WITH JUVEN1LES_ TEACHERS WILL FIND THESE / The World of Music Old Rhymes with New Tunes Birthday Jewels THE ETUDE APRIL 1923 Page 219 THE ETUDE AN UP-TO-THE-MINUTE LIST OF 1922-1923 New Music Etude Prize Contest Piano Solos and Duets, Vocal Solos, Sacred and Secular, PIANO SOLOS-VOCAL SOLOS Vocal Duets, Violin and Piano Numbers, ANTHEMS — PART SCfNGS $1,250.00 in Prizes PIANO SOLOS UTE TAKE pipleasure in making the following offer our Etude Prize Contest, being WsKSf of the real value of a contest of this der interest in composition and of of composers. -
Time & Motion Press Release
Bio information: RADIO MASSACRE INTERNATIONAL Title: TIME & MOTION (Cuneiform Rune 298-299) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ELECTRONIC / COSMIC MUSIC “RMI's Steve Dinsdale, Duncan Goddard, and Gary Houghton know how to coax all sorts of nuances from their machines, and they function as a live, interactive trio, with each member responding to the others' riffs and musical motifs. In a word, Radio Massacre International nail the vintage electronic music sound, but the band is simply more "nimble" than the first generation models, which greatly enhances the listening pleasure of the suitably attuned listener...if you're a musical novice unacquainted with RMI's sources, this music will serve as a stellar introduction to the form.”– Bill Tilland, All Music Guide “Frankly there isn't anyone out there doing this kind of music better… If you have a yearning for the glory days of the Berlin school, this is where you should be going.” – Spacerock.co.uk Radio Massacre International (RMI) is an electronic improvising trio that is carving out new ground in the genres of electronic space music and space rock. Composed of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, keyboards), the trio improvises with a mixture of vintage and modern analogue and digital equipment to create massive, shifting electronic soundscapes. Instantly recognizable, RMI’s organic, visceral, and at times rough-edged explorations in space music transport the genre popularized by Pink Floyd, Tangerine Dream, Ash Ra Tempel/Manuel Gottsching and Klaus Schulze in the 1970s into the 21st century. -
CD Review: Tangerine Dream ~ Paradiso
CD Review: Tangerine Dream ~ Paradiso http://www.vintagerock.com/classiceye/td_paradiso.aspx Home About Us Forum Listening Room Giveaways Links Contact Us Paradiso Tangerine Dream How could any red-blooded American male forget those delicious scenes of Tom Cruise atop a writhing Rebecca De Mornay in the movie Risky Business (remember the ‘choo choo’ train scene?). Behind all that carnal mayhem pulsed the intricate ethereal soundtrack provided by seminal “krautrock” band Tangerine Dream. Twenty years later, with countless albums under their belts, Tangerine Dream has released Paradiso, based on the third part of Dante Alighieri’s “La Divina Commedia” (Dante’s “Devine Comedy” for us layman). The creator and only original member through every incarnation of Tangerine Dream, Edgar Froese teamed up with fellow West Berlin underground ‘arty’ types in the late 1960’s. Forming TD after studying under Salvador Dali, of all people, Froese and company were one of the first purveyors of what has been termed “krautrock.” Froese welcomed various members into the ‘Dream’ fold over the years, most notably, Christopher Franke and Peter Baumann and most TD listeners — even those of us with only a passing knowledge of the band — recognize their pulsating synths. Tangerine Dream actually gained a solid reputation through their soundtracks for movies like Legend, The Keep and Risky Business, and continue to tour (as members come and go) with multimedia live performances. As testament to Froese, it is said he welcomes new members as writing contributors and not just players (as he did with Franke and Baumann). On the double CD Paradiso, however, Froese composed and produced all of the music. -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
The Art of Performance a Critical Anthology
THE ART OF PERFORMANCE A CRITICAL ANTHOLOGY edited by GREGORY BATTCOCK AND ROBERT NICKAS /ubu editions 2010 The Art of Performance A Critical Anthology 1984 Edited By: Gregory Battcock and Robert Nickas /ubueditions ubu.com/ubu This UbuWeb Edition edited by Lucia della Paolera 2010 2 The original edition was published by E.P. DUTTON, INC. NEW YORK For G. B. Copyright @ 1984 by the Estate of Gregory Battcock and Robert Nickas All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper or broadcast. Published in the United States by E. P. Dutton, Inc., 2 Park Avenue, New York, N.Y. 10016 Library of Congress Catalog Card Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times. Copyright @ 1967 by The New York Times Company. -
Mini-Mag N12
Bulletin de liaison Automne/Hiver 2012 mini-Mag N12 L'École de Berlin, entre mythe et réalité Par Frédéric Gerchambeau Revenons au tout début de l'histoire. Nous avons un rocker psychédélique en mal de reconnaissance de son jeu guitaristique, un batteur apocalyptique passionné de musique classique, un ex-batteur de jazz féru de rythmes africains et un organiste moyennement doué et surtout dilettante. Difficile d'espérer, a priori, que ces quatre personnages révolutionnent quoi que ce soit concernant la musique. Et pourtant. Mais ils ne l'auraient pas fait sans un sérieux coup de pouce. De qui donc ? D'un musicien d'origine suisse généralement parfaitement ignoré dans ce contexte. Je veux parler de Thomas Kessler. Car la plupart des musiciens qui ont pris part à l'aventure de ce que je conte ici ont longuement assisté aux cours de composition dispensés au Conservatoire de Berlin par le compositeur de musique contemporaine Thomas Kessler. Celui-ci, très soucieux de contribuer à la maturation artistique des jeunes musiciens berlinois qui assistaient à ses cours, ne se contentait pas de leur enseigner sa déjà longue expérience en Quand on évoque l'Ecole de Berlin, on sait parfaitement de quoi on parle. On parle matière de musique expérimentale. Il a mis, en effet, à leur de séquences hypnotiques, de solos envoûtants et souvent orientalisants, de sons disposition un véritable studio où ceux-ci pouvaient répéter étranges et de nappes éthérées, le tout contenu dans de longues plages musicales librement et s'aventurer à loisir dans toutes sortes de aux parfums d'ailleurs et d'infini. -
Elektroniske Drømmende Landskaber Fra Tangerine Dream
2019-04-16 10:00 CEST Elektroniske drømmende landskaber fra Tangerine Dream VEGA præsenterer Elektroniske drømmende landskaber fra Tangerine Dream Den 2. november kan du opleve de tyske, elektroniske troldmænd i Tangerine Dream, når de masserer VEGA ind i eksperimenterende synthflader af vellyd. De tyske legender i Tangerine Dream blev dannet tilbage i 1967 af Edgar Froese. De er pionerer inden for genren electronica og har turneret verden rundt med deres unikke mix af instrumentalmusik og atmosfæriske synthesizere. Bandet har gennem årtier forsøgt rykke ved den gængse opfattelse af, hvad musik er og kan være. Bandet har en vision om at udvide menneskets forståelse for både lyd og dets eget sind. Med album som Zeit, Alpha Centauri og Phaedra skabte bandet op gennem 70´erne noget af det mest storslåede psykedeliske electronica til dato. Gruppen slog massivt igennem i konstellationen Edgar Froese, Chris Franke og Peter Baumann, der med brede klangflader, repetitive rytme- og melodi- sekvenser ikke bare slog benene væk under anmeldere og publikum, men også blev forløbere for genre som new age, dance og ambient. Senere blev musikken mere melodisk med poppede elementer og album som Strastofear, Force Majeure og Tangram er fornemme eksempler på bandets mangefacetterede musikalske talenter.Tangerine Dream har gennem karrieren leveret over 60 soundtrack til film og har inspireret et hav af moderne filmkomponister. I 2017 udgav de deres seneste album Quantum Gate, der udkom samtidig med, at bandet kunne fejre deres 50års jubilæum. Det er det første album indspillet efter frontmand Edgar Froeses død. Fakta om koncerten: Tangerinde Dream (DE) Lørdag den 2.november kl. -
March 1941) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1941 Volume 59, Number 03 (March 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 03 (March 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/252 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. March. THEM ETOPE 1941 Price 25 Cents majqjoizzfimcD !' 1" Pho.00'" ' . ) ) the Sadi e$ Vatutinaf Some of whose interesting songs are i m the catalog of The John Church Co. DOROTHY GAYNOR BLAKE Other outstanding composers represented in The John Church Co. Catalog include Ethelbert Nevin (Mighty Lak' a Rose), Charles Gilbert Spross (Will o’ the Wisp), Oley Speaks (In Maytime ), C. B. Hawley (Sweetest Flower That Blows), Carl Hahn (The Green Cathedral), and many others. Catalogs giving thematic portions of successful John Church Co. song publications cheerfully sent on request. LOUISE SNODGRASS Enchantment Claims Its Own. High (F-c3-flat .60 Star Wishes. High (E-a) .50 Low (c-sharp-F-sharp) .50 ROSADA LAWRANCE Star Wishes. Achal by the Sea. High (d-sharp-a) LILY STRICKLAND Roses. High (d-g) .50 Achal by the Sea. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Dades Personals
Instituto Interuniversitario de Desarrollo Social y Paz DOCTORADO EN ESTUDIOS INTERNACIONALES DE PAZ, CONFLICTOS Y DESAROLLO Tesis Doctoral Dancing Conflicts, Unfolding Peaces: Dance as Method to Elicit Conflict Transformation Presentada por: Paula Ditzel Facci Dirigida por: Dr. Norbert Koppensteiner Castellón de la Plana, Mayo 2017 Table of Contents Acknowledgments ...................................................................................................................... 1 Extracto de la Tesis Doctoral en Castellano ............................................................................... 2 Abstract ..................................................................................................................................... 15 Introduction .............................................................................................................................. 16 1 Objective and Motivation ...................................................................................................... 19 1.1 Author’s Perspective ....................................................................................................... 19 1.2 Research Interest ............................................................................................................. 24 1.3 Method and Structure ...................................................................................................... 28 1.3.1 Literature Review .................................................................................................... -
Tdn Europe • Page 2 of 21 • Thetdn.Com Monday • 3 May 2021
MONDAY, 3 MAY 2021 MOTHER EARTH COMES MARE AUSTRALIS COMES OF AGE IN THE GANAY THROUGH IN THE GUINEAS There was more Boudot magic at ParisLongchamp on Sunday as APC@ made all to draw the sting from all rivals and land the G1 Prix Ganay with the rapid improver Mare Australis (Ire) (Australia {GB}). Always highly-regarded and now an entirely different proposition from the greenhorn of last summer, Gestut Schlenderhan=s homebred had offered a glimpse of what was to come when second on his return to Skalleti (Fr) (Kendargent {Fr}) in the 10-furlong G2 Prix d=Harcourt at this venue Apr. 11. Asked a new question by his rider on this sternest test of his ability so far, the 5-2 second favourite responded by stretching every rival including Mogul (GB) (Galileo {Ire}) who was in closest attendance. When he kicked in early straight, he turned the screw too tight on Ballydoyle=s 9-5 market-leader raider and kept galloping true to the line to beat the emergent Gold Trip (Fr) (Outstrip {GB}) by 1 3/4 lengths. Cont. p4 Mother Earth | racingfotos.com IN TDN AMERICA TODAY In a renewal of Newmarket=s G1 QIPCO 1000 Guineas which HOW TO BUY A DERBY WINNER FOR $1,000 polarised the dreamers and the cynics, experience ultimately Bill Finley speaks with consignor Christy Whitman on GI Kentucky told on Sunday with Frankie Dettori the chief benefactor as he Derby hero Medina Spirit (Protonico). Click or tap here to go steered Mother Earth (Ire) (Zoffany {Ire}) to glory.