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1974.Ulysses in Nighttown.Pdf
The- UNIVERSITY· THEAtl\E Present's ULYSSES .IN NIGHTTOWN By JAMES JOYCE Dramatized and Transposed by MARJORIE BARKENTIN Under the Supervision of PADRAIC COLUM Direct~ by GLENN ·cANNON Set and ~O$tume Design by RICHARD MASON Lighting Design by KENNETH ROHDE . Teehnicai.Direction by MARK BOYD \ < THE CAST . ..... .......... .. -, GLENN CANNON . ... ... ... : . ..... ·. .. : ....... ~ .......... ....... ... .. Narrator. \ JOHN HUNT . ......... .. • :.·• .. ; . ......... .. ..... : . .. : ...... Leopold Bloom. ~ . - ~ EARLL KINGSTON .. ... ·. ·. , . ,. ............. ... .... Stephen Dedalus. .. MAUREEN MULLIGAN .......... .. ... .. ......... ............ Molly Bloom . .....;. .. J.B. BELL, JR............. .•.. Idiot, Private Compton, Urchin, Voice, Clerk of the Crown and Peace, Citizen, Bloom's boy, Blacksmith, · Photographer, Male cripple; Ben Dollard, Brother .81$. ·cavalier. DIANA BERGER .......•..... :Old woman, Chifd, Pigmy woman, Old crone, Dogs, ·Mary Driscoll, Scrofulous child, Voice, Yew, Waterfall, :Sutton, Slut, Stephen's mother. ~,.. ,· ' DARYL L. CARSON .. ... ... .. Navvy, Lynch, Crier, Michael (Archbishop of Armagh), Man in macintosh, Old man, Happy Holohan, Joseph Glynn, Bloom's bodyguard. LUELLA COSTELLO .... ....... Passer~by, Zoe Higgins, Old woman. DOYAL DAVIS . ....... Simon Dedalus, Sandstrewer motorman, Philip Beau~ foy, Sir Frederick Falkiner (recorder ·of Dublin), a ~aviour and · Flagger, Old resident, Beggar, Jimmy Henry, Dr. Dixon, Professor Maginni. LESLIE ENDO . ....... ... Passer-by, Child, Crone, Bawd, Whor~. -
Ulysses Notes Joe Kelly Chapter 1: Telemachus Stephen Dedalus, A
Ulysses Notes Joe Kelly Chapter 1: Telemachus Stephen Dedalus, a young poet employed as a school teacher; Buck Mulligan, a med student; and an Englishman called Haines, who is in Ireland to study Celtic culture, spend their morning in their Martello Tower at the seaside resort town of Sandycove, south of Dublin. Stephen, who is mourning for his dead mother, watches Buck shave on the parapet, they discuss things, Buck goes inside to cook breakfast. They all eat while a local farm woman brings them their milk. Then they walk Martello (now called the "Joyce") Tower at down to the "Forty Foot Hole," where Buck Sandycove swims in Dublin Bay. Pay careful attention to what the swimmers say about the Odyssey, Odysseus was missing, Bannons and the photo girl. presumed dead by most, for ten years after the end of the Trojan War, and Look for parallels between Stephen and his palace and wife in Ithaca were Hamlet, on one hand, and Telemachus, the beset by "suitors" who wanted to son of Odysseus, on the other. In the become king. Ulysses is a sequel to Joyce's A Portrait of the Artist as a Young Man, which is a bildungsroman starring Stephen Dedalus. That novel ended with Stephen graduating from University College, Dublin and heading off for Paris to launch his literary career. Two years later, he's back in Dublin, having been summoned home by his mother's illness. So he's something of an Icarus figure also, having tried to fly out of the labyrinth of Ireland to freed om, but having fallen, so to speak. -
Teen Kindle Paperwhite Collection Title
Teen Kindle Paperwhite Collection Title Author The Hitchhiker's Guide to the Galaxy Adams, Douglas Children of Blood and Bone (Legacy of Orisha Book 1) Adeyemi, Tomi Leah on the Offbeat Albertalli, Becky Simon vs. the Homo Sapiens Agenda Albertalli, Becky The Upside of Unrequited Albertalli, Becky What If It's Us Albertalli, Becky Booked Alexander, Kwame The Crossover Alexander, Kwame The Absolutely True Diary of a Part-Time Indian Alexie, Sherman Saints and Misfits Ali, S. K. The Tightrope Walkers Almond, David North of Happy Alsaid, Adi The Leaving Altebrando, Tara Speak Anderson, Laurie Halse The Impossible Knife of Memory Anderson, Laurie Halse Chains (Seeds of America Book 1) Anderson, Laurie Halse Forge (Seeds of America Book 2) Anderson, Laurie Halse Me and Earl and the Dying Girl Andrews, Jesse The Haters Andrews, Jesse Mosquitoland Arnold, David Thirteen Reasons Why Asher, Jay King's Cage (Red Queen #3) Aveyard, Victoria War Storm (Red Queen Book 4) Aveyard, Victoria Glass Sword (Red Queen #2) Aveyard, Victoria Queen Song (Red Queen Novella) Aveyard, Victoria Red Queen Aveyard, Victoria Steel Scars (Red Queen Novella) Aveyard, Victoria Crooked Kingdom: A Sequel to Six of Crows Bardugo, Leigh Six of Crows Bardugo, Leigh The Demon in the Wood: A Darkling Prequel Story (The Grisha Trilogy) Bardugo, Leigh The Grisha Trilogy: Shadow and Bone, Seige and Storm, Ruin and Rising Bardugo, Leigh Wonder Woman: Warbringer (DC Icons Series) Bardugo, Leigh The Fixer Barnes, Jennifer Lynn The Long Game: A Fixer Novel Barnes, Jennifer Lynn Little White Lies (Debutantes Book 1) by Jennifer Lynn Barnes Barnes, Lynn Sabotage: The Mission to Destroy Hitler's Atomic Bomb Bascomb, Neal The Thing About Jellyfish Benjamin, Ali Emmy & Oliver Benway, Robin Far from the Tree Benway, Robin Ashes (The Ashes Trilogy #1) Bick, Ilsa J. -
Samuel Beckett and Fyodor Dostoevsky
Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky PhD English Literature Ekaterina Gosteva May 2019 I confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged. ABSTRACT This thesis investigates the connection between Beckett’s comedy and Dostoevsky’s novels in the light of René Girard’s theory of metaphysical desire. While focusing on Beckett’s prose of the 1930s, this study begins with the typology of laughter in Watt. With the help of this passage (employed as a critical tool), the subject of Beckett’s comedy is preliminarily defined as ‘The Unhappy Consciousness’. In Hegel’s Phenomenology of Spirit, this term is stated with regards to the functions of laughter as a negative response to a threat from a hostile phenomenal world. ‘The risus purus’, which Beckett celebrates as ‘the laugh of laughs’, reveals itself as a satirical attack at Kant’s rational cosmology and Hegel’s phenomenology. A further investigation into this structure provides a link between the genre of comedy in general, Beckett’s comic form and Girard’s theory of mimetic desire, based on the works of Cervantes, Flaubert, Stendhal, Proust and Dostoevsky. The works of these novelists allowed René Girard to articulate a concrete theorization of desire, which binds together literary and anthropological questions. Beckett’s engagement with Dostoevsky remains a blind spot in Beckett studies. Although as early as Proust, Beckett attempted to link Proust and Dostoevsky as the writers whose technique he defined as ‘negative and comic’, the scarcity of his critical comments on Dostoevsky has been an obstacle for scholars trying to identify and analyse their relationship. -
BCA's Favorite Diagnosis Codes a Work-In-Progress
BCA’s Favorite Diagnosis Codes A Work-in-Progress Table of Contents: ICD-10-CM Section IV Guidelines 2-Page Insert Diabetes Type 2 Page 1 Diabetes Type 1 Page 2 Cardiac Conditions Page 3 Hypertension & Hypertensive Heart & Kidney Disease Page 4 COPD/Asthma/Bronchitis Page 5 Weight Management Page 6 Pregnancy Page 7 Family Planning & STI’s Pages 8 - 9 Pediatrics Pages 10 - 11 Prevention Pages 12 - 13 Acute Illness Pages 14 - 15 Fractures/Injuries/Burns Pages 16 - 17 Psychiatric & Related Diagnosis Pages 18 - 20 Chronic Pain and Substance Abuse Pages 21 - 23 Social Determinates Pages 13 & 20 © Brown Consulting Associates, Inc. - www.codinghelp.com - Last updated March 6, 2019 ICD‐10‐CM Official Guidelines, Effective October 1, 2018 [Required/HIPAA Legislation] Section IV. Diagnostic Coding and Reporting Guidelines for Outpatient Services These coding guidelines for outpatient diagnoses have been approved for use by hospitals/ providers in coding and reporting hospital‐based outpatient services and provider‐based office visits. Guidelines in Section I, Conventions, general coding guidelines and chapter‐specific guidelines, should also be applied for outpatient services and office visits. Information about the use of certain abbreviations, punctuation, symbols, and other conventions used in the ICD‐10‐CM Tabular List (code numbers and titles), can be found in Section IA of these guidelines, under “Conventions Used in the Tabular List.” Section I.B. contains general guidelines that apply to the entire classification. Section I.C. contains chapter‐specific guidelines that correspond to the chapters as they are arranged in the classification. Information about the correct sequence to use in finding a code is also described in Section I. -
THE HISTOPATHOLOGY of LIONS (Panthera Leo) SUFFERING from CHRONIC DEBILITY in the KRUGER NATIONAL PARK by ANNALIZE IDE Submitted
University of Pretoria etd – Ide, A (2005) THE HISTOPATHOLOGY OF LIONS (Panthera leo) SUFFERING FROM CHRONIC DEBILITY IN THE KRUGER NATIONAL PARK BY ANNALIZE IDE Submitted in partial fulfilment of the requirements for the degree MASTER OF VETERINARY MEDICINE (PATHOLOGY) in the FACULTY OF VETERINARY SCIENCE UNIVERSITY OF PRETORIA JANUARY 2002 University of Pretoria etd – Ide, A (2005) This dissertation is dedicated to Africa and her magnificent wildlife – may they be preserved for generations to come. University of Pretoria etd – Ide, A (2005) ACKNOWLEDGEMENTS I wish to thank the laboratory staff at the Department of Pathology, Faculty of Veterinary Science, University of Pretoria for processing, sectioning and staining the histopathology samples; Eleanor Stylianides and Prof. Moritz van Vuuren from the Department of Veterinary Tropical Diseases, Faculty of Veterinary Science, University of Pretoria for the serology; Anita Michel from the Onderstepoort Veterinary Institute for Mycobacterial culture; Prof Suzanne Kennedy-Stoskopf from the Department of Microbiology, Pathology and Parasitology at North Carolina State University, USA, for the monoclonal antibodies used in the immunohistochemistry and valuable advice with regard the immunohistochemical technique; Marianna Rossouw, previously of the Department of Pathology, Faculty of Veterinary Science, University of Pretoria for technical assistance with necropsies and sample collection, as well as her perseverance in perfecting the immunohistochemical technique; colleagues at the Department of Pathology, Faculty of Veterinary Science, University of Pretoria for valuable discussion and advice; Drs Dewald Keet and Roy Bengis and staff of the State Veterinary Office in Skukuza, Kruger National Park for invaluable help with necropsies and sample collection; Prof Joop Boomker for advice and discussion on the various parasites; Dr Jaco van der Lugt for discussion of the ocular pathology. -
How Asexuality Is Represented in Popular Culture
WHEN THE INVISIBLE BECOME VISIBLE: HOW ASEXUALITY IS REPRESENTED IN POPULAR CULTURE A Thesis submitted to the faculty of s ' San Francisco State University In partial fulfillment of the requirements for H the Degree rfk? Master of Arts In Human Sexuality Studies by Darren Jacob Tokheim San Francisco, California May 2018 Copyright by Darren Jacob Tokheim 2018 WHEN THE INVISIBLE BECOME VISIBLE: HOW ASEXUALITY IS REPRESENTED IN POPULAR CULTURE Darren Jacob Tokheim San Francisco, California 2018 Asexuality is largely misunderstood in mainstream society. Part of this misunderstanding is due to how asexuality has been portrayed in popular culture. This thesis is a content analysis of representations of asexual characters in popular culture, including television, film, comics, and podcasts, and how this representation has changed over time. Specifically, this work finds that early depictions of asexual characters, from the mid- 2000’s, were subjected to common negative stereotypes surrounding asexuality, and that more recent depictions, from the mid-2010’s, have treated asexuality as a valid sexual orientation worthy of attention. However, as asexuality has become more accepted, the representations of asexuality remain few and far between. I certify that the Abstract is a correct representation of the content of this thesis. 6 |2 s | | % Y Chair, Thesis Committee Date CERTIFICATION OF APPROVAL I certify that I have read When the Invisible Become Visible: How Asexuality is Represented in Popular Culture by Darren Jacob Tokheim, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Human Sexuality Studies at San Francisco State University. -
Special City 325Th Anniversary Float Highlights Thanksgiving Parade Thanksgiving Highlights Float Anniversary 325Th City Special
Pancakes and a Parade: The Tradition Continues The History of the Jews in 9 New Rochelle Chronicled 15 com December 2013 -- Volume 9 -- Issue 12 Complimentary Special City 325th Anniversary Float Highlights Thanksgiving Parade By Stephen E. Lipken A special float, commemorating the 325th An- niversary of the City of New Rochelle highlighted the November 23 Valenti-New Rochelle Thanksgiving Parade. The Grand Marshal was Domenic Procopio, Chairman of New Rochelle’s Civil Service Commission But that was only a small part of the floats, bands, antique vehicles and new to the parade, Peruvian Dancers, demonstrating the rich cultural heritage of New Rochelle. Iona College fielded a huge “Mayflow- er” display, running on bulldozer treads and sounding a horn reminiscent of a diesel locomotive whistle, as well as a giant inflatable “Killian the Gael” mascot on a float incorporating all Iona athletic teams plus the college’s renowned Bagpipe Band. Monroe College presented an elaborate float with the Statue of Liberty and two bright blue “Mustang” mascots. Chamber of Commerce featured a giant turkey; “Boss Tone” and “Sass Transit” (roller derby names) from Suburbia Roller Derby sported helmets with Chanukah dreidels and royal blue menorah. Some marchers promoted social awareness and responsibility, such as New Rochelle Humane Society, Salvation Army, American Red Cross and drum corps from Habitat for Humanity. Clowns joined the festivities, as well as midget fire truck, “Little Squirt, Engine Company 273.” Before the parade, a Pancake Breakfast was served in New Rochelle High School cafeteria. Seen outside the cafeteria was New Rochelle Fund for Educational Excellence, (www.nredfund.org) supporting projects that school budget cannot fund, from kindergarten to 12th grade. -
From Beyond the Veil from Beyond the Veil from Beyond the Veil from Beyond the Veil
FromFromFrom BeyondBeyondBeyond thethethe VeilVeilVeil Sample file 1 The Dark Powers lder than time itself, trapped within the conines the entities' categorization and coninement. While this did of the Amber Temple, and beyond the help to preemptively deter outside interference in their comprehension of most mortal minds, the Dark research, by effectively concentrating such a large number of Powers of the Ravenloft campaign setting are powerful dark forces in a single location, the society had the quintessential abstract evils of the Dungeons unintentionally created a beacon of sorts for these powers to and Dragons mulitiverse. Whereas devils have resonate further into the cosmos, drawing attention from Otheir contracts, and demons have their rampant power-hungry individuals from across the planes. violence, the Dark Powers, akin to some Gothic horror beyond the realm of possibility, are subdued, individualistic entities The Amber Sarcophagi that crave the corruption of souls, feasting off the slow decline of morality and hope of their chosen champions. In the years and decades following the creation of their As presented in their most recent iteration, 5th Edition's supposed haven for research, the society came to a number of delightfully macabre Curse of Stahd, the Dark Powers are conclusions regarding the entities in their possession, least of relatively minor encounters for the players, offering leeting which was not their unique ability to radiate negative emotion gifts in exchange for largely inconsequential detriments. This is unless contained within a vault of pure amber. This discovery not to say that they were written poorly within the conines of happened only too late for a number of their members, who, in the adventure, for their subdued nature allows players to focus close contact with their queries for days or weeks on end, were on their primary goal of defeating Strahd and freeing Barovia tainted with delusions of the power they could achieve with the from his grasp. -
A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Duncan, Ralph Randolph II, "Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form." (1990). LSU Historical Dissertations and Theses. 4910. https://digitalcommons.lsu.edu/gradschool_disstheses/4910 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The qualityof this reproduction is dependent upon the quality of the copysubmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
ALL the PRETTY HORSES.Hwp
ALL THE PRETTY HORSES Cormac McCarthy Volume One The Border Trilogy Vintage International• Vintage Books A Division of Random House, Inc. • New York I THE CANDLEFLAME and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping. It was dark outside and cold and no wind. In the distance a calf bawled. He stood with his hat in his hand. You never combed your hair that way in your life, he said. Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time. -
The Comic in the Theatre of Moliere and of Ionesco: a Comparative Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study. Sidney Louis Pellissier Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pellissier, Sidney Louis, "The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study." (1965). LSU Historical Dissertations and Theses. 1088. https://digitalcommons.lsu.edu/gradschool_disstheses/1088 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 66-744 PELLISSIER, Sidney Louis, 1938- s THE COMIC IN THE THEATRE OF MO LI ERE AND OF IONESCO: A COMPARATIVE STUDY. Louisiana State University, Ph.D., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE COMIC IN THE THEATRE OF MOLIHRE AND OF IONESCO A COMPARATIVE STUDY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages btf' Sidney L . ,') Pellissier K.A., Louisiana State University, 19&3 August, 19^5 DEDICATION The present study is respectfully dedicated the memory of Dr. Calvin Evans. ii ACKNO'.-'LEDGEKiNT The writer wishes to thank his major professor, Dr.