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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Opening Scripture: Psalm 27:1-3 –
(Devotional #1) An Introduction to Psalm 23 The Psalm of the Great Shepherd INTRODUCTION – Opening Scripture: Psalm 27:1-3 – The LORD is my light and my salvation Whom shall I fear? The LORD is the strength of my life; Whom shall I dread? When evildoers came upon me to devour my flesh, My adversaries and my enemies stumbled and fell. Though a host encamp against me, My heart will not fear; Though war arise against me, In spite of this I shall be confident. Proposition: Yahweh, the Great Shepherd, Directs the Lives of His People. This will be the theme we will emphasize in our treatment of Psalm 23. On the morning after his Mother’s death, the Commentator, John Phillips found her Bible near the bedside where she had died. It was open to the 23rd Psalm –– Written in the margin of this great Psalm were these words: ‘THE SECRET OF A HAPPY LIFE, A HAPPY DEATH, AND A HAPPY ETERNITY.’ As our church faces the unique challenges of the next few weeks, we (Rocky and Jeff) want to encourage you with the words and the teachings of this wonderful Psalm. This first lesson or devotional, or whatever the appropriate term is, will put this wonderful Psalm in the context of the Book of Psalms, then in three successive installments, we will view the Psalm as it addresses ‘THE SECRET OF A HAPPY LIFE, ‘THE SECRET OF A HAPPY DEATH, AND THE SECRET OF A HAPPY ETERNITY.’ Psalm 23 was written by David. We know this because at some time in the distant past, the Rabbis wrote two Hebrew words above this psalm. -
A Rapid Assessment of Children Left Behind During the Covid-19 Pandemic Situation
@UNICEF Thailand/Sukhum Preechapanich A RAPID ASSESSMENT OF CHILDREN LEFT BEHIND DURING THE COVID-19 PANDEMIC SITUATION Institute for Population and Social Research Supported by Mahidol University UNICEF THAILAND A RAPID ASSESSMENT OF CHILDREN LEFT BEHIND DURING THE COVID-19 PANDEMIC SITUATION 2 A RAPID ASSESSMENT OF CHILDREN LEFT BEHIND DURING THE COVID-19 PANDEMIC SITUATION @UNICEF Thailand/Sukhum Preechapanich A RAPID ASSESSMENT OF CHILDREN LEFT BEHIND DURING THE COVID-19 PANDEMIC SITUATION 3 Executive Summary This report consolidates results from analysis based on a rapid survey of families and children affected by internal migration. The purpose of this report is to discern the challenges that children their families are facing as a result of the COVID-19 pandemic, with particular focus on children left behind, and to advocate with policymakers for policy response. This project is a continuation of research conducted in 2013 by the Institute for Population and Social Research (IPSR) with support from the United Nations Children’s Fund (UNICEF). The previous survey, which comprised of 1,080 households who had young children ranging in age from newborns to 3 years old, was intended to examine the impact of parents’ internal migration on the well-being of young children, in particular, on child development. The study settings are rural areas of two provinces, Khon Kaen in the northeast and Phitsanulok province in the north, where both internal and international migration is most common. Our previous survey was designed to include children whose parents were migrants as well as children who lived with their parents. We followed up with the same households approximately seven years after the previous survey, which took place from April 22 to May 17, 2020, by employing telephone interviews as with the previous study. -
Calculating Lost Profit Damages: the Missouri Supreme Court Semi-Fixed the Variable Appellate Caselaw
Missouri Law Review Volume 71 Issue 1 Winter 2006 Article 11 Winter 2006 Calculating Lost Profit Damages: The Missouri Supreme Court Semi-Fixed the Variable Appellate Caselaw Jennifer Koboldt Bukowsky Follow this and additional works at: https://scholarship.law.missouri.edu/mlr Part of the Law Commons Recommended Citation Jennifer Koboldt Bukowsky, Calculating Lost Profit Damages: The Missouri Supreme Court Semi-Fixed the Variable Appellate Caselaw, 71 MO. L. REV. (2006) Available at: https://scholarship.law.missouri.edu/mlr/vol71/iss1/11 This Note is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Missouri Law Review by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. Bukowsky: Bukowsky: Calculating Lost Profit Damages Calculating Lost Profit Damages: The Missouri Supreme Court "Semi-Fixed" the "Variable" Appellate Caselaw Ameristar Jet Charter,Inc. v. Dodson InternationalParts, Inc.I I. INTRODUCTION Prior to Ameristar Jet Charter,Inc. v. Dodson InternationalParts, Inc., a split of authority existed among appellate cases in Missouri as to how to calculate lost profit damages. 2 One line of cases stood for the proposition that all overhead expenses, including fixed expenses, should be deducted from estimated lost revenues to determine lost profit damages.3 Another set of cases explicitly refused to deduct all overhead; those courts only deducted variable expenses from estimated lost revenue to determine lost profit dam- ages.4 The Missouri Supreme 5 Court resolved this conflict in a unanimous decision in Ameristar. -
Oh, Child Left Behind: the Next “Lost Generation”
Brad O’Brien University of Maine at Augusta 1 Oh, Child Left Behind: The Next “Lost Generation” Following World War I there was a profound sense that Britain was wounded. The nation was not only pained for those who had died but also for those who had survived and yet would never be whole again. A term was coined, “The Lost Generation,” attributed to Gertrude Stein, which described the loss, in one manner or another, of so many of Britain’s promising youth. These, the would-have-been writers, doctors, and scientists of the country, those who perished or whom war had otherwise deprived of their potential. Syria, a nation 5 years into a bitter civil war, is about to experience its own, “Lost Generation.” Half of Syria’s 4.9 million refugees are children. Without access to education, healthcare, and hope, how will these children restore Syria to the relatively affluent middle-class nation it once was? The paper examines the state of Syria’s refugees, how the current crisis came to be, and the ways in which the U.S. and other nations should rethink the nature and future implications of these kinds of humanitarian crises. (Stern) Today, the largest generation of children in history is growing up having known only insecurity. Many of these children’s earliest experiences are the desperate escapes of their families from untenable and often life-threatening conditions. They find themselves far from home, herded into ‘temporary’ encampments with no schools or other semblance of normal childhood life. Some camps have seen new generations born, children growing up never having known any other kind of existence. -
Friday Prime Time, April 17 4 P.M
April 17 - 23, 2009 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, April 17 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey Å 4 News (N) Å CBS Evening News (N) Å Entertainment Ghost Whisperer “Save Our Flashpoint “First in Line” ’ NUMB3RS “Jack of All Trades” News (N) Å (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight Souls” ’ Å 4 Å 4 ’ Å 4 Letterman (N) ’ 4 KJZZ 3The People’s Court (N) 4 The Insider 4 Frasier ’ 4 Friends ’ 4 Friends 5 Fortune Jeopardy! 3 Dr. Phil ’ Å 4 News (N) Å Scrubs ’ 5 Scrubs ’ 5 Entertain The Insider 4 The Ellen DeGeneres Show (N) News (N) World News- News (N) Two and a Half Wife Swap “Burroughs/Padovan- Supernanny “DeMello Family” 20/20 ’ Å 4 News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4’ Å 3 Gibson Men 5 Hickman” (N) ’ 4 (N) ’ Å line (N) 3 wood (N) 4 (N) Å 4 News (N) Å News (N) Å News (N) Å NBC Nightly News (N) Å News (N) Å Howie Do It Howie Do It Dateline NBC A police of cer looks into the disappearance of a News (N) Å (10:35) The Tonight Show With Late Night- KSL 5 News (N) 3 (N) ’ Å (N) ’ Å Michigan woman. (N) ’ Å Jay Leno ’ Å 5 Jimmy Fallon TBS 6Raymond Friends ’ 5 Seinfeld ’ 4 Seinfeld ’ 4 Family Guy 5 Family Guy 5 ‘Happy Gilmore’ (PG-13, ’96) ›› Adam Sandler. -
Missing Pieces
IPU HANDBOOK FOR PARLIAMENTARIANS No. 12 – 2007 MISSING PIECES MISSING A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY ACTION A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY MISSING PIECES A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY ACTION HD CENTRE Centre for Centre for Humanitarian Inter-Parliamentary Union Humanitarian Inter-Parliamentary Union Dialogue Dialogue IPU HANDBOOK FOR PARLIAMENTARIANS No. 12 – 2007 MISSING PIECES MISSING A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY ACTION A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY MISSING PIECES A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY ACTION HD CENTRE Centre for Centre for Humanitarian Inter-Parliamentary Union Humanitarian Inter-Parliamentary Union Dialogue Dialogue MISSING PIECES A GUIDE FOR REDUCING GUN VIOLENCE THROUGH PARLIAMENTARY ACTION MISSING PIECES ACKNOWLEDGEMENTS This handbook was compiled by Cate Buchanan and Mireille Widmer from the Centre for Humanitarian Dialogue. Contributors to the original version are mentioned at the end of each theme. It was refined with inputs from the Inter-Parliamentary Union, and in particular its co- rapporteurs on small arms and light weapons, Mr. François-Xavier de Donnea (Belgium) and Ms. Ruth Oniang’o (Kenya), as well as members of the Bureau of the First Standing Committee on Peace and International Security. Additional comments were provided by Mr. Marc-Antoine Morel from the United Nations Development Programme, Ms. Julie E. Myers from the United Nations Children’s Fund, -
LOST "Raised by Another" (YELLOW) 9/23/04
LOST “Raised by Another” CAST LIST BOONE................................Ian Somerhalder CHARLIE..............................Dominic Monaghan CLAIRE...............................Emilie de Ravin HURLEY...............................Jorge Garcia JACK.................................Matthew Fox JIN..................................Daniel Dae Kim KATE.................................Evangeline Lilly LOCKE................................Terry O’Quinn MICHAEL..............................Harold Perrineau SAWYER...............................Josh Holloway SAYID................................Naveen Andrews SHANNON..............................Maggie Grace SUN..................................Yunjin Kim WALT.................................Malcolm David Kelley THOMAS............................... RACHEL............................... MALKIN............................... ETHAN................................ SLAVITT.............................. ARLENE............................... SCOTT................................ * STEVE................................ * www.pressexecute.com LOST "Raised by Another" (YELLOW) 9/23/04 LOST “Raised by Another” SET LIST INTERIORS THE VALLEY - Late Afternoon/Sunset CLAIRE’S CUBBY - Night/Dusk/Day ENTRANCE * ROCK WALL - Dusk/Night/Day * INFIRMARY CAVE - Morning JACK’S CAVE - Night * LOFT - Day - FLASHBACK MALKIN’S HOUSE - Day - FLASHBACK BEDROOM - Night - FLASHBACK LAW OFFICES CONFERENCE ROOM - Day - FLASHBACK EXTERIORS JUNGLE - Night/Day ELSEWHERE - Day CLEARING - Day BEACH - Day OPEN JUNGLE - Morning * SAWYER’S -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
An Analysis of Relationship in the Little Prince
An Analysis of Relationship in The Little Prince An Analysis of Relationship in The Little Prince 彰化女中。陳慧倢。二年十三班 彰化女中。王瑋婷。二年十三班 - 1 - PDF created with pdfFactory trial version www.pdffactory.com An Analysis of Relationship in The Little Prince Ⅰ.Preface Upon the most valuable assets one can possess, the relationship with others is one of them. However, due to the invisibility of interior interaction, it is too often neglected. Fortunately, The Little Prince, published in 1943, took the length and breadth of the world by storm. The significant novel brings the consequence of relationship, which affects numerous people, to light. Relationship is the tie between people. In addition, it is the element that makes every moment variable. Furthermore, relationship is what we have to face in our daily social life. Without a doubt, there are many sorts of relationship. Despite the fact that we consider it arduous to tell which the most vital one is, it is not exaggerating to say that the influences of every sort are deep and profound. Relationship enables us to distinguish our beloved ones from all the millions and millions of others. It is then that the world becomes beautiful and is full of sunshine. Without relationship, it is possible for us to ignore love around us. Without relationship, of whom can we think in the livelong June? With whom can we share wheal and woe? Nevertheless, people usually don’t know how to cherish it, how to create it and where to find it. There’s no denying that The Little Prince is the most representative masterpiece in biding defiance to adults’ prejudice against relationship. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Exodus 202 1 Edition Dr
Notes on Exodus 202 1 Edition Dr. Thomas L. Constable TITLE The Hebrew title of this book (we'elleh shemot) originated from the ancient practice of naming a Bible book after its first word or words. "Now these are the names of" is the translation of the first two Hebrew words. "The Hebrew title of the Book of Exodus, therefore, was to remind us that Exodus is the sequel to Genesis and that one of its purposes is to continue the history of God's people as well as elaborate further on the great themes so nobly introduced in Genesis."1 Exodus cannot stand alone, in the sense that the book would not make much sense without Genesis. The very first word of the book, translated "now," is a conjunction that means "and." The English title "Exodus" is a transliteration of the Greek word exodus, from the Septuagint translation, meaning "exit," "way out," or "departure." The Septuagint translators gave the book this title because of the major event in it, namely, the Israelites' departure from Egypt. "The exodus is the most significant historical and theological event of the Old Testament …"2 DATE AND WRITER Moses, who lived from about 1525 to 1405 B.C., wrote Exodus (17:14; 24:4; 34:4, 27-29). He could have written it, under the inspiration of the 1Ronald Youngblood, Exodus, pp. 9-10. 2Eugene H. Merrill, Kingdom of Priests, p. 57. Copyright Ó 2021 by Thomas L. Constable www.soniclight.com 2 Dr. Constable's Notes on Exodus 2021 Edition Holy Spirit, any time after the events recorded (after about 1444 B.C.).