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Conference Book CONFERENCE BOOK NİZAMİ MƏDƏNİ İRSİNİN MÜASİR DÖVRDƏ İNTERPRETASİYASI THE INTERPRETATION OF NIZAMI'S CULTURAL HERITAGE IN THE MODERN PERIOD NIZAMI GANJAVI INTERNATIONAL CENTER & AZERBAIJAN COMPARATIVE LITERATURE ASSOCIATION Baku, 14-15 March 2018 1 Scientific Committee: Dr. Ismail Serageldin (Egypt) Prof. Kamran Talattof (U.S.A) Dr. Christine van Ruymbeke (U.K) Prof. Eero Tarasti (Finland) Prof. Irma Ratiani (Georgia) Prof. Naseem Ahmad Shah (India) Prof. Hamlet Isakhanli (Azerbaijan) Prof. Sudha Swarnakar (Brasil) Prof. Mehmet Kalpakli (Turkey) Prof. Rahilya Geybullayeva (Azerbaijan) Organizing Committee: Prof. Rahilya Geybullayeva Rovshan Muradov Arzu Tabrizli Elmira Tagizadeh Assoc.Prof. Fidana Musayeva PhD.student Ulker Yusifova Meleyke Elyasova Elnara Qaragozova Nizami mədəni irsinin müasir dövrdə interpretasiyası Bakı: “Elm və təhsil” nəşriyyatı, 2018, 72 səh. ISBN 978-9952-37-031-7 © Nizami Gəncəvi Beynəlxalq Mərkəzi 2 CONTENTS Plenary Session Welcome Speakers: Isa Habibbeyli ANAS, vice-president, Azerbaijan Teymur Kerimli ANAS, Institute of Manuscripts, director, Azerbaijan Keynote speakers: Dr. Ismail Serageldin Library of Alexandria, Egypt The Poetry of the Magnificent Sage Dr. Christine van Ruymbeke University of Cambridge, UK Complicating the narrative about Nezami Ganjavi: a giant brain, a formidable poet 3 Part I. Abstracts Panel 1. NIZAMI AND THEORIES OF IDENTITY FOR LITERARY-CULTURAL HERITAGE IN DISCOURSE OF COLLAPSING IDENTITIES NİZAMİ VƏ MİLLİ ƏDƏBİYYAT- MƏDƏNİYYƏT NƏZƏRİYYƏLƏRİ DƏYİŞƏN SƏRHƏDLƏR DİSKURSUNDA .................................................................................. 11 Rahilya Geybullayeva Baku Slavic University, Azerbaijan Irredentism and/ through prism of literary tradition in Nizami’s creativity .............................................................................. 11 Irakli Kenchosvili Tbilisi State University, Georgia From the genres and symbols of the Nizami epoch to Vagif: Milestones in exploration and transformation of Azerbaijani Ashug songs in Georgian poetry....................................................................................... 12 EeroTarasti University of Helsinki, Finland Theories for different cases of irredentism in the Oriental and Western cultures through their history: a postcolonial and existential semiotic approach .................................................................................................. 13 Ilham Mammedzadeh ANAS, Institute of Philosophy, Azerbaijan About as in the light of our attitude to Nizami ....................................... 14 Anuar Galiyev Kazakh National University, Khazakhstan Cultural heritage of Nizami, Al-Farabi, Kashgari and its apropriation in the construction of nations: from Nizami to Mahmud Kashgari ........ 15 Rafik Novruzov Baku Slavic University, Azerbaijan “Seven Beauties” in translation of Yan Ripka ........................................ 15 4 Part II. Abstracts Panel 2.ARCHETEYPES AS RECYCLING CULTURES Archetypes and regional motifs (Caucasus, Middle East and Europe): Nizami and Rustaveli ARXETİPLƏR VƏ TƏKRARLANAN MƏDƏNİYYƏTLƏR ......... 17 Mehmet Kalpaklı Bilkent University, Turkey Layla, beloved of the whole world: From Nizami to Eric Clapton......... 17 Stefania Sini Università del Piemonte Orientale, Italy Iskander/Alexander in Italian and Romance literature: A comparative analysis .................................................................................................... 17 Pərvanə İsayeva AMEA,Ədəbiyyat İnstitutu, Azərbaycan Nizami Gəncəvinin "İskəndərnamə" poemasında o biri dünyaya səyahət motivi ...................................................................................................... 18 Irma Ratiani -Maka Elbakidze Shota Rustaveli Institute of Georgian Literature, Georgia Rustaveli – Nizami’s contemporary. Revision of some poetical and aesthetical principles ............................................................................... 18 Gaga Lomidze Shota Rustaveli Institute of Georgian Literature, Georgia Two stories from the Middle Ages and the Baroque Period: Nizami and Guramishvili ........................................................................ 19 Eva-Maria Auch Humboldt University, Germany Nisâmî in the works of Johann Wolfgang von Goethe ........................... 20 Fidanə Musayeva Moskva Dövlət Universiteti (Bakı filialı), Azərbaycan Fərhad- tarixi şəxsiyyət və bədii obraz kimi ........................................... 20 5 Part III. Abstracts Panel 3.ARCHETEYPES AS RECYCLING CULTURES ARXETİPLƏR VƏ TƏKRARLANAN MƏDƏNİYYƏTLƏR ......... 22 Sudha Swarnakar Universidade Estadual da Paraiba, Brazil From Nizami’s classic to Bollywood screen: Influence and adaptation in comparative theory ............................................................ 22 Inkar Kuramayeva Université de Haute-Alsace, France Untypical representation of women in the poetry of Nizami .................. 23 Qorxmaz Quliyev Azərbaycan Universiteti, Azərbaycan Nizamidən Axundova qədər: Azərbaycan klassik ədəbiyyatında zaman və məkan ...................................................................................... 23 Naseem Ahmad Shah University of Kashmir, India The poetic discourse of Nizami Ganjavi and its impact on Indian poetic tradition with a special focus on Amir Khusraw and Mehmud Gami .... 24 Zöhrə Əliyeva www.medeniyyet.az jurnalının redaktoru, Azərbaycan “Xəmsə” silsiləsi Şərq Renesansının ortaq dəyərlər xəzinəsi kimi (Nizami və Nəvai probleminə çağdaş baxış) .......................................... 26 Zəhra Allahverdiyeva AMEA,Ədəbiyyat İnstitutu, Azərbaycan Nizami Gəncəvinin “Məxzənül-əsrar” əsəri və Xacu Kirmaninin “Rövzətül-ənvar” məsnəvisinə dair bəzi qeydlər .................................... 27 6 Part IV. Abstracts Panel 4. NATIONAL IDENTITY: SHARED PAST AND IT'S MODERN INTERPRETATION MİLLİ KİMLİK: ORTAQ KEÇMİŞ VƏ ONUN MÜASİR İNTERPRETASİYASI ......................................................................... 28 Xəlil Yusifli AMEA-nın Gəncə Bölməsinin Nizami Gəncəvi Mərkəzi, Azərbaycan Amerikan alimi Maykl Berinin “Nizaminin “Yeddi gözəl”inə şərh” kitabı haqqında bəzi mülahizələr ............................................................ 28 Bella Musayeva Bakı Slavyan Universiteti, Azərbaycan Nizami yaradıcılığı müasir multikulturalizm kontekstində .................... 29 Mahirə Quliyeva AMEA, Ədəbiyyat İnstitutu, Azərbaycan Nizaminin “Sirlər Xəzinəsi” və Quran ............................................................. 30 7 Part V. Abstracts Panel 5. CONCEPTS, CHARACTERS AND VALUES OF NIZAMI: VISION FROM MODERN DAY NİZAMİ YARADICILIĞINDA KONSEPTLƏR, OBRAZLAR VƏ DƏYƏRLƏR: MÜASİR DÖVRDƏN KEÇMİŞƏ BAXIŞ ......... 32 Kamran Talattof University of Arizona, USA Sublime Métier: The source of Nezami Ganjavi's ethics and social beliefs ............................................................................................ 32 Aydın Talıbzadə Azərbaycan Dövlət Mədəniyyət və İncəsənət Universiteti, Azərbaycan “Yeddi Gözəl” hermenevtika koordinatlarında...................................... 32 Muxtar İmanov (Kazimoglu) AMEA, Folklor İnstitutu, Azərbaycan Nizami Gəncəvi qəhrəmanlarında dialoji mahiyyət ................................ 33 Tahirə Məmməd AMEA, Ədəbiyyat İnstitutu, Azərbaycan Nizami Gəncəvinin yaradıcılığında türk imici ........................................ 34 İlqar Paşayev (Fəhmi) Azərbaycan Yazıçılar Birliyi, Azərbaycan Nizami Gəncəvi yaradıcılığında elmilik və poetikanın vəhdəti .............. 34 Mail Yaqublu Xəzər Universiteti, Azərbaycan Nizami Gəncəvi fəlsəfi irsində "Ədalət" nəzəriyyəsi və bunun müasir əxlaq fəlsəfəsi kontekstində təhlili .......................................................... 35 Afaq Yusifli Gəncə Dövlət Universiteti, Azərbaycan Nizami ilk ədəbi əfsanələrin yaradıcısı kimi........................................ 35 Südabə Ağabalayeva Azərbaycan jurnalı, Azərbaycan Nizami Gəncəvi: dialoq təfəkkür tərzi kimi ........................................... 36 Təhminə Bədəlova AMEA,Ədəbiyyat İnstitutu, Azərbaycan Nizami Gəncəvinin əsərlərində demokratik dövlət quruluşu prinsipləri ................................................................................................ 37 8 Part VI. Abstracts Panel 6. NIZAMI'S HERITAGE IN THE DISCOURSE OF MEDIEVAL SYMBOLS AND REGIONAL CONCEPTS NİZAMİ İRSİ ORTA ƏSRLƏR SİMVOLLARI VƏ REGİONAL KONSEPTLƏR DİSKURSUNDA ....................................................... 39 Hamlet Isakhanlı Khazar University, Azerbaijan Alchemy as a science and metaphor in Nizami's poems ........................ 39 Məmməd Qocayev Bakı Slavyan Universiteti, Azərbaycan Nizaminin eşq fəlsəfəsi ........................................................................... 39 Rəhilə Quliyeva Bakı Slavyan Universiteti, Azərbaycan Nizami Gəncəvinin təhkiyə sistemində ibrətamiz hekayələrin funksional rolu (“Sirlər xəzinəsi”nin əsasında) ...................................... 41 Teymur Kərimli AMEA, Əlyazmalart İnstitutu, Azərbaycan Nizami və Şekspir: ədəbi obrazın formalaşması tipologiyasi (Məcnun, Bəhram, Hamlet) .................................................................... 41 Nasrin Faghih Malek Marzban Al Zahra University, Iran An analysis of the conflict between Iranian and Greek discourses, considering Alexander’s character in Nizami’s İsgəndərnamə ............... 42 Emadeddin Naghipour Western University, Canada Experiences of prohibition and transgression in Nizami’s portrayal of Khosrow and Shirin ...............................................................................
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