Danish Films IDFA ISSUE 2014
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ACT Film List 2021
ACT Human Rights Film Festival Film Selections Film Title Director Streamable (as of June 2021) 2016 Festival Selections Burden of Peace Director: Joey Boink and Sander Wirken Vimeo (free) American Arab Director: Usama Alshaibi Available to rent on multiple platforms Kings of Nowhere Director: Betzabé GarcÍa Available to rent on multiple platforms Planet of Snail Director: Yi Seung-jun iTunes Stories of Our Lives Director: Jim Chuchu Vimeo ($) Justine Director: Pratap Rughani Vimeo (free) Not My Life Directors: Robert Biheimer and Richard Young Available to rent on multiple platforms The Shelter (L'Abri) Director: Fernand Melgar French only - YouTube (free) I Am Nojoom, Aged 10 and Divorced Director: Khadija Al-Salami No subtitles - YouTube (free) Tomorrow We Disappear Director: Jimmy Goldblum Available to rent on multiple platforms Wind on the Moon Director: Yi Seung-jun n/a Pine Ridge Director: Anna Eborn Amazon Prime & Vimeo ($) No Land's Song Director Ayat Najafi DVDs available to order Dangerous Acts Starring the Unstable Elements of Belarus Director: Madaleine Sackler Vimeo (free) Chau, Beyond the Lines Director: Courtney Marsh free: http://www.beyondthelinesfilm.com/watchfilm Born This Way Directors: Shaun Kadlec and Deb Tullmann Tubi (free) Sunrise Director: Partho Sen-Gupta Tubi (free) & Apple TV ($) Something Better to Come Director: Hanna Polak DVDs available to order 2017 Festival Selections What Tomorrow Brings Director: Beth Murphy Available to rent on multiple platforms Driving with Selvi Director: Elisa Paloschi Kanopy -
Femininity and Gender in Lars Von Trier's Depression Trilogy
FEMININITY AND GENDER IN LARS VON TRIER’S DEPRESSION TRILOGY by Carles Pérez Gutiérrez B.A. (Universitat de Barcelona) 2018 THESIS/CAPSTONE Submitted in partial satisfaction of the requirements For the degree of MASTER OF ARTS in HUMANITIES in the GRADUATE SCHOOL of HOOD COLLEGE April 2020 Accepted: _______________________ _______________________ Robert Casas, Ph.D. Corey Campion, Ph.D. Committee Member Program Advisor _______________________ Didier Course, Ph.D. Committee Member _______________________ April M. Boulton, Ph.D. Dean of the Graduate School _______________________ Aaron Angello, Ph.D. Capstone Advisor STATEMENT OF USE AND COPYRIGHT WAIVER I do authorize Hood College to lend this Thesis (Capstone), or reproductions of it, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. ii CONTENTS STATEMENT OF USE AND COPYRIGHT WAIVER ...………………………….. ii ABSTRACT ………………………………………………………………………… iv ACKNOWLEDGEMENTS …………………………………………………………. v CHAPTER 1: INTRODUCTION ………………………….………………………... 2 CHAPTER 2: ANTICHRIST ………………………………………………...……… 9 CHAPTER 3: MELANCHOLIA …………………………………….…………….. 36 CHAPTER 4: NYMPHOMANIAC ……………………………………..…………. 57 CHAPTER 5: CONCLUSION ………………………………………...…………… 82 BIBLIOGRAPHY AND FILMOGRAPHY ……………………………………….. 86 iii ABSTRACT Both praised and criticized, Lars von Trier’s Depression Trilogy—a film trilogy that includes Antichrist (2009), Melancholia (2011), and Nymphomaniac (2013)— provides an exploration of femininity and gender roles. This study explores how von -
FILM#63 / CANNES SPECIAL ISSUE L1l FILM#63/ CANNES Issue INSIDE
WW2 rEsistAncE drAmA rEALitY BOrEs mE sEmAinE dE LA critiQUE With more than half a million tickets sold since its Henrik Ruben Genz brings the grotesque tale of his Young Man Falling, an experimental film with a release on March 28, Ole Christian Madsen’s Flame Terribly Happy to life in stark, carefully composed captivating visual style directed by Martin de Thurah, & Citron has proven to be one of Danish cinema’s images, recalling the American provinces of Edward is in the official selection of the 47th International greatest successes in recent years. Hopper’s lonesome tableaux or classic westerns. Critics’ Week. PAGE 3 PAGE 6 PAGE 18 l1l FiLm IS PUBLISHEd# BY tHE dANISH63 FiLm INSTITUtE / may 2008 PAGE 2 / FILM#63 / CANNES SPECIAL ISSUE l1l FILM#63/ CANNES ISSUE INSIDE 77ô2%3)34!.#%ô$2!-!ô 2%!,)49ô"/2%3ô-% 3%-!).%ô$%ô,!ô#2)4)15% 7ITHôMOREôTHANôHALFôAôMILLIONôTICKETSôSOLDôSINCEôITSô (ENRIKô2UBENô'ENZôBRINGSôTHEôGROTESQUEôTALEôOFôHISô 9OUNGô-ANô&ALLING ôANôEXPERIMENTALôkLMôWITHôAô RELEASEôONô-ARCHô ô/LEô#HRISTIANô-ADSENSô&LAMEô 4ERRIBLYô(APPYôTOôLIFEôINôSTARK ôCAREFULLYôCOMPOSEDô CAPTIVATINGôVISUALôSTYLEôDIRECTEDôBYô-ARTINôDEô4HURAH ô ô#ITRONôHASôPROVENôTOôBEôONEôOFô$ANISHôCINEMASô IMAGES ôRECALLINGôTHEô!MERICANôPROVINCESôOFô%DWARDô ISôINôTHEôOFkCIALôSELECTIONôOFôTHEôTHô)NTERNATIONALô GREATESTôSUCCESSESôINôRECENTôYEARSô (OPPERSôLONESOMEôTABLEAUXôORôCLASSICôWESTERNSô #RITICSô7EEKô FICTIOn IN tHE sErVICE OF TRUtH ô 0!'%ô 0!'%ô 0!'%ô Ole Christian Madsen’s Flame & Citron merges history-writing with psychological l1l portraits, adding new facets to the story of the Danish WW2 resistance. PAGE 3 &),-ô)3ô05",)3(%$#ô"9ô4(%ô$!.)3(ô&63),-ô).34)454%ôô-!9ô rEALITY BOrEs mE Henrik Ruben Genz’ new film Terribly Happy is another adaptation of an Erling Jepsen novel, following up last year’s big hit, The Art of Crying directed by Peter Schønau Fog — although Genz’ film is all its own. -
Goście Festiwalu -4
goście festiwalu -4- panele dyskusyjne -20- warsztaty i spotkania -25- bloki filmowe -36- wydarzenia towarzyszące zniżki festiwalowe -88- podziękowania -95- harmonogram wydarzeń -97- Witamy Was na Festiwalu, Kamera Akcja ewoluuje z każdym rokiem. Po pięciu latach gościmy już w trzeciej lokalizacji. Zaczynaliśmy w undergroundowym Kinie Cytryna. Po zamknięciu kina powędrowaliśmy bliżej Piotrkowskiej do Łódzkiego Domu Kultury. Po raz trzeci zmienił się także termin festiwalu. Raczkowaliśmy z pierwszą edycją w maju. Dwukrotnie udało nam się stworzyć czterodniowe święto w marcu. Z czwartą edycją powróciliśmy w maju, aby w tym roku po raz pierwszy gościć Was wczesną jesienią w miejscu wyjątkowym dla polskiego kina. Roszady te wynikają z prostej przyczyny – chcemy dać Wam to, co najlepsze. Jedno się jednak nie zmieniło – pasja do filmu. Każdy rok to krok do przodu, ten rok to z pewnością sporo zmian, mamy nadzieję, że zauważalnych. Festiwal Kamera Akcja zawsze stawiał na integrację branży filmowej, na zapoznanie się z osobami, które pracują w różnym charakterze w ciekawych miejscach związanych z kinematografią. Chcemy przybliżyć Wam świat filmu nie tylko poprzez specjalnie wyselekcjonawane i dokładnie dobrane tytuły filmowe, ale także poprzez spotkania. Dyskusje i rozmowy to coś, czego nie można powtórzyć, na czym nie można włączyć pauzy, ściągnąć na swój dysk czy kupić w promocyjnej cenie w supermarkecie. Niepowtarzalność i nieprzewidywalność spotkań to dla nas energia, dla której robimy ten festiwal. Program filmowy ma swój jasno określony charakter. Nie wybieramy przypadkowo, ale dokładnie przyglądamy się temu, co dzieje się na rynku festiwalowym selekcjonując dla Was same perełki. Filmy te skłaniają do dyskusji, poruszają, nie dają o sobie zapomnieć, prowokują długie debaty, nie pozostawiają widzów obojętnymi. -
2016 Film Festival Programme
TAKE THE FORM OF COMMODITIES, VANISHES THEREFORE, SO SOON AS WE COME TO OTHER FORMS OF PRODUCTION THE FORM OF COMMODITIES, VANISHES TAKE SURROUNDS THE PRODUCTS OF LABOUR AS LONG THEY OF COMMODITIES, ALL THE MAGIC AND NECROMANCY THAT THE WHOLE MYSTERY k k belfast Belfast Film Festival film festival 14th-23rd April 2016 16 OUR FUNDERS ACCOMMODATION OFFICIAL MEDIA PARTNER PARTNERS OFFICIAL DRINKS SPONSOR VENUE PARTNERS INTRODUCTION The 16th Belfast Film Festival like any self-loathing teenager – has attitude! It is packed with premieres, guests, documentaries, shorts and much more. This year we present our biggest programme ever, with more than 133 films and events from 30 countries around the world. We welcome as our special guest, a man who is arguably the greatest living British filmmaker, Terence Davies. Belfast Film Festival is delighted to be honouring Terence with our Outstanding Contribution to Cinema award. Programme highlights include Stephen Frears’ hilarious new feature starring Hugh Grant with Meryl Streep as ‘Florence Foster Jenkins’; the Oscar-nominated must-see Turkish film ‘Mustang’; a 6 hour marathon watch with ‘Arabian Nights’, the mastery of Alan Clarke; the brilliant Icelandic tale ‘Virgin Mountain’, and the 2016 Oscar Winner Son of Saul. We have an exciting celebration of the artistry of sound in film in partnership with SARC; films on 1916; discussions; music; fancy dress; film installations, and a plethora of new talent in our short film and NI Independents sections; And perhaps most exciting of all we have a programme of new film showcasing more female directors than ever before. Michele Devlin. -
Manuel Alberto Claro Director of Photography
Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net MANUEL ALBERTO CLARO DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER THE HOUSE THAT JACK BUILT Lars Von Trier Zentropa Entertainment THE UNTAMED Amat Escalante Mantarraya Winner, Silver Lion for Best Director, Venice Film Festival (2016) Official Selection, Toronto Film Festival (2016) Le Pacte Official Selection, London Film Festival (2016) LITTLE DUCK (Short) James Murphy Freestyle TOP FIVE Chris Rock IACF Official Selection, Toronto Film Festival (2014) NYMPHOMANIAC (Vol. I & II) Lars Von Trier Zentropa Official Selection, Berlin Film Festival (2014) THE CORRECTIONS Noah Baumbach HBO/Scott Rudin SEX, DRUGS & TAXATION Christoffer Boe AlphaVille Pictures MELANCHOLIA Lars Von Trier Zentropa Winner, Carlo Di Palma European Cinematographer Award, European Film Awards (2011) Winner, Best Actress, Cannes Film Festival (2011) Official Selection, Toronto Film Festival (2011) REBOUNCE Heidi Maria Faisst Zentropa LIMBO Maria Sodahl SF Films Winner, Best Cinematography, Amanda Awards (2010) EVERYTHING WILL BE FINE Christoffer Boe AlphaVille Pictures THE CANDIDATE Kaspar Barfoed Miso Film ALLEGRO Christoffer Boe AlphaVille Pictures Winner, Best Cinematography, Robert Festival (2006) Official Selection, Sundance Film Festival (2006) Official Selection, Venice Film Festival (2005) DARK HORSE Dagur Kari Nimbus Film Official Selection, Cannes Film Festival (2005) RECONSTRUCTION Christoffer Boe Nordisk Film Winner, Caméra d’Or & “Le Label Regard Jeune” Cannes -
Ficm Cat16 Todo-01
Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179 -
New Nordic Films Catalogue 2010
18-21 AUGUST 201 0 NEW NORDIC FILMS Welcome to Haugesund WE ARE PLEASED to state that the Nordic coun - International Film Festival an important meeting N O I tries have made Haugesund an important meeting place also for Europe’s producers. For this reason T C place for the international film industry. we have established the Nordic Co-Production U D O Forum as a part of New Nordic Films. R T To achieve our objective of becoming one of the N I leading film festivals for Nordic cinema, we still Support from Innovation Norway has also made it work together with the Gothenburg Film Festival, possible to develop a location programme together which each year hosts the Nordic Film with Film Commission Norway. Market in February. We strongly wish to play an important part in the In this connection, we would like to take the oppor - Nordic and European film industry, and I am tunity to thank the Nordic Film & TV Fund and the delight ed that so many professionals from abroad Nordic Council of Ministers for their annual contri - have decided to visit Haugesund. bution to both Gothenburg and Haugesund. We also thank the Film Institutes of the Nordic Countries for their cooperation and advice. This year we have also received important and highly appreciated support from the MEDIA Programme in Brüssels. As a member of FIAPF (the International Fede - ration of Film Producing Associations), the Norwegian International Film Festival thinks it is Gunnar Johan Løvvik natural to make Norway and the Norwegian Festival Director 2 Contents 2 Welcome to Haugesund 4 Day by day 6 City Map Haugesund 7 Welcome to the 2010 New Nordic Films -THE NORWEGIAN INTERNATIONAL 8 Co-produce – or die? FILM FESTIVAL is owned by 9 Case Study: Babycall FILM & KINO, The Municipality of 10 Final Cut / Canadian Landscape Haugesund and Rogaland County. -
Program C November 2012 November V Kine Lumière Dni Gruzínskeho Filmu (23
KINO SLOVENSKÉHO FILMOVÉHO ÚSTAVU ŠPITÁLSKA UL. 4 BRATISLAVA PROGRAM c NOVEMBER 2012 November v Kine Lumière Dni gruzínskeho filmu (23. – 26. 11. 2012) Profil: Martin Šulík Slovenský filmový ústav v spolupráci s Gruzínskym národným filmovým centrom, Ministerstvom kultúry Slovenskej republiky, Ministerstvom kultúry a ochrany pamiatok Gruzínska a Veľvyslanec- Kino Lumière v priebehu novembra ponúka v rámci programu archívneho kina – filmotéky prehlia- tvom Gruzínska na Slovensku ponúknu v Kine Lumière prehliadku gruzínskej kinematografie pod dku filmov jednej z najvýraznejších slovenkých filmárskych osobností Martina Šulíka. Okrem sied- názvom Dni gruzínskeho filmu. Okrem hraných gruzínskych titulov Druhý breh (r. George mich dlhometrážnych hraných titulov (Neha, Všetko čo mám rád, Záhrada, Orbis Pictus, Ovašvili), Dni na ulici (r. Levan Koguašvili), Tri domy (r. Zaza Urušadze), archívneho filmu Oslík Krajinka, Slnečný štát, Cigán) budú súčasťou profilu i Šulíkove dokumentárne projekty (Martin (r. Tengiz Abuladze, Rezo Čcheidze) a dokumentárneho filmu Bude tam hore divadlo?! (r. Nana Slivka – muž, ktorý sadil stromy , 25 zo šesťdesiatych alebo Československá nová vlna) Janelidze) budú môcť diváci navštíviť aj projekciu československo-sovietskeho (slovensko-gru- a krátke filmy z ranného obdobia jeho tvorby (Staccato, Ticho, Hurá, Etika a politika). Jednotlivé zínskeho) koprodukčného titulu Rača, láska moja (r. Jozef Medveď, Timur Palavandišvili). premietania sa uskutočnia za osobnej účasti a úvodného slova režisérových spolupracovníkov Ďalšie archívne gruzínske tituly ponúkne Kino Lumière v rámci filmotéky svojho novembrového a priateľov. programu. k Staccato r: Martin Šulík V 1986 V Československo k Ticho r: Martin Šulík V 1988 V Podrobnejšie informácie o programe a jednotlivých filmoch sú k dispozícii v samostatnej brožúre Československo k Hurá r: Martin Šulík V 1989 V Československo k Etika a politika r: Martin podujatia, ktorá je k dispozícii v Kine Lumière. -
AFF 2011 Katalog
Katalog AFF 2011 Obalka.indd 1 2.6.2011 10:15 ISBN 978-80-970721-0-0 Poďakovanie SPECIAL THANKS TO Slovenský filmový ústav Slovak Film Institute Trenčiansky samosprávny kraj Trenčín Self-governing Region Veľvyslanectvo USA v Bratislave # # # # Embassy of the United States of America in Bratislava Kancelária Švédskeho veľvyslanectva v Bratislave Office of the Embassy of Sweden in Bratislava Taliansky kultúrny inštitút v Bratislave Italian Cultural Institute in Bratislava Veľvyslanectvo Izraela na Slovensku Embassy of Israel in Slovakia BRATISLAVA Ruské centrum vedy a kultúry v Bratislave RUSKÉ CENTRCVKRUM VEDY A KULTÚRY Russian Centre of Science and Culture in Bratislava Character - Film Development Association Sodec Quebec 4 Poďakovanie SPECIAL THANKS TO Slovenský filmový ústav David Huspenina, AČFK Grégoire Graesslin, Kinology Slovak Film Institute Ivo Andrle, Aerofilms Luboslava Červenákova, Kúpele Trenčianske Teplice Zuzana Pudilová, Aerofilms Dagmar Krepopová, Magic Box Harry Avramidis, Arclight Films Klára Hejdová, Magic Box Trenčiansky samosprávny kraj Přemysl Martínek, Artcam Silvia Havelková, Mesto Trenčianske Teplice Trenčín Self-governing Region Silvia Dubecká, ASFK Barbora Ondrejčáková, MidPoint Věra Viceníková, Ateliéry Bonton Zlín Helena Zajícová, MidPoint Miro Janura, AVI Studio Dušan Pastorek, Office of the Embassy of Canada in Bratislava Veľvyslanectvo USA v Bratislave Milan Dostál, Blue Sky Media Romana Dzielavová, penzión Baske Embassy of the United States of America in Bratislava Vojtech Kabáth, Bratislava IFF Danny -
THANK YOU BUTCH CALDERWOOD OAM ACS This Is the Last Issue of Australian Cinematographer That Will Have Butch at the Helm
Focused on the Future Fujinon is a recognised technology leader worldwide and a highly respected provider of optics and lens assemblies to the broadcast, digital cinema and industrial markets. Our company’s line of television zoom lenses are used in virtually every segment of the broadcast industry, including electronic news gathering, studio and field production, and high definition television. For more information contact FUJIFILM (02) 9466 2600 or email [email protected] www.fujifilm.com.au Portrait of Don McAlpine by Jasin Boland Is RED Epic as good as they say? It’s already gone Mental. Red Epic is already in Australia. Supplied and supported by Panavision, it is debuting on the east and west coasts for the Australian features Mental and Drift. “I chose the Epic as it was the only camera that would achieve a high quality ‘Super 35’ 2.33–1 frame across the chip that could be squeezed and released as a 35mm anamorphic print.” said Don McAlpine ACS, ASC. And naturally, RED Epic comes with the backup of the trusted Panavision ground crew. Sydney +61 2 8437 5555 Gold Coast +61 7 5656 7333 Melbourne +61 3 8532 8800 Auckland +64 9 360 8770 www.panavision.asia of the Australian Cinematographers Society’s Articles BY DEFINITION of Association “a cinematographer is a person with technical expertise who manipulates light to transfer visual information by the use of a camera into aesthetic moving images on motion picture fi lm or electronic recording systems” magazine @austcine.org.au ............ Australian Cinematographer is published -
Winners Show
WINNERS SHOW 9th WINNERS SHOW IN LOS ANGELES FEB 1-3, 2019 AMERICAN FILM INSTITUTE SCHEDULE THE IDEA EnergaCAMERIMAGE, the International Film Festival of the Art of Cinematography is Friday, February 1, 2019 the largest and most recognized festival dedicated to the art of motion picture photography and its creators - cinematographers. Their profession, vitally important to the film industry but often underestimated, has found its place at EnergaCAMERIMAGE. 6:00 PM Cocktails The festival contributes to the continuing growth of cinematographers' prestige and the 6:30 PM HORSE RIDERS event's unconventional format, which awards films according to their visual and cin. Tomasz Wolski, dir. Anna Gawlita aesthetic values, has turned out to be a great alternative for other film festivals. Once Golden Frog – Documentary Shorts Competition a year, established artists meet with novice filmmakers to share their experience. Unique visual language created by recognized cinematographers provides a wonderful source 6:50 PM Q&A of inspiration for budding DOPs attending the festival. As all our guests emphasize: EnergaCAMERIMAGE is one of a kind. Over the years, it has served as a great forum for 7:15 PM Break – Polish Cuisine Delicacies Served presentation of the finest achievements in the art of cinematography and a perfect venue for an open debate about its current condition and immediate future. 8:00 PM ROMA cin./dir. Alfonso Cuarón The spectacular success of Camerimage Film Festival and the top visual quality Bronze Frog – Main Competition of the films showcased and awarded at the event have encouraged the organizers to hold a presentation of Camerimage prizewinners in the US.