Philosophers, Sufis, and Caliphs Ali Humayun Akhtar Frontmatter More Information I
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Movimento Almóada: Uma Proposta Para O Século XII
UNIVERSIDADE DE ÉVORA ESCOLA DE CIÊNCIAS SOCIAIS DEPARTAMENTO DE HISTÓRIA UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS Movimento Almóada: uma proposta para o século XII Virgílio Luís de Castro e Almeida Orientação: Doutor Fernando Branco Correia Mestrado em História do Mediterrâneo Islâmico e Medieval Área de especialização: História Dissertação de Mestrado Évora, 2014 UNIVERSIDADE DE ÉVORA ESCOLA DE CIÊNCIAS SOCIAIS DEPARTAMENTO DE HISTÓRIA UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS Movimento Almóada: uma proposta para o século XII Virgílio Luís de Castro e Almeida Orientação: Doutor Fernando Branco Correia Mestrado em História do Mediterrâneo Islâmico e Medieval Área de especialização: História Dissertação de Mestrado Évora, 2014 2 E que surja de vós um grupo que recomende o bem, dite a retidão e proíba o ilícito. Este será (um grupo) bem-aventurado. (Alcorão, 3, 104) 3 Índice Introdução ..................................................................................................................................... 8 1. As Fontes ............................................................................................................................. 12 1.1. Historiografia: problemas e dimensões ...................................................................... 15 2. Contextos e Conceitos: ........................................................................................................ 21 2.1. Definição de berbere ................................................................................................... 21 2.2. -
International Educative Research Foundation and Publisher (Ierfp)
INTERNATIONAL JOURNAL FOR INNOVATION EDUCATION AND RESEARCH ONLINE ISSN: 2411-2933 PRINT - ISSN: 2411-3123 INTERNATIONAL EDUCATIVE RESEARCH FOUNDATION AND PUBLISHER (IERFP) Volume- 4 Number- 8 August Edition International Journal for Innovation Education and Research www.ijier.net Vol:-4 No-8, 2016 About the Journal Name: International Journal for Innovation Education and Research Publisher: Shubash Biswas International Journal for Innovation Education and Research 44/1 Kallyanpur Main road Mirpur, Dhaka 1207 Bangladesh. Tel: +8801827488077 Copyright: The journal or any part thereof may be reproduced for academic and research purposes with an appropriate acknowledgment and a copy of the publication sent to the editor. Written permission of the editor is required when the intended reproduction is for commercial purposes. All opinions, information’s and data published in the articles are an overall responsibility to the author(s). The editorial board does not accept any responsibility for the views expressed in the paper. Edition: August 2016 Publication fee: $100 and overseas. International Educative Research Foundation and Publisher ©2016 Online-ISSN 2411-2933, Print-ISSN 2411-3123 August 2016 Editorial Dear authors, reviewers, and readers It has been a month since I was given the privilege to serve as the Chief Editor of the International Journal for Innovation Education and Research (IJIER). It is a great pleasure for me to shoulder this duty and to welcome you to THE VOL-4, ISSUE-8 of IJIER which is scheduled to be published on 31st August 2016. International Journal for Innovation Education and Research (IJIER) is an open access, peer-reviewed and refereed multidisciplinary journal which is published by the International Educative Research Foundation and Publisher (IERFP). -
the LUXURY KINGDOM of MOROCCO
- The LUXURY KINGDOM OF MOROCCO The kingdom of Morocco is surely one of the world’s most romantic travel destinations. Maybe it’s the sensuous mud-and-clay architecture of kasbahs, or the exotic ambiance of palace-filled medieval cities like Marrakesh and Fès, or the spell cast by the mystical landscapes of the Sahara. Whatever it is, we are charmed by this ancient land, and we think you will be, too. Morocco has long held a mystique for travelers. From ancient kasbahs to bustling open-air souqs, Morocco’s cultural history is riveting. But so is its natural history. Discover another side of Morocco on this nature-focused odyssey through the most biodiverse place in North Africa. From the Mediterranean to the Sahara, we find a remarkable array of geographic features: rocky coast and desert dunes, deep gorges and High Atlas peaks, argan forests and palm- fringed lagoons. Such varied ecosystems create diverse flora and fauna habitat that’s home to a host of unique and rare species. From endemic flowers to rich birdlife and threatened mammals like the Barbary macaque, Morocco’s natural treasures are a fitting complement to its cultural riches. Like the intricate design of a Berber rug, Morocco weaves a spell that lasts a lifetime! - TITLE I - GENERAL PRESENTATION Why Morocco? , Morocco Map………………………………………………………… II – BRANDED HOTELS IN MOROCCO Branded hotels in Morocco……………………………………………………… III. ARCHITECTURE IN MOROCCO Mosques in Morocco, What is a Riad , Medinas in Morocco, Hammams in Morocco…… IV MONUMENTS IN MOROCCO Closure of Monuments……………………………………………………………………………… V. TRAVEL INFORMATION Passport and Visa Information, Airlines & connections go to Morocco, Airport VIP Service, Airport Information, Driving distances ……………………………… VI. -
The Bird-Shaped Finial on Islamic Royal Parasols: a Ghaznavid Or Fatimid Innovation?
[Vicino Oriente XXIII (2019), pp. 185-206] THE BIRD-SHAPED FINIAL ON ISLAMIC ROYAL PARASOLS: A GHAZNAVID OR FATIMID INNOVATION? Valentina Laviola - University of Naples “L‟Orientale” This paper aims at investigating when and why the bird-shaped finial made its appearance on Islamic parasols through the analysis of written sources and miniature paintings. Evidence attest to the trans-regional and diachronic use of the parasol as a royal insignia whose meaning and value grew wider to symbolise the seat of government, was it the royal tent, palace or throne. Keywords: parasol; Islamic royal insignia; Iran; Ghaznavids; Fatimids 1. THE LONG-LASTING TRADITION OF THE PARASOL The parasol, a device to provide shadow repairing from the sun (or snow), is alternatively referred to as miẓalla, shamsa1 or shamsiyya in the Arabic-speaking context,2 and chatr3 in the Persian-speaking areas. It is attested as a royal insignia in almost every Islamic dynasty, but the Islamic period was not at all its starting point. In fact, the history of the parasol is far more ancient. The device has been in use throughout a very long period extending from Antiquity to the Modern Age, and in different cultural areas. Evidence come from Egypt,4 Assyria, Achaemenid and Sasanian Persia,5 where the parasol is usually held by an attendant standing behind the figure of the king as an attribute of royalty;6 a further spread concerned Asia from China7 to the west.8 Though it majorly spread in the Eastern lands, the parasol (ζκιάδειον) was known in Late Archaic and Classical Athens as well. -
University of Évora
University of Évora ARCHMAT (ERASMUS MUNDUS MASTER IN ARCHaeological MATerials Science) Mestrado em Arqueologia e Ambiente (Erasmus Mundus –ARCHMAT) Technological characterization of molded Islamic pottery from Iberian Peninsula by Milan Marković (m34320) Professor José Antonio Paulo Mirão (Supervisor – University of Évora) Doctor Susana Gomes (Co-Supervisor – Campo Arqueológico de Mértola) Évora, September 2016 A Tese não inclui as Criticas e sugestôes do Jur ACKNOWLEDGEMENTS Foremost, I would like to express my sincere gratitude to all the people who have devoted their time to make this project successful. I would first like to thank my thesis supervisor professor José Mirão for the continuous support of my MA study and research, for his patience, motivation, enthusiasm and immense knowledge. His guidance helped me in all the time of research and writing of this thesis. Besides my supervisor I would like to thank the rest of my thesis committee: Doctor Susana Gomez and Doctor Nick Schiavon for their encouragement, insightful comments and hard questions. I would like to extend my gratitude to the Hercules laboratory and its staff members Massimo Beltrame and Pedro Barrulas, for their unconditional support and valuable advices. My sincere thanks also goes to Dr. Thilo Rehren, Dr. Myrto Georgakopoulou, Dr. Jose Carvajal, PhD Jelena Živković and the rest of the UCL Qatar staff for offering me an opportunity to carry out a part of my research in their laboratories in Doha as a Visiting Researcher. I am also indebted to my fellow ARCHMAT colleagues: Leonor Costa, Francisco Centola, Drita Abazi, Whitney Jacobs, Diego Armando Badillo, Ivona Posedi, Aman Maldewo, Carla Soto, Indre Zalaite, Guilhem Mauran and Dauren Adilbekov, for the stimulating discussions, for the sleepless nights we were working together before deadlines, and for all the fun we have had in the last two years. -
Sahara Camel Trek, Morocco
Sahara Camel Trek, Morocco Immerse yourself in the dunes and oases of the Southern Morocco desert, enjoy desert sunsets and nights under the stars, and wander the souks of Marrakesh. Group departures See overleaf for departure dates Holiday overview Style Trek Accommodation Riad, Hotel, Camping Grade Moderate Duration 9 days from London to London Trekking / Walking days On trek: 6 days Min/Max group size 4 / 12. Guaranteed to run for 4 Trip Leader Local Leader Morocco Land only Joining in Marrakesh, Morocco Private Departures & Tailor Made itineraries available Watch related videos online: Sahara Camel Trek tel: +44 (0)1453 844400 fax: +44 (0)1453 844422 [email protected] www.mountainkingdoms.com Mountain Kingdoms Ltd, 20 Long Street, Wotton-under-Edge, Gloucestershire GL12 7BT UK Managing Director: Steven Berry. Registered in England No. 2118433. VAT No. 496 6511 08 Last updated: 23 March 2021 Departures Group departures 2021 Dates: Sat 06 Feb - Sun 14 Feb Sat 06 Nov - Sun 14 Nov 2022 Dates: Sat 05 Feb - Sun 13 Feb Sat 05 Nov - Sun 13 Nov 2023 Dates: Sat 04 Feb – Sun 12 Feb Sat 04 Nov – Sun 12 Nov Will the trip run? This trip is guaranteed to run for 4 people and for a maximum of 12. In the rare event that we cancel a holiday, we will refund you in full and give you at least 6 weeks warning. Many trips do fill up quickly – we advise you to book early if you want to secure a place(s) on the dates of your choice. Group prices and optional supplements Please contact us on +44 (0)1453 844400 or visit our website for our land only and flight inclusive prices and single supplement options. -
Iranian Contribution to the Art of Islamic Calligraphy
Electronic Articles Collections Prof. Dr. Amir H. Zekrgoo ZEKRGOO.COM Zekrgoo, Amir H. (1991). “Iranian’s Contribution to the Art of Islamic Calligraphy”, Journal of the Indian Museums. New Delhi: Museum Association of India, pp. 62-71. Iranian Contribution to the Art of Islamic Calligraphy The art of Islamic Calligraphy is considered to be one of the highest forms of artistic expression in the entire Muslim world. In view of its widespread use even-to-day, only second to the Roman Alphabet, the Arabic script which is the mother of all Islamic scripts, was developed at a much later date. If we compare the kind of script used by the nomadic Arabs of Hijaz before the appearance of Islam with the great progress it made in the wake of Islam and the revelation of the Holy Quran we discern on it the tremendous influence of Islam—the discipline, beauty and elegance which it lent to this script. A comparison of the two inscriptions written in Nabataean script (The Pre-Islamic script of Arabs) fig. I & 2 first dated 250 A.D. and the second dated 568 A.D. will reveal how little change has taken place in course of about 300 years until the birth of Islam. Immediately after the advent of Islam we witness the invention of the Kufic script. Unlike the primitive Nabataean script, the Kufic, an early Islamic script has a strong geometrical structure (Fig. 3). It has based mainly on long horizontal and short vertical lines with very minor curves. The Kufic later developed into various decorative styles. -
"THE EYE IS FAVORED for SEEING the WRITING's FORM": on the SENSUAL and the SENSUOUS in ISLAMIC CALLIGRAPHY Author(S): DAVID J
"THE EYE IS FAVORED FOR SEEING THE WRITING'S FORM": ON THE SENSUAL AND THE SENSUOUS IN ISLAMIC CALLIGRAPHY Author(s): DAVID J. ROXBURGH Source: Muqarnas, Vol. 25, FRONTIERS OF ISLAMIC ART AND ARCHITECTURE: ESSAYS IN CELEBRATION OF OLEG GRABAR'S EIGHTIETH BIRTHDAY (2008), pp. 275-298 Published by: BRILL Stable URL: http://www.jstor.org/stable/27811125 . Accessed: 22/09/2014 13:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. BRILL is collaborating with JSTOR to digitize, preserve and extend access to Muqarnas. http://www.jstor.org This content downloaded from 128.103.149.52 on Mon, 22 Sep 2014 13:46:23 PM All use subject to JSTOR Terms and Conditions DAVID J. ROXBURGH "THE EYE IS FAVORED FOR SEEING THE WRITING'S FORM": ON THE SENSUAL AND THE SENSUOUS IN ISLAMIC CALLIGRAPHY is to a carrier of Writing is calliphoric, that say beauty, in figs. 1 and 2) attributed to Firuz Mirza Nusrat al and it becomes terpnopoietic by bringing pleasure... Dawla I is an exception that makes the kinetic and Difficulties as soon as one tries to under arise, however, temporal dimensions of the calligrapher's work evi stand what is or even artistic in actually beauty quality dent, available to the eye. -
The Islamic World RARE BOOKS, MANUSCRIPTS and MAPS Spring 2017
The Islamic World RARE BOOKS, MANUSCRIPTS AND MAPS Spring 2017 RARE BOOKS, MANUSCRIPTS & MAPS 1 Part I 1 1 Al-Chidyak / Biblia Arabica. Kitab Al-Sulwat Al-’Amma + Kitab Mazamir Dawud 8vo. lix, 628 pp., Arabic text, endpaper & margins foxed, text director of the printing press of American missionaries. He also translated into Arabic, original full calf, new spine, Society for studied Fiqh in Al-Azhar University in Cairo. Faris is believed to Promoting Christian Knowledge, Oxford, 1871. have converted to Protestantism during this period in Egypt, an extended time of relative solitude and study. This work was printed in Arabic for the first time at the Arabic Press in Malta by the British Society for Promoting Christian In 1848 he was invited to Cambridge, England by the Orientalist Knowledge. It was translated from several languages into Arabic Samuel Lee (1783–1852) to participate in the Arabic by the leading Lebanese scholar who translated also the Bible into translation of the Bible. This translation of the Bible was published Arabic. in 1857, after the death of Samuel Lee and it is still considered one of the best Arabic translations of the Bible. [31025] From 1825 to 1848, Faris divided his time between living in Cairo and on the island of Malta. He was the editor-in-chief of an £ 800.00 Egyptian newspaper, Al Waqa'eh Al Masriah. In Malta, he was the RARE BOOKS, MANUSCRIPTS & MAPS 3 2 2 Al-Hariri, Abū Muhammad al-Qāsim ibn Alī ibn Muhammad. Maqamat Al-Hariri Illustrated By Y. Al-Wasiti. 13th Century Arabic Manuscript. -
|||GET||| the Almoravid and Almohad Empires 1St Edition
THE ALMORAVID AND ALMOHAD EMPIRES 1ST EDITION DOWNLOAD FREE Amira Bennison | 9780748646807 | | | | | traduire de I would go so far as to say that they are not the same brand of so-called fundamentalism either — a term problematic for its anachronistic connotations. Many of the conversions were superficial. Part of Landmarks in Linguistic Thought series, vol. Abu Yaqub Yusuf I 2. Boggle gives you 3 minutes to find as many words 3 letters or more as The Almoravid and Almohad Empires 1st edition can in a grid of 16 letters. Ibn Tumart organized the Almohads as a commune, with a minutely detailed structure. It was a disaster. A history of empires. After the debate, the scholars concluded that Ibn Tumart's views were blasphemous and the man dangerous, and urged him to be put to death or imprisoned. They laid siege to Marrakesh for forty days until, in April or Maythe Almoravids sallied from the city and crushed the Almohads in the bloody Battle of al-Buhayra named after a large garden east of the The Almoravid and Almohad Empires 1st edition. Abd al-Mu'min himself. The leaders of this dynasty came from the Moroccan deep south. But the Almoravid emir decided to merely expel from the city. You can also try the grid of 16 letters. Abdallah ibn Yassin imposed very strict discipline measures on his forces for every breach of his laws. Yahya ibn Umar was killed in a battle in[17] but Abdullah ibn Yasin, whose influence as a religious teacher was paramount, named his brother Abu Bakr ibn Umar as chief. -
IN MOROCCO Fr Om a Photograph from the Service Des Beaux-Arts Au
IN MOROCCO Fr om a photograph from the Service des Beaux-Arts au Maroc Fez Elbali from the ramparts EDITH WHARTON ILLUSTRATED NEW YORK CHARLES SCRIBNER'S SONS 1920 Copyright, 1919, 1920, by CHARLES SCRIBNER'S SONS Published October, 1920 THE SCRIBNER PRESS TO GENERAL LYAUTEY RESIDENT GENERAL OF FRANCE IN MOROCCO AND TO MADAME LYAUTEY, THANKS TO WHOSE KINDNESS THE JOURNEY I HAD SO LONG DREAMED OF SURPASSED WHAT I HAD DREAMED PREFACE I Having begun my book with the statement that Morocco still lacks a guide-book, I should have wished to take a first step toward remedying that deficiency. But the conditions in which I travelled, though full of unexpected and picturesque opportunities, were not suited to leisurely study of the places visited. The time was limited by the approach of the rainy season, which puts an end to motoring over the treacherous trails of the Spanish zone. In 1918, owing to the watchfulness of German submarines in the Straits and along the northwest coast of Africa, the trip by sea from Marseilles to Casablanca, ordinarily so easy, was not to be made without much discomfort and loss of time. Once on board the steamer, passengers were often kept in port (without leave to land) for six or eight days; therefore for any one bound by a time-limit, as most war- workers were, it was necessary to travel across country, and to be back at Tangier before the November rains. This left me only one month in which to visit Morocco from the Mediterranean to the High Atlas, and from the Atlantic to Fez, and even had there been a Djinn's carpet to carry me, the multiplicity of impressions received would have made precise observation difficult. -
The Meanings and Aesthetic Development of Almohad Friday Mosques
MONUMENTAL AUSTERITY: THE MEANINGS AND AESTHETIC DEVELOPMENT OF ALMOHAD FRIDAY MOSQUES A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Degree Requirements for the Degree of Doctor of Philosophy by Jessica Renee Streit August 2013 © 2013 Jessica Renee Streit MONUMENTAL AUSTERITY: THE MEANINGS AND AESTHETIC DEVELOPMENT OF ALMOHAD FRIDAY MOSQUES Jessica Renee Streit, Ph.D. Cornell University 2013 This dissertation examines four twelfth-century Almohad congregational mosques located in centers of spiritual or political power. Previous analyses of Almohad religious architecture are overwhelmingly stylistic and tend to simply attribute the buildings’ markedly austere aesthetic to the Almohads’ so-called fundamentalist doctrine. Ironically, the thorough compendium of the buildings’ physical characteristics produced by this approach belies such a monolithic interpretation; indeed, variations in the mosques’ ornamental programs challenge the idea that Almohad aesthetics were a static response to an unchanging ideology. This study demonstrates that Almohad architecture is a dynamic and complex response to both the difficulties involved in maintaining an empire and the spiritual inclinations of its patrons. As such, it argues that each successive building underwent revisions that were tailored to its religious and political environment. In this way, it constitutes the fully contextualized interpretation of both individual Almohad mosques and Almohad aesthetics. After its introduction, this dissertation’s second chapter argues that the two mosques sponsored by the first Almohad caliph sent a message of political and religious authority to their rivals. The two buildings’ spare, abstract ornamental system emphasized the basic dogma upon which Almohad political legitimacy was predicated, even as it distinguished Almohad mosques from the ornate sanctuaries of the Almoravids.