Calendar Events to Be Enjoyed in May 2013
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Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Kyoto Sightseeing Route
Imamiya-jinja Nearest bus stop ❾● Nearest bus stop ❾● Eizan Elec. Rwy. Specialty Shrine For Shimogamo-jinja Shrine For Ginkaku-ji Templeダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Free Wi-Fi on board Operate every 5～10 min. Operate every 5～10 min. ( to Kibune/Kurama) Specialty SSID：skyhopbus_Free PW：skyhopbus ABURI MOCHIダミー金閣寺の説明。□□□□□□□□□□□□□□□□□□ □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ 1 2 GOLD LEAF aitokuji 【Kyoto City Bus】 【Kyoto City Bus】 yoto ta. arasuma ojo roasted□□□□□□□□□□□□□□□□□□□□□□□□□□□□D □□□□□□□□□□□□□□□□□ Sky Hop K S K G SOFT CREAM rice cakes Bus route No.203 & No.102 BusKita-Oji route St. No.203 & No.102 □□□□□□□□□□□□□□□□□□□□□□□□□□□□Temple Bus □□□ Koto-in Karasuma Imadegawa Demachiyanagi Sta. Karasuma Imadegawa Ginkakuji-michi Ichijoji Sta. SKYHOP BUS Kyoto With Kyoto as the gateway to Hotel New Kyoto Tower ↑ Nearby Byodo-ji Temple was Temple 8 ※Walking about 3 min. from❾ ※Walking about 12 min. ※Walking about 3 min. from❾ ※Walking about 10 min. ダミー下鴨神社の説明。□□□□□□□□□□□□□□□□□ history, the station features a Hankyu Kyoto Hotel established when a statue of 2 Ryogen-in Temple to Shimogamo-jinja Shrine to Ginkaku-ji Temple (1 trip 99 min./every 30 min.) Kinkakuji 7 廬山寺 □□□□□□□□□□□□□□□□□□□□□□□□□□□□ Japanese Go board tile design. Yakushi Nyorai was drawn from ※A separate fare fromShimei the SkySt. Hop Bus Kyoto ticket is ※A separate fare from the Sky Hop Bus Kyoto ticket is Gojo Shimogamo Hon-dori St. Hon-dori Shimogamo □□□□□□□□□□□□□□□□□□□□□□□□□□□□ required. This fareKarasuma St. is 230 yen (one way). required. This fare is 230 yen (one way). Visitors from abroad will the sea and enshrined in 997. Temple □□□□ 500m 法然院 Subway Karasuma Line ダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Tomb of Murasaki Shikibu 1 appreciate the large tourist Information 京都The principle image of Yakushi □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ Central Gojo St. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
Bunkyo Walking Guidebook Basic Knowledge Which You Should Know
Bunkyo Walking Guidebook Basic knowledge which you should know Supervised by: Japan Walking Association Bunkyo District Health and Wellness Department Health Promotion Section Walking is an exercise In the beginning that is done among One sport that you can do without any tools or a gym is walking. Even for those who feel “sports” is a high hurdle to a wide range of ages. get over, a day doesn’t go by that we don’t walk. Walking isn’t just a way to transport from one place to another, walking is a fine sport once you understand the basics of it. Five Benefit □ Can do everyday For those who are thinking “I want to start doing sports, but I □ Anyone can do it don’t have time” “I want to do sports at my own pace” “I □ Hardly costs any money might be able to do sports if it wasn’t so time consuming”, □ Can balance your mind and health how about walking? Regardless of age, gender, or lifestyle □ Can lead to a fun lifestyle you can start walking. In addition, you can discover great Five Effects things about your city through a commute by walking. □ De-stress □ Vitalize your brain This guidebook is a summary of the basics of walking. If you □ Maintain and improve cardiopulmonary function read this, we are convinced that you will understand the □ Strengthen muscles health benefits and effective ways of walking. Walking is a □ Prevent and improve sport that by continuing you will understand the benefits. We lifestyle-related diseases have separately prepared a walking map. -
Kaempfer's Album of Famous Sights of Seventeenth Century Japan
KAEMPFER'S ALBUM OF FAMOUS SIGHTS OF SEVENTEENTH CENTURY JAPAN YU-YING BROWN WITHIN the covers of a large and weighty album bound in western style and preserved in The (Western) Manuscript Collections of the British Library (Add. MS. 5252; bearing Sloane's old classification 'Bibliothecae Sloanianae Min. 47') are to be found three groups of curiously varied material. The first consists of a series of fifty Japanese paintings executed in brilhant colours and in gold, each on paper measuring 215 x 322 mm. (ff. 1-50). They depict famous sights of Japan enlivened by vignettes of people engaged in a variety of activities, though mostly pleasure outings or pilgrimages to shrines, temples and scenic spots. The second comprises seven Japanese figure drawings mounted on ff. 53-59, together with three padded applique pictures (ff. 68-70), now identified as oshie (pressed pictures). The third group seems to be entirely Chinese in origin. It consists of twenty-six floral and figure pictures in silk brocade or embroidery (ff. 51, 52, 60-67, i00"i5)- These otherwise unrelated groups of items have one thing in common. They were all smuggled out of Japan in 1692 by the German physician and traveller, Dr Engelbert Kaempfer (1651-1716), and have all, until recently, lain dormant, in pristine condition, among the British Museum's foundation collections.^ This paper seeks to introduce the first and major part of the album only, namely the remarkable set of fifty miniature paintings. These are of unique importance for all historians of Japanese art and culture as well as for specialists in 'Kaempfer studies'. -
Taxonomic Study of Lambertella (Rutstroemiaceae, Helotiales) and Allied Substratal Stroma Forming Fungi from Japan
Taxonomic Study of Lambertella (Rutstroemiaceae, Helotiales) and Allied Substratal Stroma Forming Fungi from Japan A Dissertation Submitted to the Graduate School of Life and Environmental Sciences, the University of Tsukuba in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Agricultural Science (Doctoral Program in Biosphere Resource Science and Technology) Yan-Jie ZHAO Contents Chapter 1 Introduction ............................................................................................................... 1 1–1 The genus Lambertella in Rutstroemiaceae .................................................................... 1 1–2 Taxonomic problems of Lambertella .............................................................................. 5 1–3 Allied genera of Lambertella ........................................................................................... 7 1–4 Objectives of the present research ................................................................................. 12 Chapter 2 Materials and Methods ............................................................................................ 17 2–1 Collection and isolation ................................................................................................. 17 2–2 Morphological examination .......................................................................................... 17 2–3 Observation of cultural characteristics .......................................................................... 18 2–4 DNA extraction -
In Tokyo 2020 Celebrate New Year’S Day in Tokyo & Hawaii 12/26/19-1/1/20
in Tokyo 2020 Celebrate New Year’s Day in Tokyo & Hawaii 12/26/19-1/1/20 5nts/7days from: $2995 double/triple and $3595 single Traveling to Japan during New Year’s is a great opportunity to capture a rare glimpse into the modernization of traditional Japanese culture. It is a time when most Japanese people return home to partake in traditional ceremonies and festivities. On this very special Omiyage Weekender Tour, experience and be part of that tradition. If shopping is on your list, we have it covered, with visits to Tsukiji Market, Ameyoko, Komachi dori in Kamakura and free time in Odaiba. There is also a free afternoon and evening in Ikebukuro where all the favorites are located- Don Quijote, Daiso 100-yen Store, UNIQLO and sister store GU, Tokyu Hands, the Sunshine City Mall and Seibu Department Store. We have also included a visit to Ueno Zoo to see the pandas and on New Year’s Day time at Tokyo largest Daiso. We guarantee your first words will be, “Oh my gosh, this store is HUGE!” For sightseeing enjoy an overnight stay in Kamakura after seeing the Great Buddha so that we can visit the award-winning winter illumination, The Enoshima Sea Candle Illumination. There is also a visit to the Edo Period, Odawara Castle, Itchiku Kubota Art Musuem and views of Mt. Fuji from Oshino Hakkai. New Year’s Eve day includes a visit to Meiji Jinju Shrine and Shibuya Crossing Street just hours before the crowds arrive for the evening’s welcoming of the new year. -
Wadaiko in Japan and the United States: the Intercultural History of a Musical Genre
Wadaiko in Japan and the United States: The Intercultural History of a Musical Genre by Benjamin Jefferson Pachter Bachelors of Music, Duquesne University, 2002 Master of Music, Southern Methodist University, 2004 Master of Arts, University of Pittsburgh, 2010 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH Dietrich School of Arts & Sciences This dissertation was presented by Benjamin Pachter It was defended on April 8, 2013 and approved by Adriana Helbig Brenda Jordan Andrew Weintraub Deborah Wong Dissertation Advisor: Bell Yung ii Copyright © by Benjamin Pachter 2013 iii Wadaiko in Japan and the United States: The Intercultural History of a Musical Genre Benjamin Pachter, PhD University of Pittsburgh, 2013 This dissertation is a musical history of wadaiko, a genre that emerged in the mid-1950s featuring Japanese taiko drums as the main instruments. Through the analysis of compositions and performances by artists in Japan and the United States, I reveal how Japanese musical forms like hōgaku and matsuri-bayashi have been melded with non-Japanese styles such as jazz. I also demonstrate how the art form first appeared as performed by large ensembles, but later developed into a wide variety of other modes of performance that included small ensembles and soloists. Additionally, I discuss the spread of wadaiko from Japan to the United States, examining the effect of interactions between artists in the two countries on the creation of repertoire; in this way, I reveal how a musical genre develops in an intercultural environment. -
Urban Design
CONSIDERING COMPLEXITY, CONTEXT AND CULTURE IN CONTEMPORARY TOKYO: URBAN SYSTEMS | URBAN TYPOLOGIES | URBAN DESIGN Dr. Brian R. Sinclair1 1Faculty of Environmental Design, University of Calgary + sinclairstudio inc., Canada ABSTRACT: Tokyo is one of the planet’s largest, most complex and most successful cities. With a population exceeding that of Canada, the Tokyo Metropolitan Region embraces a rich array of features key to a well-crafted, well-designed and highly-functioning city. Consistently Tokyo ranks among the world’s top cities, based on a wide array of metrics/ measures. From a world-class multi-modal transportation system and vibrant mixed-use neighborhoods to walkable streets and planning innovations, Tokyo demonstrates how an urban centre can be colossal and complex while proving demonstrably dynamic, accessible and livable. For those looking from outside Tokyo proves a paradox – massive in size, and incomprehensible in scope while functioning at high levels, running smoothly and being relatively free from serious problems. Amenity is high, crime is low, efficiency is unprecedented, design is pervasive and a sense of community is ubiquitous. Tokyo’s success is worth critical examination, not only to cull out reasons for achievement but also to better grasp facets of the city than contribute to its Gestalt. An approach overarching the research critically considers the vehicle of ‘urban typology’. Using typology as a lens for investigation, the work imaginatively identifies/delineates unique typologies that define, shape and characterize Tokyo’s rich fabric. Case studies embrace conventional awareness of typology while charting new ground in conceiving exceptionally Japanese types. Creative typologies include: Gate- Threshold; Spiritual Spark; Arcade Street; Optimize Leftovers; Extreme Parking; Koban; Palimpsest Remnants; Folded + Compressed; Thin Landscapes; Vending Ethos; and Love Zones. -
Taxonomic Study of Lambertella (Rutstroemiaceae, Helotiales) and Allied Substratal Stroma Forming Fungi from Japan
Taxonomic Study of Lambertella (Rutstroemiaceae, Helotiales) and Allied Substratal Stroma Forming Fungi from Japan 著者 趙 彦傑 内容記述 この博士論文は全文公表に適さないやむを得ない事 由があり要約のみを公表していましたが、解消した ため、2017年8月23日に全文を公表しました。 year 2014 その他のタイトル 日本産Lambertella属および基質性子座を形成する 類縁属の分類学的研究 学位授与大学 筑波大学 (University of Tsukuba) 学位授与年度 2013 報告番号 12102甲第6938号 URL http://hdl.handle.net/2241/00123740 Taxonomic Study of Lambertella (Rutstroemiaceae, Helotiales) and Allied Substratal Stroma Forming Fungi from Japan A Dissertation Submitted to the Graduate School of Life and Environmental Sciences, the University of Tsukuba in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Agricultural Science (Doctoral Program in Biosphere Resource Science and Technology) Yan-Jie ZHAO Contents Chapter 1 Introduction ............................................................................................................... 1 1–1 The genus Lambertella in Rutstroemiaceae .................................................................... 1 1–2 Taxonomic problems of Lambertella .............................................................................. 5 1–3 Allied genera of Lambertella ........................................................................................... 7 1–4 Objectives of the present research ................................................................................. 12 Chapter 2 Materials and Methods ............................................................................................ 17 2–1 Collection and isolation -
Thesis Title: Shimenawa: Weaving Traditions with Modernity – Interdisciplinary Research on the Cultural History of Japanese Sacred Rope
Thesis Title: Shimenawa: Weaving Traditions with Modernity – Interdisciplinary Research on the Cultural History of Japanese Sacred Rope Shan Zeng, Class of 2019 I have not received or given unauthorized assistance. 1 Acknowledgements I would like to express my greatest appreciation to my advisors Professor Morrison and Professor Laursen, as well as Professor Sassin and Professor Garrison, without whose support this project would not have come to fruition. I also want to thank my Japanese instructors Hayasaka sensei, Takahashi sensei, and Cavanaugh sensei, whose exceptional language classes gave me the courage and competence to conduct fieldwork in Japanese. My thanks go to Professor Milutin for patiently sifting through emaki and ancient Japanese poems with me and to Professor Ortegren for sharing her experiences on ethnographic fieldwork. I would also like to thank my first-year advisor Professor Sheridan, and all the other faculty and staff from the Middlebury Department of Religion and Department of History of Art and Architecture for their valuable feedback and support. I extend my special thanks to the following people, who not only graciously accepted my interviews but showed me the incredible hospitality, kindness and patience of the Japanese people: Orihashi san and her fellow colleagues at Nawawaseya, Shiga san and his family, Nagata san of Izumo Oyashiro, Nasu san and his colleagues at Oshimenawa Sousakukan, Matsumoto San, Yamagawa san and his father at Kyoto, Koimizu san, Takashi san, Kubishiro and his workshop, and Oda san. My appreciation goes to all the other people who have helped me one way or another during my stay in Japan, from providing me food and shelter to helping me find my lost camera. -
To Be Enjoyed in February 2012
1. Published by Tourist Information Center of Japan National Tourism Organization and all rights reserved. Reproduction in whole or in part without written permission is prohibited. ©2012 Japan National Tourism Organization. 2. Dates and functions are subject to change without notice. Be sure to check the latest information in advance. 3. Events marked with ◎ are the major events. 4. Date of events marked with ◇ are the same every year. 5. Japanese explanations appearing at the bottom of each entry give the names of the event and the nearest railway station in Japanese. Point to this Japanese when you need help from a Japanese passerby. 6. Please refer to URL (basically in Japanese) for each event. 7. The subway Line and Station Number are indicated in parentheses( ). Note: The Internet Website of Japan National Tourism Organization is available at <http://www.jnto.go.jp>. Calendar Events to be enjoyed in February 2012 A. Tokyo 東京 Date Jan.29 ～ Mar.18 Tsubaki Matsuri or Camellia Festival on Oshima Island. Various species of camellia are usually in bloom during the festival period on this island. A demonstration of folk dance and Taiko drumming is held at Motomachi Port from 7:30 pm to 9 pm on Fridays, Saturdays, Sundays and national holidays between Feb. 12th and Mar. 18th. <http://www.izu-oshima.or.jp/info/event/eventinfo.html> Access (1) 8 hrs. by Tokai Kisen ferryboat or 1 hr. 45 min. by hydrofoil boat from Takeshiba Pier to Oshima Island (The Yurikamome Line from Shimbashi Sta. to Takeshiba Sta., or the JR Yamanote Line to Hamamatsucho Sta., and then walk 7 min.) (2) 30 min.