Alba Emoting: a Safe, Effective, and Versatile Technique for Generating Emotions in Acting Performance
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Emotion, Action and the Journey of Feelings in the Actor's Mournful
The Lamenting Brain: Emotion, Action and the Journey of Feelings in the Actor’s Mournful Art Panagiotis Papageorgopoulos Department of Drama and Theatre Royal Holloway College University of London Submission for the degree of Doctor of Philosophy 2009 Page | 1 I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the qualification of any other degree or diploma of a University or other institution of higher learning, except where due acknowledgment has been made in the text. 1/12/2009 Panagiotis Papageorgopoulos Page | 2 ABSTRACT This thesis is motivated by the question of how and why actors perform and experience emotion, especially in cases when the emotional demands are as extreme and urgent as in Greek tragedy. In order to answer this question the thesis embarks on two main tasks: (a) to reappraise the position, function and technique of emotion in the work of four key practitioners of twentieth century Western acting (Stanislavski, Meyerhold, Brecht and Grotowski) from the point of view of contemporary neuroscience, and (b) to trace their original paradigm in the professional mourners’ psychotechnique of emotion, as found in ancient and modern Greek ritual lamentation for the dead. The first part of the thesis attempts to reread and reframe twentieth century western acting’s technique of emotion by adopting the radically new neuroscientific paradigm of emotion, which reappraises emotion as a catalytic faculty in the formation of motivation, decision-making, reasoning, action and social interaction. -
The Theme of Fortune in the Works of Christine De Pizan
THE THEME OF FORTUNE IN THE WORKS OF CHRISTINE DE PIZAN by Carole Ann Buchanan Submitted for the Degree of Doctor of Philosophy University of Glasgow Department of French May, 1994 ProQuest Number: 13833800 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833800 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW UNIVERSITY LIBRARY 'j'U'L Co^ ( Copyright by Carole Ann Buchanan 1994 All Rights Reserved This entire thesis has been composed by myself and has never previously been submitted for a Higher Degree. Carole Ann Buchanan ABSTRACT THE THEME OF FORTUNE IN THE WORKS OF CHRISTINE DE PIZAN Carole Ann Buchanan University of Glasgow, 1994 Supervisor: Professor Angus J. Kennedy This thesis explores one of the most interesting and central themes of Christine de Pizan’s works, namely the theme of Fortune, a topic which raises key philosophical isssues in any debate on divine providence, free will and chance. As such, the theme has considerable light to shed on Christine’s development as a thinker and a writer. -
Tdn Europe • Page 2 of 21 • Thetdn.Com Monday • 3 May 2021
MONDAY, 3 MAY 2021 MOTHER EARTH COMES MARE AUSTRALIS COMES OF AGE IN THE GANAY THROUGH IN THE GUINEAS There was more Boudot magic at ParisLongchamp on Sunday as APC@ made all to draw the sting from all rivals and land the G1 Prix Ganay with the rapid improver Mare Australis (Ire) (Australia {GB}). Always highly-regarded and now an entirely different proposition from the greenhorn of last summer, Gestut Schlenderhan=s homebred had offered a glimpse of what was to come when second on his return to Skalleti (Fr) (Kendargent {Fr}) in the 10-furlong G2 Prix d=Harcourt at this venue Apr. 11. Asked a new question by his rider on this sternest test of his ability so far, the 5-2 second favourite responded by stretching every rival including Mogul (GB) (Galileo {Ire}) who was in closest attendance. When he kicked in early straight, he turned the screw too tight on Ballydoyle=s 9-5 market-leader raider and kept galloping true to the line to beat the emergent Gold Trip (Fr) (Outstrip {GB}) by 1 3/4 lengths. Cont. p4 Mother Earth | racingfotos.com IN TDN AMERICA TODAY In a renewal of Newmarket=s G1 QIPCO 1000 Guineas which HOW TO BUY A DERBY WINNER FOR $1,000 polarised the dreamers and the cynics, experience ultimately Bill Finley speaks with consignor Christy Whitman on GI Kentucky told on Sunday with Frankie Dettori the chief benefactor as he Derby hero Medina Spirit (Protonico). Click or tap here to go steered Mother Earth (Ire) (Zoffany {Ire}) to glory. -
Stephen King the Stephen King the Stephen King Checklist Checklist Checklist the Dark Tower the Stand the Dark Tower the Stand the Dark Tower the Stand 1
The Stephen King The Stephen King The Stephen King Checklist Checklist Checklist The Dark Tower The Stand The Dark Tower The Stand The Dark Tower The Stand 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter Three The Mist Three The Mist Three The Mist 3. The Waste Lands Cujo 3. The Waste Lands Cujo 3. The Waste Lands Cujo 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 7. The Dark Tower It 7. The Dark Tower It 7. The Dark Tower It 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon Keyhole The Tommyknockers Keyhole The Tommyknockers Keyhole The Tommyknockers Misery Misery Misery Talisman The Dark Half Talisman The Dark Half Talisman The Dark Half (with Peter Straub) Needful Things (with Peter Straub) Needful Things (with Peter Straub) Needful Things 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 2. Black House Gerald's Game 2. Black House Gerald's Game 2. Black House Gerald's Game Insomnia Insomnia Insomnia The Green Mile Rose Madder The Green Mile Rose Madder The Green Mile Rose Madder 1. -
Congressional Record--House
: # 3576 CONGRESSIONAL RECORD--HOUSE. MAY 1, except our own. We have no orders in society, no standing armies, no be published in full, in accordance with the leave granted by the House. traditions to which we may cling, no great vested interest, no class to The SPEAKER. 'l'he necessary correction will be made. The Chair lead us. There was a disruption in the South in which everything will cause the Journal to be corrected according to the gentleman's state went down into a chasm and beyond recall. ment. By au interposition of Divine Providence a revolution was wrought The bill introduced by ?tfr. BUCHANAN, a bill (H. R. 973!J) to abol at the very moment when we were put at the greatest stress of fortune; ish war taxes upon American shipping, was read a first and second time, and will not the people of the North, the generous and patriotic men referred to the Committee on Merchant Marine and Fisheries, ordered and women of the North, who have come to our aid with such abundant to be printed, and also to be publi'lhed in the RECORD. It is as follows: • benevolence in our many trials, be persuaded that the good men and Be it enacted, etc., That the act approved :r.Iay 31, 1830, entitled "An act to re good women of the South are striving not for party conquest, not for peal the tonnage duties upon ships and vessels of the United States and upon certain foreign vessels," which was repealed by section 15 of the act approved any base and ignoble purposes, but that they are endeavoring to do all July 14,1862, entitled "An act increasing temporarily -
Report on County Extension Agent Training on Food Safety
Volume 14, No. 1 January 2014 SPECIAL REPORTS: and packinghouses. With up and coming Report on County legislation from the Food Safety Modernization Extension Agent Training Act in place, knowledge and facilitation of GAPs will become increasingly necessary. Training on Food Safety started with an overview of the importance of Sponsored by SRSFC in Durham, NC food safety plans, and a lively conversation in Conjunction with Strawberry Expo about the grower’s responsibility in food December 4, 2013 sanitation practices. Christine Bradish, In This Issue PhD Student, NC State University Special Reports: Report on County Extension Agent Training A training event updating agents within the on Food Safety SRSFC on food safety was held in Durham, NC Blackberry and Raspberry Seasonal on December 4, 2013. The event was led by Checklist Winter 2014 Dr. Betsy Bihn of Cornell University and Dr. Annette Wszelaki of the University of Strawberry Seasonal Checklist Winter 2014 Tennessee, and sponsored by Dr. Tom Monaco and the SRSFC. A total of 18 agents from four Next, Dr. Bihn and Dr. Wszelaki went through member states attended the event. The training the decision-tree process for food safety consisted of several modules, and provided planning, which includes a checklist to prioritize participants with up-to-date information and practices and different self-assessments for usable templates for training and educating areas such as postharvest water, wildlife and growers about food safety. Agents were animal management, and worker health and provided with registration to the Southeastern hygiene. An interactive activity demonstrating Strawberry Expo in addition to the training, how to write SOPs (standard operating which was held in the two days following. -
"Constantin Stanislavski, an Actor Prepares
THE ACTING TRILOGY An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.” Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shake- speare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor. These three volumes belong on any actor’s short shelf of essential books. CONSTANTIN STANISLAVSKI AN ACTOR PREPARESA Translated by Elizabeth Reynolds Hapgood A Theatre Arts Book Routledge NEW YORK AND LONDON A Theatre Arts Book Published by Routledge 711Third Avenue New York, NY 10017 www.routledge.com Routledge is an imprint of the Taylor & Francis Group. © Copyright 1936 by Theatre Arts, Inc. © Copyright 1948 by Elizabeth R. Hapgood © Copyright Renewed 1964 by Theatre Arts, Inc. All rights reserved under Pan-American Copyright Union © Copyright under Pan-American Copyright Union All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. First paperback printing, 1989 Text reset, 2003 Paperback ISBN 10: 0-87830-983-7 ISBN 13: 978-0-87830-983-2 Contents Note by the Translator vii 1. -
The Vocabulary of Acting: a Study of the Stanislavski 'System' in Modern
THE VOCABULARY OF ACTING: A STUDY OF THE STANISLAVSKI ‘SYSTEM’ IN MODERN PRACTICE by TIMOTHY JULES KERBER A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS BY RESEARCH Department of Drama and Theatre Arts College of Arts and Law University of Birmingham September 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis aims to examine the extent to which the vocabulary of acting created by Konstantin Stanislavski is recognized in contemporary American practice as well as the associations with the Stanislavski ‘system’ held by modern actors in the United States. During the research, a two-part survey was conducted examining the actor’s processes while creating a role for the stage and their exposure to Stanislavski and his written works. A comparison of the data explores the contemporary American understanding of the elements of the ‘system’ as well as the disconnect between the use of these elements and the stigmas attached to Stanislavski or his ‘system’ in light of misconceptions or prejudices toward either. Keywords: Stanislavski, ‘system’, actor training, United States Experienced people understood that I was only advancing a theory which the actor was to turn into second nature through long hard work and constant struggle and find a way to put it into practice. -
University of Oklahoma Graduate College The
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE ACTING SYSTEM OF KONSTANTIN STANISLAVSKI AS APPLIED TO PIANO PERFORMANCE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By ANDREA V. JOHNSON Norman, Oklahoma 2019 THE ACTING SYSTEM OF KONSTANTIN STANISLAVSKI AS APPLIED TO PIANO PERFORMANCE A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY THE COMMITTEE CONSISTING OF Dr. Barbara Fast, Chair Dr. Jane Magrath, Co-Chair Dr. Eugene Enrico Dr. Igor Lipinski Dr. Rockey Robbins Dr. Click here to enter text. © Copyright by ANDREA V. JOHNSON 2019 All Rights Reserved. AKNOWLEDGMENTS The completion of this document and degree would have been impossible without the guidance and support of my community. Foremost, I wish to express my gratitude to my academic committee including current and past members: Dr. Jane Magrath, Dr. Barbara Fast, Dr. Eugene Enrico, Dr. Igor Lipinski, Dr. Caleb Fulton, and Dr. Rockey Robbins. Dr. Magrath, thank you for your impeccable advice, vision, planning, and unwavering dedication to my development as a pianist and teacher. You left no stone unturned to ensure that I had the support necessary for success at OU and I remain forever grateful to you for your efforts, your kindness, and your commitment to excellence. My heartfelt thanks to Dr. Fast for serving as chair of this committee, for your support throughout the degree program, and for many conversations with valuable recommendations for my professional development. Dr. Enrico, thank you for your willingness to serve on my committee and for your suggestions for the improvement of this document. -
Presents Psychopathology of Everyday Life
www.all-about-psychology.com Presents Psychopathology of Everyday Life By Prof. Dr. Sigmund Freud (1901) (First Translation by A. A. Brill in 1914) CONTENTS Introduction. 2 Chapter 1. Forgetting of Proper Names 3 Chapter 2. Forgetting of Foreign Words 11 Chapter 3. Forgetting of Names and Order of Words 20 Chapter 4. Childhood and Concealing Memories 41 Chapter 5. Mistakes in Speech 50 Chapter 6. Mistakes in Reading and Writing 86 Chapter 7. Forgetting of Impressions and Resolutions 98 Chapter 8. Erroneously Carried-out Actions 130 Chapter 9. Symptomatic and Chance Actions 158 Chapter 10. Errors 184 Chapter 11. Combined Faulty Acts 194 Chapter 12. Determinism, Chance, And Superstitious Beliefs 201 1 INTRODUCTION Professor Freud developed his system of psychoanalysis while studying the so-called borderline cases of mental diseases, such as hysteria and compulsion neurosis. By discarding the old methods of treatment and strictly applying himself to a study of the patient's life he discovered that the hitherto puzzling symptoms had a definite meaning, and that there was nothing arbitrary in any morbid manifestation. Psychoanalysis always showed that they referred to some definite problem or conflict of the person concerned. It was while tracing back the abnormal to the normal state that Professor Freud found how faint the line of demarcation was between the normal and neurotic person, and that the psychopathologic mechanisms so glaringly observed in the psychoneuroses and psychoses could usually be demonstrated in a lesser degree in normal persons. This led to a study of the faulty actions of everyday life and later to the publication of the Psychopathology of Everyday Life, a book which passed through four editions in Germany and is considered the author's most popular work. -
Breathwork Uses the Breath (Full, Conscious
SPiritUALitY Breathe for relief Breathwork uses the breath (full, conscious, connected breathing) to clear unresolved issues, limiting beliefs and past events in our lives that are standing in the way of us reaching our full potential. Liz Nowosad explores this powerful process that is said to alleviate emotional pain and help us to gain insight into why we behave and react in certain ways. WHAT IS BREATHWORK? The interrelationship between the breath and the state of our physical and mental health has been recognised for centuries in Eastern meditative and medical practices. These ancient cultures have long recognised the breath as a primary vehicle for prana – life energy, and believe that the breath is one of the most powerful transformative tools we have to access our essence and potential. Breathwork is a breathing technique that is said to cleanse, purify and harmonize the mind, body and spirit. Proponents believe that alternate states of consciousness can be achieved and that sustained practice of breathwork techniques can result in many spiritual, physiological and/or psychological benefits. It is a tool for inner work using full, conscious, connected breathing and a technique that can provide resolution and clearing of issues, patterns and beliefs on a cellular level. “The breath is one of your greatest gifts,” says Melbourne based Practitioner and National Breathwork Trainer (ABA), Christine Heart Savage, www.breatheforlife.com.au. “Learn to respect and use it wisely, and it will not only release you from your past and bring you into a state of internal peace and freedom, it will also feed the cells of your body – bringing balance, aliveness and rejuvenation.” 72 Australian Natural Health www.sportzblitz.net Breathwork WHAT HAPPENS IN intense heat and a prickling A SESSION? sensation – which was quickly BeneFits Breathwork can be done as a one- followed by a beautiful and Breathwork can bring about on-one session with a practitioner serene feeling of relaxation and changes in a number of areas, or in a group setting.