Charms, Charmers and Charming Российский Государственный Гуманитарный Университет Российско-Французский Центр Исторической Антропологии Им
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Black Magic & White Supremacy
Portland State University PDXScholar University Honors Theses University Honors College 2-23-2021 Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power Nicholas Charles Peters Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Television Commons Let us know how access to this document benefits ou.y Recommended Citation Peters, Nicholas Charles, "Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power" (2021). University Honors Theses. Paper 962. https://doi.org/10.15760/honors.986 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power By Nicholas Charles Peters An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in English and University Honors Thesis Adviser Dr. Michael Clark Portland State University 2021 1 “Being burned at the stake was an empowering experience. There are secrets in the flames, and I came back with more than a few” (Head 19’15”). Burning at the stake is one of the first things that comes to mind when thinking of witchcraft. Fire often symbolizes destruction or cleansing, expelling evil or unnatural things from creation. “Fire purges and purifies... scatters our enemies to the wind. -
NB 377 Transcript
Naked Bible Podcast Episode 377: Revelation 9 Naked Bible Podcast Transcript Episode 377 Revelation 9 May 22, 2021 Teacher: Dr. Michael S. Heiser (MH) Host: Trey Stricklin (TS) Episode Summary Revelation 9 reveals John’s vision of the fifth and six trumpet judgments. Several interpretive issues are immediately apparent. What is the nature of the angel with the key to the bottomless pit (Rev 9:1)? Is this angel the same or different than that in Rev 9:11 or Abbadon/Apollyon? Who or what is being released from the bottomless pit (Rev 9:3-11)? These questions take the reader into the wider question of whether Revelation’s apocalyptic descriptions should be read in terms of modern analogies. In this episode we discern how the release of evil supernatural beings from the bottomless pit has clear connections to how Second Temple Jewish texts and 2 Peter describe the imprisoned Watchers, the sons of God of Genesis 6:1-4 infamy, and how the odd descriptions of those beings in insect and animal form have clear, abundant antecedents in the Old Testament. Transcript TS: Welcome to the Naked Bible Podcast, Episode 377: Revelation 9. I’m the layman, Trey Stricklin, and he’s the scholar, Dr. Michael Heiser. Hey, Mike! What's going on? MH: Well, I have a pug update. The pugs have now been introduced to the pool properly. TS: With life jackets? MH: With life jackets, of course. And their attitude toward the pool has moved from hysteria to mild hysteria. [laughter] They didn’t like it. -
On Program and Abstracts
INTERNATIONAL ASSOCIATION FOR COMPARATIVE MYTHOLOGY & MASARYK UNIVERSITY, BRNO, CZECH REPUBLIC TENTH ANNUAL INTERNATIONAL CONFERENCE ON COMPARATIVE MYTHOLOGY TIME AND MYTH: THE TEMPORAL AND THE ETERNAL PROGRAM AND ABSTRACTS May 26-28, 2016 Masaryk University Brno, Czech Republic Conference Venue: Filozofická Fakulta Masarykovy University Arne Nováka 1, 60200 Brno PROGRAM THURSDAY, MAY 26 08:30 – 09:00 PARTICIPANTS REGISTRATION 09:00 – 09:30 OPENING ADDRESSES VÁCLAV BLAŽEK Masaryk University, Brno, Czech Republic MICHAEL WITZEL Harvard University, USA; IACM THURSDAY MORNING SESSION: MYTHOLOGY OF TIME AND CALENDAR CHAIR: VÁCLAV BLAŽEK 09:30 –10:00 YURI BEREZKIN Museum of Anthropology and Ethnography & European University, St. Petersburg, Russia OLD WOMAN OF THE WINTER AND OTHER STORIES: NEOLITHIC SURVIVALS? 10:00 – 10:30 WIM VAN BINSBERGEN African Studies Centre, Leiden, the Netherlands 'FORTUNATELY HE HAD STEPPED ASIDE JUST IN TIME' 10:30 – 11:00 LOUISE MILNE University of Edinburgh, UK THE TIME OF THE DREAM IN MYTHIC THOUGHT AND CULTURE 11:00 – 11:30 Coffee Break 11:30 – 12:00 GÖSTA GABRIEL Georg-August-Universität Göttingen, Germany THE RHYTHM OF HISTORY – APPROACHING THE TEMPORAL CONCEPT OF THE MYTHO-HISTORIOGRAPHIC SUMERIAN KING LIST 2 12:00 – 12:30 VLADIMIR V. EMELIANOV St. Petersburg State University, Russia CULTIC CALENDAR AND PSYCHOLOGY OF TIME: ELEMENTS OF COMMON SEMANTICS IN EXPLANATORY AND ASTROLOGICAL TEXTS OF ANCIENT MESOPOTAMIA 12:30 – 13:00 ATTILA MÁTÉFFY Hacettepe University, Ankara, Turkey & Georg-August-Universität Göttingen, -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Ilze Grickus – B
Ilze Grickus – b. 13/4/1947 Transcript of Interview with Judy Caine 17th January 2019 (N.B. – timecode numbers refer to the audio recording) Judy Caine: [00:00:01] Okay. I think we're in business. Yes, we are. Okay. I'm just going to ident who I am Ilze. My name is Judy Caine and I'm in Uppingham with Ilze Grickus as part of the Changing Corby Latvian project. We’re in Don Paddy's in Uppingham, and it is Thursday the 17th of January 2019. Could you just for the tape give me your full name and tell me your date of birth. Ilze Grickus: [00:00:26] My name is Ilze Grickus. I was born on the 13th of April in 1947 which makes me almost 72 years of age. I was actually born in Manchester. Judy Caine: [00:00:40] Good heavens. So, What's your connection with Latvia? Ilze Grickus: [00:00:42] Well my parents are Latvian, or were, they are deceased now, my father came over here after the war as my mother, my mother was a nurse. My father was a professional soldier. And then they were offered the opportunity to come to England in order to make a new life for themselves. At the time they had actually thought they were going to go back to Latvia. But obviously as time went on, and then they met up and got married and there you go. Judy Caine: So, what made you settle in this area? Ilze Grickus: Well, that was the steelworks. -
Incantatio an International Journal on Charms, Charmers and Charming Print Version Issue 3 2013
Incantatio An International Journal on Charms, Charmers and Charming http://www.folklore.ee/incantatio Print version Issue 3 2013 ISNFR Committee on Charms, Charmers and Charming Incantatio An International Journal on Charms, Charmers and Charming Issue 3 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Tartu 2013 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Language editor: Jonathan Roper Layout: Liisa Vesik Editorial board: Alaric Hall Claude Lecouteux Lea Olsan Éva Pócs Jonathan Roper Emanuela Timotin Andrey Toporkov Daiva Vaitkeviien William F. Ryan Editorial contacts: http://www.foklore.ee/incantatio [email protected] Vanemuise 42, Tartu 51003, Estonia Supported by and affiliated to projects SF0030181s08 and EKKM09-159 of the Estonian Ministry of Education and Research, and the European Union through the European Regional Development Fund (Centre of Excellence in CECT). All rights reserved. Copyright 2013 the authors and the ISFNR Committee on Charms, Charmers and Charming ISSN 2228-1355 DOI 10.7592/Incantatio http://www.folklore.ee/incantatio Contents doi: 10.7592/Incantatio2013 Introduction 7 Svetlana Tsonkova doi: 10.7592/Incantatio2013_Introduction Ex Ecclesia: Salvific Power Beyond Sacred Space 9 In Anglo-Saxon Charms Ciaran Arthur doi: 10.7592/Incantatio2013_Arthur Irish Scribal Culture As A Purveyor Of Charm Texts 33 In The Eighteenth And Nineteenth Centuries Nicholas Wolf doi: 10.7592/Incantatio2013_Wolf The Slavic And German Versions Of The Second Merseburg Charm 43 Tatiana Agapkina, Vladimir Karpov, Andrey Toporkov doi: 10.7592/Incantatio2013_AKT Parchment, Praxis And Performance Of Charms 60 In Early Medieval Ireland Ilona Tuomi doi: 10.7592/Incantatio2013_Tuomi Charms In Slovenian Culture 86 Saša Babi doi: 10.7592/Incantatio2013_Babic St. -
The Art of Performance a Critical Anthology
THE ART OF PERFORMANCE A CRITICAL ANTHOLOGY edited by GREGORY BATTCOCK AND ROBERT NICKAS /ubu editions 2010 The Art of Performance A Critical Anthology 1984 Edited By: Gregory Battcock and Robert Nickas /ubueditions ubu.com/ubu This UbuWeb Edition edited by Lucia della Paolera 2010 2 The original edition was published by E.P. DUTTON, INC. NEW YORK For G. B. Copyright @ 1984 by the Estate of Gregory Battcock and Robert Nickas All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper or broadcast. Published in the United States by E. P. Dutton, Inc., 2 Park Avenue, New York, N.Y. 10016 Library of Congress Catalog Card Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times. Copyright @ 1967 by The New York Times Company. -
Magic: a Theory from the South
MAGIC Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com Magic A THEORY FROM THE SOUTH Ernesto de Martino Translated and Annotated by Dorothy Louise Zinn Hau Books Chicago © 2001 Giangiacomo Feltrinelli Editore Milano (First Edition, 1959). English translation © 2015 Hau Books and Dorothy Louise Zinn. All rights reserved. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9905050-9-9 LCCN: 2014953636 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Contents Translator’s Note vii Preface xi PART ONE: LUcanian Magic 1. Binding 3 2. Binding and eros 9 3. The magical representation of illness 15 4. Childhood and binding 29 5. Binding and mother’s milk 43 6. Storms 51 7. Magical life in Albano 55 PART TWO: Magic, CATHOliciSM, AND HIGH CUltUre 8. The crisis of presence and magical protection 85 9. The horizon of the crisis 97 vi MAGIC: A THEORY FROM THE SOUTH 10. De-historifying the negative 103 11. Lucanian magic and magic in general 109 12. Lucanian magic and Southern Italian Catholicism 119 13. Magic and the Neapolitan Enlightenment: The phenomenon of jettatura 133 14. Romantic sensibility, Protestant polemic, and jettatura 161 15. The Kingdom of Naples and jettatura 175 Epilogue 185 Appendix: On Apulian tarantism 189 References 195 Index 201 Translator’s Note Magic: A theory from the South is the second work in Ernesto de Martino’s great “Southern trilogy” of ethnographic monographs, and following my previous translation of The land of remorse ([1961] 2005), I am pleased to make it available in an English edition. -
Mini-Mag N12
Bulletin de liaison Automne/Hiver 2012 mini-Mag N12 L'École de Berlin, entre mythe et réalité Par Frédéric Gerchambeau Revenons au tout début de l'histoire. Nous avons un rocker psychédélique en mal de reconnaissance de son jeu guitaristique, un batteur apocalyptique passionné de musique classique, un ex-batteur de jazz féru de rythmes africains et un organiste moyennement doué et surtout dilettante. Difficile d'espérer, a priori, que ces quatre personnages révolutionnent quoi que ce soit concernant la musique. Et pourtant. Mais ils ne l'auraient pas fait sans un sérieux coup de pouce. De qui donc ? D'un musicien d'origine suisse généralement parfaitement ignoré dans ce contexte. Je veux parler de Thomas Kessler. Car la plupart des musiciens qui ont pris part à l'aventure de ce que je conte ici ont longuement assisté aux cours de composition dispensés au Conservatoire de Berlin par le compositeur de musique contemporaine Thomas Kessler. Celui-ci, très soucieux de contribuer à la maturation artistique des jeunes musiciens berlinois qui assistaient à ses cours, ne se contentait pas de leur enseigner sa déjà longue expérience en Quand on évoque l'Ecole de Berlin, on sait parfaitement de quoi on parle. On parle matière de musique expérimentale. Il a mis, en effet, à leur de séquences hypnotiques, de solos envoûtants et souvent orientalisants, de sons disposition un véritable studio où ceux-ci pouvaient répéter étranges et de nappes éthérées, le tout contenu dans de longues plages musicales librement et s'aventurer à loisir dans toutes sortes de aux parfums d'ailleurs et d'infini. -
The Public Sphere and the East India Company
He, Dan (2019) Public State, Private Corporation : A Joint History of the Ideas of the Public/Private Distinction, the State, and the Corporation. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/32467 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. PUBLIC STATE, PRIVATE CORPORATION - A Joint History of the Ideas of the Public/Private Distinction, the State, and the Corporation DAN HE Thesis submitted for the degree of PhD 2019 Department of Law SOAS, University of London 1 TABLE OF CONTENTS TABLE OF CONTENTS .......................................................................... 3 ACKNOWLEDGMENT ............................................................................ 5 ABSTRACT .......................................................................................... 6 I. INTRODUCTION ......................................................................... -
Rev Class 23 Feb 2019
Are You Ready for Rapture? Elder Jehu and Christine Chan Saturday 16 Feb 2019 3 pm to 5pm City Missions Church Conference Room City Missions Church - Market Place Ministry ICEJ Singapore www.jehuchan.com Thyatira Laodiceans Philadelphia Smyrna Ephesus Sardis Pergamos Time Seven Letters • 3 separate groupings • Before Christ • After Christ • Millennium Rule and Reign • Before Christ • Ephesus – loveless church • Smyrna – persecuted church • Pergamos – compromising church • After Christ • Thyatira – corrupt church • Sardis – dead church • Philadelphia – faithful church • Millennium Rule and Reign • Laodiceans - lukewarm church 3 Seven Seals • First Seal • Fifth Seal • Birth of Islam • Cries of the Martyrs • Second Seal • Six Seal & Seventh Seal • Psalm 83 War • Harvest of the Bride • Third Seal • Return of Yeshua • Famine and Inflation • Fourth Seal • Ezekiel 38/39 War 4 AD BC Sardis Thyatira Smyrna Ephesus Pergamos Laodiceans Philadelphia 7th & 6th Seals 4th to 1st Seals 5th Seal 6,000 years 7000 years – 7 Letters 5 The Woes • The four earlier trumpets, God used nature to reflect His anger and bring punishment on the disobedient. • The remaining three woes, God released Satan and his hordes and allowed satan to play his own end game. • Satan then began to create his own race of people and corrupting and deceiving the rest of mankind, just as he did in Genesis. • They will be causing additional pain and suffering. • The fifth trumpet (first woe) we were introduced to Abaddon who released thousands of Teraphim out from the Abyss. • The Teraphim will make a covenant with Abaddon to attack God’s chosen people. 6 The Fifth Trumpet (First Woe) • Rev 9:1-12 Identification of the angel of the abyss as Abaddon (Apollyon) • Abaddon given the key to the abyss • Where does this key (Rev 9:1) come from? • When Jesus died on the cross, HE went down with the key to Gehenna (Hell) to set captives free. -
Magic & Witchcraft in Africa
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kohnert, Dirk Article — Accepted Manuscript (Postprint) Magic and witchcraft: Implications for Democratization and poverty-alleviating aid in Africa World Development Suggested Citation: Kohnert, Dirk (1996) : Magic and witchcraft: Implications for Democratization and poverty-alleviating aid in Africa, World Development, ISSN 0305-750X, Elsevier, Amsterdam, Vol. 24, Iss. 8, pp. 1347-1355, http://dx.doi.org/10.1016/0305-750X(96)00045-9 This Version is available at: http://hdl.handle.net/10419/118614 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Authors version – published in: World Development, vol. 24, No. 8, 1996, pp. 1347-1355 Magic and Witchcraft Implications for Democratization and Poverty-Alleviating Aid in Africa Dirk Kohnert 1) Abstract The belief in occult forces is still deeply rooted in many African societies, regardless of education, religion, and social class of the people concerned.