Opening Scripture: Psalm 27:1-3 –
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Psalms, Hymns, and Spiritual Songs: the Master Musician's Melodies
Psalms, Hymns, and Spiritual Songs: The Master Musician’s Melodies Bereans Sunday School Placerita Baptist Church 2004 by William D. Barrick, Th.D. Professor of OT, The Master’s Seminary Messianic Trilogy: Part Two Psalm 23 — The Shepherd King 1.0 Introducing Psalm 23 Psalm 23 is “the pearl of Psalms” and “the nightingale of the Psalms.”— C. H. Spurgeon, The Treasury of David, 3 vols. (Peabody, Mass.: Hendrickson Publishers, n.d.), 1:353 and Henry Ward Beecher, in “Life Thoughts,” cited in The Treasury of David, 1:357. This psalm is the middle of the three psalms in this trilogy: Psalm Psalm 22 Psalm 23 Psalm 24 Person Servant Shepherd Sovereign Ministry Suffering Providing Reigning Time Past Present Future Symbol Cross Crook Crown Edward Irving: “at forty-two, his gaunt gigantic frame bore all the marks of age and weakness. His face was wasted, his hair white, his voice broken, his eyes restless and unquiet. As November drew to its close his feebleness increased, till it was evident that his life was rapidly passing away. His mind began to wander. Those who watched at his bedside could not understand the broken utterances spoken in an unknown tongue by his faltering voice. But at last it was found that he was repeating to himself in Hebrew, Psalm xxiii., ‘The Lord is my Shepherd.’ It was with something like its old power that the dying voice swelled as it uttered the glorious conviction, ‘Though I walk through the valley of the shadow of death, I will fear no evil.’ The last articulate words that fell from his lips were, ‘If I die, I die unto the Lord, Amen.’ And with these he passed away at midnight on Psalms, Hymns, and Spiritual Songs 2 Barrick, Placerita Baptist Church 2004 December 7th, 1834.” — Rowland E. -
Liturgical Music
Funeral Selections Abide With Me Precious Lord, Take My Hand All That We Have Rock Of Ages Amazing Grace Safe In The Arms Of Jesus Amazing Grace (My Chains Are Gone) Shout to the Lord America, The Beautiful Sing Of Mary, Pure And Lowly As We Sail To Heaven’s Shore Sing With All The Saints In Glory A Time For Building Bridges Song of Farewell At The Cross Songs Of The Angels Ave Maria Surely The Presence Of The Lord Battle Hymn Of The Republic Sweet Hour Of Prayer Because He Lives Taste And See Before The Sun Burned Bright Ten Thousand Reasons Be Not Afraid The Lord’s Prayer Be Thou My Vision The Lily Of The Valley Beyond The Sunset The Old Rugged Cross Blessed Assurance There Is Power In The Blood Blessings Tis So Sweet To Trust In Jesus By Name I Have Called You We Remember Call on Jesus We Are Standing on Holy Ground Come To Me What A Friend We Have In Jesus Come To The Water When I Get Where I’m Going Eternal Father, Strong To Save When I Survey The Wondrous Cross Hallelujah When The Roll Is Called Up Yonder Hail Mary, Gentle Woman Will The Circle Be Unbroken Here I Am, Lord Valleys Of Green His Eye Is On The Sparrow You Are Mine How Great Thou Art You Are Near How Beautiful You’ll Never Walk Alone I Am The Bread Of Life If You Could See Me Now Responsorial Psalms I Have Loved You Psalm 23 – My Shepherd Is The Lord I Heard The Voice Of Jesus Say Psalm 23 – Shepherd Me, O God I Know That My Redeemer Lives Psalm 23 – The Lord Is My Shepherd In The Garden Psalm 25 – Remember Your Mercies Isaiah 49 (I Will Never Forget You) Psalm 25 – -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Various Translations of Psalm 23A
Various Translations of Psalm 23a Jeffrey D. Oldham 2006 Feb 17 Contents 1 Introduction 3 1.1 List of Abbreviations . 4 I Translations in the Tyndale-King James Tradition 5 2 The King James Version (1611) 5 3 The Revised Version (1885) 6 4 American Standard Version (1901) 7 5 Revised Standard Version (1952) 8 6 New Revised Standard Version (1989) 9 7 New American Standard (1971) 10 8 New King James Version (1982) 11 II Catholic Translations 12 9 Rheims-Douay (1610) 12 10 Knox (1950) 13 11 The Jerusalem Bible (1966) 14 12 The New Jerusalem Bible (1985) 15 13 The New American Bible (1970) 16 III Jewish Translations 17 a c 2005 Jeffrey D. Oldham ([email protected]). All rights reserved. This document may not be distributed in any form without the express permission of the author. 14 The JPS’s Masoretic Translation (1917) 17 15 The Tanakh (1985) 18 IV British Translations 19 16 The New English Bible (1970) 19 17 Revised English Bible (1989) 20 V Conservative Protestant Translations 21 18 Amplified Bible (1965) 21 19 New International Version (1978) 22 20 English Standard Version (2001) 23 21 The New Living Translation (1996) 24 VI Modern Language and Easy-to-Read Translations 25 22 Moffatt (1926) 25 23 Smith-Goodspeed (1927) 26 24 Basic English Bible (1949) 27 25 New Berkeley Version (1969) 28 26 Today’s English Version (1976) 29 27 Contemporary English Version (1995) 30 28 New Century Version (1991) 31 VII Paraphrases 32 29 The Living Bible (1971) 32 30 The Message (2002) 33 VIII Other 34 31 Septuagint Bible by Charles Thomson (1808) 34 2 1 Introduction There are about two dozen English-language Bibles currently in circulation in the States and about as many have previously been in circulation, but few of us ever examine more the our favorite translation. -
—Come and See What God Has Done“: the Psalms of Easter*
Word & World 7/2 (1987) Copyright © 1987 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 207 Texts in Context “Come and See What God Has Done”: The Psalms of Easter* FREDERICK J. GAISER Luther Northwestern Theological Seminary, St. Paul, Minnesota “Whenever the Psalter is abandoned, an incomparable treasure vanishes from the Christian church. With its recovery will come unsuspected power.”1 It is possible to agree with Bonhoeffer’s conviction without being naive about the prospect of this happening automatically by a liturgical decision to incorporate the psalms into Sunday morning worship. Not that this is not a good and needed corrective; it is. In many of those worship services the psalms had become nothing more than the source of traditional versicles—little snippets to provide the proper mood of piety in the moments of transition between things that mattered. Yet the Psalter never went away, despite its liturgical neglect. The church called forth psalms in occasional moments of human joy and tragedy, poets paraphrased them for the hymnals, and faithful Christians read and prayed them for guidance and support in their own lives. But now many Christian groups have deliberately re-established the psalms as a constitutive element in regular public worship. What will the effect of this be? Some congregations have found them merely boring-another thing to sit through—which suggests a profound need for creative thinking about how and where to use the psalms so people can hear and participate in the incredible richness and dramatic power of the life within them. -
LOST with a Good Book
The Lost Code: BYYJ C`1 P,YJ- LJ,1 Key Literary References and Influ- Books, Movies, and More on Your Favorite Subjects Heart of Darkness by Joseph Conrad CAS A CONR/ eAudiobook LOST on DVD A man journeys through the Congo and Lost Complete First Season contemplates the nature of good and evil. There are several references, especially in relation to Lost Season 2: Extended Experience Colonel’s Kurtz’s descent toward madness. Lost Season 3: The Unexplored Experience Lost. The Complete Fourth Season: The Expanded The Stand by Stephen King FIC KING Experience A battle between good and evil ensues after a deadly virus With a Good Book decimates the population. Producers cite this book as a Lost. The Complete Fifth Season: The Journey Back major influence, and other King allusions ( Carrie , On Writing , *Lost: Complete Sixth & Final Season is due for release 8/24/10. The Shining , Dark Tower series, etc.) pop up frequently. The Odyssey by Homer FIC HOME/883 HOME/ CD BOOK 883.1 HOME/CAS A HOME/ eAudiobook LOST Episode Guide Greek epic about Odysseus’s harrowing journey home to his In addition to the biblical episode titles, there are several other Lost wife Penelope after the Trojan War. Parallels abound, episode titles with literature/philosophy connections. These include “White especially in the characters of Desmond and Penny. Rabbit” and “Through the Looking Glass” from Carroll’s Alice books; “Catch-22”; “Tabula Rosa” (philosopher John Locke’s theory that the Slaughterhouse-Five by Kurt Vonnegut FIC VON human mind is a blank slate at birth); and “The Man Behind the Curtain” A World War II soldier becomes “unstuck in time,” and is and “There’s No Place Like Home” ( The Wonderful Wizard of Oz ). -
Seasons/08-09/Chichester Translation.Pdf
In 1965, Leonard Bernstein received a commission from the 1965 Southern Cathedral Festival to compose a piece for the cathedral choirs of Chichester, Winchester, and Salisbury. The result was the three-movement Chichester Psalms, a choral setting of a number of Hebrew psalm texts. This is Bernstein's version of church music: rhythmic, dramatic, yet fundamentally spiritual. The piece opens with the choir proclaiming Psalm 108, verse 2 (Awake, psaltery and harp!). This opening figure (particularly the upward leap of a minor seventh) recurs throughout the piece. The introduction leads into Psalm 100 (Make a joyful noise unto the Lord), a 7/4 dance that fits the joyous mood of the text. At times, this movement sounds like something out of West Side Story - it is percussive, with driving dance rhythms. The second movement starts with Psalm 23, with only a solo boy soprano and harp (suggesting David); the sopranos of the choir enter, repeating the solo melody. Suddenly and forcefully, the men interrupt in the middle of the Psalm 23 text (just after "Thy rod and thy staff, they comfort me") with Psalm 2. The setting of this text differs greatly from the flowing melodic feel of Psalm 23; it is evocative of the conflict in the text, with the men at times almost shouting. The men's voices gradually fade, and the initial peaceful melody returns (along with the rest of the Psalm 23 text), with the men continuing underneath. Movement 3 begins with an instrumental introduction based on the opening figure of the piece. The choir then enters with Psalm 131, set in a fluid 10/4 meter. -
June 2009.Indd
TTHEHE GGENEVAENEVA SSCHOOLCHOOL TTHEHE COURIERCOURIER NNEWSLETTEREWSLETTER JJUNEUNE 110,0, 22009009 The Geneva School Class of 2009 Back Row Middle Row Front Row Joel Baumgarten Elizabeth Schaffer McKenzie Fletcher Jonathan Seneff Ryan Delk Taylor Fletcher Raymon Garcia Luis Perez Caroline Mitchell Zachary Schutz Christopher Bonarrigo Samantha Cowan James Calhoun Neely Patton Rebecca Lopdrup Kyle Barker Damian Campbell Katherine O’Driscoll Ryan Killoran Josiah Nethery Lauren Padgett Stephen Wilkes Veronika Nyberg Lindsey Warner Jonathan Spilman Ashley Yates Abigail Pugh Return of the Kings Revelation 4:8–5:10 Baccalaureate Address delivered by Rev. Michael Francis on Th ursday, May 21 It’s a great privilege for me to be with you this evening, and I thank Reverend Ingram and the Board for entrusting me with the responsibility of issuing the charge to you, Geneva’s largest graduating class (thus far). It boils down to this, my friends: the world won’t lift a fi nger to help you learn the things you most need to know. Th e sooner you realize this, the safer and wiser you will be. But take heart: God is not like the world; He is eager for you to know these things, which is why He throws open the doors to His heavenly throne room for us in Revelation 4 and 5, to show us three Kings who are central to the Christian world- view. God willing, I will charge you tonight to build a vision for your life on the true identities of these three kings: (1) God (the Father); (2) Jesus Christ; and (3) Man. -
Transliteration of Psalm 23—SLIDE ONE
1 Handout for Psalm 23 class—this material will also be shown on the monitor Includes a bibliography and playlist Psalm 23 in liturgy: Psalm 23 is read or sung at funerals. It is traditionally sung at the third meal of Shabbat (Seudah Shlishit or Shalishudes), like the zemirot of the other Shabbat meals. Chabad custom uses it at many more points during Shabbat. It is included in a long list of psalms recited on behalf of a seriously ill person. Transliteration of Psalm 23—SLIDE ONE 1. Ah-doh-nai roh-ee loh ekh-sar. 2. Bin-oht deh-sheh yahr-bee-tzay-nee, ahl may meh-noo-khoht yeh-nah- hah-lay-nee. 3. Nahf-shee yeh-shoh-vayv, yahn-chay-nee veh-mah-geh-lay tzeh-dek leh- mah-ahn sheh-moh. 4. Gahm kee ay-laykh beh-gay tzahl-mah-veht, loh ee-rah rah, kee ah-tah ee- mah-dee, shiv-teh-khah oo-mish-ahn-teh-khah hay-mah yeh-nah-khah- moo-nee. 5. Tah-ah-rohkh leh-fah-nai shool-khahn neh-gehd tzoh-reh-rai, dee-shahn- tah vah-sheh-mehn roh-shee, koh-see reh-vah-yah. 6. Ahkh tohv vah-kheh-sehd yir-deh-foo-nee kohl yeh-may khah-yai, veh- shahv-tee beh-vayt ah-doh-nai leh-oh-rehch yah-mim. 2 SLIDE 8 Psalm 23 in Jewish Publication Society Tanakh 1917(based on Revised Version of King James Bible) 1A Psalm of David. The LORD is my shepherd; I shall not want. 2He makes me lie down in green pastures; He leads me beside the still waters. -
Daf Ditty Pesachim 118: Hallel Ha-Gadol
Daf Ditty Pesachim 118: Hallel Ha-Gadol Psalm 117, f. 21r in Passover Haggadah, with ritual instructions in French (Bouton Haggadah) Zürich, Braginsky Collection, B315 Expanses, expanses, Expanses divine my soul craves. Confine me not in cages, Of substance or of spirit. My soul soars the expanses of the heavens. Walls of heart and walls of deed Will not contain it. Morality, logic, custom - My soul soars above these, Above all that bears a name, 1 Above all that is exalted and ethereal. I am love-sick - I thirst, I thirst for God, As a deer for water brooks. Rav Kook, Chadarav, p. 391 They pour for him the third cup and he says grace after his meal. The fourth, and he concludes on it the Hallel and says on it the Blessing of the Song. Between these cups he may drink if he chooses, but between the third and the fourth he should not drink. Rabbi Simchah Roth writes:2 1: In the Gemara [Pesachim 117b] we are told that each of the four cups of wine during the Seder is designated for a certain mitzvah. The first is for Kiddush, the second is for the 'telling' (the 'haggadah'), the third is for Grace After Meals, and the fourth is for the Hallel. 2: In the Gemara [Pesachim 118a] a baraita is quoted: On the fourth [cup] he concludes the Hallel and recites the Great Hallel... The Great Hallel is then identified as Psalm 136, which includes the phrase 'for His kindness is everlasting' twenty-six times. (This is the view of Rabbi Tarfon, which is accepted; another view is also quoted in the baraita according to which the Great Hallel is Psalm 23.) More than one reason is offered for the inclusion of Psalm 136; the most appealing is probably that offered by Rabbi Yoĥanan: because God sits in his highest heaven and allocates food for each creature. -
Familiarity with the Shepherd Ps. 23; John 10:22-30; John 13
FAMILIARITY WITH THE SHEPHERD PS. 23; JOHN 10:22-30; JOHN 13: I’m curious, what’s it feel like to read the 23rd psalm? It is so familiar to so many people I’m afraid we lose the power of the words. It is vaguely familiar even to those who rarely go to church. It is often requested as the scripture choice at a funeral. Why has it stuck in our heads or our hearts so well? It might be in our heads because it was required to memorize in some bygone day. It might be in our hearts because a phrase or two has claimed special meaning at a time when we needed certain comfort or strength or hope or assurance. Psalm 23 is a poem. It is a love poem to God, written by King David, who used to be a shepherd himself. David begins by identifying God and himself. The LORD. He’s writing to the God whose name is so holy that people used to not dare to say it. Yahweh. The LORD was substituted. David is not writing to or about just any god, but the LORD, Yahweh. The Jewish God who is above all other gods. David claims his relationship by saying the LORD is… The word is means right now, and always right now. As I thought about this, I was happy to realize that it is a way to use another name for God. I Am. Remember when Moses …(Exodus 3) I Am. Not I used to be, or I will be some day, but I Am. -
Michaelmas Term 2017 Chapel Services and Music MAGDALEN
Michaelmas Term 2017 Chapel Services and Music MAGDALEN COLLEGE OXFORD COVER IMAGE: DETAIL FROM MAGDALEN COLLEGE LIBRARY MS LAT 5, A FIFTEENTH-CENTURY FRENCH BOOK OF HOURS We welcome you to our worshipping community at Magdalen. Prayer and praise have been offered to God in this place since the fifteenth century, when the College was founded by William of Waynflete, Bishop of Winchester. The statutes of 1480 make provision for a Choir comprised of sixteen boy Choristers and a number of adult Clerks, ‘that the worship of God, from whom all good things come, might be increased more widely and better sustained’. That tradition continues unchanged today. The Choirmaster at Magdalen retains the ancient Latin title Informator Choristarum, and among those who have held the post over the centuries are John Sheppard, Daniel Purcell, Sir John Stainer, Sir William McKie, and, in more recent years, Dr Bernard Rose. It is the aim of the Dean of Divinity and the Informator Choristarum that all our services here should be dedicated to the glory of God. Our music is not an end in itself but part of a larger whole. We hope that in the singing and in the silence, in the spoken word and in the beauty of this house of God, you will feel that greater presence, and be blessed by the peace that passes all understanding. MARK WILLIAMS JONATHAN ARNOLD Informator Choristarum Dean of Divinity www.magdalencollegechoir.com www.magd.ox.ac.uk/chapel-and-choir MICHAELMAS TERM 2017 Choral Services Services are normally sung by Magdalen College Choir (men and boys).