Open Stu Dio S No V Em Ber 9– 11, 2012
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02/11/2012 15:53 Opening Reception Friday, November 9th, 7 – 9pm Hours Saturday – Sunday, November 10 – 11th, 1 – 7pm Friday, November 9th 11, 2012 11, NOVEMBER 9– NOVEMBER 7pm Clark House Initiative, Bombay presents YAY-ZEQ: Two Burmese Artists Meet Again OPEN STUDIOS OPEN Imagine Death: A performance by Anastasia Ax Saturday, November 10th 5pm Drawings on the Forest Floor: Htein Lin and Sitt Nyein Aye in conversation Sunday, November 11th 3pm Living Monument: A performance by Htein Lin and Chaw Ei Thein 1040 Metropolitan Avenue Brooklyn, NY 11211 T: 718 387 2900 www.iscp-nyc.org iscp_oct_2012_10.indd 1 The International Studio & Curatorial Program international studio & iscp curatorial program (ISCP) Fall Open Studios is a three-day exhibition Participating artists and curators ISCP thanks the following contributors ISCP thanks the following sponsors of international contemporary art. The 36 artists, for their generous support for their generous support art collectives and curators from 24 countries A Kassen (Denmark), Ambie Abaño (Philippines), The Andy Warhol Foundation for the Visual Arts, NY Aage & Yelva Nimbs Foundation, Denmark; Akio Michael Arcega (United States), Benjamin Armstrong Brooklyn Arts Council, NY Tagawa, United States; Alfred Kordelin Foundation, (Australia), Lauri Astala (Finland), Anastasia Ax Brooklyn Brewery, NY Finland; Anonymous; Artadia, United States; Asian currently in residence present work in their studios. (Sweden), Tonje Bøe Birkeland (Sweden), Nanna Debois Consulate General of the Netherlands, NY Cultural Council, United States; Australia Council for Buhl (Denmark), Wan-Jen Chen (Taiwan), Quynh Dong Consulate General of Sweden, NY the Arts, Australia; BMUKK, Austria; Bunkacho – Agency (Switzerland), Erlend Hammer (Norway), Camille Henrot Czech Center, NY for Cultural Affairs, Japan; Canada Council for the The studio is a generative space – part production (France), Ann Cathrin November Høibo (Norway), Embassy of Australia, Washington, DC Arts, Canada; Celfin Capital S.A., Chile; Conseil des arts Astra Howard (Australia), Moussa Kone (Austria), Flanders House, NY et des letters du Québec, Canada; Consulate General Constanza Levine (Chile), Maria Loboda (Luxembourg), The Greenwich Collection, NY of Norway, United States; Council for Cultural Affairs, site, office, laboratory and situation – and it can be Mads Lynnerup (United States), Kaeko Mizukoshi Mexican Cultural Institute of New York, NY Taiwan; Danish Agency for the Arts, Denmark; Ernst (Japan), Nuria Montiel (Mexico), Francisco Montoya Milton & Sally Avery Arts Foundation, Inc., NY & Olga Gubler-Hablutzel Foundation, Switzerland; Cázarez (Germany), Kellie O’Dempsey (Australia), National Endowment for the Arts, Washington, DC FONCA, Mexico; Foundation for a Civil Society, United argued that it is more significant today for artistic Claudia Passeri (Luxembourg), Marie Perrault (Canada), New York City Department of Cultural Affairs, NY States; Hasselblad Foundation, Sweden; IASPIS – Mario Pfeifer (Germany), Nicolas Provost (Belgium), Polish Cultural Institute, NY International Artists Studio Program in Sweden, Andrés Ramírez Gaviria (Dominican Republic), Québec Government Office in New York, NY Sweden; Kulturstiftung des Freistaates Sachsen, process than ever before. Open Studios invites the Maaike Schoorel (The Netherlands), Mono Schwarz- Royal Danish Consulate General, NY Germany; Ministère de Luxembourg, Luxembourg; Kogelnik (United States), Karen Elaine Spencer (Canada), Royal Norwegian Consulate General, NY Ministry of Culture of the Flemish Community, Dita Stepanova (Czech Republic), Slobodan Stosic Taipei Cultural Center, NY Belgium; The Mondrian Foundation, The Netherlands; public to 36 “studio visits,” to experience art in (Serbia), Jennifer Tee (The Netherlands), Wojtek Ulrich Tom Cat Bakery, NY Niedersächsisches Ministerium für Wissenshaft und (Poland), Chang-Jung Wu (Taiwan), Velimir Zernovski Kultur, Germany; Office for Contemporary Art, Norway; (Macedonia) Stichting Fonds Voor Beeldende Kunsten Vormgeving its place of origin and to share conversations with en Bouwkunst – Fonds BKVB, The Netherlands; Teorama, Dominican Republic; VBK Marketing, LLC, United States; artists and curators from all over the world. Velkoobchod Stepan Kravi Hora, Czech Republic Design by Ben Freeman ([email protected]) iscp is a not-for-profit 501(c)(3) public charity Clark House Initiative, Bombay 1st floor 2nd floor 101 PROGRAM EXIT MAIN BATHROOM OFFICE OFFICE 205 206 207 208 209 210 Wan-Jen Camille Ambie A Francisco Dita Kaeko Chen PROJECT Henrot Abaño Kassen Montoya Stepanova Mizukoshi at ISCP Open Studios N SPACE Cázarez HE Taiwan TC France Philippines Denmark Czech Japan ISCP’s 2012 institution-in-residence is Clark House Zarganar (whose name means tweezers), it took the form of Living Monument KI Germany Republic DIRECTOR Initiative, Bombay. This annual residency was initiated by stand-up comedy routines. Htein Lin and his performance A performance by Htein Lin and Chaw Ei Thein OFFICE ISCP in 2011 to support cultural exchange by bringing an partner Chaw Ei Thein used its recognizable structure of a Sunday, November 11th, 3pm 211 Kellie international perspective into a local context. Clark House princess and a comedian to create small acts in the streets 110 109 108 107 106 O’Dempsey Initiative is a curatorial practice about a place, which, of Rangoon. Living Monument is a collaborative performance Chang- Nicolas Tonje Bøe Maaike Wojtek Jung Provost Birkeland Schoorel Ulrich Australia in sharing a junction with two museums and a cinema, between Htein Lin and Chaw Ei Thein developed in Wu 105 Belgium Sweden The Poland Maria Loboda & mirrors the fiction of what these spaces could be. Sumesh Clark House Initiative presents rarely seen selections response to recent political transitions in Burma and the Taiwan Netherlands T Claudia Passeri 204 203 202 201 Sharma and Zasha Colah established Clark House Initiative from Sitt Nyein Aye’s archive, including drawings of his artists’ current positions as persons in exile. The artists Astra Constanza Andrés Nuria 212 in 2010 as a curatorial collaborative concerned with ideas of journey from Burma to India and the camps and refugee will don traditional Burmese dance costumes and perform Luxembourg Howard Levine Ramírez Montiel Benjamin FIRE EXI Gaviria Armstrong freedom. communities in which he lived, as well as his own writing various narratives providing commentary on the historical Australia Chile Mexico and autobiography alongside publications he edited and and current political situation in Burma. The performance Domincan Australia Republic Yay-Zeq produced by means of makeshift printing machines. will remember and recognize times under the previous Two Burmese Artists Meet Again Also exhibited for the first time is a video documenting military dictatorship and doubtfully consider the potential 3rd floor November 9th – 21st the artist Htein Lin’s second performance in 1997, at an of the new democratically elected Burmese government. 221 Marie GALLERY 301 302 303 Hours: 12 – 6pm, Wednesday – Saturday exhibition opening in Yangon, kept secret since its creation Perrault Mads Nanna Slobodan Stosic and only returned to the artist this year. The exhibition Translations: Ko Moe and Vicky Bowman. Collaborators: Lynnerup Debois Buhl Serbia Canada Alongside Open Studios, Clark House Initiative brings a is a culmination of conversations, collected archives, Amrita Gupta-Singh Mohile Parikh Center Bombay, Home STAIRS TO United States Denmark Velimir Zernovski 3RD FLOOR program to New York that illuminates the philosophical commissions and translations that began when curator Office Yangon, JJ School of Art Bombay, Asian Cultural Macedonia BATHROOMS 213 EXIT Mono and cultural strategies that have served to withstand or Zasha Colah first met Htein Lin in his studio in 2008. Council New York, Kari Conte and ISCP, New York. The Schwarz- conjure tectonic social and political shifts of upheaval or exhibition will travel to the Kochi-Muziris Biennale with 222 Kogelnik change. In Burmese thought, yay-zeq, a water-drop, signifies the support of Foundation for Arts Initiatives New York Erlend KITCHEN Hammer United States a present or future encounter caused by an act of merit Drawings on the Forest Floor and Stapati Architects Kochi. Norway performed by two people in the past. Yay-Zeq: Two Burmese Htein Lin and Sitt Nyein Aye in conversation LOUNGE Artists Meet Again tells the story of how artist Sitt Nyein Aye Saturday, November 10th, 5pm 214 FIRE EXIT Mario taught law student Htein Lin to draw on the forest floor in Pfeifer 305 an enclosed refugee camp in Manipur in 1988 after fleeing This conversation serves as the first public meeting of Michael 220 219 218 217 216 Germany Arcega Burma during the 8888 Uprising.It also tells the story Burmese artists Htein Lin and Sitt Nyein Aye since they fled EXIT Ann Cathrin Jennifer Moussa Karen Lauri November Tee Kone Elaine Astala of the friendship between Htein Lin and the comedian to the border hills following the repression of the democratic United States Høibo Spencer The Austria Finland Zarganar in Rangoon that began at their university in protest against the military regime in Burma that began on 215 Norway Netherlands Canada the mid-1980s and has survived each other’s multiple August 8, 1988, now known as the 8888 Uprising. Together N Anastasia 306 HE Ax imprisonments and exiles. they share their views on art and philosophy, duty and “the Quynh Dong TC KI Sweden artist’s way,”