Joyce's Dublin

Total Page:16

File Type:pdf, Size:1020Kb

Joyce's Dublin 1 James Joyce Centre Mater Misericordiae NORTH CIRCULAR ROAD 2 Belvedere College Hospital A MAP OF 1904 MAP OF 3 St George’s Church 4 7 Eccles St BELVEDERE PLACE ROAD ECCLES STREET 5 Glasnevin Cemetery 6 Gresham Hotel R.C.Ch Joyce’sRICHMOND PLACE 7 The Joyce Statue 4 8 O’ConnellCharleville Bridge Mall 3 Free 9 Night Town Ch. Dublin St. George’s 10 Cabman’s shelter Nelson St. STREET Church Upr. Rutland St. 11 North Wall Quay BLESSINGTON STREET 12 Clarence St. Temple St. PORTLAND Sweny’s ROW Chemist PHIBSBOROUGH 13 The National Maternity MOUNTJOY SQUARE Hospital D O R S E T Wellington St. 14 Finn’s Hotel BUCKINGHAM FREDERICK STREET 2 ERHILL 15 The National Library Hardwicke St. Hill St. 16 Davy Byrnes T MID. GARDIN E 17 UCD Newman House E Nth.Gt.George’s St. SUMM R STREET 18 The Volta Cinema T Grenville St. S 19 Barney Kiernan’s Pub Y GREAT DENMARK STREET O 20 Ormond Hotel J STREET T CAVENDISH ROW 1 Empress Place N E R S T. 21 The Dead House L B R O A D S T O N E U L 22 Sandymount Strand S T A T I O N I DOMINICKO 19 H M Cumberland St. 23 Sandycove Tower SEVILLE PLACE N G R A N B Y R O W O 24 The School I T RUTLAND NORTH STRAND Oriel St. MARLBOROUGH ST. Tramlines in 1904 U Granby Lane SQUARE LWR. GARDINER ST. T GLOUCESTER STREET I Henrietta St. STREET T Rotunda TYRONE STREET S M A B B O T S T. N Purden St. O SACKVILLE STREET C K I N 6 9 G S A M I E N S S T. ’ I N S T A T I O N BOLTON STREET N Albert Ter. MOORE STREET S STREET S Central T S H E R I F F S T . Model Schools T A L B O T S T . Green St. 7 STREET KING AMIENS STREET T H Jervis St. R Beresford St.Sth. EARL STREET T H E D O C K S N O Halston St. Stafford St. GREAT BRITAIN 10 M A Y O R S T . L R . 19 C U S T O M 18 H O U S E CAPEL STREET HENRY STREET Liffey St. POST OFFICE COMMMONS ST. LWR. ABBEY ST. G U I L D S T . Bow St. MARY STREET 11 S T R E E T C U S T O M H O U S E Q U A Y Royal Canal Docks MMOUNTJOUNT J O Y STREETSTREET MARY’S LANE NORTH WALL QUAY Goods Stn. SMITHFIELD MID. ABBEY STREET E D E N Q U A Y G E O R G E ’ S Q U A Y St. UPPER ABBEY STREET 8 T A R A S T. C I T Y Q U A Y A L B E R T Q U A Y Michan’s B U R G H Q U A Y S T A T I O N E L L I S Q U A Y Ch. C H U R C H Mary’s Abbey P O O L B E G S T . VICTORIA QUAY BACHELORS WALK D’OLIER ST. FOUR Great Strand St. A S T O N Q Y. GLOUCESTER S.S. SIR JOHN ROGERSON’S QUAY COURTS USHER’S ISLAND A R R A N Q U A Y QUAY Guinness 20 Brewery LWR. ORMOND USHER’S QUAY CRAMPTON QY. T O W N S E N D S T R E E T Stores Island St. KINGS INN QUAY F L E E T S T . T. S E T UPR. ORMOND QUAY T E M P L E B A R G WELLINGTON QUAY LE S L O H A N O V E R C MERCHANT’S QUAY E S S E X Q U A Y S T WESTMORELAND ST. A Bonham St. BRIDGE N WINETAVERNW ST.O O D Q U AY STREET O Essex St. D CARDIFF LN. W O Jury’s Lombard St. I F T R I N I T Y GREAT Hotel T C O L L E G E H E HANOVER QUAY S G Cook St. B R U N S W I CT K STREET DAME STREET . D I Suffolk St. R W E S T L A N D Lord Edward St. T Ho. B R O W STREET . S E ’ S S T C O L L E G E J A M S T R E E HIGH STREET LE S T A T I O N T T S CAS T CASTLE E xchequer St. W I H G E C P A R K O Back Lane K L N A S S A U S T . M A R O W S S T R E E T O S T Boyne St. E . G FRANCIS STREET . LEINSTER ST. 14 N P WESTLAND ROW T L L. S H I P S T . O HARCOURT PL. G C Cumberland St. Duke St N . Royal I L B R I D E S T . H T Hotel C L A R E S12 T. GREAT CLARENDON ST. ST. PATRICK’S ST. S Nat. D E N Z I L L E S T. Erne St. 16 Lib. S T Clarendon St MOLESWORTH ST. Nat. Gallery E P H E Anne S.S N WILLIAM ST. S Chatham St GRAFTON STREET GRAND CANAL STREET W T 15 . COOLOCKH I NORTH Lane T Golden E STH. KING ST. GLASNEVIN F Royal I.A. MERRION R STREET DAWSON STREET I HOWTH H O L L E S S T . A 13 R Mansion Wood St. Nat. SQUARE S House Royal KILDARE STREET 5 CLONTARF T Museum LOWER MOUNT STREET . College of NORTH YORK STREETMERCERSurgeons ST. Peter St. Shelbourne SOUTH St Patrick’s Hotel Cathedral A U N G I E R K E V I N S T . Lore D U B L I N MERRION STREET 21 m WEST S TSTEPHEN’S U P R . CAMDEN STREET ipsu B A Y m LOWER UPPER MOUNT ST. Sandymount dol Hume St. DONNYBROOK 22 or GREEN Booterstown sit BAGGOT McKenna K E V I N S T . L W R . C U F F E S T R E E T ame T New Bride St. t, Bridge E Blackrock E con JAME’S PLACE SOUTH EAST R sec- STREET T Kingstown tetu S er 23 W CRANMER ST. E LONG 17 N C A M D E N R O W Dalkey C A T H O L I C Herbert Place LANE 24 U N I V E R S I T Y C O L L E G E FITZWILLIAM Percy Place HERBERT ST. SQUARE FITZWILLIAM ST. UPR CIRCULAR RD. 1 James Joyce Cultural Centre | 8 O’Connell Bridge 18 Volta Cinema | Mary Street 35 North Great George’s Street Leopold Bloom stops on O’Connell Bridge James Joyce famously founded the Volta The James Joyce Cultural Centre is to feed the seagulls Banbury cakes. Here Cinema, Ireland’s first dedicated cinema situated in a stunning Georgian town- you cross over the River Liffey which was on Mary Street in 1909. It opened on house and is dedicated to promoting immortalized as Anna Livia Plurabelle in Monday 20 December, 1909 to a select the life and works of James Joyce and Finnegans Wake. audience. his influence in literature. It hosts walking tours, exhibitions, workshops 9 Night Town | James Joyce Street 19 Barney Kiernan’s Pub | and lectures for visitors with a casual James Joyce Street was originally called 8-10 Little Britain Street interest and Joycean experts alike. Mabbot Street which was the entrance to The pub is the scene for the Cyclops The permanent exhibit includes the the red light ‘Monto’ area in Dublin. It is episode in Ulysses where we meet the door to number 7 Eccles Street, home the setting of the Circe episode in Ulysses. Citizen, based on the real-life character of Leopold and Molly Bloom in Joyce’s The Mabbot street entrance of nighttown, of Michael Cusack, founder of the Gaelic epic novel Ulysses. before which stretches an uncobbled tram- Athletic Association (GAA). So we turned siding set with skeleton tracks, red and into Barney Kiernan’s and there, sure 2 Belvedere College | green will-o’-the-wisps and danger signals. enough, was the citizen. (Ulysses) Great Denmark Street (Ulysses) James Joyce went to school here in 20 Ormond Hotel | 7-11 Upr Ormond Quay 1893 at age eleven. The Jesuit educa- 10 Cabman’s Shelter | Butt Bridge Bloom visits the Ormond Hotel for an tion he received here influenced him In the Eumaeus episode in Ulysses, Bloom afternoon sing song in the Sirens episode throughout his life. The school features and Stephen stop at the cabman’s shel- of Ulysses. A youth entered a lonely in his most autobiographical novel A ter, just north of the Liffey, for a bite to Ormond hall. (Ulysses) Portrait of the Artist as a Young Man and eat and a cup of coffee. It is patronized in the short story An Encounter from by a ‘miscellaneous collection of waifs and 21 The Dead House | 15 Usher’s Island Dubliners. strays and other nondescript specimens’. It The house at 15 Usher’s Island is the no longer exists. setting for the Morkan Sisters’ annual 3 St George’s Church | Hardwicke Place Christmas party in the short story The James Joyce includes St.
Recommended publications
  • 1974.Ulysses in Nighttown.Pdf
    The- UNIVERSITY· THEAtl\E Present's ULYSSES .IN NIGHTTOWN By JAMES JOYCE Dramatized and Transposed by MARJORIE BARKENTIN Under the Supervision of PADRAIC COLUM Direct~ by GLENN ·cANNON Set and ~O$tume Design by RICHARD MASON Lighting Design by KENNETH ROHDE . Teehnicai.Direction by MARK BOYD \ < THE CAST . ..... .......... .. -, GLENN CANNON . ... ... ... : . ..... ·. .. : ....... ~ .......... ....... ... .. Narrator. \ JOHN HUNT . ......... .. • :.·• .. ; . ......... .. ..... : . .. : ...... Leopold Bloom. ~ . - ~ EARLL KINGSTON .. ... ·. ·. , . ,. ............. ... .... Stephen Dedalus. .. MAUREEN MULLIGAN .......... .. ... .. ......... ............ Molly Bloom . .....;. .. J.B. BELL, JR............. .•.. Idiot, Private Compton, Urchin, Voice, Clerk of the Crown and Peace, Citizen, Bloom's boy, Blacksmith, · Photographer, Male cripple; Ben Dollard, Brother .81$. ·cavalier. DIANA BERGER .......•..... :Old woman, Chifd, Pigmy woman, Old crone, Dogs, ·Mary Driscoll, Scrofulous child, Voice, Yew, Waterfall, :Sutton, Slut, Stephen's mother. ~,.. ,· ' DARYL L. CARSON .. ... ... .. Navvy, Lynch, Crier, Michael (Archbishop of Armagh), Man in macintosh, Old man, Happy Holohan, Joseph Glynn, Bloom's bodyguard. LUELLA COSTELLO .... ....... Passer~by, Zoe Higgins, Old woman. DOYAL DAVIS . ....... Simon Dedalus, Sandstrewer motorman, Philip Beau~ foy, Sir Frederick Falkiner (recorder ·of Dublin), a ~aviour and · Flagger, Old resident, Beggar, Jimmy Henry, Dr. Dixon, Professor Maginni. LESLIE ENDO . ....... ... Passer-by, Child, Crone, Bawd, Whor~.
    [Show full text]
  • A Psychological Study in James Joyce's Dubliners and VS
    International Conference on Shifting Paradigms in Subaltern Literature A Psychological Study in James Joyce’s Dubliners and V. S. Naipaul’s Milguel Street: A Comparative Study Dr.M.Subbiah OPEN ACCESS Director / Professor of English, BSET, Bangalore Volume : 6 James Joyce and [V]idiadhar [S] Urajprasad Naipaul are two great expatriate writers of modern times. Expatriate experience provides Special Issue : 1 creative urges to produce works of art of great power to these writers. A comparison of James Joyce and V.S. Naipaul identifies Month : September striking similarities as well as difference in perspective through the organization of narrative, the perception of individual and collective Year: 2018 Endeavour. James Joyce and V.S. Naipaul are concerned with the lives of ISSN: 2320-2645 mankind. In all their works, they write about the same thing, Joyce write great works such as Dubliners, an early part of great work, Impact Factor: 4.110 and Finnegans Wake, in which he returns to the matter of Dubliners. Similarly, Naipaul has written so many works but in his Miguel Citation: Street, he anticipated the latest autobiographical sketch Magic Seeds Subbiah, M. “A returns to the matter of Miguel Street an autobiographical fiction Psychological Study in about the life of the writer and his society. James Joyce’s Dubliners James Joyce and V.S. Naipaul are, by their own confession, and V.S.Naipaul’s committed to the people they write about. They are committed to the Milguel Street: A emergence of a new society free from external intrusion. Joyce wrote Comparative Study.” many stories defending the artistic integrity of Dubliners.
    [Show full text]
  • Ulysses Notes Joe Kelly Chapter 1: Telemachus Stephen Dedalus, A
    Ulysses Notes Joe Kelly Chapter 1: Telemachus Stephen Dedalus, a young poet employed as a school teacher; Buck Mulligan, a med student; and an Englishman called Haines, who is in Ireland to study Celtic culture, spend their morning in their Martello Tower at the seaside resort town of Sandycove, south of Dublin. Stephen, who is mourning for his dead mother, watches Buck shave on the parapet, they discuss things, Buck goes inside to cook breakfast. They all eat while a local farm woman brings them their milk. Then they walk Martello (now called the "Joyce") Tower at down to the "Forty Foot Hole," where Buck Sandycove swims in Dublin Bay. Pay careful attention to what the swimmers say about the Odyssey, Odysseus was missing, Bannons and the photo girl. presumed dead by most, for ten years after the end of the Trojan War, and Look for parallels between Stephen and his palace and wife in Ithaca were Hamlet, on one hand, and Telemachus, the beset by "suitors" who wanted to son of Odysseus, on the other. In the become king. Ulysses is a sequel to Joyce's A Portrait of the Artist as a Young Man, which is a bildungsroman starring Stephen Dedalus. That novel ended with Stephen graduating from University College, Dublin and heading off for Paris to launch his literary career. Two years later, he's back in Dublin, having been summoned home by his mother's illness. So he's something of an Icarus figure also, having tried to fly out of the labyrinth of Ireland to freed om, but having fallen, so to speak.
    [Show full text]
  • The Dublin Gate Theatre Archive, 1928 - 1979
    Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors.
    [Show full text]
  • 2012-Dubliners-Programme.Pdf
    DUBLIN: ONE CITY, ONE BOOK: EVENTS (continued) ABOUT THE BOOK JOYCEAN TOUR OF GLASNEVIN CEMETERY FARMLEIGH, CASTLEKNOCK Dubliners is Joyce at his most direct and his most accessible. Any reader Following upon Dublin’s designation as Glasnevin Cemetery, the heart of the James Joyce in the Phoenix Park may pick it up and enjoy these fifteen stories about the lives, loves, small UNESCO City of Literature, what more Hibernian necropolis, has many links to Area – exhibition of rare books from the triumphs and great failures of its ordinary citizens without the trepidation James Joyce’s life and writing. From the Benjamin Iveagh Library. Wed-Sun & appropriate title could there be for Dublin: Hades Chapter in Ulysses, which takes Bank Holidays from 1 April. 10am-4.30pm that might be felt on opening, say, Ulysses, famed for its impenetrabil- One City, One Book 2012 than James place in the cemetery, to the family grave as part of the guided tour. Further ity and stream-of-consciousness hyperbole. At the same time, although Joyce’s DUBLINERS! which is the final resting place of his information Tel: 01 8155981 Also Joycean simply written, there is great depth and many levels to the stories, in parents; walk through the life, time and exhibition by contemporary Japanese which the characters – young, middle-aged and old – are revealed, to imagination of James Joyce. photographer Motoko Fujita. Admission Joyce is the city’s most celebrated lit- Daily throughout April at 1pm. Tickets free themselves, or sometimes only to the reader, in all their frail humanity. erary son and his masterly collection €10 include a visit to Glasnevin Museum THE JAMES JOYCE CENTRE, 35 NORTH GREAT •The Sisters•An Encounter•Araby•Eveline•After the Race•Two Gallants• of short stories gives a remarkable JOYCEAN WALKING TOURS GEORGE’S STREET insight into the lives of a disparate group of Dublin citizens in the early Echoes of Joyce’s Dublin.
    [Show full text]
  • Upheavals of Emotions, Madness of Form: Mary M. Talbot's and Bryan
    Prague Journal of English Studies LADISLAV NAGY Volume 4, No. 1, 2015 ISSN: 1804-8722 (print) '2,10.1515/pjes-2015-0007 Works Cited ISSN: 2336-2685 (online) Boccardi, Mariadele. The Contemporary British Historical Novel, Representation, Nation. London: Palgrave Macmillan 2009. Print. Upheavals of Emotions, Madness of Form: Bradbury, Malcom. The Modern British Novel. London: Penguin 1993. Print. Mary M. Talbot’s and Bryan Talbot’s Dotter Elias, Amy J, Sublime Desire, History and post-1960s Fiction. Baltimore: The John Hopkins University Press 2001. Print. of Her Father’s Eyes and a Transdiegetised Jones, Thomas. “Dark Sayings.” London Review of Books. Vol. 22, No. 21, (Auto)Biographical Commix November 2, 2000. Print. Keen, Suzanne. Romances of the Archive in Contemporary British Fiction. Toronto: Toronto University Press 2001. Print. Robert Kusek Norfolk, Lawrence. John Saturnall’s Feast. London: Bloomsbury 2013. Print. ---. Lemprière’s Dictionary. New York: Harmony Books 1991. Print. ---. The Pope’s Rhinoceros. London: Vintage 1998. Print. In 2012, Mary M. Talbot and Bryan Talbot joined the likes of Richard Ellmann, ---. In the Shape of a Boar. London: Weidenfeld & Nicolson 2000. Print. Gordon Bowker and Michael Hastings and in their graphic memoir Dotter of Her Ziolkowski, Theodore.Lure of the Arcane, The Literature of Cult and Conspiracy. Father’s Eyes (2012) offered a new re-telling of James Joyce’s life, focusing, in Baltimore: The John Hopkins University Press 2013. Print. particular, on the difficult relationship between the great Irish writer, and his daughter Lucia. However, the story of a complicated emotional bond between Joyce and Lucia was only a framework for an autobiographical coming-of age narrative about Mary LADISLAV NAGY is the head of the Department of English at the Faculty of M.
    [Show full text]
  • James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-13-2014 A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the English Language and Literature Commons Recommended Citation Clifford, Sean. (2014). A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners. In BSU Honors Program Theses and Projects. Item 40. Available at: http://vc.bridgew.edu/honors_proj/40 Copyright © 2014 Sean Clifford This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Clifford 1 A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners Sean Clifford Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 13, 2014 Dr. Ellen Scheible, Thesis Director Dr. Heidi Bean, Committee Member Prof. Bruce Machart, Committee Member Clifford 2 Sean Clifford Honors Thesis Bridgewater State University A Modernity Paused: James Joyce, Catholicism, and the Celtic Revival in the Pre-Revolution Ireland of Dubliners The Ireland of James Joyce’s first published work, Dubliners, is a nation only a few years away from revolution. It is a land still under the control of England and the specter of the Potato Famine. Charles Stuart Parnell’s push for Home Rule and his subsequent fall from grace and the failed revolutions of the past still lingered in its collective conscience.
    [Show full text]
  • The Maternal Body of James Joyce's Ulysses: the Subversive Molly Bloom
    Lawrence University Lux Lawrence University Honors Projects 5-29-2019 The aM ternal Body of James Joyce's Ulysses: The Subversive Molly Bloom Arthur Moore Lawrence University Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Literature in English, British Isles Commons © Copyright is owned by the author of this document. Recommended Citation Moore, Arthur, "The aM ternal Body of James Joyce's Ulysses: The ubS versive Molly Bloom" (2019). Lawrence University Honors Projects. 138. https://lux.lawrence.edu/luhp/138 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. THE MATERNAL BODY OF JAMES JOYCE’S ULYSSES: The Subversive Molly Bloom By Arthur Jacqueline Moore Submitted for Honors in Independent Study Spring 2019 I hereby reaffirm the Lawrence University Honor Code. Table of Contents Acknowledgements Introduction ................................................................................................................ 1 One: The Embodiment of the Maternal Character..................................................... 6 To Construct a Body within an Understanding of Male Dublin ................................................. 7 A Feminist Critical Interrogation of the Vital Fiction of Paternity ........................................... 16 Constructing the Maternal Body in Mary Dedalus and Molly Bloom .....................................
    [Show full text]
  • Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
    Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake.
    [Show full text]
  • James Joyce and His Influences: William Faulkner and Anthony Burgess
    James Joyce and His Influences: William Faulkner and Anthony Burgess An abstract of a Dissertation by Maxine i!3urke July, Ll.981 Drake University Advisor: Dr. Grace Eckley The problem. James Joyce's Ulysses provides a basis for examining and analyzing the influence of Joyce on selected works of William Faulkner and Anthony Bur­ gess especially in regard to the major ideas and style, and pattern and motif. The works to be used, in addi­ tion to Ulysses, include Faulkner's "The Bear" in Go Down, Moses and Mosquitoes and Burgess' Nothing Like the Sun. For the purpose, then, of determining to what de­ gree Joyce has influenced other writers, the ideas and techniques that explain his influence such as his lingu­ istic innovations, his use of mythology, and his stream­ of-consciousness technique are discussed. Procedure. Research includes a careful study of each of the works to be used and an examination of var­ ious critics and their works for contributions to this influence study. The plan of analysis and presentation includes, then, a prefatory section of the dissertation which provides a general statement stating the thesis of this dissertation, some background material on Joyce and his Ulysses, and a summary of the material discussed in each chapter. Next are three chapters which explain Joyce's influence: an introduction to Joyce and Ulysses; Joyce and Faulkner; and Joyce and Burgess. Thus Chapter One, for the purpose of showing how Joyce influences other writers, discusses the ideas and techniques that explain his influences--such things as his linguistic innovations, his use of mythology, and his stream-of­ consciousness method.
    [Show full text]
  • 3.11 SECTION 10: SANDYMOUNT STRAND (See Drawings 10 & 11
    6(&7,216$1'<02817675$1' considered a highly effective flood defence measure in this location. Clearly the design of this section will need to satisfy the primary objective of protecting the public realm and residential properties from flooding. (See Drawings 10 & 11) It is proposed that S2S be incorporated into these flood protection measures, with a 3.5 metre wide footway and 3.5 metre wide cycleway aligned on the seaward side of the promenade. Pedestrian and cyclists links 3.11.1 Section 10.1: Sean Moore Park to Sandymount Promenade will be constructed through the promenade linking the key junctions on Strand Road to S2S. A traditional sloping rock revetment is the preferred form of construction for the new section of promenade. This will form Existing Environment the front edge of the flood protection measure with steps down to the strand provided at regular intervals. Reverting back off road, Section 10.1 commences at the northern end of Sandymount Strand at the start of However rock armour may be necessary for the purpose of flood defence. the Poolbeg Peninsula and extends 800metres southwards to the start of the Sandymount Promenade. The principle behind the landscape finishes here will be to extend the character already established by the The strand along this section of the route is part of the Sandymount Strand /Tolka Estuary Special existing promenade further south along Sandymount Strand (refer to section 10.2 below). To this end, Protected Area (SPA) and the South Dublin Bay Special Area of Conservation (SAC). lighting, seating and litterbins of a ‘traditional’ style will be provided.
    [Show full text]
  • The Perils and Rewards of Annotating Ulysses
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2013 Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses Barbara Nelson The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Nelson, Barbara, "Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses" (2013). Graduate Student Theses, Dissertations, & Professional Papers. 491. https://scholarworks.umt.edu/etd/491 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. GETTING ON NICELY IN THE DARK: THE PERILS AND REWARDS OF ANNOTATING ULYSSES By BARBARA LYNN HOOK NELSON B.A., Stanford University, Palo Alto, CA, 1983 presented in partial fulfillment of the requirements for the degree of Master of Arts in English The University of Montana Missoula, MT December 2012 Approved by: Sandy Ross, Associate Dean of The Graduate School Graduate School John Hunt, Chair Department of English Bruce G. Hardy Department of English Yolanda Reimer Department of Computer Science © COPYRIGHT by Barbara Lynn Hook Nelson 2012 All Rights Reserved ii Nelson, Barbara, M.A., December 2012 English Getting on Nicely in the Dark: The Perils and Rewards of Annotating Ulysses Chairperson: John Hunt The problem of how to provide useful contextual and extra-textual information to readers of Ulysses has vexed Joyceans for years.
    [Show full text]