Day 1, Sunday March 04, 2018 Day 2, Monday March 05, 2018
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Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Bunkyo Walking Guidebook Basic Knowledge Which You Should Know
Bunkyo Walking Guidebook Basic knowledge which you should know Supervised by: Japan Walking Association Bunkyo District Health and Wellness Department Health Promotion Section Walking is an exercise In the beginning that is done among One sport that you can do without any tools or a gym is walking. Even for those who feel “sports” is a high hurdle to a wide range of ages. get over, a day doesn’t go by that we don’t walk. Walking isn’t just a way to transport from one place to another, walking is a fine sport once you understand the basics of it. Five Benefit □ Can do everyday For those who are thinking “I want to start doing sports, but I □ Anyone can do it don’t have time” “I want to do sports at my own pace” “I □ Hardly costs any money might be able to do sports if it wasn’t so time consuming”, □ Can balance your mind and health how about walking? Regardless of age, gender, or lifestyle □ Can lead to a fun lifestyle you can start walking. In addition, you can discover great Five Effects things about your city through a commute by walking. □ De-stress □ Vitalize your brain This guidebook is a summary of the basics of walking. If you □ Maintain and improve cardiopulmonary function read this, we are convinced that you will understand the □ Strengthen muscles health benefits and effective ways of walking. Walking is a □ Prevent and improve sport that by continuing you will understand the benefits. We lifestyle-related diseases have separately prepared a walking map. -
In Tokyo 2020 Celebrate New Year’S Day in Tokyo & Hawaii 12/26/19-1/1/20
in Tokyo 2020 Celebrate New Year’s Day in Tokyo & Hawaii 12/26/19-1/1/20 5nts/7days from: $2995 double/triple and $3595 single Traveling to Japan during New Year’s is a great opportunity to capture a rare glimpse into the modernization of traditional Japanese culture. It is a time when most Japanese people return home to partake in traditional ceremonies and festivities. On this very special Omiyage Weekender Tour, experience and be part of that tradition. If shopping is on your list, we have it covered, with visits to Tsukiji Market, Ameyoko, Komachi dori in Kamakura and free time in Odaiba. There is also a free afternoon and evening in Ikebukuro where all the favorites are located- Don Quijote, Daiso 100-yen Store, UNIQLO and sister store GU, Tokyu Hands, the Sunshine City Mall and Seibu Department Store. We have also included a visit to Ueno Zoo to see the pandas and on New Year’s Day time at Tokyo largest Daiso. We guarantee your first words will be, “Oh my gosh, this store is HUGE!” For sightseeing enjoy an overnight stay in Kamakura after seeing the Great Buddha so that we can visit the award-winning winter illumination, The Enoshima Sea Candle Illumination. There is also a visit to the Edo Period, Odawara Castle, Itchiku Kubota Art Musuem and views of Mt. Fuji from Oshino Hakkai. New Year’s Eve day includes a visit to Meiji Jinju Shrine and Shibuya Crossing Street just hours before the crowds arrive for the evening’s welcoming of the new year. -
Urban Design
CONSIDERING COMPLEXITY, CONTEXT AND CULTURE IN CONTEMPORARY TOKYO: URBAN SYSTEMS | URBAN TYPOLOGIES | URBAN DESIGN Dr. Brian R. Sinclair1 1Faculty of Environmental Design, University of Calgary + sinclairstudio inc., Canada ABSTRACT: Tokyo is one of the planet’s largest, most complex and most successful cities. With a population exceeding that of Canada, the Tokyo Metropolitan Region embraces a rich array of features key to a well-crafted, well-designed and highly-functioning city. Consistently Tokyo ranks among the world’s top cities, based on a wide array of metrics/ measures. From a world-class multi-modal transportation system and vibrant mixed-use neighborhoods to walkable streets and planning innovations, Tokyo demonstrates how an urban centre can be colossal and complex while proving demonstrably dynamic, accessible and livable. For those looking from outside Tokyo proves a paradox – massive in size, and incomprehensible in scope while functioning at high levels, running smoothly and being relatively free from serious problems. Amenity is high, crime is low, efficiency is unprecedented, design is pervasive and a sense of community is ubiquitous. Tokyo’s success is worth critical examination, not only to cull out reasons for achievement but also to better grasp facets of the city than contribute to its Gestalt. An approach overarching the research critically considers the vehicle of ‘urban typology’. Using typology as a lens for investigation, the work imaginatively identifies/delineates unique typologies that define, shape and characterize Tokyo’s rich fabric. Case studies embrace conventional awareness of typology while charting new ground in conceiving exceptionally Japanese types. Creative typologies include: Gate- Threshold; Spiritual Spark; Arcade Street; Optimize Leftovers; Extreme Parking; Koban; Palimpsest Remnants; Folded + Compressed; Thin Landscapes; Vending Ethos; and Love Zones. -
100%トーキョー』 上演:2013年11月29日~12月1日 会場:東京芸術劇場 プレイハウス
フェスティバル/トーキョー13 『100%トーキョー』 上演:2013年11月29日~12月1日 会場:東京芸術劇場 プレイハウス Festival/Tokyo 2013 “100% Tokyo” November 29th to December 1st, 2013 Tokyo Metropolitan Theatre, Playhouse 親愛なる東京へ Dear Tokyo, この演劇プロジェクト(?)は統計学的な表象と演劇的な表現のコントラスト This theater project (?) plays with the contrast of statistic representation で遊ぶという試みです。こういった公演は典型的な世論調査同様の制限が and theatrical representation. Performances like this happen within the same limitations like representative public surveys do – they are only based 伴います――というのは、基本的に参加に同意してくださる人々の回答を土 on the answers of people who generally agree to participate. Our team 台にするものだからです。我々のチームはこの町の多様性を反映させるべく、 has undertaken great efforts to provide you with a diversity of participants 多様な方々に参加していただくよう、多大な努力を重ねてきました。従って演 that reflects your diversity. That also meant to avoid or even refuse theater 劇を熱烈に愛している演劇人の参加はご遠慮いただくこともありました。だ enthusiasts. からこそ、あなた方都民を代表している100名の「大使」たちの勇気と寛大さ This is why we especially thank the 100 “ambassadors” of your に感謝したいと思います。彼らの生活そのものが、この公演のためのリハー population for their courage and openness. They have rehearsed for this サルだったのです。ただ自分の経験を重ねるだけで、自分たちの「台詞」を覚 evening by just living their lives. They learned their “lines” by making their えてきました。こういった公演には稽古はありません――ですが、参加者全員 own experiences. A performance like this has not been rehearsed - but just organized so that everyone knows the rules and mechanisms of its various が様々な「ゲーム」のルールや仕組みを知るための構成はあります。舞台に上 “games”. Every evening they decide once again which line they say tonight. がるたびに、そのつど彼らは自分が言う台詞を決めていきます。上演台本はむ The script for this evening is rather a protocol and has been developed in しろ「実施要綱(プロトコル)」であり、参加者とともに作られたものです。こ collaboration with its participants. And it keeps developing throughout the れも公演を重ねていく毎に発展していきます。与えられた選択肢に同意する series of performances. Every evening its 100 protagonists decide afresh か否か、どのグループを選ぶか、100名の主役が舞台上で決めていくのです。 regarding each statement if they will join those who agree or those who disagree. -
Copyrighted Material
18_543229 bindex.qxd 5/18/04 10:06 AM Page 295 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Aka Renga (Red Brick Ware- Area code, 53 house; Yokohama), 261 Art galleries, 206–207 Akasaka, 48 Art museums, 170–172 A ARP, 28 accommodations, 76–78, Asakura Choso Above and Beyond Tours, 27 84–85, 92–94, 100 Museum, 200 Access America, 24 nightlife, 229 Bridgestone Museum Accommodations, 1–2, bars, 239 of Art (Bridgestone 64–101. See also Accom- restaurants, 150–153 Bijutsukan), 170 modations Index Akihabara, 47 Ceramic Art Messe Akasaka, 76–78, 84–85, Akihabara Electric Town Mashiko (Togei Messe 92–94, 100 (Denkigai), 7, 212 Mashiko), 257 Aoyama, 92 All Nippon Airways, 34, 39 Crafts Gallery (Bijutsukan arcades in hotels, 205 AMDA International Medical Kogeikan), 173 Asakusa, 88–90, 96–97 Information Center, 54 Hakone Art Museum, 268 best bets, 8–10 American Airlines, 34 Hara Museum of busy times, 64–65 American Express Contemporary Art capsule hotels, 97 emergency number, 57 (Hara Bijutsukan), 170 Ebisu, 75–76 traveler’s checks, 17 Japan Ukiyo-e Museum expensive, 79–86 American Pharmacy, 54 (Matsumoto), 206 family-friendly, 75 Ameya Yokocho, 46, 196, Mori Art Museum (Mori Ginza, 71, 79–80, 87 215–216 Bijutsukan), 170–171 Hakone, 270–272 Amida (Kamakura), 247 Museum of Contemporary Hibiya, 79–80 Amusement and theme Art, Tokyo (MOT; Tokyo-to Ikebukuro, 101 parks Gendai Bijutsukan), 171 inexpensive, 95–101 Hanayashiki, 178–179, 188 Narukawa Art Museum Japanese-style, 65–68 LaQua, 179 (Moto-Hakone), 269–270 love hotels, -
Student Sample Project 1: Website I
Student Sample Project 1: Website I {Client Documentation & Website Design} Client Documentation Client Selection (cover) Design Brief User Profiles (3) Functional Specifications Site Map Wireframes (1-2)* *Will turn in only the ones that apply to your final design version. Website Design 5 PAGES Homepage (e.g. home) Subpage (e.g. exhibitions) Subpage (e.g. admissions) Subpage (e.g. membership) Subpage (e.g. about) CLIENT DOCUMENTATION BY CASSY SONG www.mori.art.museum/eng DESIGN BRIEF BACKGROUND SUMMARY In this 21st century, we have entered an age which each of the world’s diverse cultures must be accorded equal importance. Always remaining true to this new worldview, the Mori Art Museum takes the lead in introducing the newest art from Asia and other regions of the world. Key emphasis is placed on the concepts of being “contemporary” and “international.” Providing a platform for both art programs and the develop- ment of an accompanying intellectual context befitting this global ag, the museum presents the world with new possibilities in the field of art. Providing programs to stimulate the public’s intellectual curiosity, the Mori Art Museum promotes its vision of “Art and Life in the 21st Century.” Founded by real estate developer Minoru Mori, the Mori Art Museum opened in October 2003 and is located on the 53rd floor of the Roppongi Hills Mori ower in Tokyo, Japan. The interior of the museum was designed by Gluckman Mayner Architects, and is the centerpiece of the Mori Arts Center. This contemporary museum holds temporary exhibitions of works by contemporary artists, including Ai Weiwei, Tokujin Yoshioka and Bill Viola. -
Tokyo to Osaka: Subduction by Slow Train*
TOKYO TO OSAKA: SUBDUCTION BY SLOW TRAIN* Wes Gibbons 2020 This Holiday Geology guide offers an alternative approach to train travel between Tokyo and the Osaka/Kyoto/Nara area. The journey takes it slow by using the extensive network of local trains, giving time to enjoy the scenery and sample a taste of everyday life in Japan. Instead of hurtling from Tokyo to Osaka by Shinkansen bullet train in three hours, our route takes over a week as we meander from the suburbs of Greater Tokyo to the peaceful shrines of Kamakura and the spa-town of Atami, skirting Mount Fuji to pass Nagoya on the way to the isolated splendours of the Kii Peninsula before reconnecting with the urban masses on the approach to Osaka. For those with extra time to spend, we recommend finishing the trip off with a visit to Nara (from where Kyoto is less than an hour away). The journey is a very Japanese experience. You will see few non-Japanese people in most of the places visited, and it is difficult not to be impressed with the architecture, history, scenery and tranquillity of the many shrines passed on the way. The Kii Peninsula in particular offers a glimpse into Old Japan, especially because the route includes walking along parts of the Kumano Kudo ancient pilgrimage trail (Days 5-7). *Cite as: Gibbons, W. 2020. Holiday Geology Guide Tokyo to Osaka. http://barcelonatimetraveller.com/wp- content/uploads/2020/03/TOKYO-TO-OSAKA.pdf BARCELONA TIME TRAVELLER COMPANION GUIDE Background. The route described here offers a slow and relatively cheap rail journey from Tokyo to Osaka. -
Tokyo Builds a Microcosm of Itself - Nytimes.Com
Tokyo Builds A Microcosm Of Itself - NYTimes.com http://query.nytimes.com/gst/fullpage.html?res=9503E1DB113EF... HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Welcome, Search All NYTimes.com Travel WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL AUTOS Search 1,000+ destinations Plan Your Trip Times Picks Select a Region or Country Select a Destination Advertise on N Tokyo Builds A Microcosm Of Itself Log in to see what your friends are sharing on nytimes.com. By JAMES BROOKE Privacy Policy | What’s This? Published: January 4, 2004 LET'S meet at the spider. E-MAIL What’s Popular Now SEND TO PHONE A year ago, that invitation had no meaning. But since April l, the Ads by Google PRINT 30-foot-high Louise Bourgeois bronze sculpture has tiptoed into Hiring Tax Incentives Tokyo's collective consciousness. The children of Japanese who once Leaders In Federal and State Hi www.alliantgroup.com worried about Godzilla are now sheltered by the eight welcoming limbs of an arachnid formally called ''Maman.'' Seafood At Bonefish Grill See Our Newest Seafood Dishe Lily's Salmon! The spider is the jumping-off point for exploring Roppongi Hills, Tokyo's new ''city in a www.BonefishGrill.com city,'' two miles from the Ginza, in Roppongi, a neighborhood of bars, restaurants and Prevent Computing Failure upscale housing. Free Whitepaper: Learn Challen Strategy go.SunGardas.com For style-obsessed Tokyo, always striving to be 10 degrees ahead of New York and London, this 29-acre, $4 billion complex of curving glass, minimalist metal and earthy stone arrives Used Lexus at CarMax Quality Used Lexus Vehicles at L after a decade in gestation, offering an enticing conglomeration: cutting-edge restaurants, www.CarMax.com shopping, a hotel, movie theaters and art, as well as a 54-story office tower and a Isle of Palms Vacations residential complex. -
Ferris Hills News May 2017
MAY 2017 Ferris Hills at West Lake LakeHEAD Tokyo in Full Bloom Japan may be famous for its cherry blossoms, but springtime in Tokyo brings an abundance of other flowers and flower festivals. By the end of April, many of Japan’s cherry blossoms have already flowered, Celebrating May but Tokyo’s city dwellers still have plenty of blooming flowers to look forward to. The Nezu Shrine is a quiet place for 11 months out of the year, but by the first week Clean Car Month in May, its 3,000 azalea plants burst into a palette of bright colors. The Bunkyo Azalea Festival, or Tsutsuji Matsuri, Inventors Month attracts thousands of visitors during Golden Week, its busiest viewing week. The 300-year-old azalea garden Vinegar Month is home to rare varieties, such as the black karafune flower, and is complete with a Shinto shrine, bridges running over streams, traditional Toriii gates, and women dressed in their best kimonos. Teacher Day Across town is yet another sacred spot draped in May 2 wondrous springtime color: the Kameido Tenjin Shrine. This shrine is home to its famous trellises boasting a sea of cascading purple wisteria vines. The wisteria Astronaut Day May 5 were planted 300 years ago when the original temple was built. Visitors can stroll over the shrine’s beautiful red bridge, spying darting koi and lounging turtles in Kentucky Derby Day the pond. The wisteria are so alluring that old Japanese May 6 shoguns made pilgrimages to visit the garden. Many of Japan’s most celebrated artists have captured the International Nurses Day garden’s scenic serenity in color prints. -
Gagosian Gallery
The Japan Times November 19, 2015 GAGOSIAN GALLERY Takashi Murakami’s reluctant homecoming Andrew Lee Imperfect circles: Artist Takashi Murakami stands between two works, 'Atlantis' and 'Shangri-La,' which are part of his 'Enso' series. | MARTIN HOLTKAMP Ebisu Yokocho has never looked so fabulous. It’s the night before Halloween and costumed women with talon-like nails and feathered eyelashes snake their way through a boisterous crowd crammed into this narrow alley of food stalls and bars. The smell of booze and grilled meat mingles with the scent of perfume, stage makeup and sweat. A wandering guitarist’s sing-a-long is interrupted by pro-wrestlers who come crashing to the ground in front of him, and everyone cheers. A buxom burlesque dancer gyrates to the Beatles’ “Twist and Shout.” Behind her, a sushi chef slices up a whole tuna into hundreds of bite-size servings, while nearby a girl in a pink wig hugs a man wearing a fish on his head. And somewhere among all the fun Takashi Murakami, dressed as a giant cartoon flower, is taking selfies with anyone who asks. Say what you will about Japan’s most controversial artist, he sure know’s how to throw an after- party. It’s a much more serious mood earlier in the day when I speak with Murakami at the opening of “Takashi Murakami: The 500 Arhats” at the Mori Art Museum in Tokyo’s ritzy Roppongi Hills complex — but he is no less flamboyant. Dressed in a shiny silver suit more befitting of a rock star than an artist, he explains to The Japan Times just how little he cares about what his Japanese audience thinks of him, and why he has finally decided to hold a solo exhibition of his work here after 14 years. -
Welcome Remarks by Minoru Mori, President and CEO of Mori Building Co., Ltd
Press Release 2009-04-01 Mori Building Co., Ltd. Welcome Remarks by Minoru Mori, President and CEO of Mori Building Co., Ltd. The following is a summary of remarks presented by the President and CEO of Mori Building to welcome new employees at the company initiation ceremony held today, April 1, 2009. This fiscal year, the Mori Building Group welcomed 45 new employees (at Mori Building Co., Ltd.: 34 general staff members and 9 administrative staff members; and at Mori Building Ryutsu System Co., Ltd.: 2 general staff members). ■ Summary of the Welcome Remarks In this special year, the 50th anniversary year of the founding of Mori Building, I want to extend my heartfelt welcome to this elite group, the winners of our rigorous recruiting competition. Today we are facing an era of serious economic depression on a global scale, but looking back over the past 50 years we see that our business has a history of perseverance and progress in difficult economic times. Once again, we want to treat this not as a "difficulty" but rather as an "opportunity" as we aggressively steer the organization forward. Through urban design that is timely, safe, environmentally friendly, and worthy of today's knowledgeable and informed society, we aim to attract people, money, and materials from across the globe to make Tokyo a center of activity for Asia and for the entire world. In order to do this, it is necessary to bring into being the "Vertical Garden City" that we have championed for many years. If we cannot succeed in this urban design effort, Japan is not going to be able to sustain a stable economy over the long term.