Songs of the Lowly, and Other Poems
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The Day the Stars Fell – Preview All Rights Reserved a Prologue Starfall Saturday, September 23, 2034 2035 Nuuk Time Godthab, Greenland
The Day the Stars Fell – Preview All Rights Reserved A Prologue Starfall Saturday, September 23, 2034 2035 Nuuk Time Godthab, Greenland It began about 2035 Nuuk Time (US 1835 EDT) in the evening somewhere over the Atlantic Ocean. All along the eastern seaboard of two continents and the islands on that side of the world were witness to it. The larger population turning their eyes to the East to marvel at the hundreds of trails streaking through the sky. Along with those blazing trails through the skies came tremendous flashes as the meteoroids vaporized in the atmosphere. Several morphed into meteorites as they struck the Earth and ocean. It started around mid-Greenland with some the few souls that lived there looking to the East while some of them and their friends in Iceland looking West. A very few Greenlanders had to lay back their heads and look straight up. The few inhabitants of the globe that were above 70 degrees North where looking South to see it while the few inhabitants living south of 70 degrees South were looking North. The barrage of falling rocks seemed much thicker near the equator and tapering to a thin stream at either extreme with the extreme ends sort of lagging behind the center mass in a shallow “U” shape lying on its side. New Yorkers on the Eastern Seaboard of the USA and others from the top of the Arctic Circle to Tierra Del Fuego and the penguins of Antarctica saw the same spectacular display that lit the dark and darkening skies at a distance. -
Pessoa's Antinous I
Pessoa’s Antinous J. D. Reed* Keywords Antinous, English poetry, Decadent poetry, Modernism, Fernando Pessoa. Abstract Pessoa’s Antinous follows a tradition of poems on mythological dying-god figures mourned by their divine lovers, transferring the tropes of that tradition to the Roman emperor Hadrian and his lover, who had been appropriated by fin-de-siècle literary homoeroticism. Palavras-chave Antinous, Poesia inglesa, Decadentismo, Modernismo, Fernando Pessoa. Resumo O Antinous (Antínoo) de Fernando Pessoa segue uma tradição de poemas sobre deuses mitológicos moribundos sendo lamentados por seus amantes divinos. Pessoa transfere os artifícios dessa tradição para duas personagens, o imperados romano Adriano e seu amante, o qual tinha sido apropriado pelo homoerotismo literário do fim do século XIX. * Professor of Classics and Comparative Literature, Brown University. Reed Pessoa's Antinous I. For the student of Classical reception, Pessoa’s Antinous (1918), with its picture of the Roman emperor Hadrian’s grief for his dead boyfriend, caps a roster of nineteenth-century English poems inspired by “dying god” figures, Greek mythological characters like Adonis, beloved by a powerful deity, lost objects of beauty.1 Examples are Shelley’s “Adonais,” his elegy on Keats under the guise of an Adonis-figure; Keats’s own “Endymion,” particularly the Adonis section; Swinburne’s take on the Tannhäuser legend, “Laus Veneris,” with its heated eroticism and hopeless roster of the vampiric Venus’ cast-off lovers. The “Epitaph on Adonis” of the ancient -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
Beth Michael-Fox Thesis for Online
UNIVERSITY OF WINCHESTER Present and Accounted For: Making Sense of Death and the Dead in Late Postmodern Culture Bethan Phyllis Michael-Fox ORCID: 0000-0002-9617-2565 Doctor of Philosophy September 2019 This thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester. DECLARATION AND COPYRIGHT STATEMENT No portion of the work referred to in the Thesis has been submitted in support of an application for another degree or qualification of this or any other university or other institute of learning. I confirm that this Thesis is entirely my own work. I confirm that no work previously submitted for credit has been reused verbatim. Any previously submitted work has been revised, developed and recontextualised relevant to the thesis. I confirm that no material of this thesis has been published in advance of its submission. I confirm that no third party proof-reading or editing has been used in this thesis. 1 Acknowledgments I would like to thank Professor Alec Charles for his steadfast support and consistent interest in and enthusiasm for my research. I would also like to thank him for being so supportive of my taking maternity leave and for letting me follow him to different institutions. I would like to thank Professor Marcus Leaning for his guidance and the time he has dedicated to me since I have been registered at the University of Winchester. I would also like to thank the University of Winchester’s postgraduate research team and in particular Helen Jones for supporting my transfer process, registration and studies. -
The Vilcek Foundation Celebrates a Showcase Of
THE VILCEK FOUNDATION CELEBRATES A SHOWCASE OF THE INTERNATIONAL ARTISTS AND FILMMAKERS OF ABC’S HIT SHOW EXHIBITION CATALOGUE BY EDITH JOHNSON Exhibition Catalogue is available for reference inside the gallery only. A PDF version is available by email upon request. Props are listed in the Exhibition Catalogue in the order of their appearance on the television series. CONTENTS 1 Sun’s Twinset 2 34 Two of Sun’s “Paik Industries” Business Cards 22 2 Charlie’s “DS” Drive Shaft Ring 2 35 Juliet’s DHARMA Rum Bottle 23 3 Walt’s Spanish-Version Flash Comic Book 3 36 Frozen Half Wheel 23 4 Sawyer’s Letter 4 37 Dr. Marvin Candle’s Hard Hat 24 5 Hurley’s Portable CD/MP3 Player 4 38 “Jughead” Bomb (Dismantled) 24 6 Boarding Passes for Oceanic Airlines Flight 815 5 39 Two Hieroglyphic Wall Panels from the Temple 25 7 Sayid’s Photo of Nadia 5 40 Locke’s Suicide Note 25 8 Sawyer’s Copy of Watership Down 6 41 Boarding Passes for Ajira Airways Flight 316 26 9 Rousseau’s Music Box 6 42 DHARMA Security Shirt 26 10 Hatch Door 7 43 DHARMA Initiative 1977 New Recruits Photograph 27 11 Kate’s Prized Toy Airplane 7 44 DHARMA Sub Ops Jumpsuit 28 12 Hurley’s Winning Lottery Ticket 8 45 Plutonium Core of “Jughead” (and sling) 28 13 Hurley’s Game of “Connect Four” 9 46 Dogen’s Costume 29 14 Sawyer’s Reading Glasses 10 47 John Bartley, Cinematographer 30 15 Four Virgin Mary Statuettes Containing Heroin 48 Roland Sanchez, Costume Designer 30 (Three intact, one broken) 10 49 Ken Leung, “Miles Straume” 30 16 Ship Mast of the Black Rock 11 50 Torry Tukuafu, Steady Cam Operator 30 17 Wine Bottle with Messages from the Survivor 12 51 Jack Bender, Director 31 18 Locke’s Hunting Knife and Sheath 12 52 Claudia Cox, Stand-In, “Kate 31 19 Hatch Painting 13 53 Jorge Garcia, “Hugo ‘Hurley’ Reyes” 31 20 DHARMA Initiative Food & Beverages 13 54 Nestor Carbonell, “Richard Alpert” 31 21 Apollo Candy Bars 14 55 Miki Yasufuku, Key Assistant Locations Manager 32 22 Dr. -
From William Golding's Lord of the Flies to ABC's LOST. By
Humanity Square One: From William Golding’s Lord of the Flies to ABC’s LOST. by Antonia Iliadou A dissertation to the Department of American Literature and Culture, School of English, Faculty of Philosophy of Aristotle University of Thessaloniki, in partial fulfillment of the requirements for the degree of Master of Arts. Aristotle University of Thessaloniki September 2013 Humanity Square One: From William Golding’s Lord of the Flies to ABC’s LOST. by Antonia Iliadou Has been approved September 2013 APPROVED: _________________________ _________________________ _________________________ Supervisory Committee ACCEPTED: _______________ Department Chairperson Iliadou 1 CONTENTS ACKNOWLEDGEMENTS .......................................................................................................1 ABSTRACT...............................................................................................................................3 INTRODUCTION......................................................................................................................5 CHAPTER 1: William Golding’s Lord of the Flies: Analysis and Contextualization ..............1 1.1. a. Lord of the Flies in an age of ambiguity: The position of Golding’s novel in the Post War United States...........................................................................................................2 1.1. b. The Impact of Golding’s Lord of the Flies on its Readers........................................14 1.2. “… The picture of man, at once heroic and sick”: The Depiction -
Indhold Getting LOST
Indhold Getting LOST ...................................................................................................................................................... 3 Fremgangsmåde og afgrænsningsfelt ............................................................................................................... 4 Beskrivelse af serien .......................................................................................................................................... 5 Føljetonformatet ............................................................................................................................................... 6 Episodernes opbygning og seriens plots ....................................................................................................... 7 Karaktererne .................................................................................................................................................. 8 Jacks plotlinje ................................................................................................................................................. 9 White Rabbit’s konstruktion og karakterfremstilling .................................................................................. 10 316’s konstruktion og karakterfremstilling ................................................................................................. 15 En strukturalistisk analyse af karakterens konstruktion ............................................................................. 19 Psychologial traits/habitual -
Dead Benny Scott Lane Norenberg Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2004 Dead Benny Scott Lane Norenberg Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Norenberg, Scott Lane, "Dead Benny" (2004). Retrospective Theses and Dissertations. 16160. https://lib.dr.iastate.edu/rtd/16160 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Dead Benny by Scott Lane Norenberg A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Program of Study Committee: Sheryl St. Germain, Major Professor Stephen Pett Nenad Kostic Iowa State University Ames, Iowa 2004 11 Graduate College Iowa State University This is to certify that the master's thesis of Scott Lane Norenberg has met the thesis requirements ofIowa State University Signatures have been redacted for privacy 111 TABLE OF CONTENTS INTRODUCTION 1 Jesus decides to take a bath 8 40 Years of Alcohol Rain and a Night Called Ark 9 Benny's Apology 10 A Love Poem? 11 Benny Gets David Thirk at Last 12 Drinking the Father 13 Benny wants his cake mother-fucker 14 Ode to Lung Butter 15 A Poem Without Power 16 Another Poem Without Power 17 Above Abuse 18 Now, this moment 19 Blue Song of a Convenience Store Clerk 20 Stray Life 21 note in a bottle from nowhere 22 Diatribe Against U.S. -
"Company You Keep," and Other Stories
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1985 "Company you keep," and other stories Peter Kerry Powers The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Powers, Peter Kerry, ""Company you keep," and other stories" (1985). Graduate Student Theses, Dissertations, & Professional Papers. 1413. https://scholarworks.umt.edu/etd/1413 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB SISTS. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE : 19 8.S "THE COMPANY YOU KEEP," AND OTHER STORIES By Peter Kerry Powers B. A., Wheaton College, 1982 Presented in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Montana 1985 Approved by Chairman, Board of Examiners DeeCn, Graduate SShdol $o. Date UMI Number: EP36503 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
MARIA HASSABI Born in Nicosia, Cyprus Lives in New York City
MARIA HASSABI Born in Nicosia, Cyprus Lives in New York City EDUCATION 1994–2003, Alexander Technique with Shelley Senter, Judith Lakin, June Ekman 1994–98, Movement Research, New York, NY 1997, Pilates Method of Body Conditioning (certificate) 1994–96, Merce Cunningham Dance Foundation, New York, NY 1994, BFA, California Institute of the Arts, Valencia, CA 1992, Harvard University, Summer Dance Intensive, Boston, MA WORKS & EXHIBITIONS Entre Deux Actes (Menagé a ̀ Quatre) (2019) Collaboration with Nairy Baghramian Performa, New York, NY / November 6–10, 2019 FIGURES (2019) MUDAM Luxembourg Museum, Luxembourg City, Luxembourg / July 20 & 21, 2019 Künstlerhaus Bregenz, Bregenz, Austria / June 29 & 30, 2019 Giacimenta, organized by Francesca Corona and Michele di Stefano, Matera 2019, Matera, Italy / June 14 & 15, 2019 Out Score, Aixoni Sculpted Theater, Athens, Greece / May 28, 2019 TOGETHER (2019) Palazzo delle Esposizioni, Rome, Italy / June 2, 2019 MUDAM Luxembourg Museum, Luxembourg City, Luxembourg / May 18 & 19, 2019 Centre d’Art Contemporain, Geneva, Switzerland / May 2, 2019 Pulitzer Arts Foundation, St. Louis, MO / April 5 & 6, 2019 SLOWMEDOWN (2018) EMPAC, Troy, NY / October 12–19, 2018 Point Center for Contemporary Art, Nicosia, Cyprus / September 22–November 16, 2018 STAGING Solo #2 (2017) Move 2018, Centre Pompidou, Paris France / June 7–24, 2018 Block Universe, London UK / May 26 & 27, 2017 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany /December 7, 2017 – January 21, 2018 STAGING (2017) Remai Modern, Saskatoon, Canada -
美國影集的字彙涵蓋量 語料庫分析 the Vocabulary Coverage in American
國立臺灣師範大學英語學系 碩 士 論 文 Master’s Thesis Department of English National Taiwan Normal University 美國影集的字彙涵蓋量 語料庫分析 The Vocabulary Coverage in American Television Programs A Corpus-Based Study 指導教授:陳 浩 然 Advisor: Dr. Hao-Jan Chen 研 究 生:周 揚 亭 Yang-Ting Chou 中 華 民 國一百零三年七月 July, 2014 國 立 英 臺 語 灣 師 學 範 系 大 學 103 碩 士 論 文 美 國 影 集 的 字 彙 涵 蓋 量 語 料 庫 分 析 周 揚 亭 中文摘要 身在英語被視為外國語文的環境中,英語學習者很難擁有豐富的目標語言環 境。電視影集因結合語言閱讀與聽力,對英語學習者來說是一種充滿動機的學習 資源,然而少有研究將電視影集視為道地的語言學習教材。許多研究指出媒體素 材有很大的潛力能激發字彙學習,研究者很好奇學習者要學習多少字彙量才能理 解電視影集的內容。 本研究探討理解道地的美國電視影集需要多少字彙涵蓋量 (vocabulary coverage)。研究主要目的為:(1)探討為理解 95%和 98%的美國影集,分別需要 英國國家語料庫彙編而成的字族表(the BNC word lists)和匯編英國國家語料庫 (BNC)與美國當代英語語料庫(COCA)的字族表多少的字彙量;(2)探討為理解 95%和 98%的美國影集,不同的電視影集類型需要的字彙量;(3)分析出現在美國 影集卻未列在字族表的字彙,並比較兩個字族表(the BNC word lists and the BNC/COCA word lists)的異同。 研究者蒐集六十部美國影集,包含 7,279 集,31,323,019 字,並運用 Range 分析理解美國影集需要分別兩個字族表的字彙量。透過語料庫的分析,本研究進 一步比較兩個字族表在美國影集字彙涵蓋量的異同。 研究結果顯示,加上專有名詞(proper nouns)和邊際詞彙(marginal words),英 國國家語料庫字族表需 2,000 至 7,000 字族(word family),以達到 95%的字彙涵 蓋量;至於英國國家語料庫加上美國當代英語語料庫則需 2,000 至 6,000 字族。 i 若須達到 98%的字彙涵蓋量,兩個字族表都需要 5,000 以上的字族。 第二,有研究表示,適當的文本理解需要 95%的字彙涵蓋量 (Laufer, 1989; Rodgers & Webb, 2011; Webb, 2010a, 2010b, 2010c; Webb & Rodgers, 2010a, 2010b),為達 95%的字彙涵蓋量,本研究指出連續劇情類(serial drama)和連續超 自然劇情類(serial supernatural drama)需要的字彙量最少;程序類(procedurals)和連 續醫學劇情類(serial medical drama)最具有挑戰性,因為所需的字彙量最多;而情 境喜劇(sitcoms)所需的字彙量差異最大。 第三,美國影集內出現卻未列在字族表的字會大致上可分為四種:(1)專有 名詞;(2)邊際詞彙;(3)顯而易見的混合字(compounds);(4)縮寫。這兩個字族表 基本上包含完整的字彙,但是本研究顯示語言字彙不斷的更新,新的造字像是臉 書(Facebook)並沒有被列在字族表。 本研究也整理出兩個字族表在美國影集字彙涵蓋量的異同。為達 95%字彙涵 蓋量,英國國家語料庫的 4,000 字族加上專有名詞和邊際詞彙的知識才足夠;而 英國國家語料庫合併美國當代英語語料庫加上專有名詞和邊際詞彙的知識只需 3,000 字族即可達到 95%字彙涵蓋量。另外,為達 98%字彙涵蓋量,兩個語料庫 合併的字族表加上專有名詞和邊際詞彙的知識需要 10,000 字族;英國國家語料 庫字族表則無法提供足以理解 98%美國影集的字彙量。 本研究結果顯示,為了能夠適當的理解美國影集內容,3,000 字族加上專有 名詞和邊際詞彙的知識是必要的。字彙涵蓋量為理解美國影集的重要指標之一, ii 而且字彙涵蓋量能協助挑選適合學習者的教材,以達到更有效的電視影集語言教 學。 關鍵字:字彙涵蓋量、語料庫分析、第二語言字彙學習、美國電視影集 iii ABSTRACT In EFL context, learners of English are hardly exposed to ample language input. -
LOST | the Auction
LOST | The Auction 196 1-310-859-7701 Profiles in History | August 21 & 22, 2010 728. KATE’S COSTUME FROM THE EPI- SODE, “BECAUSE YOU LEFT.” Kate’s dark gray pants, purple geometric design blouse and black leather jacket worn in the episode, “Because You Left.” $200 – $300 729. KATE’S COSTUME 725. JACK’S DHARMA FROM THE EPISODE, JUMPSUIT FROM SEASON “BECAUSE YOU LEFT.” FIVE. Jack’s distressed Kate’s white cotton khaki utility jumpsuit with shorts, pink cream sleep- DHARMA logo patch at wear top and blue robe the left breast and “Jack worn when she’s visited Workman” embroidered by lawyer Dan Norton on the left breast pocket. in the episode, “Because Includes Caterpillar work You Left.” $200 – $300 boots. Worn in Season Five. $200 – $300 726 - 727. NO LOT. 197 www.liveauctioneers.com LOST | The Auction 730. KATE’S COSTUME FROM THE EPISODE, “THE LITTLE PRINCE.” Kate’s black skirt, black jacket, dark green blouse and black heels worn while meeting with lawyer Dan Norton over custody of Aaron in the episode, “The Little Prince.” $200 – $300 731. KATE’S COSTUME FROM THE EPISODE, “HE’S OUR 732. KATE’S DHARMA PROCESSING CENTER YOU.” Kate’s costume includes COSTUME FROM THE EPISODE, “NAMASTE.” black pants, gray print tank top, Kate’s jeans and linen ethnic hippy shirt worn gray jacket and boots worn on while questioned by Phil in the Processing board Ajira Airways Flight 316 Center in the episode, “Namaste.” $200 – $300 in the episode, “He’s Our You.” $200 – $300 733. NO LOT 198 1-310-859-7701 Profiles in History | August 21 & 22, 2010 736.