March 1941) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

March 1941) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1941 Volume 59, Number 03 (March 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 03 (March 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/252 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. March. THEM ETOPE 1941 Price 25 Cents majqjoizzfimcD !' 1" Pho.00'" ' . ) ) the Sadi e$ Vatutinaf Some of whose interesting songs are i m the catalog of The John Church Co. DOROTHY GAYNOR BLAKE Other outstanding composers represented in The John Church Co. Catalog include Ethelbert Nevin (Mighty Lak' a Rose), Charles Gilbert Spross (Will o’ the Wisp), Oley Speaks (In Maytime ), C. B. Hawley (Sweetest Flower That Blows), Carl Hahn (The Green Cathedral), and many others. Catalogs giving thematic portions of successful John Church Co. song publications cheerfully sent on request. LOUISE SNODGRASS Enchantment Claims Its Own. High (F-c3-flat .60 Star Wishes. High (E-a) .50 Low (c-sharp-F-sharp) .50 ROSADA LAWRANCE Star Wishes. Achal by the Sea. High (d-sharp-a) LILY STRICKLAND Roses. High (d-g) .50 Achal by the Sea. Low (a-sharp-E) Gathered Gathered Roses. Low (a-D) .50 CORINNE MOORE LAWSON Jes' Lonesome (Cat. No. 30682) Med. (d-F-sharp) .60 KATHERINE BARRY When You Are in My Heart. High (d-g The. ^o**^*^, Heart. Med. (c-F) ANICE TERHUNE The Flower (o-D) When You Are in My Lo. Shadow Fingers. High (d-g) .40 When You Are in My Heart. Low (a-D) (Cat. No. 30699) Low (c-E-flot) Jeunesse (Youth) CATHERINE McFARLAND GWEN THOMPSON MARION EUGENIE BAUER Black-Faced Fairies. High (E-flat-g-flat) .60 (d-E) All the World Is Sunshine (Cat. No. 30582) Med. Light (Cat. No. 30585) Med. (c-sharp-F-sharp) REVA MARIE TONNELE H. A. BEACH MRS. H. The Elf and the Dormouse. High ( E-g ) .50 . MANA-ZUCCA High (F-a) - _. The Singer. , lr .60 (F-a). Life (Cat. No* 30012) High (F-F) CASSARD TOOGOOD Hills. High I Love CORA Song in the ....... .60 Love Life (Cat. No. 30013) Low (d-D) Haunt of the Witches. High (c-g) .50 GAYNOR BLAKE I DOROTHY High (d-flat-a-flat) .50 Witches. Low (a-E) ( E-flat-a-flat) Secret (Cat. No. 30617) Haunt of the .50 The Evening of Life. High My HELEN BROWN Nichavo! (Nothing Matters!) FLORENCE TURNER-MALEY MARY (G-a) .60 (Cat. No. 30052) High a Butterfly. High (c-F) .60 Ro,e Dr.om'd Sh " If I Were ° Med. (d-F). Matters!) ^0,07 ) Nichavo! (Nothing Swift the Hours. High (d-g) .50 (F-g), .60 (Cat. No. 30053) Med. ) BURT Swift the Hours. Low ( b-flat-E-flat .50 VIRGINIA \ . i a , Med.M , (d-flat-t. E tlatjai Matters!) Sweet Honey Love (A Lullaby) Nichavo! (Nothing GRACE TWYMAN (Cat. No. 30054) Low (d-E) .60 CASE Shlip of a Girl’. High (F-g) .60 ANNA _ . .. , A Little r p aWism) the Mornin' Our America A Song of The Top o' STALLO TYLER (Cat. No. 30773) High (d-g). ... (Cat. No. 30023) High (F-F) .50 LILLIAN Sun Song. High (E-flat-g) .60 TERESA DEL RIEGO The Top o' the Mornin' World Med. (E-flat-E-flat) .50 ALICE VAIDEN The Greatest Wish in the (Cat. No. 30024) opt. c) (E-g-sharp) .40 (Cat. No. 30424) High (c-F, The Top o' the Mornin' Ballade of Colleens. High No. 30025) Low (c-C) .50 Ballade of Colleens. Low (c-E) .40 The Greatest Wish in the World (Cat. (Cat. No. 30425) Med. (b-fiat-E-flat) FRANCES MARTIN MATHILDE VON OESTEREN The Greatest Wish in the World Only a Little Way Your Dark Eyes. High (c-g) .60 Low (a-D) (E-flat-E-flat) .50 (Cat. No. 30426) (Cat. No. 30733) Med. Your Dark Eyes. Low (a-E) .60 ROSE EVERSOLE CATHERINE PANNILL MEAD HARRIET WARE High (G-gJ.... Med. (d-F) .50 God's Promises. A Little Dutch Garden (Cat. No. 30606) Boat Song (Cat. No. 30419) High (d-g) .60 Low ( E-flat-E-flat) God's Promises. RAYMOND Boat Song (Cat. No. 30420) Med. (c-F) .60 FORSTER BLANCHE DOROTHY . (c-a) .50 .60 , The Laughter of Love. High Boat Song (Cat. No. 30421) Low (a-D) the World for You. High (c-a) I Searched (b-flat-g) RICHTER Hindu Slumber Song for You. Low ADA . Searched the World t „ , r „ „ | ( .50 Heaven (Cat. No. 30719) Med. c-E-flat .60 (Cat. No. 30083) High (c-a-flat) . FAY FOSTER Pancake Hindu Slumber Song (Cat. No. 30084) Low (a-F) . .50 The Voyager. Med. (a-l-J MARY TURNER SALTER Mammy's Song (Cat. No. 30516) High . .60 GARDNER Mother Moon (Cat. No. 30358) High (c-F) .50 (E-flat-g). GRACE Mammy's Song (Cat. No. 30517) Low (c-E) Low ( a-flat-D-flat) .50 At Sunset. Med. (d-F) Mother Moon (Cat. No. 30359) FLORENCE GOLSON We Two. High (c-g-sharp) ELINOR REMICK WARREN Broken Wing Low (a-E-sharp) Little The Bird with a . We Two. Slippers of the Rain. High (E-g) (Cat. No. 30600) Med. (E-flat-F) Rest. High (E-g) Rest. Low (d-flat-E-flat) DOROTHY HILL Gown The Lilac Cotton ... ir r l \ (E-F-sharp) . (Cat. No. 30275) Med. HILL MABEL WOOD .50 Bing. High E-flat-g) Captain .50 (c-fc) Die olin Captain Bing. Low ( Lurch ROSALIE HOUSMAN CQ . Tidals. Med. ( b-E ) THEODORE JESSIE MAE JEWITT PRESS ER (FE-flat-a-tlat]flat a flat) CO., Distributors Lovo and You. High ( I Need Your Love and You. Low (c-h) .60 1712 I Need Your CHESTNUT STRE ET, MARGARET RUTHVEN LANG PHILADELPHIA, .50 PA. Lydia. High (d-g) W S MUSIC LOVERS! pur with Ms fam©us 3 -volume LISTENER'S LIBRARYss NOW ONLY For All 3 Volumes, BIOGRAPHY Complete. Boxed 01 dictionary Y/\\/VVVVVVVVV\/WVVVVVVVVVV\AA!VVVVVVVVVVVVVVVVVVVVVVVVVVVWVVVVVVVV Biographical Dictionary @©EE!§ TAYLOR'S of Musicians s> MUSICI/W concert 8 500 entries — lives, dates, accomplishments of every major and minor guide composer, musician, performer; with key to pronunciation in 16 languages. OPERA @151 GREAT WEm$ GUIDE <ajij ^ by 60 greatest operatic composers — plots, casts, musical themes, history. @438 CONCEPT WORKS by 112 immortal composers — meanings, what themes and passages to Everything Yoa Want S0 Know About Music! listen for, how they came to be written, etc. The Lives and Accomplishments of 8,500 Composers, Musicians; The v^^^/v^/vvwv^vvvvvvv^\wv^^vla^vvwvvvv\^vvvvl^^^vv^vvafvvvva\^vv Stories of 1 51 Operas, 438 Symphonic Compositions, and their Composers O YOU LOVE GOOD MUSIC, You will refer to these volumes time sc ” B RT s 5 npl ' onk 3 *<>. 8 (, ho modern figures as Sibelius. H .'! bring the whole OPERAS , 151 1 ,? r , ; cnaUei, and want to enjoy it even more and again. They rich . Stravinsky, , Paul Whiteman. overture to ••Rosamuiide"' world of music within your grasp. The stories ; casts of char- fully? First, know the ‘‘Men of Gershwin, Jerome Kern. etc. SCHUMA™N%ymP1?o" No. l. D Music.” Second, know the stories of Read carefully the Table of Contents great operas—the sublime blending here—even though it can give only a 438 GREAT of music, poetry, and drama. Third, hint of the vast amount of musical CONCERT WORKS know more about the glorious sym- information you will find in these phonic masterpieces. three books. And you may examine The meanings, stories, obligation theme developments, what them now—without and music and instruments to TSCH AIKOVSKY—Syi How to Know All Three without paying a penny in advance! listen for, lives of the com- So that you may know more posers of 438 great concert about these three subjects, the works, including: “Listener’s Library” has just been SEND NO MONEY assembled. One of its editors is 5 FREE EXAMINATION 'Isolde; Slegfrle DEEMS TAYLOR — world- DAYS’ >9 to Oberon, De composer, critic, radio You need not send any payment with the BELLI Nl-Norma nvltation to th renowned BIZET—Curmen commentator! coupon. When this handsomely-boxed 3- DEBU 8 °"' inexpensive volumes (For- volume “Listener’s Library” reaches you, BES l^lcmo and HUNDREDS more- These accept it for 5 days' FREE EXAMINATION. DONIZETTI—l.'ucla >11 BERLIOZ- only $2.95 /or FLOTOW—Martlm merly $7.00; NOW Return it if you do not wish to keep it. But Fausl ALL! virtually every GOUNOD— 438 IN all three) cover if. the other hand, these volumes HUMPERDINCK—Hare on -Pngli every symphonic work, (formerly $7.00) open up to you a new LEONCAVALLO- How the Orchestra opera, MASCAGNI—Cnvn llorl; composer. In 1510 interest- world of musical appreciation, understand- Mnnon. I every MASSENET— is Formed ing, and pleasure, then send only $1 and MOZART—Mon-Inge 01 ing pages ( See partial Table of ^ payments : $1 one Glossary of these books the balance in two month NICOLAI — Merry Wive Contents at left) later and 95 cents (plus 20c postage and , ,, l PU^' N Musical Terms tell you of the composers lives; month after BuUrX .
Recommended publications
  • Borgo of the Holy Ghost
    Utah State University DigitalCommons@USU Swenson Poetry Award Winners USU Press 2001 Borgo of the Holy Ghost Stephen Mcleod Follow this and additional works at: https://digitalcommons.usu.edu/swenson_awards Part of the Creative Writing Commons Recommended Citation Mcleod, Stephen, "Borgo of the Holy Ghost" (2001). Swenson Poetry Award Winners. 10. https://digitalcommons.usu.edu/swenson_awards/10 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in Swenson Poetry Award Winners by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THE BORGO OF THE HOLY GHOST May Swenson Poetry Award Series THE BORGO OF THE HOLY GHOST poems by Stephen McLeod UTAH STATE UNIVERSITY PRESS Logan, Utah Utah State University Press Logan, Utah 84322-7800 Copyright © 2001 Stephen McLeod. Foreword copyright © 2001 Richard Howard. All rights reserved. Manufactured in the United States of America. “The Dead” was first published in Slate Magazine, www.slate.com. Reprinted with permission. Slate is a trademark of the Microsoft Corporation. Grateful acknowledgment is made to the editors of the following publications where versions of these poems first appeared: Agni: “Broken Gull” American Poetry Review: “What Comes Through Hearing” Barrow Street: “All Roads Lead to Kansas”; “Donation”; “The Shoulder Where It Belongs”; “That Crazy Moon” Bay Windows: “Just the Facts” Columbia: A Journal of Literature and Art: “Chronic”; “The Goldberg Variations” The Journal: “Late Reading”; “My Brother’s Ghost” The Paris Review: “At the West Street Piers”; “The Borgo of the Holy Ghost”; “Just By Deciding It” Ploughshares: “Becoming Kansas” Shenandoah: “Pieta” (appeared originally as “Michelangelo’s Pieta”) Slate: “The Dead” Southwest Review: “A.D.” Western Humanities Review: “Against Stevens”; “An Exercise For Lovers”; “For Barbara & Vincent”; “Heaven Reassigned”; “Speaking in Tongues”; “What to Do What to Say”.
    [Show full text]
  • Tobacco Labelling -.:: GEOCITIES.Ws
    Council Directive 89/622/EC concerning the labelling of tobacco products, as amended TAR AND NICOTINE CONTENTS OF THE CIGARETTES SOLD ON THE EUROPEAN MARKET AUSTRIA Brand Tar Yield Nicotine Yield Mg. Mg. List 1 A3 14.0 0.8 A3 Filter 11.0 0.6 Belvedere 11.0 0.8 Camel Filters 14.0 1.1 Camel Filters 100 13.0 1.1 Camel Lights 8.0 0.7 Casablanca 6.0 0.6 Casablanca Ultra 2.0 0.2 Corso 4.0 0.4 Da Capo 9.0 0.4 Dames 9.0 0.6 Dames Filter Box 9.0 0.6 Ernte 23 13.0 0.8 Falk 5.0 0.4 Flirt 14.0 0.9 Flirt Filter 11.0 0.6 Golden Smart 12.0 0.8 HB 13.0 0.9 HB 100 14.0 1.0 Hobby 11.0 0.8 Hobby Box 11.0 0.8 Hobby Extra 11.0 0.8 Johnny Filter 11.0 0.9 Jonny 14.0 1.0 Kent 10.0 0.8 Kim 8.0 0.6 Kim Superlights 4.0 0.4 Lord Extra 8.0 0.6 Lucky Strike 13.0 1.0 Lucky Strike Lights 9.0 0.7 Marlboro 13.0 0.9 Marlboro 100 14.0 1.0 Marlboro Lights 7.0 0.6 Malboro Medium 9.0 0.7 Maverick 11.0 0.8 Memphis Classic 11.0 0.8 Memphis Blue 12.0 0.8 Memphis International 13.0 1.0 Memphis International 100 14.0 1.0 Memphis Lights 7.0 0.6 Memphis Lights 100 9.0 0.7 Memphis Medium 9.0 0.6 Memphis Menthol 7.0 0.5 Men 11.0 0.9 Men Light 5.0 0.5 Milde Sorte 8.0 0.5 Milde Sorte 1 1.0 0.1 Milde Sorte 100 9.0 0.5 Milde Sorte Super 6.0 0.3 Milde Sorte Ultra 4.0 0.4 Parisienne Mild 8.0 0.7 Parisienne Super 11.0 0.9 Peter Stuyvesant 12.0 0.8 Philip Morris Super Lights 4.0 0.4 Ronson 13.0 1.1 Smart Export 10.0 0.8 Treff 14.0 0.9 Trend 5.0 0.2 Trussardi Light 100 6.0 0.5 United E 12.0 0.9 Winston 13.0 0.9 York 9.0 0.7 List 2 Auslese de luxe 1.0 0.1 Benson & Hedges 12.0 1.0 Camel 15.0 1.0
    [Show full text]
  • Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
    COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally.
    [Show full text]
  • April 1923) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1923 Volume 41, Number 04 (April 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 04 (April 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/700 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. >< T? <1 Theodore Presser Co., Publishers, Philadelphia, Pa. for Child Pianists Teachers Little Albums of Children .ptaliW P“e‘h Send for our interesting Pearls of Instruction in L “Catalogue of Juvenile •ollections makes them children and the Musical Publications This catalogue ha. many helpful The very appearance of these charming wotk8d«Cirfed._Thck.ndertgc9tK nd the covers are just as delightful. little musical gems beh ■ niiMc MOW HELPFUL WITH JUVEN1LES_ TEACHERS WILL FIND THESE / The World of Music Old Rhymes with New Tunes Birthday Jewels THE ETUDE APRIL 1923 Page 219 THE ETUDE AN UP-TO-THE-MINUTE LIST OF 1922-1923 New Music Etude Prize Contest Piano Solos and Duets, Vocal Solos, Sacred and Secular, PIANO SOLOS-VOCAL SOLOS Vocal Duets, Violin and Piano Numbers, ANTHEMS — PART SCfNGS $1,250.00 in Prizes PIANO SOLOS UTE TAKE pipleasure in making the following offer our Etude Prize Contest, being WsKSf of the real value of a contest of this der interest in composition and of of composers.
    [Show full text]
  • TOBACCO WORLD RETAIL PRICES (Ovor 5,000 Retail PI-ICM)
    THE CIGAR AND THE TOBACCO WORLD THE POPULAR JOURNAL TOBACCO OVER 40 YEARS OF TRADE USEFULNESS WORLD The Subscription includes : TOBACCO WORLD RETAIL PRICES (Ovor 5,000 Retail PI-ICM). RETAIL PRICES THE TOBACCO WORLD ANNUAL (Containing a word of Trad* Brand*—with Nam* and Addrau In each cms*). Membership of: TOBACCO WORLD SERVICE JUNE 1935 (With Pott Fnta raplUa In all Trad* difficult!**). The Cigar & Tobacco World HIYWOOO A COMPANY LTD. Dmrr How*, Kin—U 3tr*M, Ontry Una, London, W.C1 trantfc OACM f Baadmur. •trmlnfhtn, Uteanar. ToWfTHM i OffUlfrunt, Phono, LonAon. •Phono I TomaU far M1J Published by THE CIGAR & TOBACCO WORLD HEYWOOD & CO., LTD. DRURY HOUSE, RUSSELL STREET, DRURY LANE, LONDON, W.C.2 Branch Offices: MANCHESTER, BIRMINGHAM, LEICESTER Talagrarm : "Organigram. Phono, London." Phono : Tampla Bar MZJ '' Inar) "TOBACCO WORLD" RETAIL PRICES 1935 Authorised retail prices of Tobaccos, Cigarettes, Fancy Goods, and Tobacconists' Sundries. ABDULLA & Co., Ltd. (\BDULD^ 173 New Bond Street, W.l. Telephone; Bishopsgnte 4815, Authorised Current Retail Prices. Turkish Cigarettes. Price per Box of 100 50 25 20 10 No. 5 14/6 7/4 3/8 — 1/6 No. 5 .. .. Rose Tipped .. 28/9 14/6 7/3 — 3/- No. 11 11/8 5/11 3/- - 1/3 No. II .. .. Gold Tipped .. 13/S 6/9 3/5 - No. 21 10/8 5/5 2/9 — 1/1 Turkish Coronet No. 1 7/6 3/9 1/10J 1/6 9d. No. "X" — 3/- 1/6 — — '.i^Sr*** •* "~)" "Salisbury" — 2/6 — 1/- 6d. Egyptian Cigarettes. No. 14 Special 12/5 6/3 3/2 — — No.
    [Show full text]
  • 14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
    August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey.
    [Show full text]
  • Spring 2010 the Bell
    SPRING 2010 THE BELL Eric Harding Thiman was born at Ashford, Kent on 12th September 1900, the son of a Congregational minister. He was educated at Caterham School, and after early lessons in the piano, organ and violin, and some coaching for degree work from Harold Darke, he attained the Mus. D. at London when only twenty- seven. He became organist at Park Chapel, Crouch End, North London in 1927, and in 1957 moved to the City Temple (often referred to as the Cathedral of the Free Churches), where he remained until his death on 13th February 1975. From 1931, he was Professor of Harmony and Composition at the Royal Academy of Music, and from 1956 for several years, Dean of the Faculty of Music at London University. He became well known as an adjudicator at musical festivals and as an examiner for the Royal College of Organists, the Royal Military School of Music and the Royal Schools of Music. A tireless conductor of choral societies, he worked latterly with the Elysian Choir. Thiman was a prolific composer of anthems, services, part-songs, church and secular cantatas and pieces for the piano, organ, strings and orchestra. He was Musical Editor of the hymn book Congregational Praise and the author of a number of text books. Appearing in a golden age of English music, in which songwriters like Quilter, Ireland, Bax, Warlock, C. W. Orr, Moeran and Finzi flourished, Thiman’s songs were easily overlooked. This selection shows that their neglect is unjustified; some deserve to survive in the permanent repertory of English song.
    [Show full text]
  • The Collaborators
    The Collaborators http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.AAMP2B0100009 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The Collaborators Author/Creator Ainslie, Rosalynde; Robinson, Dorothy Publisher Anti-Apartheid Movement Date 1963-11-00 Resource type Pamphlets Language English Subject Coverage (spatial) South Africa, United Kingdom Coverage (temporal) 1963 Source AAM Archive Description Analysis of British involvement in South Africa Format extent 36 page(s) (length/size) http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.AAMP2B0100009 http://www.aluka.org I I !IkI Mal,±I'J I 1, 1II111 iI IIVI I II I dlii hR 0 1 ! 111PI1111111i, 11 THE COLLABORATORS by Rosalynde Ainslie and Dorothy Robinson Published by the ANTI-APARTHEID MOVEMENT 15 Endsleigh Street, London, W.C.1 Price 2/The Anti-Apartheid Movement campaigns for effective international action against apartheid.
    [Show full text]
  • Min Price 1-2-07
    STATE OF ALASKA CIGARETTE PRESUMPTIVE MINIMUM PRICE EFFECTIVE 01/02/07 (Reflects RJReynolds Price Increases) Section I: Cartons of Cigarettes with a 4.5% Wholesale Markup and a 6% Retail Markup BLUE & GRAY TAX STAMPS - 2006 Participating Manufacturers WHOLESALE RETAIL (A) (B) (C) (D) (E) (F) (G) (H) (I) (J) (K) (L) (M) (N) (O) (P) (Q) (R) Fairbanks City of Anchorage Fairbanks City of Juneau Mat-Su Valley Sitka Mat-Su Statewide Anchorage Borough Fairbanks Juneau Sitka Discounted Statewide Presumptive Borough Fairbanks Presumptive Presumptive Presumptive Valley Presumptive Presumptive Presumptive Presumptive Presumptive Presumptive Manufacturer Trade Discounted Manufacturer Presumptive Wholesale Presumptive Presumptive Wholesale Wholesale Wholesale Presumptive Retail Cost Retail Price Retail Price Retail Price Retail Price Retail Price Manufacturer / Brand Price Discount Price per Price + Alaska Wholesale Price Wholesale Price Wholesale Price Price Price Price Retail Price (Statewide (Anchorage (Fairbanks (City of (Juneau (Sitka per Carton per Carton Carton Tax Cost (Disc (Statewide (Statewide (Statewide (Statewide (Statewide (Statewide (Mat-Su Wholesale + Wholesale + Borough Fairbanks Wholesale + Wholesale + ($18.00/ctn) Mfr + 4.5%) Wholesale + Wholesale + Wholesale + Wholesale + Wholesale + Wholesale + Wholesale + 6%) 6%) Wholesale + Wholesale + 6%) 6%) $13.86/ctn) 8%) 16%) $3.00/ctn) $10.46/ctn) $10.00/ctn) 6%) 6%) 6%) ((D) + $13.86) (((C)x1.08)+$18) (((C)x1.16)+$18) ((D)+$3) ((D) + $10.46) ((D) + $10) (A) - (B) (C) + $18 (D) x 1.045 x 1.045 x 1.045 x 1.045 x 1.045 x 1.045 x1.045 (E) x 1.06 (F) x 1.06 (G) x 1.06 (H) x 1.06 (I) x 1.06 (J) x 1.06 (K) x 1.06 Caribbean - American Tobacco Corp.
    [Show full text]
  • September 1919) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1919 Volume 37, Number 09 (September 1919) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 37, Number 09 (September 1919)." , (1919). https://digitalcommons.gardner-webb.edu/etude/661 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE SPresscrs Musical Magazine PRICE 20 CENTS SEPTEMBER, 1919 $1.75 A YEAR L THE ETUDE SEPTEMBER 1910 Page 537 NOTICE: -On January 1, 1919, the Subscription Price of THE ETUDE Advanced to $1.75 the Year 1 The Best Elementary | Educational Works | for the Piano H Just as the Master Craftsman uses the best tools and materials ^ to achieve master results so the teacher to achieve pedagogic |j success must use the best formative teaching material :: :: TO The “Standard Graded Course99 and the “Beginner’s Book” stand unequaled in the number of copies sold and the other works mentioned below rank far above the average TO in the number used by the teaching profession.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Copyrighted Material
    335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition.
    [Show full text]