ACT Film List 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2016 Film Festival Programme
TAKE THE FORM OF COMMODITIES, VANISHES THEREFORE, SO SOON AS WE COME TO OTHER FORMS OF PRODUCTION THE FORM OF COMMODITIES, VANISHES TAKE SURROUNDS THE PRODUCTS OF LABOUR AS LONG THEY OF COMMODITIES, ALL THE MAGIC AND NECROMANCY THAT THE WHOLE MYSTERY k k belfast Belfast Film Festival film festival 14th-23rd April 2016 16 OUR FUNDERS ACCOMMODATION OFFICIAL MEDIA PARTNER PARTNERS OFFICIAL DRINKS SPONSOR VENUE PARTNERS INTRODUCTION The 16th Belfast Film Festival like any self-loathing teenager – has attitude! It is packed with premieres, guests, documentaries, shorts and much more. This year we present our biggest programme ever, with more than 133 films and events from 30 countries around the world. We welcome as our special guest, a man who is arguably the greatest living British filmmaker, Terence Davies. Belfast Film Festival is delighted to be honouring Terence with our Outstanding Contribution to Cinema award. Programme highlights include Stephen Frears’ hilarious new feature starring Hugh Grant with Meryl Streep as ‘Florence Foster Jenkins’; the Oscar-nominated must-see Turkish film ‘Mustang’; a 6 hour marathon watch with ‘Arabian Nights’, the mastery of Alan Clarke; the brilliant Icelandic tale ‘Virgin Mountain’, and the 2016 Oscar Winner Son of Saul. We have an exciting celebration of the artistry of sound in film in partnership with SARC; films on 1916; discussions; music; fancy dress; film installations, and a plethora of new talent in our short film and NI Independents sections; And perhaps most exciting of all we have a programme of new film showcasing more female directors than ever before. Michele Devlin. -
Download the Pdf Version
Alexandra Hidalgo Curriculum Vitae Michigan State University Writing, Rhetoric, and American Cultures 434 Farm Lane, Room 265 East Lansing, MI 48824 alexandrahidalgo.com [email protected] Updated November 4, 2020 Academic Appointments Michigan State University Associate Professor of Writing, Rhetoric, and American Cultures, June 2020-present. (Documentary Production Minor Core Faculty, Chicano/Latino Studies Program Core Faculty, and Center for Gender in Global Context Core Faculty). Co-Director of The Documentary Laboratory for Creative Non-Fiction Film at Michigan State University. September 2017-present. Assistant Professor of Writing, Rhetoric, and American Cultures, August 2013-June 2020. Purdue University Graduate Teaching Assistant of English, August 2008-May 2013. Film Production Company Sabana Grande Productions, LLC. Owner, director, producer. Education Ph.D. in English Purdue University, August 2013 West Lafayette, Indiana Primary Area: Rhetoric and Composition Secondary Areas: Digital Rhetoric (Film and Video Concentration), Public Rhetorics M.F.A. in Creative Writing - Fiction Naropa University, May 2004 Boulder, Colorado B.A. in Philosophy Ohio University Honors Tutorial College, June 2000 Athens, Ohio Magna Cum Laude Minors: History, French, and Russian General Interest Documentaries (See “General Interest Documentaries” section for detailed screenings, publications, press, and awards) The Weeping Season (in production) In this in-production feature documentary, I investigate the 1983 disappearance of my father—inventor, writer, and martial artist Miguel Hidalgo—in the Venezuelan Amazon. As I return to the site of his vanishing decades later, I uncover dark secrets about the man I always idolized and after whom I molded my identity, forcing me to come to terms with a very different person from the father I remember and to rethink my own life and who I now want to become. -
The 59Th Bfi London Film Festival in Partnership with American Express® Announces Full 2015 Programme
@bfi #lff THE 59TH BFI LONDON FILM FESTIVAL IN PARTNERSHIP WITH AMERICAN EXPRESS® ANNOUNCES FULL 2015 PROGRAMME Embargoed till 11.00am GMT, Tuesday 1 September 2015 London, Tuesday 1 September 2015: - The programme for the 59th BFI London Film Festival in partnership with American Express® launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain's leading film event and one of the world's oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the lm industry LFF positions London as the world’s leading creative city. The Festival will screen a total of 238 fiction and documentary features, including 16 World Premieres, 8 International Premieres, 40 European Premieres and 11 Archive films including 5 Restoration World Premieres.1 There will also be screenings of 182 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, ScreenTalks, Q&As and a new programme of Industry Talks: LFF Connects. The 59th BFI London Film Festival will run Wednesday 7 – Sunday 18 October 2015. Taking place over 12 days, the Festival’s screenings are at venues across the capital, from the West End cinemas – Vue West End and the iconic Odeon Leicester Square; central London venues – BFI Southbank, BFI IMAX, Picturehouse Central, the ICA, Curzon Mayfair, Curzon Soho, Cineworld Haymarket and Ciné Lumière; and local cinemas – Ritzy Brixton, Hackney Picturehouse, Curzon Chelsea, Vue Islington and Rich Mix. -
Setting up a Human Rights Film Festival, Vol. 2
Setting Up a Human Rights Film Festival, vol. 2 An inspiring guide for film festival organisers from all over the world Setting Up a Human Rights Film Festival, vol. 2 An inspiring guide for film festival organisers from all over the world 2 Setting Up a Human Rights Film Festival, vol. 2 An inspiring guide for film festival organisers from all over the world Edited by Hana Kulhánková (One World), Matthea de Jong (Movies that Matter), María Carrión (FiSahara), Ryan Bowles Eagle (California State University) Design by Linda Živnůstková Cover photo by Alberto Almayer, FiSahara International Film Festival Published by People in Need Prague 2015 © Human Rights Film Network 2015 3 Contents We Are Making a Change, Don’t Forget: Introduction .........................................................................................5 Human Rights Film Festivals: Different Approaches to Change the World .........................................................17 Knowing Yourself and Your Audience: Programming a Human Rights Film Festival ..........................................27 Film Festivals with Guts: Security and Censorship ............................................................................................47 Now What Do You Think? Film Festivals as a Platform for Discussion ...............................................................59 Who Is Organising It? Importance of Production and Team Members ...............................................................71 The Nuts and Bolts: Technical Production .........................................................................................................85 -
Danish Films IDFA ISSUE 2014
DANISH FILMS / idfa ISSUE 2014 FILMS / idfa DANISH Danish FILMs IDFA ISSUE 2014 FILM is published by the Danish Film Institute FILM is published by the Danish Film Institute The Look of Silence Warriors from the North Something Joshua Oppenheimer revisits Indonesia’s Young Somali Danes in holy war. Why? Better genocide, this time telling the story from the victims’ perspective. Good Things Await to Come In defense of slow farming. Hanna Polak sends the message that Democrats you can be a success as a human being Camilla Nielsson follows the bumpy road The Newsroom – Off the Record even if you are living in a landfill. to Zimbabwe’s new constitution. A fly-on-the-wall of a struggling industry. FILM is the Danish Film Institute’s international festival magazine, issued prior to the festivals in Berlin, Cannes and Amsterdam. FILM includes a comprehensive catalogue in the reverse section. DANISH FILMS HOLDING A MIRROR The Look of Silence sees Joshua Oppenheimer back in uncharted territory. While IDFA ISSUE 2014 8 The Act of Killing took a surreal look at Indonesia’s genocide through the imagination FILM Digital Issue is the Danish Film Institute’s Published by the Danish Film Institute TO HORROR of the killers, his follow-up tells the victims’ story through a young optician boldly online release bringing articles on new films, a catalogue confronting the men who killed his brother – and who are still in power. Editors section and useful information about people and Susanna Neimann (SN) Annemarie Hørsman (AH) companies. Editorial team FILM Digital Issue: www.dfi.dk/film Lars Fiil-Jensen (LFJ) Anders Budtz-Jørgensen (ABJ) Jan Fredslund (JF) Support: Nynne Østergaard (NØ) The Danish Film Institute is the national agency that supports and encourages Danish film and DFI Festival team Anne Marie Kürstein cinema culture. -
Women in the International Film Industry Policy, Practice and Power
Women in the International Film Industry Policy, Practice and Power Edited by Susan Liddy Women in the International Film Industry “Being the Director of a program whose goal is to bring more female voices and female-focused stories into mainstream media, this book is sorely needed. My students are always bemoaning how little women are mentioned in the major texts of screenwriting history that they have used in their coursework and they long for books like this that represent the world they will enter and give them the support to make the changes necessary for all artists to succeed at telling a range of stories.” —Rosanne Welch, Executive Director, Stephens College MFA in TV and Screenwriting “This is an important collection that helps us to think about and navigate the film industry and its ongoing inequalities. It has international scope, showcasing a range of places, policies and perspectives. And most crucially, it centres the voices and stories of women, both on- and off-screen.” —Bridget Conor, Senior Lecturer in Culture, Media and Creative Industries, King’s College London “This project couldn’t be more timely. Liddy’s collection of essays on women in film is geographically all-encompassing, with contributions from across Europe as well as Australia, New Zealand, Nigeria and the United States. Taken together, they reveal how much we hold in common when it comes to addressing gender inequalities. Key questions emerge around the effectiveness of quotas, access to finance, career sustainability, and the power of role models. Most importantly, the writing style is uniformly accessible; arguments are backed up with data, and the message is clear—we can make it happen and we must.” —Ruth Barton, Head of School of Creative Arts, Trinity College Dublin “Women in the International Film Industry: Policy, Practice and Power makes an important contribution to our understanding of the scope and scale of gender inequality in the global film industry in the twenty-first century. -
ACT Human Rights Film Festival Program List
ACT Human Rights Film Festival Film Selections Film Title Director Streamable (as of July 2019) 2016 Festival Selections Burden of Peace Director: Joey Boink and Sander Wirken Vimeo American Arab Director: Usama Alshaibi Available to rent on multiple platforms Kings of Nowhere Director: Betzabé GarcÍa Available to rent on multiple platforms Planet of Snail Director: Yi Seung-jun iTunes Stories of Our Lives Director: Jim Chuchu n/a Justine Director: Pratap Rughani Vimeo Not My Life Directors: Robert Biheimer and Richard Young Amazon Prime The Shelter (L'Abri) Director: Fernand Melgar YouTube (free) I Am Nojoom, Aged 10 and Divorced Director: Khadija Al-Salami n/a Tomorrow We Disappear Director: Jimmy Goldblum Available to rent on multiple platforms Wind on the Moon Director: Yi Seung-jun n/a Pine Ridge Director: Anna Eborn Amazon Prime No Land's Song Director Ayat Najafi n/a Dangerous Acts Starring the Unstable Elements of Belarus Director: Madaleine Sackler Amazon Prime Chau, Beyond the Lines Director: Courtney Marsh free: http://www.beyondthelinesfilm.com/watchfilm Born This Way Directors: Shaun Kadlec and Deb Tullmann Tubi (free) Sunrise Director: Partho Sen-Gupta Netflix and Available to rent on multiple platforms Something Better to Come Director: Hanna Polak DVDs available to order 2017 Festival Selections What Tomorrow Brings Director: Beth Murphy Available to rent on multiple platforms Driving with Selvi Director: Elisa Paloschi DVDs available to order Starless Dreams Director: Mehrdad Oskouei iTunes Walls Directors: Pablo Iraburu -
Setting up a Human Rights Film Festival, Vol. 2
Setting Up a Human Rights Film Festival, vol. 2 An inspiring guide for film festival organisers from all over the world Setting Up a Human Rights Film Festival, vol. 2 An inspiring guide for film festival organisers from all over the world 2 Setting Up a Human Rights Film Festival, vol. 2 An inspiring guide for film festival organisers from all over the world Edited by Hana Kulhánková (One World), Matthea de Jong (Movies that Matter), María Carrión (FiSahara), Ryan Bowles Eagle (California State University) Design by Linda Živnůstková Cover photo by Alberto Almayer, FiSahara International Film Festival Published by People in Need Prague 2015 © Human Rights Film Network 2015 3 Contents We Are Making a Change, Don’t Forget: Introduction .........................................................................................5 Human Rights Film Festivals: Different Approaches to Change the World .........................................................17 Knowing Yourself and Your Audience: Programming a Human Rights Film Festival ..........................................27 Film Festivals with Guts: Security and Censorship ............................................................................................47 Now What Do You Think? Film Festivals as a Platform for Discussion ...............................................................59 Who Is Organising It? Importance of Production and Team Members ...............................................................71 The Nuts and Bolts: Technical Production .........................................................................................................85