GRI, School of Economics & Commercial Law at Gˆteborg

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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
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Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ...................................................................................................
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The Evolution of the Seven Deadly Sins: from God to the Simpsons
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Day Day One August 21
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White Wolf Npcs
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The Simpsons (1989)"
People's Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mohamed Kheider University of Biskra Faculty of Letters and Languages Department of Foreign Languages Division of English University of Biskra The Inappropriateness of Deviant Gender Role Portrayals in the American Cartoon "The Simpsons (1989)" A Dissertation submitted to the Department of Foreign Languages in Partial Fulfillment for the requirement of the Master Degree in English language: Literature and Civilization Submitted by: DJABALLAH Sirine Ayat Errahmane Board of Examiners: Chairperson: Mr. SMATI Said (MAB) University of Biskra Supervisor: Mrs. ZERIGUI Naima (MAB) University of Biskra Examiner: Mrs. AMRI-CHENINI Bouthaina (MAA) University of Biskra Academic Year: 2019/2020 Dedication This work is dedicated: First, to myself and to my journey of growth To those who believed in me To my dear father for his endless love and support To my beloved mother, the source of my life, the hand of mercy, my fountain of love and inspiration To my lovely sisters: Nadine, Sherine, and Yasmine To My dear friends: BELOUAFI Amal, MESSEI Hadjer, Sarah Briki, BOUGHRARA Roufaida, and BOUZOUAID Khadija. Most importantly, I dedicate my work to those who did not believe in me I Acknowledgements To reach the end of this journey, I praise ALLAH, The Most Beneficent, and The Most Merciful. I would like to express my deepest gratitude to my supervisor Mrs. ZERIGUI Naima for her guidance and advice. I was lucky to have her not only as my supervisor, but also as my teacher of British Civilization where her efforts and teaching methods have been of great merit in expanding my knowledge in this field.
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Introduction: the Simpsons, Satire, and American Culture
Notes Introduction: The Simpsons, Satire, and American Culture 1. Robert J. Thompson, Television’s Second Golden Age: From Hill Street Blues to ER (New York: Continuum, 1996), 19. 2. “Simpsons Roasting on an Open Fire” (#7G08) ranked thirtieth for its timeslot the night it premiered and earned Fox a 22 percent share and a 14.5 rating. See “Nielsens,” USA Today, December 20, 1989, 3D, Lexis-Nexis Academic, October 2, 2003. 3. “Bart the Genius” (#7G02) ranked forty-eighth for its timeslot and earned Fox a 19 percent share and a 12.7 rating. See “Nielsens,” USA Today, January 17, 1990, 3D, Lexis-Nexis Academic, October 2, 2003. 4. Harry F. Waters, “Family Feuds,” Newsweek, April 23, 1990, 58. 5. Although The Simpsons often ranked within the top ten for weekly or monthly Nielsen totals, the show has not ranked high overall: at the end of the 1989–90 season, its first full season on the air, The Simpsons ranked only thirtieth. See “Final Season Ratings,” Electronic Media, April 23, 1990, 36, Lexis-Nexis Academic, October 2, 2003. http:// web.lexis-nexis.com/universe. Curiously, the show has never been among the top 25 in the Nielsen seasonal totals. It is no longer the ratings juggernaut it once was, but new episodes of The Simpsons still rank in the Nielsen top 50 among prime-time television shows and often in the top 20 among shows in syndication. Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network and Cable TV Shows, 1946–Present, 8th ed. (New York: Ballantine, 2003), 1073–74.
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Trespassing Reported in Residence Halls
An Associated Collegiate Press Pacemaker Award Winner THE Dover Downs gets a "is1t :\ten's ba ketballlo es from the Cos , tournament game, Bl Cl 250 University Center University of Delaware Newark, DE 19716 Tuesday & Friday • • FREE Volume 130, Issue 36 _> J. · .. ~ /·. ,;·: .· . .~.;_;·-"':: ...~- ·':eview.udel.edu . March 9, 2004. Trespassing reported in residence halls. BY AUDRE\ G \RR \.\0 '' hich 0ccurred on .\1arch -L Ill\ 0h mg Flatk) ~asd no one '' ,Js inJured and building is on!) as secure as the stu Jeffre\ '\IJthi~. a former uns\ ersll\ stu JA:\HE EmtO'\DS I\\ o unknO\\ n men who trespassed in no proper!) \\as stolen during the three dents who mamtain it. dent. ~\ · a~ arrested b~ l n 'er~it) Polsce 4dml1'1'i at \ ' L Jr the Gi!bcn complex. accounts. "We arc asksng ressdents,to main on Sept 17. Due to recent mstances of trespass ··[The second of the t\\ t' 111ci He said Jt JS smperatJ\C studcnb tall1 the safet\ gtJdelmes \\C put in He "as arre~h.:J llli trespassmg in a ing, Public Safet) and thL Ofticc of denccs] imolvcd an older male 111 a report ~uspicious beha' ior as soon as place." she said. Cnlbcrt Ressdence Hall room and Re idence Life are urging ,tudents to \\ om::m'-; bathroom ... he sa ttl. "but b\ posssbk to increase the effect!\ enes of "Don't let strangers 111 the budding. fondlmg 1IS slcepmg o,·, upant. utilize necessary safet) precautions in the tsmc we got there. the indi\ idual Public Safctv. lock vour door at all times.
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Udesc Centro De Ciências Humanas E Da Educação
UNIVERSIDADE DO ESTADO DE SANTA CATARINA – UDESC CENTRO DE CIÊNCIAS HUMANAS E DA EDUCAÇÃO – CCE/FAED PROGRAMA DE PÓS GRADUAÇÃO EM HISTÓRIA DJESSIKA LENTZ RIBEIRO MACIEL ÚLTIMA SAÍDA PARA SPRINGFIELD: UM ESTUDO SOBRE O DESENHO ANIMADO OS SIMPSONS (1987-2009) FLORIANÓPOLIS – SC 2010 DJESSIKA LENTZ RIBEIRO MACIEL ÚLTIMA SAÍDA PARA SPRINGFIELD: UM ESTUDO SOBRE O DESENHO ANIMADO OS SIMPSONS (1987-2009) Dissertação apresentada ao Programa de Pós Graduação em História da Universidade do Estado de Santa Catarina como requisito parcial para obtenção do título de Mestre em História. Orientador: Prof. Dr. Emerson César de Campos FLORIANÓPOLIS – SC 2010 DJESSIKA LENTZ RIBEIRO MACIEL ÚLTIMA SAÍDA PARA SPRINGFIELD: UM ESTUDO SOBRE O DESENHO ANIMADO OS SIMPSONS (1987-2009) Dissertação apresentada ao Programa de Pós Graduação em História da Universidade do Estado de Santa Catarina como requisito parcial para obtenção do título de Mestre em História. Banca Examinadora Orientador: ________________________________ Prof. Dr. Emerson César de Campos UDESC Membro: ________________________________ Profª. Drª. Janice Gonçalves UDESC Membro: ________________________________ Profº. Dr. Mário César Coelho UFSC Florianópolis, 10/05/2010 À minha família, união, amor, incentivo e amparo em todos os momentos. AGRADECIMENTOS Ao Emerson, meu orientador, pelo apoio, confiança na pesquisa e, especialmente, pela paciência diante de todas as dificuldades. Obrigada por não me deixar desistir. Ao Fernando, companheiro para toda a vida. Agora sim vamos aproveitar nossos livros, filmes, viagens... nossa casa. Você me faz querer seguir em frente e ser feliz, “ao infinito e além”. Continuo dizendo: não há lugar no mundo igual ao teu abraço. Te amo muito! À minha mãe, Vera Lúcia, pelo apoio incondicional, sempre presente compartilhando sofrimentos e alegrias.
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The Simpsons and Philosophy the D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T
The Simpsons and Philosophy The D'oh! of Homer Popular Culture and Philosophy, Volume 02 Edited by William Irwin, Mark T. Conard, and Aeon J. Skoble a.b.e-book v3.0 / Notes at EOF (Annotations appear at the end of each essay) Back Cover: No less an authority than Homer Simpson himself has declared: "Cartoons don't have any deep meaning. They're just stupid drawings that give you a cheap laugh." Don't have a cow, man. Here comes a squadron of erudite scholars with the guts to challenge even Homer's pessimistic view of his family's historic plight. Does Homer Simpson really exhibit Aristotelian virtues? Can we learn from Maggie about the value of silence? Is Bart the kind of individual Nietzsche was trying to warn us about? How does Lisa illuminate American ambivalence toward intellectuals? Here we can find out about irony and the meaning of life, the politics of the nuclear family, Marxism in Springfield, the elusiveness of happiness, popular parody as a form of tribute, and why we need animated TV shows. As if all that weren't enough, this book actually contains the worst philosophy essay ever. Now that we have The Simpsons and Philosophy, we can all rub our hands together and say, in a slow, sinister, breathy voice: "Excellent. ." "Most scholars of mass art hold themselves at a distance from their subject. The authors in this volume really immerse themselves in The Simpsons, and the result is this absolutely unique book. Go for it!" -- Professor David Carrier, Carnegie Mellon University "Bill Irwin and his colleagues have done it again: they have produced a terrific volume.
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