Poems (1899-1902)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Girl Scout Ceremonies Flag Ceremonies
Girl Scout Ceremonies These are ideas created and shared online and in other ways by other leaders. I have tweaked some to reflect changes in the Girl Scout Program, others will reflect more of the “old ways” and older language. Don’t feel like you need to use these verbatim. Take what works, and then modify it as you need to. Use these as ideas to create your own ceremonies. Think outside the box when it comes to supplies for your ceremonies. You don’t have to spend a bunch of money or have elaborate themes or props to give your girls and their families a meaningful experience. Also, don’t feel like you are tied to the category that someone placed these ceremonies into – just because a ceremony says it’s a “Bridging for Daisies to Brownies” doesn’t mean that’s the only way you can use the ideas. Make it work for you and your troop! Flag Ceremonies These are the basic Flag Ceremony commands. There are many versions & other commands that can be added. Do what you feel works for your group. These are just suggestions. We always have a caller & an even number of girls for the color guard. When raising the flag up a "real" pole (one with a rope & pulley system) it usually takes two girls to do the actual raising. Caller commands: Please stand Girl Scouts Attention Color Guard Attention Color Guard Advance Color Guard Post the Colors Please join me in the Pledge of Allegiance All recite Pledge Please join me in the Girl Scout Promise All say Promise Color Guard Dismissed Girl Scouts Dismissed Please be seated Flags---multiple levels Opening: Quiet Sign [Daisy Girl Scout Flag enters, carried by a Daisy Girl Scout] Narrator #1: "I am the Daisy Girl Scout Flag. -
Bjorn Bengtsson Coalescence
Bjorn Bengtsson Coalescence Contents Peasantry .Word Panacea Re-Memory Portrait Of Angel Green, White with Black The Forgotten Altars Thirty-Nine April Joba Unnamed After Name Spring Wisteria Peasantry O Eternity! Who are we to you? Cradling universal motif by the backs of us, bending light, puttering around insanity, wallowing with mystery calls by night. Only laughing at the joy of forgotten, forgotten. In the love of the masters to come, I ask, what are you perfecting that has not already been? There is little time, littler language. Our playmaker has cast light to light. The wonder! The awe! This minute attention. Click, flutter, loose lip, out pour majesty. Ripple? Ripple! The tree Again sweet devastation. How it began with grey the messiest painter knew. Each color is an eye, altogether seeing. They left the mask of the leafed face, the hands. O artist! Lest you be among their sinuous circle, sweetly sing the, O - the majesty. Mahogany again. No! I resent the sacrilege of the order interior temple. All that is, is beautiful, restored to the eye in the source. II Don’t you pray for wisdom, o little language. You know the power of the Word. Acceptance, your artist asceticism, see to see is to unveil all that is not to see. The golden soul walks a world of her own. Tendril body you limp, limp! Arabesque below the torso of every head. You limp! Eternity walks with me, do you lift your hand? I do. I sing through the bare sole of my boot, peasantry, sanctity, release me - O Holy. -
Black Skin, White Masks
black skin whiteit masks FRANTZ FANON Translated by Charles Lam Markmann Forewords by Ziauddin Sardar and Homi K. Bhabha PLUTO PRESS www.plutobooks.com Fanon 00 pre iii 4/7/08 14:17:00 Originally published by Editions de Seuil, France, 1952 as Peau Noire, Masques Blanc First published in the United Kingdom in 1986 by Pluto Press 345 Archway Road, London N6 5AA This new edition published 2008 www.plutobooks.com Copyright © Editions de Seuil 1952 English translation copyright © Grove Press Inc 1967 The right of Homi K. Bhabha and Ziauddin Sardar to be identifi ed as the authors of the forewords to this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2849 2 Hardback ISBN 978 0 7453 2848 5 Paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. The paper may contain up to 70% post consumer waste. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Sidmouth, EX10 9QG, England Typeset by Stanford DTP Services, Northampton Printed and bound in the European Union by CPI Antony Rowe, Chippenham and Eastbourne Fanon 00 pre iv 4/7/08 14:17:00 5 THE FACT OF BLACKNESS “Dirty nigger!” Or simply, “Look, a Negro!” I came into the world imbued with the will to fi nd a meaning in things, my spirit fi lled with the desire to attain to the source of the world, and then I found that I was an object in the midst of other objects. -
Prince Talks: the Silence Is Broken the Purple Pleasure Palace Houses the Genius Behind 'Around the World in a Day'
Prince Talks: The Silence Is Broken The Purple Pleasure Palace houses the genius behind 'Around the World in a Day' Prince on the cover of Rolling Stone. "Raspberry Beret" video still By Neal Karlen September 12, 1985 John Nelson turns sixty-nine today, and all the semiretired piano man wants for his birthday is to shoot some pool with his firstborn son. "He's real handy with a cue," says Prince, laughing, as he threads his old white T-Bird through his old black neighborhood toward his old man's house. "He's so cool. The man knows what time it is." Hard time is how life has traditionally been clocked in North Minneapolis; this is the place 'Time' forgot twelve years ago when the magazine's cover trumpeted "The Good Life in Minnesota," alongside a picture of Governor Wendell Anderson holding up a walleye. Though tame and middle-class by Watts and Roxbury standards, the North Side offers some of the few mean streets in town. The old sights bring out more Babbitt than Badass in Prince as he leads a leisurely tour down the main streets of his inner-city Gopher Prairie. He cruises slowly, respectfully: stopping completely at red lights, flicking on his turn signal even when no one's at an intersection. Gone is the wary Kung Fu Grasshopper voice with which Prince whispers when meeting strangers or accepting Academy Awards. Cruising peacefully with the window down, he's proof in a paisley jump suit that you can always go home again, especially if you never really left town. -
Tdn Europe • Page 2 of 21 • Thetdn.Com Monday • 3 May 2021
MONDAY, 3 MAY 2021 MOTHER EARTH COMES MARE AUSTRALIS COMES OF AGE IN THE GANAY THROUGH IN THE GUINEAS There was more Boudot magic at ParisLongchamp on Sunday as APC@ made all to draw the sting from all rivals and land the G1 Prix Ganay with the rapid improver Mare Australis (Ire) (Australia {GB}). Always highly-regarded and now an entirely different proposition from the greenhorn of last summer, Gestut Schlenderhan=s homebred had offered a glimpse of what was to come when second on his return to Skalleti (Fr) (Kendargent {Fr}) in the 10-furlong G2 Prix d=Harcourt at this venue Apr. 11. Asked a new question by his rider on this sternest test of his ability so far, the 5-2 second favourite responded by stretching every rival including Mogul (GB) (Galileo {Ire}) who was in closest attendance. When he kicked in early straight, he turned the screw too tight on Ballydoyle=s 9-5 market-leader raider and kept galloping true to the line to beat the emergent Gold Trip (Fr) (Outstrip {GB}) by 1 3/4 lengths. Cont. p4 Mother Earth | racingfotos.com IN TDN AMERICA TODAY In a renewal of Newmarket=s G1 QIPCO 1000 Guineas which HOW TO BUY A DERBY WINNER FOR $1,000 polarised the dreamers and the cynics, experience ultimately Bill Finley speaks with consignor Christy Whitman on GI Kentucky told on Sunday with Frankie Dettori the chief benefactor as he Derby hero Medina Spirit (Protonico). Click or tap here to go steered Mother Earth (Ire) (Zoffany {Ire}) to glory. -
Fireworks Encyclopedia
FireWorks Encyclopedia Featuring Species from the Sierra Nevada Fireworks Encyclopedia Species Page Number American black bear 1 Annosum Root Rot 3 Baker Cypress 5 bark beetles 7 Black fire beetle 9 Black -backed woodpecker 11 Bracken fern 13 California black oak 15 California red fir 17 California spotted owl 19 Canon live oak 21 Cheatgrass 23 Deer brush 25 Deer mouse 27 Coast Douglas-fir 29 Dusky-footed woodrat 31 Fisher 33 Fox sparrow 35 Incense-cedar 37 Jeffrey pine 39 Mariposa lily 41 Mountain lion 43 Mountain whitethorn 45 Mountain yellow-legged frogs 47 Mule deer 49 Northern goshawk 51 Ponderosa pine 53 Quaking aspen 55 Ross's sedge 57 Sierra gooseberry 59 Sierra lodgepole pine 61 Sticky whiteleaf manzanita 63 Sugar pine 65 Wavyleaf soap plant 67 Webber's milkvetch 69 Western gray squirrel 71 Western wood-pewee 73 White fir 75 White pine blister rust 77 Yellow starthistle 79 (Ursus americanus) growing. By the me I was strong enough to walk and keep up with Mother, it was springme outside, me for us to see what food the melng snow might uncover. Mother taught me all about food. My brother and I followed her everywhere, carefully watching what she ate. Did I tell you I’m an omnivore? I love to eat grass, flowers, and seeds, but I’m not at all picky. I’ll also eat insects, mushrooms, and small animals—dead or alive. If I find garbage lying around outside, I’ll eat that too. In fact, I’m a master burglar when it comes to garbage cans, coolers, and backpacks. -
Black Skin, White Masks (Get Political)
Black Skin, White Masks Fanon 00 pre i 4/7/08 14:16:58 <:IEA>I>86A www.plutobooks.com Revolution, Black Skin, Democracy, White Masks Socialism Frantz Fanon Selected Writings Forewords by V.I. Lenin Homi K. Edited by Bhabha and Paul Le Blanc Ziauddin Sardar 9780745328485 9780745327600 Jewish History, The Jewish Religion Communist The Weight Manifesto of Three Karl Marx and Thousand Years Friedrich Engels Israel Shahak Introduction by Forewords by David Harvey Pappe / Mezvinsky/ 9780745328461 Said / Vidal 9780745328409 Theatre of Catching the Oppressed History on Augusto Boal the Wing 9780745328386 Race, Culture and Globalisation A. Sivanandan Foreword by Colin Prescod 9780745328348 Fanon 00 pre ii 4/7/08 14:16:59 black skin whiteit masks FRANTZ FANON Translated by Charles Lam Markmann Forewords by Ziauddin Sardar and Homi K. Bhabha PLUTO PRESS www.plutobooks.com Fanon 00 pre iii 4/7/08 14:17:00 Originally published by Editions de Seuil, France, 1952 as Peau Noire, Masques Blanc First published in the United Kingdom in 1986 by Pluto Press 345 Archway Road, London N6 5AA This new edition published 2008 www.plutobooks.com Copyright © Editions de Seuil 1952 English translation copyright © Grove Press Inc 1967 The right of Homi K. Bhabha and Ziauddin Sardar to be identifi ed as the authors of the forewords to this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2849 2 Hardback ISBN 978 0 7453 2848 5 Paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. -
OBJ (Application/Pdf)
VOL. 42 MORRIS BROWN COLLEGE NO. 4 Black Film Festival for A. U. Center Colleges By Mathias A. Odoemele According to an announcement by the newly-formed Atlanta University Center Student Council, there will be a presentation of “The Drum Film Festival” beginning February 6 through 10 in the six A.U. center schools. The presentation of the show is a part of the nationwide observance of Black History Week. The festival is aimed at broadening the awareness of the lives and conditions of Black and Brown people through out the world and will feature many diverse Left to Right: Mrs. Darthy Sims, Dr. Beulah Farmer, entries from here and around the globe. Mr. & Mrs. Redding, Dr. Jackson, Dr. Willie F. Payne The kick-off of the festival which will begin its pre sentations at Morris Brown College, consists of six full- length films and nine thought-provoking short features. You’ve Taken My Song and Gone The newly-organized Student Council comprises re presentatives from all the six colleges in the Atlanta University Center. “Cultural Nationalism - - - Reality or Myth?” On Thursday, February 6, in the Cunningham Aud was the topic of Dr. Saunders Redding’s lecture January itorium of the MBC campus the festival will present the 17, 1975. following films: “The Dispossessed,” a dramatic docu Dr. Redding’s distinct voice enchanted the audience, as did his message. Dr. Redding spoke metaphorically mentation of the struggle of the Pit River Indians of Northern California to regain their land from the Pacific on whites taking “our” songs bringing out Congruous Mr. -
Black Skin White Skin Masks It
black skin whiteit masks FRANTZ FANON Translated by Charles Lam Markmann Forewords by Ziauddin Sardar and Homi K. Bhabha PLUTO PRESS www.plutobooks.com Fanon 00 pre iii 4/7/08 14:17:00 Originally published by Editions de Seuil, France, 1952 as Peau Noire, Masques Blanc First published in the United Kingdom in 1986 by Pluto Press 345 Archway Road, London N6 5AA This new edition published 2008 www.plutobooks.com Copyright © Editions de Seuil 1952 English translation copyright © Grove Press Inc 1967 The right of Homi K. Bhabha and Ziauddin Sardar to be identifi ed as the authors of the forewords to this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2849 2 Hardback ISBN 978 0 7453 2848 5 Paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. The paper may contain up to 70% post consumer waste. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Sidmouth, EX10 9QG, England Typeset by Stanford DTP Services, Northampton Printed and bound in the European Union by CPI Antony Rowe, Chippenham and Eastbourne Fanon 00 pre iv 4/7/08 14:17:00 5 THE FACT OF BLACKNESS “Dirty nigger!” Or simply, “Look, a Negro!” I came into the world imbued with the will to fi nd a meaning in things, my spirit fi lled with the desire to attain to the source of the world, and then I found that I was an object in the midst of other objects. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Congressional Record--House
: # 3576 CONGRESSIONAL RECORD--HOUSE. MAY 1, except our own. We have no orders in society, no standing armies, no be published in full, in accordance with the leave granted by the House. traditions to which we may cling, no great vested interest, no class to The SPEAKER. 'l'he necessary correction will be made. The Chair lead us. There was a disruption in the South in which everything will cause the Journal to be corrected according to the gentleman's state went down into a chasm and beyond recall. ment. By au interposition of Divine Providence a revolution was wrought The bill introduced by ?tfr. BUCHANAN, a bill (H. R. 973!J) to abol at the very moment when we were put at the greatest stress of fortune; ish war taxes upon American shipping, was read a first and second time, and will not the people of the North, the generous and patriotic men referred to the Committee on Merchant Marine and Fisheries, ordered and women of the North, who have come to our aid with such abundant to be printed, and also to be publi'lhed in the RECORD. It is as follows: • benevolence in our many trials, be persuaded that the good men and Be it enacted, etc., That the act approved :r.Iay 31, 1830, entitled "An act to re good women of the South are striving not for party conquest, not for peal the tonnage duties upon ships and vessels of the United States and upon certain foreign vessels," which was repealed by section 15 of the act approved any base and ignoble purposes, but that they are endeavoring to do all July 14,1862, entitled "An act increasing temporarily -
The Echo: September 26, 2003
Features: Taylor students hit the slopes in Michigan Opinions: A&E: Ramsland Lizzy and challenges Neville recall the T AYLOR U NIVERSITY Taylor favorite Echo hierarchy movies S EPTEMBER 26, 2003 - VOLUME 91, NO . 5 Wilson’s sails above water, fire Wilson's started strong, even BY CRYSTAL POLLOCK though it held three passengers. STAFF WRITER The other two boats were he word "regatta" originally delayed by water balloons sent Tdescribed gondola races in from the U.S.S. Roho, an unreg- Venice. On Saturday, Sept. 20, it istered float manned by men represented an intense cardboard from the Brotherhood. Using a boat race at Taylor Lake. long, torch-like stick, Roho also Taylor's cardboard boat regatta set Saget on fire, and Saget was began four years ago when ICC not able to finish the race. Later, and SAC were searching for new the Saget's crew claimed that events to begin the school year. they would have won, if it had They discovered information not been for the pirates of Roho. about country club regattas Roho was made out of recycle online and decided to modify the bins, duct tape and two-by-fours. event for the campus. "It was the best $25 ever On Saturday, teams began spent!" said Andy Huett, one of building their boats as early as 10 the Roho's creators. a.m. When they entered the race, The U-boat overturned in the they received cardboard, a sheet middle of the race, and even of plastic, a roll of duct tape and though the passenger wore one an X-acto knife.