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A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond If you walk on and on, you get to your destination. If you question much, you get your information. If you do not sleep and idle, you preserve your life! (Maung Htin Aung 1959:87) So go the three lines of wisdom offered to the lazy student Maung Pauk Khaing in the well- known eponymous folk tale. A group of impoverished village youngsters, led by their teacher Daw Khin Thida, adapted the tale in 2007 in their first attempt to perform a play. From a well-to-do family that does not understand her philanthropic impulses, Khin Thida, an English teacher by profession, works at her free school in Insein, a suburb of Yangon (Rangoon) infamous for its prison. The shy students practiced first in Burmese for their village audience, and then in English for some foreign donors who were coming to visit the school. Khin Thida has also bought land in Bagan (Pagan) and is building a culture center there, hoping to attract the street children who currently pander to tourists at the site’s immense network of temples. TDR: The Drama Review 53:1 (T201) Spring 2009. ©2009 New York University and the Massachusetts Institute of Technology 93 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.1.93 by guest on 02 October 2021 I first met Khin Thida in 2005 at NICA (Networking and Initiatives for Culture and the Arts), an independent nonprofit arts center founded in 2003 and run by Singaporean/Malaysian artists Jay Koh and Chu Yuan. -
Media Release Singapore Art Museum Reveals Singapore
Media Release Singapore Art Museum Reveals Singapore Biennale 2016 Artists and Artwork Highlights ‘An Atlas of Mirrors’ Explained Through 9 Curatorial Sub-Themes Singapore, 22 September 2016 – The Singapore Art Museum (SAM) today revealed a list of 62 artists and art collectives and selected artwork highlights of the Singapore Biennale 2016 (SB2016), one of Asia’s most exciting contemporary visual art exhibitions. Titled An Atlas of Mirrors, SB2016 draws on diverse artistic viewpoints that trace the migratory and intertwining relationships within the region, and reflect on shared histories and current realities with East and South Asia. SB2016 will present 60 artworks that respond to An Atlas of Mirrors, including 49 newly commissioned and adapted artworks. The SB2016 artworks, spanning various mediums, will be clustered around nine sub-themes and presented across seven venues – Singapore Art Museum and SAM at 8Q, Asian Civilisations Museum, de Suantio Gallery at SMU, National Museum of Singapore, Stamford Green, and Peranakan Museum. The full artist list can be found in Annex A. SB2016 Artists In addition to the 30 artists already announced, SB2016 will include Chou Shih Hsiung, Debbie Ding, Faizal Hamdan, Abeer Gupta, Subodh Gupta, Gregory Halili, Agan Harahap, Kentaro Hiroki, Htein Lin, Jiao Xingtao, Sanjay Kak, Marine Ky, H.H. Lim, Lim Soo Ngee, Made Djirna, Made Wianta, Perception3, Niranjan Rajah, S. Chandrasekaran, Sharmiza Abu Hassan, Nilima Sheikh, Praneet Soi, Adeela Suleman, Melati Suryodarmo, Nobuaki Takekawa, Jack Tan, Tan Zi Hao, Ryan Villamael, Wen Pulin, Xiao Lu, Zang Honghua, and Zulkifle Mahmod. SB2016 artists are from 18 countries and territories in Southeast Asia, South Asia and East Asia. -
Śāntiniketan and Modern Southeast Asian
Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art. -
2016 General Report
General Report Setouchi Triennale Executive Committee Contents 1 Outline of Setouchi Triennale 2016----------------------------------------------------------- 1 2 General Overview------------------------------------------------------------------------------- 2 3 Art Sites and Projects--------------------------------------------------------------------------- 3 4 Triennale Attendance------------------------------------------------------------------- ----------13 5 Triennale Events---------------------------------------------------------------------------------- 20 6 Initiatives for Local Revitalization------------------------------------------------------------- 23 7 Effects of the Triennale-------------------------------------------------------------------------- 28 8 Local Residents’ Evaluations of the Triennale------------------------------------------------ 31 9 Activities of Volunteer Supporters-------------------------------------------------------------- 39 10 Publicity-------------------------------------------------------------------------------------------- 41 11 Transportation------------------------------------------------------------------------------------- 52 12 Triennale Visitor Services----------------------------------------------------------------------- 59 13 Triennale Passports, Goods, Etc.--------------------------------------------------------------- 61 14 Donations and Cooperation--------------------------------------------------------------------- 62 15 Executive Committee Account Balance (Forecast) --------------------------------------- -
Recent Arrests List
ƒ ARRESTS No. Name Sex Position Date of Arrest Section of Law Plaintiff Current Condition Address Remark Myanmar Military Seizes Power and Senior NLD S: 8 of the Export and Superintendent Kyi 1 (Daw) Aung San Suu Kyi F State Counsellor (Chairman of NLD) 1-Feb-21 House Arrest Nay Pyi Taw leaders including Daw Aung San Suu Kyi and Import Law Lin of Special Branch President U Win Myint were detained. The NLD’s S: 25 of the Natural Myanmar Military Seizes Power and Senior NLD Superintendent Myint 2 (U) Win Myint M President (Vice Chairman-1 of NLD) 1-Feb-21 Disaster Management House Arrest Nay Pyi Taw leaders including Daw Aung San Suu Kyi and Naing law President U Win Myint were detained. The NLD’s Myanmar Military Seizes Power and Senior NLD 3 (U) Henry Van Thio M Vice President 1-Feb-21 House Arrest Nay Pyi Taw leaders including Daw Aung San Suu Kyi and President U Win Myint were detained. The NLD’s Speaker of the Amyotha Hluttaw, the Myanmar Military Seizes Power and Senior NLD 4 (U) Mann Win Khaing Than M upper house of the Myanmar 1-Feb-21 House Arrest Nay Pyi Taw leaders including Daw Aung San Suu Kyi and parliament President U Win Myint were detained. The NLD’s Speaker of the Union Assembly, the Myanmar Military Seizes Power and Senior NLD 5 (U) T Khun Myat M Joint House and Pyithu Hluttaw, the 1-Feb-21 House Arrest Nay Pyi Taw leaders including Daw Aung San Suu Kyi and lower house of the Myanmar President U Win Myint were detained. -
Myanmar Update August 2018 Report
STATUS OF HUMAN RIGHTS & SANCTIONS IN MYANMAR AUGUST 2018 REPORT Summary. This report reviews the August 2018 developments relating to human rights in Myanmar. Relatedly, it addresses the interchange between Myanmar’s reform efforts and the responses of the international community. I. Political Developments......................................................................................................2 A. Rohingya Refugee Crisis................................................................................................2 B. Corruption.......................................................................................................................3 C. International Community / Sanctions...........................................................................4 II. Civil and Political Rights...................................................................................................5 A. Freedom of Speech, Assembly and Association............................................................5 B. Freedom of the Press and Censorship...........................................................................7 III. Economic Development.....................................................................................................8 A. Economic Development—Legal Framework, Foreign Investment............................8 B. Economic Development—Infrastructure, Major Projects..........................................8 IV. Peace Talks and Ethnic Violence....................................................................................11 -
Bullets in the Alms Bowl
BULLETS IN THE ALMS BOWL An Analysis of the Brutal SPDC Suppression of the September 2007 Saffron Revolution March 2008 This report is dedicated to the memory of all those who lost their lives for their part in the September 2007 pro-democracy protests in the struggle for justice and democracy in Burma. May that memory not fade May your death not be in vain May our voices never be silenced Bullets in the Alms Bowl An Analysis of the Brutal SPDC Suppression of the September 2007 Saffron Revolution Written, edited and published by the Human Rights Documentation Unit March 2008 © Copyright March 2008 by the Human Rights Documentation Unit The Human Rights Documentation Unit (HRDU) is indebted to all those who had the courage to not only participate in the September protests, but also to share their stories with us and in doing so made this report possible. The HRDU would like to thank those individuals and organizations who provided us with information and helped to confirm many of the reports that we received. Though we cannot mention many of you by name, we are grateful for your support. The HRDU would also like to thank the Irish Government who funded the publication of this report through its Department of Foreign Affairs. Front Cover: A procession of Buddhist monks marching through downtown Rangoon on 27 September 2007. Despite the peaceful nature of the demonstrations, the SPDC cracked down on protestors with disproportionate lethal force [© EPA]. Rear Cover (clockwise from top): An assembly of Buddhist monks stage a peaceful protest before a police barricade near Shwedagon Pagoda in Rangoon on 26 September 2007 [© Reuters]; Security personnel stepped up security at key locations around Rangoon on 28 September 2007 in preparation for further protests [© Reuters]; A Buddhist monk holding a placard which carried the message on the minds of all protestors, Sangha and civilian alike. -
PRESS RELEASE 52Nd International Art Exhibition La Biennale Di
PRESS RELEASE 52nd International Art Exhibition La Biennale di Venezia Migration Addicts Curated by Biljana Ciric, Karin Gavassa Various venues in public space, Venice 6th through 15th june 2007 Artists Participating: Htein Lin (Myanmar), Jin Shan (China), Li Pinghu (China), Huang Kui (China), Miljohn Ruperto (Philippines/USA), Josefina Posch (Sweden, USA), Mogas Station (Vietnam), TODO (Italy), Belén Cerezo (Spain), Yap Sau Bin (Malaysia), Hasan Elahi (Bangladesh, USA), Rizman Putra (Singapore) Migration Addicts has been selected from hundreds of submissions from around the world for the Collateral Events, a section of the Biennale which shows public museum quality projects chosen by Robert Storr, the Artistic Director of the 52. Venice Biennale. Migration Addicts began as an ongoing project two years ago in Shanghai, investigating how migration re-determines issues related to human identity, gender and spiritual needs. The fast expansion of urban spaces, following the model of big cities, has led to new social conflicts within the social structure. Recently the tension between Western and Chinese traditional values and lifestyles, as well as the late arriving of capitalism and the persisting communism, have not hindered the Chinese impulse towards assimilating the “international standards”, while fostering its own economic development. The project is touching upon topics which concern not only Shanghai but many other expanding Asian and Western cities. The structure of the exhibition is based on a series of interventions that will take place throughout the public space in Venice, articulating new perspectives entrenched directly in the urban environment, and methodologically operating in time and in space. The exhibition investigates the questions of temporal and spatial strategies which deal with this situation. -
ASIA HOUSE GALLERY PRESS RELEASE July 2007 Htein Lin
Asia House ASIA HOUSE GALLERY 63 New Cavendish Street PRESS RELEASE London July 2007 W1G 7LP Tel: 0044 20 7307 5454 [email protected] Htein Lin: Burma Inside Out 27 July to 13 October 2007 Co-curated by Katriana Hazell and Vicky Bowman Asia House is proud to present the first UK exhibition of Burmese artist Htein Lin. This powerful body of work was produced between 1998 and 2004, at a time when Htein Lin had been imprisoned by the Burmese/Myanmar military government, accused of planning opposition protests. Already an established contemporary artist, as well as a comic actor and performance artist, he continued to paint secretly whilst in jail, using white cotton prison uniforms as a substitute for canvas and producing well over 230 works. While he was able to arrange for paints to be smuggled in by supportive prison guards, brushes proved difficult to obtain, and dangerous to keep. So he improvised with a variety of materials, such as soap blocks, syringes, cigarette lighters, pieces of netting, plates and mugs, and his own body, developing innovative printing techniques. The abstract and figurative images that resulted depict prison life, the memories, hopes, fears and dreams of prisoners, Buddhist faith, and memorable events spent behind bars, like the Millennium. In November 2004, shortly before the end of his sentence, a purging of Myanmar Military Intelligence was followed by a review of many prisoners’ cases. The military government informed Htein Lin that the case against him was unproven, and he would be freed. On his release he thanked his jailers for providing him with the opportunity and inspiration to develop his art, and to quit smoking and drinking. -
Short Introduction to Myanmar Performance Art
Short Introduction to Myanmar Performance Art Mingalarbar! Greetings from Myanmar! This is a short introduction to the development on performance art in Myanmar. In western countries and some Asian countries, performance art is said to have been conceived in 1960s. Let's have a look at what was happening in Myanmar at that time. The country was under the control of Burma Socialist Programme Party for 26 years from 1962 to 1988. It can also be considered the beginning of an endless dictatorship. Art related books were few and far between and only three books about Modern Art were published. One was From Tradition to the Modern penned by Bagyi Aung Soe, a senior artist who sought education at the famed Shantiniketan. This book encouraged local artists to incorporate Modern Art techniques into their works. Another book was called Abstract Art. A young Japanese-Myanmar artist wrote it and it explained what Modern Art is. Third book is called “ Searching for aesthetic”_ crecitc on modern art. These three books were all there was in 1960s and 1970s. In such a closed society, Myanmar artists were very much in the dark about what was going on in the international arts scene. But they made use of whatever resource was available, and they consistently practiced Modern Art. On 8, August 1988, led by university students, people took to the streets to topple the military regime. Remembered as the 8888 Uprising, it was the biggest revolution against dictatorship in the history of post-colonial Myanmar. As a result, the notorious Socialist government resigned. -
Crackdown RIGHTS Repression of the 2007 Popular Protests in Burma WATCH December 2007 Volume 19, No
Burma HUMAN Crackdown RIGHTS Repression of the 2007 Popular Protests in Burma WATCH December 2007 Volume 19, No. 18(C) Crackdown Repression of the 2007 Popular Protests in Burma Map of Burma........................................................................................................... 1 Map of Rangoon.......................................................................................................2 Map of Downtown Rangoon......................................................................................3 I. Summary...............................................................................................................5 II. Crackdown After Crackdown: 45 Years of Military Rule ....................................... 15 Burma’s Economy: Poverty and Price Rises Spark Protests ................................ 21 III. Price Hikes, Peaceful Protests, and the Initial Reaction of the Authorities.........23 IV. The Monks Join the Protests............................................................................. 28 “Overturning of the Bowls”: The Monks’ Decision to Boycott the SPDC .............. 31 The Monks March in Rangoon ...........................................................................33 September 17 ..............................................................................................33 September 18..............................................................................................33 September 19 ..............................................................................................36 -
Experiences of Imprisonment in Myanmar Gaborit
'We are Like Water in Their Hands' - experiences of imprisonment in Myanmar Gaborit, Liv 2020 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Gaborit, L. (2020). 'We are Like Water in Their Hands' - experiences of imprisonment in Myanmar. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 10. Oct. 2021 “We are Like Water in Their Hands” – experiences of imprisonment in Myanmar Liv Stoltze Gaborit Supervisor: Bjørn Thomassen (RUC) Co-supervisor: Andrew M. Jefferson (DIGNITY) ISSN no. 0909-9174 PhD Programme: International Studies Department of Social Sciences and Business Roskilde University 2020 Front page: Ponsan Tain painted by artist Htein Lin in Oh Boh Prison in 2002.