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Otorisama Continues to Be Loved by the People
2020 edition Edo to the Present The Sugamo Otori Shrine, located near the Nakasendo, has been providing a spiritual Ⅰ Otorisama continues to be loved sanctuary to the people as Oinarisama (Inari god) and continues to be worshipped and by the people loved to this today. Torinoichi, the legacy of flourishing Edo Stylish manners of Torinoichi The Torinoichi is famous for its Kaiun Kumade Mamori (rake-shaped amulet for Every November on the day of the good luck). This very popular good luck charm symbolizes prosperous business cock, the Torinoichi (Cock Fairs) are and is believed to rake in better luck with money. You may hear bells ringing from all held in Otori Shrines across the nation parts of the precinct. This signifies that the bid for the rake has settled. The prices and many worshippers gather at the of the rakes are not fixed so they need to be negotiated. The customer will give the Sugamo Otori Shrine. Kumade vendor a portion of the money saved from negotiation as gratuity so both The Sugamo Otori Shrine first held parties can pray for successful business. It is evident through their stylish way of business that the people of Edo lived in a society rich in spirit. its Torinoichi in 1864. Sugamo’s Torinoichi immediately gained good reputation in Edo and flourished year Kosodateinari / Sugamo Otori Shrine ( 4-25 Sengoku, Bunkyo Ward ) MAP 1 after year. Sugamo Otori Shrine was established in 1688 by a Sugamo resident, Shin However, in 1868, the new Meiji Usaemon, when he built it as Sugamoinari Shrine. -
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Tourist Information Venture Forth Into the Streets on Your Own So That You May Feel Center
TOKYO WALKS PAGE 1 / 10 Practical Travel Guide - 305 TOKYO WALKS There are many ways to see Tokyo as it is a huge metropolis first-hand the pulse of one of the world’s most bustling cities. with a population of nearly 12 million where older traditions and Given herein are several recommended walking tours of Tokyo. newer fashions have been interacting harmoniously for four cen- If you wish more detailed information on each of the places of turies. One of the most recommendable ways, however, is to interest, please feel free to contact JNTO’s Tourist Information venture forth into the streets on your own so that you may feel Center. IMPERIAL PALACE AND KITANOMARU PARK Imperial Palace and Kitanomaru Park Yasukuni Shrine 靖国神社 Tourist Information Japan Railways (JR) H British Embassy National Diamond Hotel Shinkansen Theatre Subway Lines 国立劇場 Moats Tayasumon Gate 田安門 ●⑩ 0 200m Hanzomon Gate Chidorigafuchi 半蔵門 ●⑦ Nippon 千鳥が淵 Kitanomaru ●⑨ Budokan Hall Park 日本武道館 ●⑪ 北の丸公園 Kudanshita Sta. Imperial Palace Crafts Gallery 九段下駅 皇居 工芸館 Yurakucho Line 有楽町線 ●⑧ Science Museum Tozai Line 科学技術館 東西線 ●⑫ ●⑥ National Museum of Modern Art Kita-Hanebashimon Gate 東京国立近代美術館 北桔橋門 Imperial Household ●⑬ Sakuradamon Sta. Agency宮内庁 桜田門駅 Takebashi Sta. Metropolitan Sakuradamon Gate Higashi Gyoen 竹橋駅 桜田門 Police Department Nijubashi Bridge 東御苑 Mainichi Newspapers ●③ 二重橋 ●⑤ 毎日新聞社 Hirakawamon Gate Hibiya Line 平川門 日 比谷線 Sannomaru Shozokan ●② 宮内庁三の丸尚蔵館 Hibiya Park Imperial Kikkyomon Gate 日比谷公園 Palace Plaza Hanzomon Line 桔梗門 半蔵門線 皇居前広場 N ●④ Otemon Gate 大手門 Toei-Mita Line H Palace Hotel パレスホテルパレスホテル Hibiya Sta. 都営三田線 日比谷駅 Chiyoda Line Otemachi Sta. Otemachi Sta. TIC, JNTO Nijubashi-mae Sta. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Bunkyo Walking Guidebook Basic Knowledge Which You Should Know
Bunkyo Walking Guidebook Basic knowledge which you should know Supervised by: Japan Walking Association Bunkyo District Health and Wellness Department Health Promotion Section Walking is an exercise In the beginning that is done among One sport that you can do without any tools or a gym is walking. Even for those who feel “sports” is a high hurdle to a wide range of ages. get over, a day doesn’t go by that we don’t walk. Walking isn’t just a way to transport from one place to another, walking is a fine sport once you understand the basics of it. Five Benefit □ Can do everyday For those who are thinking “I want to start doing sports, but I □ Anyone can do it don’t have time” “I want to do sports at my own pace” “I □ Hardly costs any money might be able to do sports if it wasn’t so time consuming”, □ Can balance your mind and health how about walking? Regardless of age, gender, or lifestyle □ Can lead to a fun lifestyle you can start walking. In addition, you can discover great Five Effects things about your city through a commute by walking. □ De-stress □ Vitalize your brain This guidebook is a summary of the basics of walking. If you □ Maintain and improve cardiopulmonary function read this, we are convinced that you will understand the □ Strengthen muscles health benefits and effective ways of walking. Walking is a □ Prevent and improve sport that by continuing you will understand the benefits. We lifestyle-related diseases have separately prepared a walking map. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
The 43Rd Tokyo Motor Show 2013 Admission Ticket Sales Agents
The 43rd Tokyo Motor Show 2013 Admission Ticket Sales Agents Paper Tickets Computerized-Tickets Sales Agents Sales Counter Night Group Group Regular Regular Preview Evening Evening Advance Advance Afternoon Direct Sales The 43rd Tokyo Motor Show 2013 venue ― ○ ○ ○ ○ ― ― ― ― ― Available at each entrance gate Admission tickets can be purchased on the Tokyo Motor Show official website and issued with your own printer. There are no handling fees whatsoever. Tokyo Motor Show official website ― ― ― ― ― ○ ○ ― ○ ― http://www.e-tix.jp/tms2013_en/tms2013_en.html online ticket service (e-tix) A service is also available that allows admission by reading a QR code displayed on the screen of your smartphone or tablet terminal. Travel Agencies 870 JTB branch offices and affiliated agencies nationwide and 45,000 convenience stores JTB ― ― ― ― ― ○ ○ ○ ― ― (Seven-Eleven, FamilyMart, Lawson, Circle k / Sunkus, Ministop) Kinki Nippon Tourist ― ― ― ― ― ○ ○ ○ ― ― 683 branch offices and agencies nationwide Nokyo Tourist (N Tour) ― ― ― ― ― ○ ○ ○ ― ― 400 branch offices and JA travel centers nationwide Transportation JR East ― ― ― ― ― ○ ○ ― ― ― Major Midori no Madoguchi and View Plaza (Tickets may not be handled at some stations.) Shinbashi Station, Toyosu Station (During show dates, tickets are also available at Kokusai Yurikamome ― ○ ― ― ― ― ― ― ― ― Tenjijo Seimon-mae Station.) Rinkai Line ○ ○ ― ― ― ― ― ― ― ― Shinkiba Station, Kokusai Tenjijo Station, Tokyo Teleport Station and Oimachi Station Tokyo Cruise Ship (Hinode Pier) ― ○ ― ― ― ― ― ― ― ― Only regular tickets are available at Hinode Pier No.1 waiting area Tokyo Metro ○ ○ ― ― ― ― ― ― ― ― 150 kiosks in Tokyo Metro stations Convenience Stores Bonus tickets with Tokyo Motor Show Guide 2013 vouchers and a 5% discount coupon for official goods as well as evening tickets are also available in advance. Seven-Eleven ― ― ― ― ― ○ ○ ― ― ○ Purchase from “multi-copy machines” installed at approximately 15,800 stores throughout Japan. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Changing Waterbus Routes and Increasingly Diverse Boat Designs in the Tokyo Rinkai (Waterfront) Area
European Journal of Geography Volume 5, Number 4:47 – 55, November 2014 ©Association of European Geographers CHANGING WATERBUS ROUTES AND INCREASINGLY DIVERSE BOAT DESIGNS IN THE TOKYO RINKAI (WATERFRONT) AREA Kei OTA Tokyo Metropolitan University, Department of Tourism Science, Research Fellow of the Japan Society for the Promotion of Science, 1–1 Minami-ohsawa, Hachioji-shi, Tokyo 192–0397 Japan [email protected] http://www.ues.tmu.ac.jp/tourism Abstract Recent years have witnessed a growing interest in the Tokyo waterfront, which includes the Sumida River and Tokyo Rinkai areas. This research investigates the changing waterbus routes and increasingly diverse boats operating in the Tokyo Rinkai area. The history of waterbuses in Tokyo began during the Meiji Period; business declined during the period of rapid economic growth because of deteriorating water quality. New waterbus operators were inspired to enter the market when water quality improved during the waterfront boom of the 1980s. In the 1990s, there were wide-area routes on the Arakawa and Kyu-Edogawa rivers, but these were replaced by routes on the Sumida River and near Odaiba in the 2000s. In recent years, the variety of different boats has increased due to the introduction of small boats that travel on small and medium-sized rivers, as well as new model boats with unique designs. This has enhanced the role of waterbuses as tourist attractions. Keywords: Tokyo Rinkai area, waterbus, route, urban tourism, tourist attraction 1. INTRODUCTION 1.1 Research background and objective In recent years, interest in the Tokyo waterfront, including the Sumida River and Tokyo Rinkai area, has been growing due to factors such as the construction of the Tokyo Skytree (May 2012) and Tokyo’s successful bid to hold the 2020 Olympic Games (September 2013). -
In Tokyo 2020 Celebrate New Year’S Day in Tokyo & Hawaii 12/26/19-1/1/20
in Tokyo 2020 Celebrate New Year’s Day in Tokyo & Hawaii 12/26/19-1/1/20 5nts/7days from: $2995 double/triple and $3595 single Traveling to Japan during New Year’s is a great opportunity to capture a rare glimpse into the modernization of traditional Japanese culture. It is a time when most Japanese people return home to partake in traditional ceremonies and festivities. On this very special Omiyage Weekender Tour, experience and be part of that tradition. If shopping is on your list, we have it covered, with visits to Tsukiji Market, Ameyoko, Komachi dori in Kamakura and free time in Odaiba. There is also a free afternoon and evening in Ikebukuro where all the favorites are located- Don Quijote, Daiso 100-yen Store, UNIQLO and sister store GU, Tokyu Hands, the Sunshine City Mall and Seibu Department Store. We have also included a visit to Ueno Zoo to see the pandas and on New Year’s Day time at Tokyo largest Daiso. We guarantee your first words will be, “Oh my gosh, this store is HUGE!” For sightseeing enjoy an overnight stay in Kamakura after seeing the Great Buddha so that we can visit the award-winning winter illumination, The Enoshima Sea Candle Illumination. There is also a visit to the Edo Period, Odawara Castle, Itchiku Kubota Art Musuem and views of Mt. Fuji from Oshino Hakkai. New Year’s Eve day includes a visit to Meiji Jinju Shrine and Shibuya Crossing Street just hours before the crowds arrive for the evening’s welcoming of the new year. -
Urban Design
CONSIDERING COMPLEXITY, CONTEXT AND CULTURE IN CONTEMPORARY TOKYO: URBAN SYSTEMS | URBAN TYPOLOGIES | URBAN DESIGN Dr. Brian R. Sinclair1 1Faculty of Environmental Design, University of Calgary + sinclairstudio inc., Canada ABSTRACT: Tokyo is one of the planet’s largest, most complex and most successful cities. With a population exceeding that of Canada, the Tokyo Metropolitan Region embraces a rich array of features key to a well-crafted, well-designed and highly-functioning city. Consistently Tokyo ranks among the world’s top cities, based on a wide array of metrics/ measures. From a world-class multi-modal transportation system and vibrant mixed-use neighborhoods to walkable streets and planning innovations, Tokyo demonstrates how an urban centre can be colossal and complex while proving demonstrably dynamic, accessible and livable. For those looking from outside Tokyo proves a paradox – massive in size, and incomprehensible in scope while functioning at high levels, running smoothly and being relatively free from serious problems. Amenity is high, crime is low, efficiency is unprecedented, design is pervasive and a sense of community is ubiquitous. Tokyo’s success is worth critical examination, not only to cull out reasons for achievement but also to better grasp facets of the city than contribute to its Gestalt. An approach overarching the research critically considers the vehicle of ‘urban typology’. Using typology as a lens for investigation, the work imaginatively identifies/delineates unique typologies that define, shape and characterize Tokyo’s rich fabric. Case studies embrace conventional awareness of typology while charting new ground in conceiving exceptionally Japanese types. Creative typologies include: Gate- Threshold; Spiritual Spark; Arcade Street; Optimize Leftovers; Extreme Parking; Koban; Palimpsest Remnants; Folded + Compressed; Thin Landscapes; Vending Ethos; and Love Zones. -
Telechargement
LA VERSION COMPLETE DE VOTRE GUIDE JAPON 2018/2019 en numérique ou en papier en 3 clics à partir de 9.99€ Disponible sur EDITION Directeurs de collection et auteurs : Bienvenue au Dominique AUZIAS et Jean-Paul LABOURDETTE Auteurs : Maxime DRAY, Barthélémy COURMONT, Antoine RICHARD, Matthieu POUGET-ABADIE, Arthur FOUCHERE, Maxence GORREGUES, Japon ! Jean-Marc WEISS, Jean-Paul LABOURDETTE, Dominique AUZIAS et alter Directeur Editorial : Stéphan SZEREMETA Responsable Editorial Monde : Patrick MARINGE Le Japon et ses habitants restent toujours un mystère fascinant Rédaction Monde : Caroline MICHELOT, Morgane pour la plupart d’entre nous. Les préjugés et les clichés, nous VESLIN, Pierre-Yves SOUCHET, Talatah FAVREAU le savons bien, ont la dent dure. Les Français ont la réputation Rédaction France : Elisabeth COL, Maurane d’être râleurs, prétentieux, et les Japonais insondables, trop CHEVALIER, Silvia FOLIGNO, Tony DE SOUSA polis même pour être sincères. Nous avons essayé dans cette FABRICATION nouvelle édition du guide Japon, plus complète, de vous donner Responsable Studio : Sophie LECHERTIER un éclairage global de la culture, des habitudes quotidiennes des assistée de Romain AUDREN Japonais, d’approcher ce magnifique pays sous divers aspects. Maquette et Montage : Julie BORDES, Le Japon possède une longue histoire, qui remonte aux Aïnous, Sandrine MECKING, Delphine PAGANO, une ethnie vivant sur l’île d’Hokkaido dans le nord du Japon dont Laurie PILLOIS et Noémie FERRON on a trouvé des traces vieilles de 12 000 ans ; et une modernité Iconographie : Anne DIOT incroyable en même temps, que l’on observe à chaque instant dans Cartographie : Jordan EL OUARDI les grandes métropoles nipponnes. L’archipel volcanique long de WEB ET NUMERIQUE plus de 3 000 kilomètres affiche une variété de paysages et de Directeur Web : Louis GENEAU de LAMARLIERE climats presque sans égale.