"THE EYE IS FAVORED FOR SEEING THE WRITING'S FORM": ON THE SENSUAL AND THE SENSUOUS IN ISLAMIC CALLIGRAPHY Author(s): DAVID J. ROXBURGH Source: Muqarnas, Vol. 25, FRONTIERS OF ISLAMIC ART AND ARCHITECTURE: ESSAYS IN CELEBRATION OF OLEG GRABAR'S EIGHTIETH BIRTHDAY (2008), pp. 275-298 Published by: BRILL Stable URL: http://www.jstor.org/stable/27811125 . Accessed: 22/09/2014 13:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. BRILL is collaborating with JSTOR to digitize, preserve and extend access to Muqarnas. http://www.jstor.org This content downloaded from 128.103.149.52 on Mon, 22 Sep 2014 13:46:23 PM All use subject to JSTOR Terms and Conditions DAVID J. ROXBURGH "THE EYE IS FAVORED FOR SEEING THE WRITING'S FORM": ON THE SENSUAL AND THE SENSUOUS IN ISLAMIC CALLIGRAPHY is to a carrier of Writing is calliphoric, that say beauty, in figs. 1 and 2) attributed to Firuz Mirza Nusrat al and it becomes terpnopoietic by bringing pleasure... Dawla I is an exception that makes the kinetic and Difficulties as soon as one tries to under arise, however, temporal dimensions of the calligrapher's work evi stand what is or even artistic in actually beauty quality dent, available to the eye.