Ultimate Lost and Philosophy
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Nomination Press Release
Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin -
DAN HILAND Re-Recording Mixer
DAN HILAND Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS CATCH-22 David Michod Paramount Television INSATIABLE Lauren Gussis CBS Television Studios BATWOMAN Caroline Dries WBTV Gary Dauberman/Mark SWAMP THING Verheiden DC Universe THE RED LINE Cairlin Parrish WBTV ALL AMERICAN April Blair WBTV LOVE IS Mara Brock Akil OWN SABRINA THE TEENAGE WITCH Jonathan Schmock Viacom Productions TITANS Greg Berlanti DC Entertainment THE LEFTOVERS Damon Lindelof HBO THE FLASH Greg Berlanti WBTV EMPIRE Lee Daniels Imagine Television CINNAMON GIRL (TV Movie) Gavin O'Connor Fox 21 WITCHES OF EAST END Maggie Friedman Lifetime ARROW Greg Berlanti WBTV RAY DONOVAN (Pilot) Ann Biderman Showtime Networks MOB CITY Frank Darabont TNT Originals POLITICAL ANIMALS Greg Berlanti WBTV HOUSE OF LIES Matthew Carnahan Showtime Networks HART OF DIXIE Leila Gerstein WBTV THE WALKING DEAD Frank Darabont (2010) (2012/2014/2015/2016) AMC DARK BLUE Danny Cannon/Doug Jung TNT Originals IN PLAIN SIGHT David Maples USA Network CHASE Jennifer Johnson WBTV NO ORDINARY FAMILY (Pilot) Greg Berlanti ABC Studios THE WHOLE TRUTH Tom Donaghy WBTV J.J. Abrams FRINGE (Pilot) (2009) WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.7825 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS LIMELIGHT (Pilot) David Semel, WBTV HUMAN TARGET Jonathan E. Steinberg WBTV EASTWICK Maggie Friedman WBTV V (Pilot) Kenneth Johnson WBTV TERMINATOR: THE SARAH CONNER Josh Friedman CHRONICLES WBTV CAPTAIN -
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
04.19.20-COVID19-Briefing-Deck
Today is Sunday. Everyone is entitled to his own opinion, but not his own facts. Senator Daniel Patrick Moynihan Total Hospitalizations 18,279 18,654 18,825 18,335 18,569 18,707 18,697 18,079 17,735 17,493 17,316 16,837 16,967 16,479 16,213 15,905 14,810 13,383 12,226 10,929 9,517 8,503 7,328 6,481 5,327 4,079 3,343 2,629 2,043 1,406 1,042 617 326 496 March 16 April 18 Total Hospitalizations Past the Apex? March 16 April 18 Net Change in Total Hospitalizations 1,412 1,427 1,297 1,248 1,154 1,175 1,157 1,014 1,095 847 714 736 637 656 586 574 586 425 364 358 290 200 170 53 121 118 91 85 -128 -362 -349 -419 -600 -754 March 16 April 18 Net Change in Hospitalizations (3-Day Average) 1,289 1,294 1,226 1,200 1,214 1,083 1,046 1,059 1,012 1,032 899 679 676 646 529 529 533 475 481 359 303 239 192 131 127 143 91 85 14 -124 -363 -460 -456 -507 March 16 April 18 Net Change in Intubations 351 313 316 303 290 295 291 260 222 200 192 165 132 124 116 121 94 109 110 93 88 69 69 43 27 -14 -21 -26 -7 -40 -73 -48 -112 March 17 April 18 STAY HOME. STOP THE SPREAD. SAVE LIVES. New COVID Hospitalizations Per Day Gross change in hospitalizations 3,413 3,261 3,034 2,882 2,844 2,857 2,821 2,848 2,538 2,553 2,507 2,486 2,241 2,253 2,082 1,974 1,915 1,883 1,958 1,996 1,796 1,813 1,722 1,649 1,384 1,084 909 823 776 489 March 20 April 18 Total Hospitalized By Region Rest of State 7% Westchester and Rockland 8% NYC Long Island 63% 21% STAY HOME. -
Chapter 8 Abandoned, Derelict Vehicles
Municipal Code – Village of Pingree Grove __________________________________________________________________________________ Title 7: Motor Vehicles and Traffic Chapter 8 – ABANDONED, DERELICT VEHICLES1 SECTIONS: 7-8-1: LEGISLATIVE FINDINGS AND DETERMINATIONS. 7-8-2: DEFINITIONS. 7-8-3: ABANDONMENT OF VEHICLE OR RETENTION OF DERELICT VEHICLE PROHIBITED. 7-8-4: PRESUMPTIONS. 7-8-5: REMOVAL OF VEHICLES; COSTS. 7-8-6: RECORDS OF TOWS. 7-8-7: RECORDS SEARCHES FOR OWNER. 7-8-8: RECLAMATION OF VEHICLE. 7-8-9: SALE OF VEHICLE. 7-8-10: OLDER VEHICLES. 7-8-11: ALTERNATE PROCEDURES. 7-8-12: RECORDS KEPT. 7-8-13: DISPOSITION OF PROCEEDS. 7-8-14: NONLIABILITY OF VILLAGE OR TOWING SERVICE. 7-8-1: LEGISLATIVE FINDINGS AND DETERMINATIONS: The village board members, in keeping with the policy of the Illinois general assembly, as found in section 5/4-301 of the Illinois vehicle code, finds and determines that: abandoned and derelict vehicles constitute a safety hazard and a public nuisance; are detrimental to the health, safety and welfare of the general public by harboring disease, providing breeding places for vermin, inviting plundering, creating fire hazards and presenting physical dangers to children and others; produce scenic blights which degrade the environment and adversely affect land values and the proper maintenance and continuing development of the state of Illinois and all of its subdivisions; represent a resource out of place and an energy loss to the Illinois economy and require state and local governmental attention, in conjunction with any federal governmental attention, in order to assure the expeditious removal and recycling of these abandoned and derelict vehicles. -
Sawbones 322: Cabin Fever Published on May 8Th, 2020 Listen Here on Themcelroy.Family
Sawbones 322: Cabin Fever Published on May 8th, 2020 Listen here on themcelroy.family Intro (Clint McElroy): Sawbones is a show about medical history, and nothing the hosts say should be taken as medical advice or opinion. It's for fun. Can't you just have fun for an hour and not try to diagnose you mystery boil? We think you've earned it. Just sit back, relax, and enjoy a moment of distraction from that weird growth. You're worth it. [theme music plays] Justin: Hello everybody, and welcome to Sawbones: a marital tour of misguided medicine. I'm your cohost, Justin McElroy. Sydnee: And I'm Sydnee McElroy. [pauses] You're just looking at me. Justin: Mm-hmm. Sydnee: You look disappointed! Justin: Do I look disappointed? Sydnee: Yeah. Justin: I don't mean to have that. Sydnee: You had a—you had a disappointed look on your face. Justin: I was going for very neutral. Sydnee: Oh. I thought that—I thought that was intentional. The disappointed look. Justin: No, I wanna be open to whatever you got for me. I don't know what sort of, um, uh, uh... challenging new information about the coronavirus I'm gonna be asked to process today— Sydnee: Well— Justin: —and so I just want to be a blank canvas on which you can paint your masterpiece. Sydnee: No. I—I thought maybe you saw the first line of my outline, my first order of business before I get into— Justin: Oh, yeah. Before we started recording Sydnee said, uh—I said, "How do you wanna, um, lead into this episode?" She said, "Well, first I have to apologize to Sweden." So, Sydnee? Sydnee: And the first line of my outline says [through laughter] "First apologize to Sweden." Just—I wasn't gonna forget, but I like to.. -
The MULLET RAPPER What’S Happening in the Everglades City Area TIDE TABLE 25¢ RESTAURANTS JAN
The MULLET RAPPER What’s Happening in the Everglades City Area TIDE TABLE 25¢ RESTAURANTS JAN. 28 – FEB. 10, 2017 \ © 2017, K Bee Marketing P O Box 134, Everglades City, FL, 34139 Volume X Issue #281 Art-In-The-Glades Events 2017 Everglades Seafood Festival Schedule of Events! Combine Local Art & Entertainment It’s that time of year again! The annual Everglades Seafood Festival If you have not been to one of the Art- will roll into town for the weekend on Friday February 10th through In-The-Glades events, you’re missing Sunday the 12th. You can expect great foods, unique art, crafts and jewelry out! Local Artists, musicians and and carnival rides for the kids. Music is always a feature, and this year won’t disappoint. Mark your calendars and book your rooms so you don’t miss one day of this great event. Mayor Hamilton greets the crowd in 2016 EVERGLADES SEAFOOD FESTIVAL - 2017 LINEUP Friday, February 10 5:30 pm OPENING CEREMONY 5:45 pm Charlie Pace entrepreneurs have made this a “must 6:30 pm The Lost Rodeo attend” for area residents and visitors. 7:30 pm Let's Hang On Booths are free so be sure to sign up for 9:00 pm Chappell & Chet the next event taking place on Feb. 25th! 9:45 pm Tim Elliott For info call Marya @ 239-695-2905, for more details, see page 3. Saturday, February 11 There is something for everyone to enjoy 10:00 am OPENING CEREMONY National Anthem - Sloan Wheeler 11:00 am Delbert Britton/Ronnie Goff and the Country Hustlers 12:00 pm Them Hamilton Boys 1:00 pm Gator Nate 2:00 pm Garrett Speer 3:15 pm A Thousand Horses 5:30 pm Tim Charron 7:00 pm Tim Elliott 8:30 pm Little Texas Sunday, February 12 11:00 am OPENING CEREMONY Rides for the kids or the “kid in you” National Anthem - Nadia Turner RAPPER TABLE OF CONTENTS 12:00 pm Tim McGeary Calendar p. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Copyrighted Material
PART ON E F IS FOR FORTUNE COPYRIGHTED MATERIAL CCH001.inddH001.indd 7 99/18/10/18/10 77:13:28:13:28 AAMM CCH001.inddH001.indd 8 99/18/10/18/10 77:13:28:13:28 AAMM LOST IN LOST ’ S TIMES Richard Davies Lost and Losties have a pretty bad reputation: they seem to get too much fun out of telling and talking about stories that everyone else fi nds just irritating. Even the Onion treats us like a bunch of fanatics. Is this fair? I want to argue that it isn ’ t. Even if there are serious problems with some of the plot devices that Lost makes use of, these needn ’ t spoil the enjoyment of anyone who fi nds the series fascinating. Losing the Plot After airing only a few episodes of the third season of Lost in late 2007, the Italian TV channel Rai Due canceled the show. Apparently, ratings were falling because viewers were having diffi culty following the plot. Rai Due eventually resumed broadcasting, but only after airing The Lost Survivor Guide , which recounts the key moments of the fi rst two seasons and gives a bit of background on the making of the series. Even though I was an enthusiastic Lostie from the start, I was grateful for the Guide , if only because it reassured me 9 CCH001.inddH001.indd 9 99/18/10/18/10 77:13:28:13:28 AAMM 10 RICHARD DAVIES that I wasn’ t the only one having trouble keeping track of who was who and who had done what. -
Valis Free Ebook
FREEVALIS EBOOK Philip K. Dick | 272 pages | 12 Jul 2001 | Orion Publishing Co | 9781857983395 | English | London, United Kingdom Valis (novel) - Wikipedia Dickit is one book of a three part series. The book features heavy auto-biographical elements, and draws inspiration from Dick's own religious experiences over the Valis decade. The planned third novel, The Valis in Daylighthad not yet taken definite shape Valis the time of the author's death. Pike and Valis, while Valis referencing VALIS directly, is thematically similar; Valis wrote: "the three do form a trilogy constellating around a basic theme. Dick experiences visions of a pink beam of light that he calls Zebra Valis interprets as a theophany exposing hidden facts about the reality of our universe, and a group of others join him in researching these matters. One of their theories is that there is some kind of alien Valis probe in orbit around Earth, and that it is aiding them in their quest; it also aided Valis United States in disclosing the Watergate scandal and the resignation of Richard Nixon in August, Kevin turns his friends on to a film called Valis that contains obvious references to revelations identical to those Valis Horselover Valis has experienced, including what appears to be time dysfunction. The film is itself a fictional account of an Valis version of Nixon "Ferris F. In seeking the film's makers, Kevin, Phil, Fat, and David—now calling themselves the Rhipidon Society—head to an estate owned by popular musician Valis Lampton and his wife Linda. They decide Valis goal that they have been led toward is Sophia Lampton, who is two-years old and the Messiah or incarnation of Holy Wisdom Pistis Sophia anticipated by some variants of Gnostic Christianity. -
Highest Risk Abandoned, Lost and Discarded Fishing Gear
www.nature.com/scientificreports OPEN Highest risk abandoned, lost and discarded fshing gear Eric Gilman1*, Michael Musyl2, Petri Suuronen3, Milani Chaloupka4, Saeid Gorgin5, Jono Wilson1,6 & Brandon Kuczenski6 Derelict abandoned, lost and discarded fshing gear have profound adverse efects. We assessed gear-specifc relative risks from derelict gear to rank-order fshing methods based on: derelict gear production rates, gear quantity indicators of catch weight and fshing grounds area, and adverse consequences from derelict gear. The latter accounted for ghost fshing, transfer of microplastics and toxins into food webs, spread of invasive alien species and harmful microalgae, habitat degradation, obstruction of navigation and in-use fshing gear, and coastal socioeconomic impacts. Globally, mitigating highest risk derelict gear from gillnet, tuna purse seine with fsh aggregating devices, and bottom trawl fsheries achieves maximum conservation gains. Locally, adopting controls following a sequential mitigation hierarchy and implementing efective monitoring, surveillance and enforcement systems are needed to curb derelict gear from these most problematic fsheries. Primary and synthesis research are priorities to improve future risk assessments, produce the frst robust estimate of global derelict gear quantity, and assess the performance of initiatives to manage derelict gear. Findings from this frst quantitative estimate of gear-specifc relative risks from derelict gear guide the allocation of resources to achieve the largest improvements from mitigating adverse efects of derelict gear from the world’s 4.6 million fshing vessels. Over the past decade there has been increasing international recognition of the need for multilateral eforts to address transboundary adverse ecological and socioeconomic efects of abandoned, lost and discarded fshing gear (ALDFG), also called derelict fshing gear 1, 2. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series.