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Language Arts 406 Fun with Fiction
Unit 6 | FUN WITH FICTION LANGUAGE ARTS 406 FUN WITH FICTION Introduction |3 1. Finding the Facts .......................................4 Book Reports |8 Handwriting and Spelling |14 Self Test 1 |20 2. Parables and Fables ..............................23 Parables and Fables |24 Following Directions |28 Handwriting and Spelling |29 Self Test 2 |34 3. Poetry ........................................................37 Poetry Review |38 Poetry Tips |40 Poetry Writing |43 Handwriting and Spelling |49 Self Test 3 |56 LIFEPAC Test |Pull-out | 1 FUN WITH FICTION | Unit 6 Author: Mildred Spires Jacobs, M.A. Editor-in-Chief: Richard W. Wheeler, M.A. Ed. Editor: Blair Ressler, M.A. Consulting Editor: Rudolph Moore, Ph.D. Revision Editor: Alan Christopherson, M.S. Media Credits: Page 3: © Photodisk, Thinkstock; 4: © vicnt, iStock, Thinkstock.jpg; 5: © Comstock Images, Stockbyte, Thinkstock 6: © Randimal, iStock, Thinkstock; 7: © Waldemarus, iStock, Thinkstock; 8: © ffooter, iStock, Thinkstock; 12: © jandrielombard, iStock, Thinkstock; 13: © pialhovik, iStock, Thinkstock; 18: © enisaksoy, iStock, Thinstock; 23: © egal, iStock, Thinkstock; 25: © Brian Guest, iStock, Thinkstock; 28: © GlobalP, iStock, Thinkstock 37: © alexaldo, iStock, Thinkstock; 42: © DejanKolar, iStock, Thinkstock; 45: © deyangeorgiev, iStock, Thinkstock; 47: © Bajena, iStock, Thinkstock. 804 N. 2nd Ave. E. Rock Rapids, IA 51246-1759 © MCMXCVI by Alpha Omega Publications, Inc. All rights reserved. LIFEPAC is a registered trademark of Alpha Omega Publications, Inc. All trademarks and/or service marks referenced in this material are the property of their respective owners. Alpha Omega Publications, Inc. makes no claim of ownership to any trademarks and/or service marks other than their own and their affiliates, and makes no claim of affiliation to any companies whose trademarks may be listed in this material, other than their own. -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
The Day the Stars Fell – Preview All Rights Reserved a Prologue Starfall Saturday, September 23, 2034 2035 Nuuk Time Godthab, Greenland
The Day the Stars Fell – Preview All Rights Reserved A Prologue Starfall Saturday, September 23, 2034 2035 Nuuk Time Godthab, Greenland It began about 2035 Nuuk Time (US 1835 EDT) in the evening somewhere over the Atlantic Ocean. All along the eastern seaboard of two continents and the islands on that side of the world were witness to it. The larger population turning their eyes to the East to marvel at the hundreds of trails streaking through the sky. Along with those blazing trails through the skies came tremendous flashes as the meteoroids vaporized in the atmosphere. Several morphed into meteorites as they struck the Earth and ocean. It started around mid-Greenland with some the few souls that lived there looking to the East while some of them and their friends in Iceland looking West. A very few Greenlanders had to lay back their heads and look straight up. The few inhabitants of the globe that were above 70 degrees North where looking South to see it while the few inhabitants living south of 70 degrees South were looking North. The barrage of falling rocks seemed much thicker near the equator and tapering to a thin stream at either extreme with the extreme ends sort of lagging behind the center mass in a shallow “U” shape lying on its side. New Yorkers on the Eastern Seaboard of the USA and others from the top of the Arctic Circle to Tierra Del Fuego and the penguins of Antarctica saw the same spectacular display that lit the dark and darkening skies at a distance. -
Appropriations Committee
1 APPROPRIATIONS COMMITTEE Pennsylvania Emergency Management Agency Presented by Joseph L. LaFleur, Director Pennsylvania Lottery Presented by Secretary Rhodes Secretary of Revenue Eileen McNulty Stenographic transcript of meeting held the Finance Building and Hearing Room 140, the Main Capitol, Harrisburg, Pennsylvania, Wednesday March 10, 1993 At 10:10 o'clock a.m. EMBERS OF THE APPROPRIATIONS COMMITTEE: DWIGHT EVANS, Chairman GORDON LINTON, Vice Chairman RICHARD KASUNIC, Subc. Chairman of Capitol Budget JOSEPH BATTISTO, Subc. Chairman on Education BABETTE JOSEPHS, Subc. Chairman on Health/Welfare LEO TRICH, Secretary JOSEPH PITTS, Minority Chairman ALVIN C. BUSH, Min. Subc. Chairman, Capitol Budget PATRICK FLEAGLE, Min. Subc. Chairman on Education DAVID G. ARGALL, Min. Subc. Chairman, Health/Welfare HOLBERT ASSOCIATES DEBRA ROSE-KEENAN 2611 Doehne Road Harrisburg, Pennsylvania 17110 HOLBERT ASSOCIATES \ r (717) 540-9669 \ 2 LAJORITY MEMBERS REPRESENTATIVE ANDREW CARN REPRESENTATIVE ANTHONY DELUCA REPRESENTATIVE MICHAEL GRUITZA REPRESENTATIVE EDWARD HALUSKA REPRESENTATIVE STANLEY JAROLIN REPRESENTATIVE FRANK LAGROTTA REPRESENTATIVE KEITH MCCALL REPRESENTATIVE KEITH MCCALL REPRESENTATIVE RICHARD OLASZ REPRESENTATIVE JOSEPH PRESTON REPRESENTATIVE WILLIAM ROBINSON REPRESENTATIVE EDWARD STABACK REPRESENTATIVE STEPHEN STETLER REPRESENTATIVE THOMAS TANGRETTI REPRESENTATIVE JOHN WOZNIAK MINORITY MEMBERS REPRESENTATIVE WILLIAM ADOLPH, JR. REPRESENTATIVE THERESA E. BROWN REPRESENTATIVE RAYMOND BUNT, JR. REPRESENTATIVE ELAINE FARMER REPRESENTATIVE ROBERT J. FLICK REPRESENTATIVE GEORGE T. KENNEY, JR. REPRESENTATIVE JERE W. SCHULER REPRESENTATIVE PAUL SEMMEL HOLBERT ASSOCIATES (717) 540-9669 3 CONTENTS iUEST SPEAKER PRESENTATION Foseph L. LaFleur 4 iecretary Rhodes 52 iecretary McNulty 52 HOLBERT ASSOCIATES (717) 540-9669 4 CHAIRMAN EVANS: What I would like to do is reconvene the House Appropriations Committee meeting from ;he tour that was excellent this morning, in a sense. -
LOST with a Good Book
The Lost Code: BYYJ C`1 P,YJ- LJ,1 Key Literary References and Influ- Books, Movies, and More on Your Favorite Subjects Heart of Darkness by Joseph Conrad CAS A CONR/ eAudiobook LOST on DVD A man journeys through the Congo and Lost Complete First Season contemplates the nature of good and evil. There are several references, especially in relation to Lost Season 2: Extended Experience Colonel’s Kurtz’s descent toward madness. Lost Season 3: The Unexplored Experience Lost. The Complete Fourth Season: The Expanded The Stand by Stephen King FIC KING Experience A battle between good and evil ensues after a deadly virus With a Good Book decimates the population. Producers cite this book as a Lost. The Complete Fifth Season: The Journey Back major influence, and other King allusions ( Carrie , On Writing , *Lost: Complete Sixth & Final Season is due for release 8/24/10. The Shining , Dark Tower series, etc.) pop up frequently. The Odyssey by Homer FIC HOME/883 HOME/ CD BOOK 883.1 HOME/CAS A HOME/ eAudiobook LOST Episode Guide Greek epic about Odysseus’s harrowing journey home to his In addition to the biblical episode titles, there are several other Lost wife Penelope after the Trojan War. Parallels abound, episode titles with literature/philosophy connections. These include “White especially in the characters of Desmond and Penny. Rabbit” and “Through the Looking Glass” from Carroll’s Alice books; “Catch-22”; “Tabula Rosa” (philosopher John Locke’s theory that the Slaughterhouse-Five by Kurt Vonnegut FIC VON human mind is a blank slate at birth); and “The Man Behind the Curtain” A World War II soldier becomes “unstuck in time,” and is and “There’s No Place Like Home” ( The Wonderful Wizard of Oz ). -
The Truth About Voter Fraud 7 Clerical Or Typographical Errors 7 Bad “Matching” 8 Jumping to Conclusions 9 Voter Mistakes 11 VI
Brennan Center for Justice at New York University School of Law ABOUT THE BRENNAN CENTER FOR JUSTICE The Brennan Center for Justice at New York University School of Law is a non-partisan public policy and law institute that focuses on fundamental issues of democracy and justice. Our work ranges from voting rights to redistricting reform, from access to the courts to presidential power in the fight against terrorism. A sin- gular institution—part think tank, part public interest law firm, part advocacy group—the Brennan Center combines scholarship, legislative and legal advocacy, and communications to win meaningful, measurable change in the public sector. ABOUT THE BRENNAN CENTER’S VOTING RIGHTS AND ELECTIONS PROJECT The Voting Rights and Elections Project works to expand the franchise, to make it as simple as possible for every eligible American to vote, and to ensure that every vote cast is accurately recorded and counted. The Center’s staff provides top-flight legal and policy assistance on a broad range of election administration issues, including voter registration systems, voting technology, voter identification, statewide voter registration list maintenance, and provisional ballots. © 2007. This paper is covered by the Creative Commons “Attribution-No Derivs-NonCommercial” license (see http://creativecommons.org). It may be reproduced in its entirety as long as the Brennan Center for Justice at NYU School of Law is credited, a link to the Center’s web page is provided, and no charge is imposed. The paper may not be reproduced in part or in altered form, or if a fee is charged, without the Center’s permission. -
LOST "Raised by Another" (YELLOW) 9/23/04
LOST “Raised by Another” CAST LIST BOONE................................Ian Somerhalder CHARLIE..............................Dominic Monaghan CLAIRE...............................Emilie de Ravin HURLEY...............................Jorge Garcia JACK.................................Matthew Fox JIN..................................Daniel Dae Kim KATE.................................Evangeline Lilly LOCKE................................Terry O’Quinn MICHAEL..............................Harold Perrineau SAWYER...............................Josh Holloway SAYID................................Naveen Andrews SHANNON..............................Maggie Grace SUN..................................Yunjin Kim WALT.................................Malcolm David Kelley THOMAS............................... RACHEL............................... MALKIN............................... ETHAN................................ SLAVITT.............................. ARLENE............................... SCOTT................................ * STEVE................................ * www.pressexecute.com LOST "Raised by Another" (YELLOW) 9/23/04 LOST “Raised by Another” SET LIST INTERIORS THE VALLEY - Late Afternoon/Sunset CLAIRE’S CUBBY - Night/Dusk/Day ENTRANCE * ROCK WALL - Dusk/Night/Day * INFIRMARY CAVE - Morning JACK’S CAVE - Night * LOFT - Day - FLASHBACK MALKIN’S HOUSE - Day - FLASHBACK BEDROOM - Night - FLASHBACK LAW OFFICES CONFERENCE ROOM - Day - FLASHBACK EXTERIORS JUNGLE - Night/Day ELSEWHERE - Day CLEARING - Day BEACH - Day OPEN JUNGLE - Morning * SAWYER’S -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Copyrighted Material
PART ON E F IS FOR FORTUNE COPYRIGHTED MATERIAL CCH001.inddH001.indd 7 99/18/10/18/10 77:13:28:13:28 AAMM CCH001.inddH001.indd 8 99/18/10/18/10 77:13:28:13:28 AAMM LOST IN LOST ’ S TIMES Richard Davies Lost and Losties have a pretty bad reputation: they seem to get too much fun out of telling and talking about stories that everyone else fi nds just irritating. Even the Onion treats us like a bunch of fanatics. Is this fair? I want to argue that it isn ’ t. Even if there are serious problems with some of the plot devices that Lost makes use of, these needn ’ t spoil the enjoyment of anyone who fi nds the series fascinating. Losing the Plot After airing only a few episodes of the third season of Lost in late 2007, the Italian TV channel Rai Due canceled the show. Apparently, ratings were falling because viewers were having diffi culty following the plot. Rai Due eventually resumed broadcasting, but only after airing The Lost Survivor Guide , which recounts the key moments of the fi rst two seasons and gives a bit of background on the making of the series. Even though I was an enthusiastic Lostie from the start, I was grateful for the Guide , if only because it reassured me 9 CCH001.inddH001.indd 9 99/18/10/18/10 77:13:28:13:28 AAMM 10 RICHARD DAVIES that I wasn’ t the only one having trouble keeping track of who was who and who had done what. -
Valis Free Ebook
FREEVALIS EBOOK Philip K. Dick | 272 pages | 12 Jul 2001 | Orion Publishing Co | 9781857983395 | English | London, United Kingdom Valis (novel) - Wikipedia Dickit is one book of a three part series. The book features heavy auto-biographical elements, and draws inspiration from Dick's own religious experiences over the Valis decade. The planned third novel, The Valis in Daylighthad not yet taken definite shape Valis the time of the author's death. Pike and Valis, while Valis referencing VALIS directly, is thematically similar; Valis wrote: "the three do form a trilogy constellating around a basic theme. Dick experiences visions of a pink beam of light that he calls Zebra Valis interprets as a theophany exposing hidden facts about the reality of our universe, and a group of others join him in researching these matters. One of their theories is that there is some kind of alien Valis probe in orbit around Earth, and that it is aiding them in their quest; it also aided Valis United States in disclosing the Watergate scandal and the resignation of Richard Nixon in August, Kevin turns his friends on to a film called Valis that contains obvious references to revelations identical to those Valis Horselover Valis has experienced, including what appears to be time dysfunction. The film is itself a fictional account of an Valis version of Nixon "Ferris F. In seeking the film's makers, Kevin, Phil, Fat, and David—now calling themselves the Rhipidon Society—head to an estate owned by popular musician Valis Lampton and his wife Linda. They decide Valis goal that they have been led toward is Sophia Lampton, who is two-years old and the Messiah or incarnation of Holy Wisdom Pistis Sophia anticipated by some variants of Gnostic Christianity. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Time Travel and Free Will in the Television Show Lost
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Directory of Open Access Journals Praxes of popular culture No. 1 - Year 9 12/2018 - LC.1 Kevin Drzakowski, University of Wisconsin-Stout, USA Paradox Lost: Time Travel and Free Will in the Television Show Lost Abstract The television series Lost uses the motif of time travel to consider the problem of human free will, following the tradition of Humean compatibilism in asserting that human beings possess free will in a deterministic universe. This paper reexamines Lost’s final mystery, the “Flash Sideways” world, presenting a revisionist view of the show’s conclusion that figures the Flash Sideways as an outcome of time travel. By considering the perspectives of observers who exist both within time and outside of it, the paper argues that the characters of Lost changed their destinies, even though the rules of time travel in Lost’s narrative assert that history cannot be changed. Keywords: Lost, time travel, Hume, free will, compatibilism My purpose in this paper is twofold. First, I intend to argue that ABC’s Lost follows a tradition of science fiction in using time travel to consider the problem of human free will, making an original contribution to the debate by invoking a narrative structure previously unseen in time travel stories. I hope to show that Lost, a television show that became increasingly invested in questions over free will and fate as the series progressed, makes a case for free will in the tradition of Humean compatibilism, asserting that human beings possess free will even in a deterministic world.