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Never-Before-Seen Extended Version of Clarence Clemons Documentary at the National Constitution Center
FOR IMMEDIATE RELEASE CONTACTS: Ashley Berke Lauren Saul Director of Public Relations Public Relations Manager 215.409.6693 215.409.6895 [email protected] [email protected] NEVER-BEFORE-SEEN EXTENDED VERSION OF CLARENCE CLEMONS DOCUMENTARY AT THE NATIONAL CONSTITUTION CENTER Event will include audience Q&A with the film’s director Nick Mead Philadelphia, PA (May 2, 2012) – A legendary musician and dramatic stage performer in his own right, Clarence Clemons was an integral and beloved member of the E Street Band. In connection with the must-see exhibition From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen, the National Constitution Center will pay tribute to the late Clemons during a special screening of Who Do I Think I Am? A Portrait of a Journey, featuring 15 minutes of never-before-seen footage. The event takes place on Wednesday, May 23, 2012, just a few weeks shy of the anniversary of Clemons’ passing. The film’s director, Nick Mead, will participate in a Q&A session moderated by Shawn Poole of Backstreets.com. Guests are encouraged to arrive at 5:00 p.m. to tour the Springsteen exhibition prior to the film screening at 6:00 p.m. Admission is $20 for non-members and $15 for members, and includes access to From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen. Reservations are required and can be made by calling 215.409.6700 or by visiting www.constitutioncenter.org. A cash bar and movie snacks also will be available. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Bruce Springsteen “Born to Run” was Bruce Springsteen’s third album. The man who is “The Boss” has admitted that the creation of it was his blatant attempt for a true rock and roll record as well as commercial success after the tepid commercial reception of his earlier two albums, “Greetings from Asbury Park, N.J.” (1973) and “The Wild, the Innocent & the E Street Shuttle” (1973). On both counts, he got his wish. Upon its release, “Born to Run” would rise to number three on the charts. Besides gaining massive audience attention (by the end of the year Springsteen would be featured on the covers of both “Time” and “Newsweek”), “Born to Run” also saw the accomplishment of two other major factors in Springsteen’s artistic development. First, it saw the solidification of the line-up of Springsteen’s legendary back-up musicians, the E-Street Band. Second, it fully delivered on Springsteen’s early promise which saw him labeled as both a “modern day Dylan” and as “rock ‘n’ roll’s future.” Along with “Born to Run” being named to the National Registry in 2003, it has been ranked number eight on a list of rock’s all-time greatest albums by “Rolling Stone” magazine and was place at 18th on VH1’s list of the 500 greatest rock albums ever. Eight songs make up the tracks of “Born to Run”: “Thunder Road,” “Tenth Avenue Freeze- Out,” “Night,” “Backstreets,” “Born to Run,” “She’s the One,” “Meeting Across the River,” and “Jungleland.” In writing and developing the album, Springsteen has said he was hoping to recreate Phil Spector’s legendary “wall of sound” producing approach. -
A Guiding Force
Arcadia University ScholarWorks@Arcadia Faculty Curated Undergraduate Works Undergraduate Research Winter 12-10-2020 A Guiding Force Jessica Palmer Follow this and additional works at: https://scholarworks.arcadia.edu/undergrad_works Part of the American Popular Culture Commons, Music Performance Commons, Other American Studies Commons, and the Other Music Commons Jessica T Palmer Dr. Buckley Bruce Springsteen and The American Dream 12/10/2020 Cover Page for My Research Paper A Guiding Force Abstract In this paper, I will be addressing the main factors which influenced Bruce Springsteen’s career and songwriting, specifically regarding interpersonal relationships the singer has had and how that is evident in his work thus far. I will be relating that concept to his latest album release, “Letter to You” by analyzing track by track and attempting to find that common thread of connection that seems to speak so well to him and his audience. Why? I chose this topic and album because throughout this course I have really enjoyed dissecting Springsteen’s work and relating it to a bigger picture. As I have progressed throughout this course, I have been able to elevate my writing and approach song analysis in a new, more refined way. I also felt as though choosing “Letter to You” would allow for me to make the most accurate interpretation of what Springsteen is trying to say in the current moment since it just got released a few months ago. Overall, I wanted to write about this because it allows for some creative freedom, a stream of consciousness and a continuation of the work I have been trying to perfect over the semester in this class. -
EXECUTIVE ORDER NO. 67 WHEREAS, Clarence A. Clemons, Jr., Was a Gifted Musician, Remarkable Performer and Iconic Figure in New J
EXECUTIVE ORDER NO. 67 WHEREAS, Clarence A. Clemons, Jr., was a gifted musician, remarkable performer and iconic figure in New Jersey whose membership in Bruce Springsteen’s E Street Band and various other musical and entertainment related endeavors have left an indelible mark upon the cultural landscape of our State; and WHEREAS, Clarence Clemons was born in Norfolk, Virginia on January 11, 1942 and moved to Newark, New Jersey in 1962 to work as a youth counselor while pursuing a career in the music industry; and WHEREAS, Clarence Clemons passed away in Palm Beach, Florida on Saturday, June 18, 2011 at the age of 69 due to complications from a stroke suffered previously; and WHEREAS, as a solo artist, musical contributor and, most prominently, lead saxophone player and long serving member of the E Street Band, Clarence Clemons participated in the recording of over thirty (30) albums and countless live performances over the past four decades; and WHEREAS, his studio recordings and live performances have endeared him to countless fans in New Jersey and around the world and have enriched the lives of fans of many different genres of music, including rock & roll, soul and jazz; and WHEREAS, Clarence Clemons’ considerable musical talent and unique style of saxophone playing contributed significantly to the success of Bruce Springsteen and the E Street Band, leading to the sale of over 100 million albums worldwide, numerous music awards and critical acclaim; and WHEREAS, Clarence Clemons’ passion and enthusiasm for his music, his seemingly -
Southside Johnny and the Asbury Jukes Return to Hard Rock Hotel & Casino Atlantic City Saturday, November 10 at 8 Pm
For Immediate Release SOUTHSIDE JOHNNY AND THE ASBURY JUKES RETURN TO HARD ROCK HOTEL & CASINO ATLANTIC CITY SATURDAY, NOVEMBER 10 AT 8 PM Atlantic City, NJ (September 25, 2018) – After a mind-blowing performance in early August, Southside Johnny and The Asbury Jukes will be returning to Sound Waves at Hard Rock Hotel & Casino Atlantic City on November 10 at 8 p.m. Tickets are on sale this Friday, September 28 at 10 a.m. Southside Johnny and the Asbury Jukes are a Jersey Shore music group led by the band’s namesake, Southside Johnny. They have been recording albums since 1976 and are closely associated with Bruce Springsteen & the E Street Band. They have recorded or performed several Springsteen songs, including "The Fever" and "Fade Away". Springsteen has also performed with the band on numerous occasions and in 1991 guested on their Better Days album. During the band's formative years Miami Steve Van Zandt, aka Little Steven, acted as the band's co-leader, guitarist, songwriter, arranger and producer while other E Streeters including Clarence Clemons, Max Weinberg, Garry Tallent, Ernest Carter, Patti Scialfa and Soozie Tyrell have all performed, toured or recorded with the Jukes. The band's horn section, the Miami Horns, has also toured and recorded with Springsteen. More than one hundred musicians can claim to have been members of the Asbury Jukes, including Jon Bon Jovi who toured with the band as a special guest during 1990. Bon Jovi has also cited the band as an influence for him. Jukes' Bobby Bandiera and Jeff Kazee have also toured with Bon Jovi. -
Storage Looking for the Right Organization and Event That Would Raise Money for High School Students Through Scholarships in Arts Or Music
Harley Davidson Collectors, Enthusiasts and E Street Band Supporters: Thank you for helping me and the Rotary Club of Naples raise funds for scholarships in Arts and Music. This 2009 Harley Davidson Soft Tail was presented to me after playing the Harley Davidson 105th Year Anniversary with Bruce Springsteen and The E Street Band in August of 2008. As a member of The E Street Band I have been performing with Bruce and the band for over L3 years in hundreds of concerts in the United States and around the world including 9 recorded albums. I have kept this Harley in storage looking for the right organization and event that would raise money for high school students through scholarships in Arts or Music. lt is my pleasure to wish the lucky winner of this Raffle many years of enjoyment and many thanks for your contribution to the success of many students in their ongoing education and dreams to succeed and make a difference in America. This autographed Harley Davidson by all of the members of the band is a collectors' dream and documentation of one of the greatest American musical groups. Listed below are all of the musicians who autographed this Harley in 2008. Bruce Springsteen Patti Scialfa Clarence Clemons Steven Van Zandt Garry Tallent Roy Bittan Nils Lofgren Max Weinberg Soozie Tyrell Cindy Mizelle Curtis King Thank you and enjoy the Rotary Club of Naples evening of Wine and Food at the third annual Grapes and Apes at The Naples Zoo on March 23-,2013 Tyrell February L,2AL3. -
A Trip Back to 1978 with Bruce by MIKE KIRBY SUN CHRONICLE STAFF PHOTOS by RICK MILLER Monday, November 15, 2010 2:35 PM EST
A trip back to 1978 with Bruce BY MIKE KIRBY SUN CHRONICLE STAFF PHOTOS BY RICK MILLER Monday, November 15, 2010 2:35 PM EST Springsteen tribute band wows soldout SRO crowd at Showcase Live in Foxboro, MA FOXBORO - How would you like to see a Bruce Springsteen tribute band and not hear “Born in the USA?” Or “Tunnel of Love?” Or “The Rising?” You would if you were at Showcase Live on Friday night. Tramps Like Us, a 20-year-old Springsteen tribute band out of New York, treated a stand-room-only crowd of mostly graying baby boomers to a re-creation of The Boss’ most critically-acclaimed concert: a Sept. 19, 1978 show at the Capitol The- atre in Passaic, N.J. Springsteen, then approaching his 30th birthday, was, arguably, at his artistic peak. He had grabbed the music world’s attention in 1975 with “Born to Run,” but then a contract dispute left the prolific singer/songwriter with no albums for three years. The New Jersey show was to promote the just-released “Darkness on the Edge of Town,” a hard-rocking, often angry album that was far different from the poetic, elegant “Born to Run.” Springsteen had a lot of pent-up energy and plenty of time to beautifully craft music, and it was all on display during that tour. Tramps Like Us, like Springsteen did 32 years ago, melded material from the two albums - as well as a few tunes from his first two albums, “Greet- ings from Asbury Park, N.J.” and “The Wild, the Innocent and the E Street Shuffle” and some unreleased songs such as “Because the Night” - into a powerful, riveting 3 1/2-hour show. -
"Born to Run" (Album)
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Tyler Hayes (guest post)* Original album Original label Bruce Springsteen Two albums into his career, Bruce Springsteen’s music trajectory was not set to contain notoriety. He was on a path that would soon see him without a record label. The rock ’n roller’s music had not yet broken through. Regardless of how “Greetings From Asbury Park, N.J.” and “The Wild, The Innocent & The E Street Shuffle” would be received by future fans, they didn’t find a wide enough audience to impress record label executives on release. Financial and emotional support may have been running out from people tasked with getting a return on their investment, but Springsteen’s resilience was unwavering with nowhere else to go except to press on. In 1974, months ahead of his third album, “Born To Run,” the title track was sent off to radio stations. Even the rough cut was something special that select DJs began to spin religiously. Before the third album was fully finished, the song gained traction. Buzz was building. A breakthrough was coming. From “Thunder Road” to “Jungleland,” Bruce Springsteen’s third studio album, “Born To Run,” is laced with invigorating youth. Innocence-tinged lyrics paint vivid pictures of a life explored while the music keeps hearts beating quickly. In the decades since the album’s release in 1975, it hasn’t faded from initial glory. The lead single, “Born To Run,” tucked in the middle of the track listing, rings now with all the same vigor it did when it was first released. -
"The Culture of the 1970S Reflected Through Bruce Springsteen's Music"
"The Culture of the 1970s Reflected Through Bruce Springsteen's Music" Senior Honors Thesis Presented To The Honors College Written By Melody S. Jackson Spring, 1983 Advised By Dr. Anthony Edmonds .;,- () -- "The Culture of the 1970s Reflected Through Bruce Springsteen's Music" I have seen the future of rock and roll and it is Bruce Springsteen. Jon Landau the advent of Bruce Springsteen, who made rock and roll a matter of life and death again, seemed nothing short of a miracle to me . Bruce Springsteen is the last of rock's great innocents. Dave Marsh Whether these respected critics see Springsteen as the future of great rock or the end of it, they do regard him with respect for his ability to convey the basic feeling of rock. And they are not alone in this opinion. From the start of his career, Springsteen has received a great deal of critical acclaim. This acclaim, in part because of his performing ability, seems quite fitting since his shows usually last for two and a half hours and often continue for four or even five hours. Relentlessly, he gives of himself to the thousands of fans -- his cult following -- who have come to see their own Rock Messiah. Upon analysis of the lyrics of Springsteen's songs, lyrics which he has written, one sees that he has a unique talent f()r reflecting the situation of the lower-middle class which he grew up in. In fact, in all of the albums he has released up to this time, he has written about the culture of the lower-middle class. -
View This Page
Culture MONDAY, SEPTEMBER 27, 2010 [ THE WEEKENDER ] Small is The Boss springs back beautiful WCdance fulfils the promise it showed took a bit of help for Bruce Springsteen to A documentary about the making trio the Pointer Sisters. Then there are the songs that have in earlier work with its most recent become a star. He’d already released two of Darkness on the Edge of Town never made it beyond live bootlegs or fevered discussion admired but underachieving albums when, in by Springsteen obsessives. Twenty-one of those Dark- production of “Small Puzzles” September 1975, Columbia Records finally threw and a new album look back ness outtakes will soon be released as a two-CD set, also its weight behind the scruffily handsome 26- over Bruce Springsteen’s rocky titled The Promise, after a song widely regarded as one Ityear-old and his third album, Born to Run. Wrapped in its of Springsteen’s greatest, taped at the Darkness sessions BY DIane BAKer distinctive sleeve image of the guitar-toting Springsteen road to stardom and slated for inclusion until it was dropped at the last STAFF REPORTER leaning on the back of saxophonist Clarence Clemons, minute. Evoking the starry-eyed protagonists of Born to Born to Run became an instant sensation: the US record Run’s Thunder Road watching their dreams turn toxic, industry’s first designated platinum album, signifying BY KeITH Cameron Springsteen now concedes The Promise would have fitted With his latest work, Small Puz- sales of one million copies. Springsteen appeared simul- THE GUARDIAN, LONDON the record’s mood perfectly, but that he felt uncomfort- zles ( ), Lin Wen-chung (林文中) taneously on the covers of Time and Newsweek. -
Teaching About Race and Racism with Springsteen Songs
Teaching Social Studies: Vol. 19, No. 2, Summer-Fall 2019 Teaching about Race and Racism with Springsteen Songs Mark T. Kissling Penn State University—University Park At first thought, it might seem odd to teach about and race was central to what he found there” race and racism in the United States with the (2011, paragraph 7). music of Bruce Springsteen. One of the more famous long-time musicians in this country and With Springsteen’s voice as one of the around the world, Springsteen is likely not often more prominent American cultural voices over associated with these topics, perhaps foremost the past several decades, it is relevant to most all because he is White. Yet race and racism are social issues, but this doesn’t mean it’s the lone important topics in and across his music. voice to consider about race and racism. Indeed, Further, many of his musical influences—like the voices of people of color must be central to James Brown and Curtis Mayfield—were Black, social studies teaching about race and racism. as was his most influential musical collaborator, The curriculum cannot be directed solely by Clarence Clemons, his longstanding friend and White voices, especially those attached to great band-mate known as “the Big Man.” fame and wealth. For decades, Springsteen has written and Yet, famous, wealthy, White voices are sung about race and racism, particularly America not useless. Racial justice cannot come about struggling with racism. Yes, he writes about cars without progress in all corners of society, and love and the Jersey Shore, too, but race and including—maybe even particularly—White racism are, importantly, also there in the mix.