2016 General Report
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A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond If you walk on and on, you get to your destination. If you question much, you get your information. If you do not sleep and idle, you preserve your life! (Maung Htin Aung 1959:87) So go the three lines of wisdom offered to the lazy student Maung Pauk Khaing in the well- known eponymous folk tale. A group of impoverished village youngsters, led by their teacher Daw Khin Thida, adapted the tale in 2007 in their first attempt to perform a play. From a well-to-do family that does not understand her philanthropic impulses, Khin Thida, an English teacher by profession, works at her free school in Insein, a suburb of Yangon (Rangoon) infamous for its prison. The shy students practiced first in Burmese for their village audience, and then in English for some foreign donors who were coming to visit the school. Khin Thida has also bought land in Bagan (Pagan) and is building a culture center there, hoping to attract the street children who currently pander to tourists at the site’s immense network of temples. TDR: The Drama Review 53:1 (T201) Spring 2009. ©2009 New York University and the Massachusetts Institute of Technology 93 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.1.93 by guest on 02 October 2021 I first met Khin Thida in 2005 at NICA (Networking and Initiatives for Culture and the Arts), an independent nonprofit arts center founded in 2003 and run by Singaporean/Malaysian artists Jay Koh and Chu Yuan. -
Media Release Singapore Art Museum Reveals Singapore
Media Release Singapore Art Museum Reveals Singapore Biennale 2016 Artists and Artwork Highlights ‘An Atlas of Mirrors’ Explained Through 9 Curatorial Sub-Themes Singapore, 22 September 2016 – The Singapore Art Museum (SAM) today revealed a list of 62 artists and art collectives and selected artwork highlights of the Singapore Biennale 2016 (SB2016), one of Asia’s most exciting contemporary visual art exhibitions. Titled An Atlas of Mirrors, SB2016 draws on diverse artistic viewpoints that trace the migratory and intertwining relationships within the region, and reflect on shared histories and current realities with East and South Asia. SB2016 will present 60 artworks that respond to An Atlas of Mirrors, including 49 newly commissioned and adapted artworks. The SB2016 artworks, spanning various mediums, will be clustered around nine sub-themes and presented across seven venues – Singapore Art Museum and SAM at 8Q, Asian Civilisations Museum, de Suantio Gallery at SMU, National Museum of Singapore, Stamford Green, and Peranakan Museum. The full artist list can be found in Annex A. SB2016 Artists In addition to the 30 artists already announced, SB2016 will include Chou Shih Hsiung, Debbie Ding, Faizal Hamdan, Abeer Gupta, Subodh Gupta, Gregory Halili, Agan Harahap, Kentaro Hiroki, Htein Lin, Jiao Xingtao, Sanjay Kak, Marine Ky, H.H. Lim, Lim Soo Ngee, Made Djirna, Made Wianta, Perception3, Niranjan Rajah, S. Chandrasekaran, Sharmiza Abu Hassan, Nilima Sheikh, Praneet Soi, Adeela Suleman, Melati Suryodarmo, Nobuaki Takekawa, Jack Tan, Tan Zi Hao, Ryan Villamael, Wen Pulin, Xiao Lu, Zang Honghua, and Zulkifle Mahmod. SB2016 artists are from 18 countries and territories in Southeast Asia, South Asia and East Asia. -
Śāntiniketan and Modern Southeast Asian
Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art. -
Hosta Pycnophylla
Hosta Species Update●The Hosta Library●ORG20061106●©W. George Schmid 2008 Original Issue ORG 2006.11.06 Revised Issue REV 1/2010.10.27 H. pycnophylla Maekawa 1976 Journal of Japanese Botany, 51, 3:79-81 1976 セトウチギボウシ = 瀬戸内擬宝珠 = Setouchi Gibōshi = Hosta from Setouchi History and Nomenclature: In Japan, this species is called Setouchi Gibō- shi, named for the Setouchi/Inland Sea Region (瀬戸内海), in which its isolated habitat is located. It is very similar to H. hypoleuca (裏白), “hosta with white underside.” The specific epithet pycnophylla is derived from its many-petioled feature, using a combination of Greek pycnos = dense, compact and phyll[on] = pertaining to leaf arrangement.” While the Japanese name is easy to explain, the species epithet is enigma. Most species in the genus Hosta have a tightly bundled leaf mound and the leaves are “closely arranged” so this name does not show a feature unique to this species. This taxon was first described by F. Maekawa in 1976 from a specimen H. pycnophylla Maekawa 1976 (in situ; notice seedlings around situ) Seen from below to shown white backs; Mount Genmei (源明山; Genmeizan) Oshima Island (大島); Ōshima Town (大島町; Ōshima-machi); (大島郡; Ōshima- gun); Setouchi region (瀬戸内海) collected in the former Suō Province (周防国 Suō-no kuni), now the eastern part of Yamaguchi Prefecture (山口県 ; Yamaguchi-ken). The type was collected by K. Oka on Mt. Genmei (源明山), near the town of Ōshima (大島町; Ōshima-machi). The 2010-10-27 - 1 - specimen holotype is in KYO, No. 35673. Due to its exclusive morphology, its taxonomic rank has been accepted by all taxono- mists researching the genus Hosta. -
Molluscan Fauna of The“ Miocene” Namigata Formation in the Namigata Area, Okayama Prefecture, Southwest Japan
Jour. Geol. Soc. Japan, Vol. 119, No. 4, p. 249–266, April 2013 JOI: DN/JST.JSTAGE/geosoc/2012.0048 doi: 10.5575/geosoc.2012.0048 Molluscan fauna of the“ Miocene” Namigata Formation in the Namigata area, Okayama Prefecture, southwest Japan Abstract Takashi Matsubara The molluscan fauna of the Namigata Formation, traditionally ac- cepted to be of Miocene age, are reexamined taxonomically, and the Received 27 February, 2012 geologic age of the formation and its paleogeographic implications Accepted 12 June, 2012 are discussed. The formation is subdivided into the main part and two new members (the Senjuin Shell-Sandstone and Ônishi Con- Division of Natural History, Museum of Na- glomerate members). The Namigata Formation yielded 13 species of ture and Human Activities Hyogo, 6 Yayoiga- Gastropoda, 16 species of Bivalvia and 1 species of Scaphopoda. The oka, Sanda 669-1546, Japan occurrences of Molopophorus watanabei Otuka, Acila (Truncacila) nagaoi Oyama and Mizuno, Chlamys (Nomurachlamys?) namiga- Corresponding author: T. Matsubara, [email protected] taensis (Ozaki), and Isognomon (Hippochaeta) hataii Noda and Fu- ruichi indicate that the molluscan age should be revised to the late Late Eocene–Early Oligocene. Taking account of the latest elasmo- branch data and preliminary strontium isotope ratio, the age of the formation is confined to the late Late Eocene. The present and recent results show that the First Seto Inland Sea was actually composed of two sea areas that existed at different times: the Paleogene sea area is estimated to have been an open sea facing south to the Pacific Ocean, whereas that in the Miocene is thought to have been an em- bayment connected to the northwest to the Sea of Japan. -
First Half of Fiscal 2019 Earnings Briefing
First Half of Fiscal 2019 Earnings Briefing Dōgo Onsen Honkan (Matsuyama City) Dōgo Onsen Honkan, with a 125 year history, has been under maintenance and repair work since January 2019 and work will continue for about five and a half more years. Visitors can enjoy various attractions available only during construction, such as wrapping art from “Phoenix,” one of manga artist Osamu Tezuka's masterpieces, currently covering the building. December 6, 2019 ⓒTEZUKA PRODUCTIONS Index I. Summary of Earnings for the First Half of Fiscal 2019 Pg ◎Profit and Loss Conditions for the First Half of Fiscal 2019 3 ◎Factors in Increase / Decrease in Core Business Gross Profit (First Half of Fiscal 2019) 4 ◎Conditions in Loans, Deposits, and Assets in Custody 5 ◎Conditions in Credit Costs and Disclosed Non-performing Loans 6 ◎Conditions in Evaluation Gain on Securities and Equity Ratio 7 II. Main Strategies and Progress of the Fiscal 2018 Medium-Term Management Plan Pg ◎Major Numerical Targets of Fiscal 2018 Medium-Term Management Plan 9 ◎Plans for Loans, Deposits, and Assets in Custody 10 [Consulting Strategy (Personal Banking)] Provide Diversified Services Responding to “Thoughts” of More ◎ 11 Customers [Consulting Strategy (Corporate Banking)] Strengthen Ability to Provide Value Toward Solutions for Customer ◎ 12 Issues [Consulting Strategy (Corporate Banking)] Expansion of Fee Businesses through Enhanced Consulting ◎ 13 Functions ◎[Consulting Strategy (Corporate Banking)] Efforts for Enhancing Ship Finance 14 ◎[Online Business Strategy] Efforts for -
For Travel Agents SETOUCHI
For Travel Agents SETOUCHI Tokyo JAPAN Kyoto 22 New Experiences Brush Up PROJECT 2018 Videos Information The reflection of ~Re-wind~ You are a Setouchi DMO Setouchi in your eyes vision of beauty at Setouchi Official Homepage To those who are considering traveling to Japan, Please enjoy these videos which illustrate the enchantment of travel to the Setouchi area. For Travel Agents To travel professionals planning for Japan, “Setouchi” is an area that is gaining attention as a new destination location in Japan. Eleven experts have refined and polished hitherto unknown charms of this gemstone of an area, and 22 new travel products have been produced. All of these products designed for foreign tourists visiting Japan have been made for professionals active in the tourism industry. In planning this “brush up” project, the advice and opinions of both domestic and foreign tourism industry professionals, land operators, and tourists from North America and Europe who have experience visiting Japan were taken into consideration. Please make use of this brochure which lays out “Unique Experiences in Setouchi” as new proposals for foreign customers visiting Japan. *The term “Setouchi” refers to the area comprised of the seven prefectures that surround Japan’s Seto Inland Sea. SETOUCHI DMO Chief Operating Officer Katsunori Murahashi 1 2 For Travel Agents Agawa Okayama Hagi Hyogo Tokyo Maneki-Neko Okayama 10 Kyoto Yamaguchi Museum Hiroshima Airport Imbe 3 (Bizen Pottery Village) 2 South Korea 12 Hiroshima (Busan) 4 Hiroshima Sta. 5 Yoshinaga Ruriko-ji Temple Pagoda Airport Okayama Sta. 9 Yamaguchi Miyahama Himeji Castle Onsen Saijo 17 Imbe Shin-Yamaguchi Sta. -
News Release
News Release Cool Japan Fund Inc. Tokyo, March 23, 2016 LP Investment in a Fund for Activating the Tourism Industry in the Setouchi Region Cool Japan Fund has decided to form the Setouchi Kanko Kasseika Fund (fund for revitalizing tourism in Setouchi) on April 1, 2016 jointly with the seven regional banks of the Setouchi region (Chugoku Bank, Hiroshima Bank, Yamaguchi Bank, Awa Bank, Hyakujushi Bank, Iyo Bank, and Minato Bank, hereafter, “the Seven Setouchi Banks”), Development Bank of Japan Inc. (hereafter, “DBJ”), and J- Will Advance Co., Ltd. (hereafter, “J-Will Advance”), which is affiliated with the J-Will Group. With a total amount of 9 billion yen, the fund is aimed at providing growth capital to tourism-related businesses in the region. Cool Japan Fund has also decided to make a strategic LP investment of up to 1 billion yen in the fund. Through its funding, Cool Japan Fund expects the Setouchi region to become a leading destination for tourists from around the world by offering enhanced tourist services for foreign visitors. Cool Japan Fund also expects the fund to revitalize the local economy of the Setouchi region by promoting the development of the local tourism industry and increasing the number of tourists and visitors from abroad. In each area, comprehensive and integrated efforts are required to accelerate tourism since capturing the recent tremendous demand from inbound tourists is indispensable for the regional empowerment, which is one of the government’s growth strategies. In response, financial institutions and business companies in the Setouchi region are planning to work together to establish a stock company named Setouchi Brand Corporation, which is aimed at revitalizing the local tourism industry, on April 1, 2016. -
Setouchi Triennale 2013 Press Presentation Materials 2013
Setouchi Triennale 2013 Press Presentation Materials 2013.2.20 Outline of Setouchi Triennale 2013 The Triennale fuses contemporary art with the allure of the islands in the Setouchi region. Through this, it aims to inform the world ofthe enchanting beauty of the Seto Inland Sea, to revitalize local communities and to restore the sea. Name Setouchi Triennale 2013 "Seto Inland Sea Art And Island Journey Through the Seasons" Dates Spring Season – Wed. Mar. 20 to Sun. Apr. 21, 2013 Summer Season – Sat. Jul. 20 to Sun. Sept. 1, 2013 Autumn Season – Sat. Oct. 5 to Mon. Nov. 4, 2013 Location 12 islands on the Seto Inland Sea + Takamatsu & Uno|Naoshima, Teshima, Megijima, Ogijima, Shodoshima, Oshima, Inujima, Shamijima, Honjima, Takamijima, Awashima, Ibukijima, Takamatsu Port & Uno Port areas Organizer Art Setouchi Executive Committee Chairperson Keizo Hamada (Governor of Kagawa Prefecture) General Producer Soichiro Fukutake (President, Fukutake Foundation) General Director Fram Kitagawa (Guest Professor, Joshibi University of Art and Design) Communications Director Kenya Hara (Designer) Supporters Ministry of Internal Affairs and Communications, Ministry of Economy, Trade and Industry, Ministry of Land, Infrastructure, Transport and Tourism, Japan Tourism Agency, Japan Travel and Tourism Association Website setouchi-artfest.jp Admission Adults JPY 5,000, Senior high JPY 3,500, Under 15 free (The above are prices for 3-season passports. Individual season passports are also available.) Osaka Tokyo 東京 1 List of Artists, Projects and Events Sites -
Press Kit B 英語 20151014
Benesse Art Site Naoshima Press Kit General 2015 7.1 About Benesse Art Site Naoshima About Benesse Art Site Naoshima “Benesse Art Site Naoshima”is the collective name for all art-related activities conducted by Benesse Holdings, Inc. and Fukutake Foundation on the islands of Naoshima and Teshima in Kagawa Prefecture and on Inujima island in Okayama Prefecture. Our fundamental aim is to create signicant spaces by bringing contemporary art and architecture in resonance with the pristine nature of the Seto Inland Sea, a landscape with a rich cultural and historical fabric. Through contacts with art and nature, sceneries and inhabitants of the Seto Inland Sea region, we seek to inspire visitors to reect on the meaning of Benesse’s motto – Well-Being. In all our ongoing activities, we are committed to foster a relationship of mutual growth between art and the region, aiming to make a positive contribution to the local communities. Benesse Holdings, Inc. Deriving it’s name from latin “( Bene”, Well and“ Esse”, To be) the Benesse Group 01 promotes the development and problem solving skills of individuals in pursuit of their dreams and ideals, through the group’s global activities in the elds of domestic and overseas education, language and global leadership training, senior and nursing care and lifestyle support. Etablished in 1955. Fukutake Foundation Established in 2004 on the occasion of the opening of the Chichu Art Museum on Naoshima. the Fukutake Foundation – in collaboration with Benesse Holdings, Inc. - aims at the revitalization of local communities on Naoshima, Teshima and Inujima through the harmonious combination of nature, art and architecture. -
About Otemachi One
Attachment 1 About Otemachi One Project location 1-2, Otemachi 1-chome, Chiyoda-ku, Tokyo Direct access to Otemachi Station (Tokyo Metro Marunouchi, Transportation Tozai, Chiyoda, and Hanzomon Lines, Toei Mita Line) Main uses Offices, commercial facilities, multipurpose hall, hotel, parking facilities, district heating and cooling systems Site area Approx. 20,900m2 Total floor area Approx. 357,700m2 Floors Mitsui & Co. Building: 31 above-ground floors, 5 basement levels, Otemachi One Tower: 39 above-ground floors, 5 basement levels Maximum height Mitsui & Co. Building: 160m Otemachi One Tower: 200m Design/ Design joint venture established by Nikken supervision Sekkei Ltd. and Kajima Corporation Design/ Design construction Construction Kajima Corporation Design architects Skidmore, Owings & Merrill LLP (SOM) Otemachi One Tower: Started May 18, 2016, completed February 23, 2020 Otemachi One Avenue Grand Opening scheduled for May 12 Completion of Four Seasons Hotel Tokyo Otemachi: Opening scheduled for construction July 1, 2020 Otemachi One Garden completion scheduled for the end of 2022 1 3F: Hall & Conference 34-39F: Four Seasons Tokyo Venue for large-scale Otemachi business events and World’s best brand satisfying presentations VIPs and executives as well 3-4F: Banquet Room by Four Seasons Tokyo Otemachi 6F: WORK STYLING A flagship office offering a Capacity: 160 people shared office service with multiple locations Green space B2-1F: Commercial area The biggest green space in the A wide variety of restaurants district at 6,000m2 (to be completed and convenience service by the end of 2022) facilities B1F: Clinic B1F: Refresh space B1F: Running station 3F: Daycare center Comprehensive facilities Comprehensive facilities Comprehensive facilities Providing peace of mind designed to support designed to support designed to support for working parents healthy workstyles healthy workstyles healthy workstyles The logo of Otemachi One The design of the logo represents the combination of “1s” of various colors to form a single beam of light. -
[email protected] Providing Details, and We Will Remove Access to the Work Immediately and Investigate Your Claim
Roskilde University "We are Like Water in Their Hands" Experiences of imprisonment in Myanmar Gaborit, Liv Stoltze Publication date: 2020 Document Version Publisher's PDF, also known as Version of record Citation for published version (APA): Gaborit, L. S. (2020). "We are Like Water in Their Hands": Experiences of imprisonment in Myanmar. Roskilde Universitet. FS & P Ph.D. afhandlinger General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 “We are Like Water in Their Hands” – experiences of imprisonment in Myanmar Liv Stoltze Gaborit Supervisor: Bjørn Thomassen (RUC) Co-supervisor: Andrew M. Jefferson (DIGNITY) ISSN no. 0909-9174 PhD Programme: International Studies Department of Social Sciences and Business Roskilde University 2020 Front page: Ponsan Tain painted by artist Htein Lin in Oh Boh Prison in 2002. © Htein Lin. In collaboration with DIGNITY – Danish Institute Against Torture Funded by the Ministry of Foreign Affairs of Denmark Note on authorship: While the front page of this dissertation only lists one name, significant contributions have been made by several people.