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Innovative Applications of Typography Ancient African Typographic Symbols in Contemporary Publication Design
Typography in Publication Design Innovative applications of Typography Ancient African Typographic Symbols in Contemporary Publication Design Sophia Oduol, Limkokwing University of Creative Technology, Lesotho, [email protected] Key words: typography, iconology, Ancient African symbols, deciphering and transformation 1. Introduction The awareness of the power of typography in communication can be traced back to the earliest civilizations of mankind when production of type was through scratch marks made on flat surfaces using sharp objects. Twentieth century records show well developed type from Mesopotamia, Chinese calligraphy, Egyptian Hieroglyphics and Phoenician alphabet. How do you make any sense of history, art or literature without knowing the stories and typography of your own culture and all the world's main religions? Polly Toynbee (1947). Contemporary typography is significant because it brings attention to civilization within the African continent. African countries have type and symbols that have been used to communicate written messages. Many of these remain undiscovered by the mainstream theorists. Saki Mafundikwa in his book ‘afrikan alphabets’, has made presentations on African letterforms, and he continues to unearth innovative and little understood symbols. This paper aims to explore how the Ancient African iconology has been reborn in to contemporary typography and is used in today’s publishing. The study is placed in the context of the history, meaning, deciphering and transformation of Typography. A conceptual framework is constructed, based on critical theory from arts disciplines, notably from the history of African Iconography from the Igbos and the Adinkra. This paper also finds that typography has now transformed into informal, colloquial icons, where everyday published communiqué can occur through signs rather than speaking. -
MATE MASIE (Mah-Teh’ Mah-See’-Eh)
MATE MASIE (mah-teh’ mah-see’-eh) The Ancestorhood of Nana Yao (Dr. Bobby E. Wright) ODWIRAFO KWESI RA NEHEM PTAH AKHAN Short Glossary of terms: Afuraka/Afuraitkait (Ah’-foo-rah-kah’/Ah’-foo-rah-ette’-kah-ette’): Ra (Rah) and Rait (Rah-ette’) are the Creator and Creatress of the world. Together They function as One Divine Unit---The Great Spirit of the Supreme Being. When moving through matter (Afu), during the process of Creation, They take on the titles: Afu Ra and Afu Rait. In the language of ancient Keneset and Kamit (ancient Nubia and Egypt), Afuraka/Afuraitkait is the male/female name of the first landmass or continent of Earth. These male and female names literally mean the Ka (land, hill) of Afu Ra (the Creator) and the Kait (land, hill) of Afu Rait (the Creatress). These titles are over 40,000 years old. Afuraka is the original pronunciation of the english corruption “Africa”. Afurakani (African--male) Afuraitkaitnit (African--female) Afurakanu (Africans--male) Afuraitkaitnut (Africans--female) Trustory [troo’-stoh-ree(true-story; trust-ory/trust-worthy story)]: A true and accurate account of past events. Trustorical; trustorically. For more details please see our book: AFURAKA/AFURAITKAIT – The Origin of the term ‘Africa’ www.odwirafo.com/nhoma.html Copyright © by Odwirafo Kwesi Ra Nehem Ptah Akhan, 13,004 (2004), 13015 (13014). 1 Preface The Akan (ah-kahn’) people live primarily in the West Afurakani/Afuraitkaitnit (African) countries of Ghana and Ivory Coast. As one of the largest biological-cultural (ethnic) groups existing in the region for centuries, the Akan population suffered great losses as many Akanfo (Akan people) were taken from their homelands during the Mmusuo Kese (‘Great Misfortune’---the Enslavement era). -
Comac Medical NLSP2 Thefo
Issue May/14 No.2 Copyright © 2014 Comac Medical. All rights reserved Dear Colleagues, The Newsletter Special Edition No.2 is dedicated to the 1150 years of the Moravian Mission of Saints Cyril and Methodius and 1150 years of the official declaration of Christianity as state religion in Bulgaria by Tsar Boris I and imposition of official policy of literacy due to the emergence of the fourth sacral language in Europe. We are proudly presenting: • PUBLISHED BY COMAC-MEDICAL • ~Page I~ SS. CIRYL AND METHODIUS AND THE BULGARIAN ALPHABET By rescuing the creation of Cyril and Methodius, Bulgaria has earned the admiration and respect of not only the Slav peoples but of all other peoples in the world and these attitudes will not cease till mankind keeps implying real meaning in notions like progress, culture “and humanity. Bulgaria has not only saved the great creation of Cyril and Methodius from complete obliteration but within its territories it also developed, enriched and perfected this priceless heritage (...) Bulgaria became a living hearth of vigorous cultural activity while, back then, many other people were enslaved by ignorance and obscurity (…) Тhe language “ of this first hayday of Slavonic literature and culture was not other but Old Bulgarian. This language survived all attempts by foreign invaders for eradication thanks to the firmness of the Bulgarian people, to its determination to preserve what is Bulgarian, especially the Bulgarian language which has often been endangered but has never been subjugated… -Prof. Roger Bernard, French Slavist Those who think of Bulgaria as a kind of a new state (…), those who have heard of the Balkans only as the “powder keg of Europe”, those cannot remember that “Bulgaria was once a powerful kingdom and an active player in the big politics of medieval Europe. -
A STUDY of WRITING Oi.Uchicago.Edu Oi.Uchicago.Edu /MAAM^MA
oi.uchicago.edu A STUDY OF WRITING oi.uchicago.edu oi.uchicago.edu /MAAM^MA. A STUDY OF "*?• ,fii WRITING REVISED EDITION I. J. GELB Phoenix Books THE UNIVERSITY OF CHICAGO PRESS oi.uchicago.edu This book is also available in a clothbound edition from THE UNIVERSITY OF CHICAGO PRESS TO THE MOKSTADS THE UNIVERSITY OF CHICAGO PRESS, CHICAGO & LONDON The University of Toronto Press, Toronto 5, Canada Copyright 1952 in the International Copyright Union. All rights reserved. Published 1952. Second Edition 1963. First Phoenix Impression 1963. Printed in the United States of America oi.uchicago.edu PREFACE HE book contains twelve chapters, but it can be broken up structurally into five parts. First, the place of writing among the various systems of human inter communication is discussed. This is followed by four Tchapters devoted to the descriptive and comparative treatment of the various types of writing in the world. The sixth chapter deals with the evolution of writing from the earliest stages of picture writing to a full alphabet. The next four chapters deal with general problems, such as the future of writing and the relationship of writing to speech, art, and religion. Of the two final chapters, one contains the first attempt to establish a full terminology of writing, the other an extensive bibliography. The aim of this study is to lay a foundation for a new science of writing which might be called grammatology. While the general histories of writing treat individual writings mainly from a descriptive-historical point of view, the new science attempts to establish general principles governing the use and evolution of writing on a comparative-typological basis. -
Welcome Tape 97
Peace Corps An introductory guide to the Bulgarian language AN INTRODUCTORY GUIDE TO THE BULGARIAN LANGUAGE For those who are interested in facts and information, the following is a short description of the Bulgarian Language. Bulgarian is a Slavonic language, like Russian, Czech, Polish, and Serbian. Its history is centuries old and it is the earliest written language. It is a phonetic language, i.e. you pronounce what is written. Of course, first you get familiar with the Cyrillic alphabet! Overall, it is easy to be mastered by English speakers: its structure is similar to English; besides so many Volunteers have learned it and speak it fluently. Naturally there are some distinctive features like the gender of nouns and the verb system. The Old Bulgarian period dates back to the creation of the alphabet, the Glagolitsa, (circa 862 - 863 AD) by the Thessaloniki monks, Cyril and Methodius. The invention of the Glagolitic alphabet, comprised of 41 letters, constituted an original creative act. It was a new graphic system and ingenious creation, exactly adapted to the phonetic peculiarities of the Old Bulgarian language. Between the ninth and eleventh centuries yet another script was created in Bulgaria - the Cyrillic alphabet, or Kirilitsa. It includes the 24 letters of the Greek titular code lettering to which several new signs have been added for the sounds peculiar to the Old Bulgarian tongue. The Cyrillic script is used by (among others) Bulgarians, Russians, Ukrainians, Byelorussians, Serbians, Macedonians and Mongolians, who adopted it from the Russians. The Modern Bulgarian period is the third phase in the historical evolution of the traditional language of the Old Bulgarian and Middle Bulgarian periods. -
World Writing Systems Other European and Middle Eastern Scripts a Large
Contemporary Linguistics: An Introduction, 5th edition, Chapter 16: World writing systems, 1 World writing systems Other European and Middle Eastern Scripts A large number of alphabetic systems other than those of Greece and Rome evolved and flourished in Europe and the Middle East. In this Web site, we briefly present some of the ones that are of historical significance or interest. Runic writing Germanic tribes occupying the north of Italy developed an early offshoot of the Greek/Etruscan tradition of writing into a script known as Runic writing. This system emerged shortly after the beginning of the Christian era, and its developments were eventually found as far north as Scandinavia. Runic writing persisted until the sixteenth century in some areas before giving way to the Roman alphabet. Figure 1 illustrates some signs from one of the oldest known Runic inscriptions, which dates from about the third century A.D. The angular style of the letters arose because the alphabet was carved in wood or stone, the former especially not readily lending itself to curved lines. The script is read from right to left. Cyrillic script Another offshoot of the Greek script was created for the Slavic peoples in the ninth century A.D. The Greek missionary brothers Constantine (Cyril) and Methodius introduced a writing system for the translation of the Bible that is now known as Glagolitic script. A later development, which combined adaptations of Glagolitic letters with Greek and Hebrew characters, has come to be known as the Cyrillic alphabet. The current Russian, Byelorussian, Ukrainian, Serbian, Macedonian, and Bulgarian alphabets, as well as those used to represent many non-Slavic languages spoken in the former Soviet Union, have evolved from this early Cyrillic script. -
Ghanaian Electronic Literature As a Paradigm for African Digital Textuality
Graduate Theses, Dissertations, and Problem Reports 2017 Beyond OralDigital: Ghanaian Electronic Literature as a Paradigm for African Digital Textuality Kwabena Opoku-Agyemang Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Opoku-Agyemang, Kwabena, "Beyond OralDigital: Ghanaian Electronic Literature as a Paradigm for African Digital Textuality" (2017). Graduate Theses, Dissertations, and Problem Reports. 6355. https://researchrepository.wvu.edu/etd/6355 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Beyond Oral/Digital: Ghanaian Electronic Literature as a Paradigm for African Digital Textuality Kwabena Opoku-Agyemang Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy -
Europe Phrasebook & Dictionary 6 Preview
contents Bul Cro Cze Fre Ger Gre Hun Ita Pol Por Rom Rus Spa Swe Tur chapter contents 7 45 83 121 159 197 235 273 311 349 387 425 463 501 539 about 9 47 85 123 161 199 237 275 313 351 389 427 465 503 541 pronunciation 10 48 86 124 162 200 238 276 314 352 390 428 466 504 542 language difficulties 12 50 88 126 164 202 240 278 316 354 392 430 468 506 544 numbers 13 51 89 127 165 203 241 279 317 355 393 431 469 507 545 time & dates 13 51 89 127 165 203 241 279 317 355 393 431 469 507 545 weather 15 53 91 129 167 205 243 281 319 357 395 433 471 509 547 border crossing 15 53 91 129 167 205 243 281 319 357 395 433 471 509 547 transport & getting around 16 54 92 130 168 206 244 282 320 358 396 434 472 510 548 directions 19 57 95 133 171 209 247 285 323 361 399 437 475 513 551 accommodation 21 59 97 135 173 211 249 287 325 363 401 439 477 515 553 communications & banking 23 61 99 137 175 213 251 289 327 366 404 442 480 517 555 sightseeing 26 64 102 140 178 216 254 292 330 369 406 445 482 520 558 shopping 28 66 104 141 180 218 255 293 332 370 408 446 484 521 560 CONTENTS contents 4 00--prelims-pb-eur6.inddprelims-pb-eur6.indd 4 115/03/20195/03/2019 11:08:06:08:06 PM Bul Cro Cze Fre Ger Gre Hun Ita Pol Por Rom Rus Spa Swe Tur meeting people 31 69 107 144 183 221 258 296 335 373 411 449 487 524 563 entertainment 33 71 109 147 185 223 261 299 337 375 413 451 489 527 565 food & drink 34 72 110 148 186 224 262 300 338 376 414 452 490 528 566 self-catering 36 74 112 150 188 226 264 302 340 378 416 454 492 530 568 special diets & allergies 36 74 112 150 188 226 264 302 340 378 416 454 492 530 568 emergencies 37 75 113 151 189 227 265 303 341 379 417 455 493 531 569 health 38 76 114 152 190 228 266 304 342 380 418 456 494 532 570 dictionary 40 78 116 154 192 230 268 306 344 382 420 458 496 534 572 CONTENTS contents 5 00--prelims-pb-eur6.inddprelims-pb-eur6.indd 5 115/03/20195/03/2019 11:08:06:08:06 PM europe – at a glance One of the most rewarding things about travelling through Europe is the rich variety of cuisine, customs, architecture and history. -
Pdflib Tutorial 9.2.0
ABC PDFlib, PDFlib+PDI, PPS A library for generating PDF on the fly PDFlib 9.2.0 Tutorial For use with C, C++, COM, Java, .NET, Objective-C, Perl, PHP, Python, RPG, Ruby Copyright © 1997–2019 PDFlib GmbH and Thomas Merz. All rights reserved. PDFlib users are granted permission to reproduce printed or digital copies of this manual for internal use. PDFlib GmbH Franziska-Bilek-Weg 9, 80339 München, Germany www.pdflib.com phone +49 • 89 • 452 33 84-0 If you have questions check the PDFlib mailing list and archive at groups.yahoo.com/neo/groups/pdflib/info Licensing contact: [email protected] Support for commercial PDFlib licensees: [email protected] (please include your license number) This publication and the information herein is furnished as is, is subject to change without notice, and should not be construed as a commitment by PDFlib GmbH. PDFlib GmbH assumes no responsibility or lia- bility for any errors or inaccuracies, makes no warranty of any kind (express, implied or statutory) with re- spect to this publication, and expressly disclaims any and all warranties of merchantability, fitness for par- ticular purposes and noninfringement of third party rights. PDFlib and the PDFlib logo are registered trademarks of PDFlib GmbH. PDFlib licensees are granted the right to use the PDFlib name and logo in their product documentation. However, this is not required. PANTONE® colors displayed in the software application or in the user documentation may not match PANTONE-identified standards. Consult current PANTONE Color Publications for accurate color. PANTONE® and other Pantone, Inc. trademarks are the property of Pantone, Inc. -
SWASTIKA the Pattern and Ideogram of Ideogram and Pattern The
Principal Investigators Exploring Prof. V. N. Giri the pattern and ideogram of Prof. Suhita Chopra Chatterjee Prof. Pallab Dasgupta Prof. Narayan C. Nayak Prof. Priyadarshi Patnaik pattern and ideogram of Prof. Aurobindo Routray SWASTIKA Prof. Arindam Basu Prof. William K. Mohanty Prof. Probal Sengupta Exploring the A universal principle Prof. Abhijit Mukherjee & of sustainability Prof. Joy Sen SWASTIKA of sustainability A universal principle SandHI INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR The Science & Heritage Initiative www.iitkgpsandhi.org INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR Exploring the pattern and ideogram of SWASTIKA A universal principle of sustainability SandHI The Science & Heritage Initiative INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR ii iii Advisor Prof. Partha P. Chakrabarti Director, IIT Kharagpur Monitoring Cell Prof. Sunando DasGupta Dean, Sponsored Research and Industrial Consultancy, IIT Kharagpur Prof. Pallab Dasgupta Associate Dean, Sponsored Research and Industrial Consultancy, IIT Kharagpur Principal Investigator (overall) Prof. Joy Sen Department of Architecture & Regional Planning, IIT Kharagpur Vide order no. F. NO. 4-26/2013-TS-1, Dt. 19-11-2013 (36 months w.e.f 15-1-2014 and 1 additional year for outreach programs) Professor-in-Charge, Documentation and Dissemination Prof. Priyadarshi Patnaik Department of Humanities & Social Sciences, IIT Kharagpur Research Scholars Group (Coordinators) Sunny Bansal, Vidhu Pandey, Tanima Bhattacharya, Shreyas P. Bharule, Shivangi S. Parmar, Mouli Majumdar, Arpan Paul, Deepanjan Saha, Suparna Dasgupta, Prerna Mandal Key Graphics Support Tanima Bhattacharya, Research Scholar, IIT Kharagpur Exploring ISBN: 978-93-80813-42-4 the pattern and ideogram of © SandHI A Science and Heritage Initiative, IIT Kharagpur Sponsored by the Ministry of Human Resources Development, Government of India Published in July 2016 SWASTIKA www.iitkgpsandhi.org A universal principle Design & Printed by Cygnus Advertising (India) Pvt. -
Global Journal of Science Frontier Research: I
Online ISSN : 2249-4626 Print ISSN : 0975-5896 DOI : 10.17406/GJSFR MatrixAcrossCOVID-19 GlobalPandemicsCoronaVirus GlobalIssuesArisingTherefrom SurveyConcerningSexualHarassment VOLUME20ISSUE5VERSION1.0 Global Journal of Science Frontier Research: I Interdisciplinary Global Journal of Science Frontier Research: I In terdisciplinary Volume 20 Issue 5 (Ver. 1.0) Open Association of Research Society Global Journals Inc. © Global Journal of Science (A Delaware USA Incorporation with “Good Standing”; Reg. Number: 0423089) Frontier Research. 2020 . Sponsors:Open Association of Research Society Open Scientific Standards All rights reserved. This is a special issue published in version 1.0 Publisher’s Headquarters office of “Global Journal of Science Frontier Research.” By Global Journals Inc. Global Journals ® Headquarters All articles are open access articles distributed 945th Concord Streets, under “Global Journal of Science Frontier Research” Framingham Massachusetts Pin: 01701, Reading License, which permits restricted use. United States of America Entire contents are copyright by of “Global USA Toll Free: +001-888-839-7392 Journal of Science Frontier Research” unless USA Toll Free Fax: +001-888-839-7392 otherwise noted on specific articles. No part of this publication may be reproduced Offset Typesetting or transmitted in any form or by any means, electronic or mechanical, including Globa l Journals Incorporated photocopy, recording, or any information storage and retrieval system, without written 2nd, Lansdowne, Lansdowne Rd., Croydon-Surrey, permission. Pin: CR9 2ER, United Kingdom The opinions and statements made in this book are those of the authors concerned. Packaging & Continental Dispatching Ultraculture has not verified and neither confirms nor denies any of the foregoing and no warranty or fitness is implied. Global Journals Pvt Ltd E-3130 Sudama Nagar, Near Gopur Square, Engage with the contents herein at your own risk. -
General Historical and Analytical / Writing Systems: Recent Script
9 Writing systems Edited by Elena Bashir 9,1. Introduction By Elena Bashir The relations between spoken language and the visual symbols (graphemes) used to represent it are complex. Orthographies can be thought of as situated on a con- tinuum from “deep” — systems in which there is not a one-to-one correspondence between the sounds of the language and its graphemes — to “shallow” — systems in which the relationship between sounds and graphemes is regular and trans- parent (see Roberts & Joyce 2012 for a recent discussion). In orthographies for Indo-Aryan and Iranian languages based on the Arabic script and writing system, the retention of historical spellings for words of Arabic or Persian origin increases the orthographic depth of these systems. Decisions on how to write a language always carry historical, cultural, and political meaning. Debates about orthography usually focus on such issues rather than on linguistic analysis; this can be seen in Pakistan, for example, in discussions regarding orthography for Kalasha, Wakhi, or Balti, and in Afghanistan regarding Wakhi or Pashai. Questions of orthography are intertwined with language ideology, language planning activities, and goals like literacy or standardization. Woolard 1998, Brandt 2014, and Sebba 2007 are valuable treatments of such issues. In Section 9.2, Stefan Baums discusses the historical development and general characteristics of the (non Perso-Arabic) writing systems used for South Asian languages, and his Section 9.3 deals with recent research on alphasyllabic writing systems, script-related literacy and language-learning studies, representation of South Asian languages in Unicode, and recent debates about the Indus Valley inscriptions.