Juden in Erlangen
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People Behind Exclusive Eponyms of Radiologic Signs (Part I)
Canadian Association of Radiologists Journal 60 (2009) 201e212 www.carjonline.org History / Histoire People Behind Exclusive Eponyms of Radiologic Signs (Part I) Zeev V. Maizlin, MDa,*, Peter L. Cooperberg, MDb, Jason J. Clement, MDb, Patrick M. Vos, MDb, Craig L. Coblentz, MDa aDepartment of Radiology, McMaster University Medical Centre, Hamilton, Ontario, Canada bDepartment of Radiology, St Paul’s Hospital, University of British Columbia, Vancouver, British Columbia, Canada Introduction were picked up and cited to create the eponym. The initial citation, in fact, was the birth act for the eponym. Chrono- An eponym in medicine is the name of a disease or logically, most eponyms used in radiology today were a structure based on or derived from the name of a person. created in the first half of the 20th century. No eponyms seem Eponyms are frequently used in the fields of both radiology to be originating from articles published starting from the and clinical disciplines. They play an important role in late 1970s. proper reporting and communication. Use of eponyms There is an interesting trend in the spelling of eponyms provides an efficient, easy, and short way of describing signs and noticed by F. M. Hall [1]. Traditionally, eponyms were and syndromes. Eponyms also honor those who have valu- recorded as possessives, as if the sign or disease belonged to ably contributed to medicine. Eponyms are links to our the honored individual (eg, Rigler’s). Over the past few history. Historical knowledge about eponyms opens up to us decades, a trend, started by omitting the apostrophe the personality of the people who developed the modern (Riglers), resulted more recently in elimination of the science of medicine. -
Book Two the ARTIST
Chapter V – A Well Respected Man 159 Book Two THE ARTIST 160 Chapter V – A Well Respected Man Chapter V - A Well Respected Man 161 A WELL RESPECTED MAN The business of the Civil Service is the orderly management of decline. William Armstrong In the Year of the Lord 1889, the Austrian Emperor Francis Joseph celebrated his fifty-ninth birthday and forty-first anniversary of his reign over the vast Empire of Austria and Hungary; when he died, in 1916, he had ruled the state for sixty-eight years. The realm was huge - covering over 180,000 square miles or about 450,000 square kilometres. The emperor's domains stretched, in the east-west axis, from Czernowitz on the Dniester River in today's Ukraine to Vorarlberg on the Swiss border, and, in the north-south axis, from the lower Elbe River near Aussig to Ragusa in the Bosnian Hercegovina, two thirds down the eastern Adriatic coast. Ethnically and thus politically, however, these territories were hopelessly divided. The racial diversity of the Imperial population included Germans in Austria, Hungary and the Sudetenland; Czechs in Bohemia and Moravia; Slovaks to their east; Poles in western Galicia and Ruthenians, Catholic Ukrainians, in the eastern part of it; Magyars in Hungary and Transylvania interspersed with some more Germans and Romanians; Slovenes, Friaulians and Italians south of the Julian Alps; and finally Croats, Bosnians, Albanians, Montenegrinos and Serbs in and around the Balkan mountains. All these groups fought incessant but mostly inconclusive battles over appointments, representation and influence in the empire and its court, while a laborious civil administration struggled with the actual governance of the multitudes. -
Book Two the ARTIST
Chapter V – A Well Respected Man 159 Book Two THE ARTIST 160 Chapter V – A Well Respected Man Chapter V - A Well Respected Man 161 A WELL RESPECTED MAN The business of the Civil Service is the orderly management of decline. William Armstrong In the Year of the Lord 1889, the Austrian Emperor Francis Joseph celebrated his fifty-ninth birthday and forty-first anniversary of his reign over the vast Empire of Austria and Hungary; when he died, in 1916, he had ruled the state for sixty-eight years. The realm was huge - covering over 180,000 square miles or about 450,000 square kilometres. The emperor's domains stretched, in the east-west axis, from Czernowitz on the Dniester River in today's Ukraine to Vorarlberg on the Swiss border, and, in the north-south axis, from the lower Elbe River near Aussig to Ragusa in the Bosnian Hercegovina, two thirds down the eastern Adriatic coast. Ethnically and thus politically, however, these territories were hopelessly divided. The racial diversity of the Imperial population included Germans in Austria, Hungary and the Sudetenland; Czechs in Bohemia and Moravia; Slovaks to their east; Poles in western Galicia and Ruthenians, Catholic Ukrainians, in the eastern part of it; Magyars in Hungary and Transylvania interspersed with some more Germans and Romanians; Slovenes, Friaulians and Italians south of the Julian Alps; and finally Croats, Bosnians, Albanians, Montenegrinos and Serbs in and around the Balkan mountains. All these groups fought incessant but mostly inconclusive battles over appointments, representation and influence in the empire and its court, while a laborious civil administration struggled with the actual governance of the multitudes. -
The Central Role of Darwinism in the Holocaust
PAPERS || JOURNAL OF CREATION 31(3) 2017 The central role of Darwinism in the Holocaust Jerry Bergman This paper challenges the common assumption that Hitler was the main driving force behind the Holocaust due to his anti-Semitic beliefs. It is well-documented that a major driving force was social Darwinism and the belief that the Aryan race was superior and had the right and obligation to prevent deterioration of the superior race by mixing with inferior races, such as Slavic peoples, Jews, Negroes and gypsies. This race view was widely supported by both the academic and medical establishments, the main groups that designed, implemented, and carried out the Holocaust. common assumption is that the Holocaust both orig- closely with Hitler, wrote Hitler “had an amazing amount A inated and was carried out by Adolf Hitler (figure 1). of information at his fingertips, and … [was] enormously In fact, although Hitler played a central role in orchestrating well-read … he would sit up late carefully reading all the Holocaust, both the leadership and those who directed new publications”.7 Hans Frick, Hitler’s personal lawyer, and carried out the Holocaust were primarily doctors and stated before his (Frick’s) 1946 execution at Nuremberg academics, including especially anthropologists.1 One reason that Hitler carried a copy of Schopenhauer’s The World as for placing the central blame on Hitler is an attempt by Will and Representation with him throughout World War those in the professions that produced the nefarious fruits I. Schopenhauer developed some evolutionary ideas even of eugenics to deny the well-documented record of the past. -
Handbook of Nutrition and Ophthalmology (Nutrition and Health)
HANDBOOK OF NUTRITION AND OPHTHALMOLOGY Giuseppe Arcimboldo, Vertemnus (1591), Courtesy of Skoklosters Slott, Bålsta, Stockholm. Vertemnus (or Vortumnus) was an Etruscan god who was responsible for the transformation of plants from flowering to the bearing of fruit. © Skokloster castle photo Samuel Uhrdin HANDBOOK OF NUTRITION AND OPHTHALMOLOGY By RICHARD D. SEMBA, MD, MPH The Wilmer Eye Institute, The Johns Hopkins University and Hospital, Baltimore, Maryland © 2007 Humana Press Inc. 999 Riverview Drive, Suite 208 Totowa, New Jersey 07512 www.humanapr.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording, or otherwise without written permission from the Publisher. All papers, comments, opinions, conclusions, or recommendations are those of the author(s), and do not necessarily reflect the views of the publisher. Due diligence has been taken by the publishers, editors, and authors of this book to assure the accuracy of the information published and to describe generally accepted practices. The contributors herein have carefully checked to ensure that the drug selections and dosages set forth in this text are accurate and in accord with the standards accepted at the time of publication. Notwithstanding, as new research, changes in government regulations, and knowledge from clinical experience relating to drug therapy and drug reactions constantly occurs, the reader is advised to check the product information provided by the manufacturer of each drug for any change in dosages or for additional warnings and contraindications. This is of utmost importance when the recommended drug herein is a new or infrequently used drug. -
Hitlers Joodse Biografie
Hitlers Joodse Biografie Thomas Frederik Hitlers Joodse Biografie Zijn persoonlijke contacten en conflicten met joden Het nooit eerder vertelde complete verhaal BRAVE NEW BOOKS Amsterdam / Antwerpen © Thomas Frederik 2020-2021 Isbn 978 94 6435 502 4 Alle rechten voorbehouden / All rights reserved Niets uit deze uitgave mag worden openbaar gemaakt en/of verveelvoudigd door middel van druk, fotokopie, microfilm of op welke andere wijze dan ook zonder voorafgaande schriftelijke toestemming van de auteur. Contact: [email protected] Inhoud Inleiding 15 1. Eduard Bloch: De joodse huisarts aan wie Hitler zijn “eeuwige dankbaarheid” betuigde 23 2. Ludwig Wittgenstein: De erfgenaam van de rijke joodse familie Wittgenstein van wie Hitler miljoenen afperste in ruil voor de verklaring dat zij “niet volledig joods” was… 29 3. Sigmund Freud: De joodse psychoanalyticus met wie Hitler een imaginaire ontmoeting had en vermoedelijk ook een echte 32 4. Een anonieme vrouw: De joodse (tiener)prostituée die naar verluidt Hitler met syfilis besmette 38 5. Jakob Altenberg: De joodse goudsmid en lijstenmaker die Hitlers zakenpartner was in diens Weense periode 47 6. Samuel Morgenstern: De joodse verkoper van Hitlers schilderijen 49 7. Jörg Lanz von Liebenfels: De joodse uitgever van een racistisch magazine die door Hitler werd bewonderd en als eerste gebruik maakte van het hakenkruis als logo 52 8. Wilhelm Marr: De zoon van een gedoopte jood die de term antisemitisme lanceerde en als eerste een antisemietenclub oprichtte waar Hitler zich bij aansloot 56 9. Ernst Moritz Hess: Hitlers joodse bevelhebber in W.O. I 62 10. Hugo Gutmann: Hitlers joodse superieur in W.O. I van wie hij een militaire onderscheiding kreeg 66 11. -
Steven Lehrer ___Three Plays About Doctors War And
Steven Lehrer _________ Three Plays about Doctors War and Psychoanalysis The Family Doctor The Abortionist 1 War and Psychoanalysis copyright 2010 by Steven Lehrer The Family Doctor copyright 2010 by Steven Lehrer The Abortionist copyright 2009 by Steven Lehrer Cover illustration: Sigmund Freud (1926), photo by Ferdinand Schmutzler Contact: [email protected] http://stevenlehrer.com 2 CONTENTS WAR AND 4 PSYCHOANALYSIS THE FAMILY 104 DOCTOR THE 202 ABORTIONIST 3 WAR AND PSYCHOANALYSIS 4 CAST OF CHARACTERS PROFESSOR DOCTOR SIGMUND FREUD, age 65, immaculately coiffed and dressed in an expensive three piece suit. When we see Freud he is either holding a cigar or has a cigar in his mouth. DR. HEINRICH ROSEN, a middle-aged doctor, almost completely blind STEFANIE GAISMAN, a beautiful, unstable young woman; the same actress plays FRÄULEIN PETER and is the sarcastic, caustic voice of the DYBBUK, by far the smartest, most perceptive character in the play. THE RAT MAN (Ernst Lanzer), an officer and army deserter with severe post traumatic stress disorder. He is a small man who resembles a rat, also plays SEXTON and MASKED FIGURE. THE RAT MAN'S FATHER, a huge, hulking, brutal man, also plays RABBI, BARON GAISMAN, and MILITARY DOCTOR.MAID, an offstage voice with two lines in scene 21. SETTING The entire action of the play takes place in the Vienna consulting room of Professor Doctor Sigmund Freud. The year is 1921. ACKNOWLEDGMENTS: The author acknowledges his debt to Prof. Dr. Sigmund Freud and his followers: Carl Gustav Jung, Sandor Ferenczi, and Woody Allen. With a nod to Siegfried Sassoon, Wilfred Owen, F. -
Hitler Und Die Deutschen
Hitler und die Deutschen VOLKSGEMEINSCHAFT UND VERBRECHEN DHM Im Auftrag der Stiftung Deutsches Historisches Museum • Berlin herausgegeben von Hans-Ulrich Thamer und Simone Erpel Sandstein Verlag • Dresden IMPRESSUM AUSSTELLUNG Hitler und die Deutschen Veranstalter Architekturaufbau Volksgemeinschaft und Verbrechen Stiftung Deutsches Historisches Museum Leitung: Holger Lehmann Unter den Linden 2 • 10117 Berlin Eine Ausstellung der Stiftung Deutsches Konservatorische Betreuung Historisches Museum, Berlin 15. Oktober Konzeption Restaurierungswerkstätten des DHM 2010 bis 6. Februar 2011 Hans-Ulrich Thamer Leitung: Martina Homolka www. dhm.de/ausstellungen/ Kuratoren Leihverkehr und Organisation hitler-und-die-deutschen Simone Erpel, Klaus-Jürgen Sembach, Regina Gelbert Hans-Ulrich Thamer Medientechnik Wissenschaftlicher Beirat Wolf-Dieter Pelikan, Wolfgang Röhrig Burkhard Asmuss, Norbert Frei, Chris- ReligionundPolitik tian Fuhrmeister, Raphael Gross, Sir Ian EXZELLENZCLUSTER | WWU MÜNSTER Medienstationen Kershaw, Gottfried Korff, Hans Mo- Stefan Kontra Das Projekt ist entstanden in mmsen, Reinhard Rürup, Michael Wildt Zusammenarbeit mit dem Hörführung Ausstellungsgestaltung Exzellenzcluster «Religion Friedrun Portele-Anyangbe, Klaus-Jürgen Sembach unter Mitarbeit und Politik» der Westfäli- Alexander Tiedge, schen Wilhelms-Universität von Ralph Brokmeier, Bessing + Brok- Tonstudio Kl 3, Michael Kaczmarek, Münster meier Architekten, München Berlin Koordination und Bildredaktion Dorlis Museumspädagogik Blume Brigitte Vogel, Stefan Bresky Mitarbeit -
HITLER a Chronology of His Life and Time Second Revised Edition
HITLER A Chronology of his Life and Time Second Revised Edition Milan Hauner 1403994927_01_prexiv.qxd 4/29/08 9:21 AM Page i HITLER A Chronology of his Life and Time This wicked man, the repository and embodiment of many forms of soul-destroying hatred, this monstrous product of former wrongs and shame … (Churchill on Hitler) I follow my course with the precision and certainty of a sleepwalker (Hitler to his secretary Traudel Junge) 1403994927_01_prexiv.qxd 4/29/08 9:21 AM Page ii Also by Milan Hauner INDIA IN AXIS STRATEGY WHAT IS ASIA TO US? E. BENES: FALL AND RISE OF A NATION (CZECHOSLOVAKIA 1938–41) EDVARD BENES: MEMOIRS 1938–45 (in Czech) 1403994927_01_prexiv.qxd 4/29/08 9:21 AM Page iii HITLER A Chronology of his Life and Time Second Revised Edition MILAN HAUNER 1403994927_01_prexiv.qxd 4/29/08 9:21 AM Page iv © Milan Hauner 1983, 2005, 2008 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. -
NS-Kunstraub Und Restitution Diplomarbeit
NS-Kunstraub und Restitution am Beispiel von Gustav Klimts Damenporträts Bildnis einer Dame, Die Freundinnen und Bildnis Serena Lederer Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Hanna WEBER am Institut für Geschichte Begutachter: Univ.-Prof. Mag. Dr. Gerald Lamprecht Graz, Juni 2018 „Der Zeit ihre Kunst, der Kunst ihre Freiheit“ Gustav Klimt 2 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inländischen oder ausländischen Prüfungsbe- hörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Version. Graz, Juni 2018 Hanna Weber 3 Grazie Mille… … an meinen Betreuer Univ.-Prof. Mag. Dr. Gerald Lamprecht, der mit meinem Themenvorschlag sofort einverstanden war und mich beim Verfassen der Arbeit unterstützt hat. … an meine liebevollen Eltern Heidi und Johannes Weber, die mir nicht nur mein Studium, sondern auch eine unbeschwerte und wunderschöne Kindheit ermöglicht haben. … an meinen Bruder Bernd, auf den ich immer zählen kann. Unsere gemeinsa- me WG-Zeit war mir eine Ehre! … geht vor allem an meinen Freund Dario, der meine Launen während der Stu- dienzeit immer mit Humor genommen hat, mich immer wieder aufgefangen und in jeder Hinsicht unterstützt hat. Grazie, tesoro mio! 4 Inhaltsverzeichnis Einleitung .................................................................................................................................... 6 1. Hitlers Eigeninteresse an Kunst, Kultur und Architektur.............................................. 10 2. Kunstpolitik in Österreich nach dem „Anschluss“ ........................................................ 15 2.1. -
The Third Reich Between Vision and Reality: New Perspectives on German History 1918–1945
The Third Reich Between Vision and Reality: New Perspectives on German History 1918–1945 Hans Mommsen Editor BERG German Historical Perspectives/XII The Third Reich Between Vision and Reality New Perspectives on German History 1918–1945 Edited by HANS MOMMSEN Oxford • New York First published in 2001 by Berg Editorial offices: 150 Cowley Road, Oxford, OX4 1JJ, UK 838 Broadway, Third Floor, New York, NY 10003-4812, USA © Hans Mommsen 2001 All rights reserved. No part of this publication may be reproduced in any form or by any means without the written permission of Berg. Berg is the imprint of Oxford International Publishers Ltd. Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the Library of Congress. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 1 85973 254 2 (Cloth) Typeset by JS Typesetting, Wellingborough, Northants. Printed in the United Kingdom by Antony Rowe. Contents Editorial Preface Gerhard A. Ritter and Anthony J. Nicholls vii Introduction Hans Mommsen 1 Violence and Sacrifice: Imagining the Nation in Weimar Germany Bernd Weisbrod 5 Hitler and Vienna: The Truth about his Formative Years Brigitte Hamann 23 Fatal Attraction: The German Right and Italian Fascism Wolfgang Schieder 39 People’s Community and War: Hitler’s Popular Support Norbert Frei 59 The Nazi Boom: An Economic Cul-de-Sac Christoph Buchheim 79 Ideological Legitimization and Political Practice of the Leadership of the National Socialist -
Hitler's Vienna Jakob Altenberg Peter Jahn Worthless Books? Aftermath
Books to avoid for Hitler authentication issues On Birgit Schwarz's Geniewahn (2009) and on Brigitte Hamann's Hitlers Wien (1996) Introduction: the NIOD-Hitler Birgit Schwarz - Geniewahn Dr. Johannes von Müllern-Schönhausen Brigitte Hamann - Hitler's Vienna Jakob Altenberg Peter Jahn Worthless books? Aftermath By Jaap van den Born and Bart FM Droog The Post Online/Droog Magazine, Amsterdam/Eenrum, March 4, 2019 background material by article 'Neurenbergs veilinghuis weet toch nog een vals Hitler-aquarel te verkopen. Valse Hitler verkocht voor ruim 37.000 euro.' The Post Online, Amsterdam, March 4, 2019. 1 Introduction: the NIOD-Hitler On November 25, 2017 NIOD, the Netherlands State Institute for War, Holocaust and Genocide Studies, proclaimed to have acquired an 'almost certain authentic Hitler watercolor'.1 What NIOD stated about the provenance of this work (basically: "unknown") and the way on which the research into it was conducted (basically: by looking into a catalog of forgeries), this claim set off more than one alarm bell. We started our own investigation and consulted several forensic (art) researchers and Hitler specialists.2 One of them was the German art historian Birgit Schwarz3, as she was in the German press presented as an expert in Hitler's art and Hitler's art collection. In several press interviews she had stated that is was very difficult to determine if an alleged Hitler painting was authentic or not, because: "Hitler had as an artist not his own style, as he was a mere copyist."4 So we were quite interested in her opinion on the NIOD-Hitler.