Samuel Beckett and Fyodor Dostoevsky
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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
Dostoevsky's Ideal
Student Publications Student Scholarship Fall 2015 Dostoevsky’s Ideal Man Paul A. Eppler Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Philosophy Commons Share feedback about the accessibility of this item. Eppler, Paul A., "Dostoevsky’s Ideal Man" (2015). Student Publications. 395. https://cupola.gettysburg.edu/student_scholarship/395 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 395 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Dostoevsky’s Ideal Man Abstract This paper aimed to provide a comprehensive examination of the "ideal" Dostoevsky human being. Through comparison of various characters and concepts found in his texts, a kenotic individual, one who is undifferentiated in their love for all of God's creation, was found to be the ultimate to which Dostoevsky believed man could ascend. Keywords Dostoevsky, Christianity, Kenoticism Disciplines Philosophy Comments This paper was written for Professor Vernon Cisney's course, PHIL 368: Reading- Dostoevsky, Fall 2015. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/395 Dostoevsky’s Ideal Man Paul Eppler Professor Vernon Cisney Reading Dostoevsky I affirm that I have upheld the highest principles of honesty and integrity in my academic work and have not witnessed a violation of the Honor Code. -
Nietzschean Types in the Brothers Karamazov 139817 –Dr
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Patrick Durkin Nietzschean Types in The Brothers Karamazov 139817 –Dr. William Angus th 11 February 2019 For the Masters of Arts, English Durkin 1 Abstract Nietzsche and Dostoevsky were contemporaries, and Nietzsche especially was known to admire Dostoevsky’s work. Both authors were interested in the study of the basis for human morality, and the search for a redirection of human morality; one in which the problems they saw with the current understanding of acceptable behaviour according to laws, religion and might is right, could be melded in with their own beliefs and struggles with their own mortality and morality. Although Nietzsche’s collection of essays The Genealogy of Morals, (1887) was written 7 years after Dostoevsky’s The Brothers Karamazov (1880), it is interesting to note that the main character types that Nietzsche believed created hierarchies that developed and sustained the morality of his time, appear in the form of the main characters in The Brothers Karamazov. This thesis will be looking at the The Brothers Karamazov through the different character ‘types’ and the resulting psychomachia of the three legitimate brothers, the older brothers Dmitri and Ivan, and especially that of Alyosha, the youngest brother. The thesis will focus on both elder brothers’ evolution of thought and action through the progress of the novel, and, importantly, on each brothers’ interactions with Alyosha and the turbulent state of mind they regularly leave their younger sibling in. -
By Fyodor Dostoevsky
“The Problem of Evil ” by Fyodor Dostoevsky Dostoevsky, (detail) portrait by Vasily Perov, The State Tretyakov Gallery About the author.. The novelist Fyodor Dostoevsky (1821-1881) spent four years in a Siberian prison and four more years in the army as punish- ment for his role in a clandestine Utopian-socialist discussion group. He became scornful of the rise of humanistic science in the West and chron- icled its threat to human freedom. Dostoevsky’s writings challenged the notion of the essential rationality of human beings and anticipated many ideas in existential psychoanalysis. For Dostoevsky, the essence of being human is freedom. About the work. In the The Brothers Karamazov,1 Dostoevsky reveals deep psychological insight into the nature of human morality. In this, his greatest work, he expresses the destructive aspects of human freedom which can only be bound by God. In Chapter 4 of that work, the death of an innocent child is seen to be an inescapable objection to God’s good- ness. In this chapter Alyosha is the religious foil to Ivan, his intellectual older brother. 1. Fyodor Dostoevsky. “Rebellion” in the The Brothers Karamazov (1879). Trans. by Constance Garnett. 1 “The Problem of Evil ” by Fyodor Dostoevsky From the reading. “But then there is the children, and what am I to do about them? That’s a question I can’t answer.” Ideas of Interest from The Brothers Karamazov 1. Why does Ivan think that children are innocent and adults are not? Why does he think we can love children when they are close, but we can only love our neighbor abstractly? 2. -
The Comic in the Theatre of Moliere and of Ionesco: a Comparative Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study. Sidney Louis Pellissier Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pellissier, Sidney Louis, "The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study." (1965). LSU Historical Dissertations and Theses. 1088. https://digitalcommons.lsu.edu/gradschool_disstheses/1088 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 66-744 PELLISSIER, Sidney Louis, 1938- s THE COMIC IN THE THEATRE OF MO LI ERE AND OF IONESCO: A COMPARATIVE STUDY. Louisiana State University, Ph.D., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE COMIC IN THE THEATRE OF MOLIHRE AND OF IONESCO A COMPARATIVE STUDY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages btf' Sidney L . ,') Pellissier K.A., Louisiana State University, 19&3 August, 19^5 DEDICATION The present study is respectfully dedicated the memory of Dr. Calvin Evans. ii ACKNO'.-'LEDGEKiNT The writer wishes to thank his major professor, Dr. -
The Grand Inquisitor,” Is Told by Ivan Karamazov to His Younger Brother Alyosha
Fyodor Dostoevsky (1821-1881), author of such works as Crime and Punishment, The Idiot, and The Possessed, is considered by many to be one of the world’s greatest writers, and the novel The Brothers Karamazov is universally recognized to be one of genuine masterpieces of world literature. Within this novel the story, “The Grand Inquisitor,” is told by Ivan Karamazov to his younger brother Alyosha. The two brothers had just been discussing the problem of evil—the classic problem of Christian theology: if God is really all powerful, all knowing, and truly loving, then why does evil exist? If God could not have prevented evil, then he is not all powerful. If evil somehow escapes his awareness, then he is not all knowing. If he knew, and could do something about it, but chose not to, then how can he be considered a loving God? One solution to this problem is to claim that evil does not really exist, that if we were to see the world Portrait of Fyodor Dostoyevsky, 1872 from God’s perspective, from the perspective of eternity, then everything comes out well in the end. Another response is to claim that it really isn’t God’s fault at all, it is ours. God gave us free-will and evil is the result of our misuse of that gift. Ivan will have none of these arguments. He brings up the particularly troubling case of the suffering of innocent children—how can they be blamed and punished if they are innocent? Ivan cannot accept that the suffering of an innocent child will be justified in the end. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
Socially Constructed Reality and Meaning in Notes from Underground
Socially Constructed Reality and Meaning in Notes from Underground Just as the hands in M.C. Escher’s “Drawing Hands” both create and are created by each other, the identity of man and society are mutually interdependent. According to the model described in The Sacred Canopy, Peter Berger believes that man externalizes or creates a social reality that is in turn objectified, or accepted by him as real. This sociological model creates a useful framework for understanding the narrator’s rejection of ultimate reality or truth in Fyodor Dostoevsky’s Notes from Underground. The reality in which the narrator tries to live in part II, and the reality that he rejects in part I, are both created and, as such, are ultimately meaningless. The underground man’s refusal to objectify social reality causes a feeling of meaninglessness and raises a fundamental question of purpose that confronts people of all dispositions. Berger’s theory is based on a dialectical relationship between man and society. To explain his theory he defines three terms. “Externalization is the ongoing outpouring of human being into the world. Objectivation, the attainment by the products of this activity of a reality that confronts its original producers as a facticity external to and other than themselves. Internalization is the reappropriation by men of this same reality, transforming into structures of the subjective consciousness,” (Berger 4). He believes that society is a wholly human invention created by man’s tendency to externalize. This created entity is then objectified by man, giving society and its features the appearance of true reality. -
Simone De Beauvoir
The Cambridge Companion to SIMONE DE BEAUVOIR Edited by Claudia Card University of Wisconsin published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb2 1rp, UnitedKingdom cambridge university press The Edinburgh Building, Cambridge, cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception andto the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printedin the UnitedKingdomat the University Press, Cambridge Typeface Trump Medieval 10/13 pt System LATEX 2ε [tb] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to Simone de Beauvoir / edited by Claudia Card. p. cm. – (Cambridge companions to philosophy) Includes bibliographical references and index. isbn 0 521 79096 4 (hardback) – isbn 0 521 79026 3 (paperback) 1. Beauvoir, Simone de, 1908–1986. I. Card, Claudia. II. Series. b2430.b344c36 2002 194 –dc21 2002067378 isbn 0 521 79096 4 hardback isbn 0 521 79429 3 paperback contents List of tables page xi Notes on contributors xii Acknowledgments xv Chronology xvii List of abbreviations xxiii Introduction 1 claudia card 1 Beauvoir’s place in philosophical thought 24 barbara s. andrew 2 Reading Simone de Beauvoir with Martin Heidegger 45 eva gothlin 3 The body as instrument and as expression 66 sara heinamaa ¨ 4 Beauvoir andMerleau-Ponty on ambiguity 87 monika langer 5 Bergson’s influence on Beauvoir’s philosophical methodology 107 margaret a. -
Haitian Creole – English Dictionary
+ + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan. -
Tsp2012johnson.Pdf (642.9Kb)
TOWSON UNIVERSITY OFFICE OF GRADUATE STUDIES Degeneration of Masculinity in the Fictions of Franz Kafka and Fyodor Dostoevsky by Lynda Johnson A thesis Presented to the Faculty of Towson University in partial fulfillment of the requirements for the degree of Master of Arts in Humanities Towson University Towson, Maryland May, 2012 ACKNOWLEDGMENTS I am especially grateful to my thesis committee chair and advisor, Dr. Peter Baker, for his guidance throughout the course of this thesis. His kindness and reassurance, and most importantly, the advice and books he gave me helped me tremendously. My gratitude also goes to the other members of my thesis committee, Dr. Sharon Becker and Fuchs for their advice and time. I am also grateful to Sheryl Jackson, Dr. Portlano’s editing student who helped to copy edit the final document. iii ABSTRACT The portraiture of masculinity in Western literature has changed overtime. There has been a shift from traditional traits of masculinity, to atypical traits of maleness as seen in modern fictions. The typical attributes of masculinity such as achievement, virility and patriarchal hegemony with which male heroes in pre- Victorian and Victorian literatures were endowed, are notably absent in the major works of Franz Kafka and Fyodor Dostoevsky. This study is an analysis of the male characters’ degenerated masculinity in Dostoevsky’s Crime and Punishment and The Idiot, and Kafka’s A Hunger Artist and The Metamorphosis. Using Victorian masculinity as an example of traditional masculinity, I identify the male characters’ atypical traits of masculinity and interpret them as degenerated. The male characters’ degenerated masculinity are identified and analyzed in terms of their deviations from familial and socially constructed gender roles that were prevalent in the Victorian literary tradition. -
Crime and Punishment Fyodor Dostoevsky ------1866
Crime and Punishment Fyodor Dostoevsky --------------------------------------------------------- 1866 FYODOR DOSTOEVSKY'S CRIME AND PUNISHMENT by Virginia B. Morris, Associate Professor of English, John Jay College, City University of New York For Ralph and Dorothea Baumgartner SERIES EDITOR Michael Spring, Editor, Literary Cavalcade, Scholastic Inc. ACKNOWLEDGEMENTS We would like to acknowledge the many painstaking hours of work Holly Hughes and Thomas F. Hirsch have devoted to making the Book Notes series a success. (C) Copyright 1984 by Barron's Educational Series, Inc. Electronically Enhanced Text (C) Copyright 1993, World Library, Inc. CONTENTS CONTENTS SECTION.......................... SEARCH ON THE AUTHOR AND HIS TIMES................. DCRIAUTH THE NOVEL The Plot................................. DCRIPLOT The Characters........................... DCRICHAR Other Elements Setting............................ DCRISETT Themes............................. DCRITHEM Style.............................. DCRISTYL Point of View...................... DCRIVIEW Form and Structure................. DCRIFORM THE STORY................................ DCRISTOR A STEP BEYOND Tests and Answers........................ DCRITEST Term Paper Ideas......................... DCRITERM Glossary................................. DCRIGLOS The Critics.............................. DCRICRIT Advisory Board........................... DCRIADVB Bibliography............................. DCRIBIBL AUTHOR_AND_HIS_TIMES THE AUTHOR AND HIS TIMES (DCRIAUTH) - When Fyodor Dostoevsky