And the Korea of Jeong Dojeon (1342~1398) and Heo Gyun (1569~1618)
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Perempuan Korea Dalam Film Serial Drama Korea “Jewel in the Palace”
Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace” SKRIPSI Diajukan sebagai Salah Satu Syarat untuk Mendapatkan Gelar Sarjana Ilmu Sosial dalam Bidang Antropologi Oleh : Indri Khairani 130905027 DEPARTEMEN ANTROPOLOGI SOSIAL FAKULTAS ILMU SOSIAL ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2018 1 Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS Perempuan Korea dalam Film Serial Drama Korea“Jewel in The Palace” SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi, dan sepanjang pengetahuan saya tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebut dalam daftar pustaka. Apabila dikemudian hari ditemukan adanya kecurangan atau tidak seperti yang saya nyatakan di sini, saya bersedia menerima sanksi sesuai dengan peraturan yang berlaku. Medan, Januari 2018 Penulis Indri Khairani i Universitas Sumatera Utara ABSTRAK Indri Khairani, 2018. Judul skripsi: Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace”. Skripsi ini terdiri dari 5 BAB, 113 halaman, 18 daftar gambar, 57 daftar pustaka Tulisan ini berjudul Perempuan Korea dalam Film Serial Drama ―Jewel in The Palace”, yang bertujuan untuk mengetahui bagaimana perjuangan sosok seorang perempuan Korea yang tinggal di dalam istana “Gungnyeo” pada masa Dinasti Joseon di anad 15 dalam sebuah drama seri Jewel in The Palace Penelitian ini bersifat kualitatif. Metode yang digunakan adalah analisis wacana, dan model analisis yang digunakan adalalah analisis wacana dari Sara Mills yang merupakan model analisis wacana yang menaruh titik perhatian utama pada wacana mengenai feminisme. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Landscapes of Korean and Korean American Biblical Interpretation
LANDSCAPES OF KOREAN AND KOREAN AMERICAN BIBLICAL INTERPRETATION INTERNATIONAL VOICES IN BIBLICAL STUDIES Jione Havea Jin Young Choi Musa W. Dube David Joy Nasili Vaka’uta Gerald O. West Number 10 LANDSCAPES OF KOREAN AND KOREAN AMERICAN BIBLICAL INTERPRETATION Edited by John Ahn Atlanta Copyright © 2019 by SBL Press All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, SBL Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Control Number: 2019938032 Printed on acid-free paper. For our parents, grandparents, and mentors Rev. Dr. Joshua Yoo K. Ahn, PhD and Ruth Soon Hee Ahn (John Ahn) Sarah Lee and Memory of Du Soon Lee (Hannah S. An) Chun Hee Cho and Soon Ja Cho (Paul K.-K. Cho) SooHaeing Kim and Memory of DaeJak Ha (SungAe Ha) Rev. Soon-Young Hong and Hae-Sun Park (Koog-Pyoung Hong) Rev. Seok-Gu Kang and Tae-Soon Kim (Sun-Ah Kang) Rev. Dong Bin Kim and Bong Joo Lee (Hyun Chul Paul Kim) Namkyu Kim and Rev. Dr. Gilsoon Park, PhD (Sehee Kim) Rev. Yong Soon Lim and Sang Nan Yoo (Eunyung Lim) Rev. Dr. Chae-Woon Na, PhD, LittD and Young-Soon Choe (Kang-Yup Na) Kyoung Hee Nam and Soon Young Kang (Roger S. -
Report of the Meeting
10th Meeting of the Conference of the Parties to the Convention on Wetlands (Ramsar, Iran, 1971) “Healthy wetlands, healthy people” Changwon, Republic of Korea, 28 October-4 November 2008 Report of the Meeting Opening Ceremony, First & Second Plenary Sessions Tuesday 28 October 2008, 17.00–19.00 (Agenda Items I & II) Wednesday 29 October 10.00–13.00 (Agenda Items III–VIII & X) Wednesday 29 October 15.00–18.00 (Agenda Items IX & XI) Agenda Item I: Opening of the Meeting Agenda Item II: General Statements a) Opening ceremony 1. The opening ceremony was preceded by music and dance performed by Korean artists. 2. Following the entrance of His Excellency Lee Myung-bak, President of the Republic of Korea, a short introductory video was screened and the Ramsar flag was formally handed over from the government of Uganda, host of the 9th meeting of the Conference of the Contracting Parties (COP9), to the government of the Republic of Korea, host of COP10. 3. Welcome addresses were made by Mr Lee Maanee, Minister of Environment, Republic of Korea, and Mr Kim Tae-ho, Governor of Gyeongnam Province, Republic of Korea. 4. Mr Anada Tiéga, Ramsar Secretary General, delivered his opening address. 5. The Congratulatory Address was given by His Excellency Lee Myung-bak, President of the Republic of Korea. 6. Children representing each of the 10 countries that have hosted Ramsar COPs presented the ‘Children’s Message for Ramsar’. 7. Addresses were delivered by: • Mr Ban Ki-Moon, UN Secretary General (by video) • Mr Chung Jong Hwan, Minister of Land, Transport and Maritime Affairs, Republic of Korea • Ms Choo Miae, Chairperson of Environment & Labour Committee, National Assembly, Republic of Korea • Ms Julia Marton-Lefèvre, Director General, IUCN • Mr David Coates on behalf of Mr Ahmed Djoghlaf, Executive Secretary, CBD COP10 Conference Report, page 2 • Mr Achim Steiner, Executive Director, UNEP b) Presentation of Ramsar Awards 8. -
National Museum of Korea
National Museum of Korea 1. Prehistoric and Ancient History Gallery 1 2. Prehistoric and Ancient History Gallery 2 - 1 - Prehistoric and Ancient 1. The Paleolithic Age, the First Culture History Gallery 1 in History We have now arrived in the Paleolithic Room. During the Paleolithic Age, humans started to use fire, invented tools, and developed a culture. The first humans inhabited Korea from about 700,000 years ago. They were hunter-gatherers and led a nomadic lifestyle, moving from place to place to find sufficient food and seeking shelter in caves or on the banks of rivers. The people of the Paleolithic Age initially used natural stones as tools, but gradually began to break and shape them to remove their efficiency. Large, clumsy tools were used at first, but over time the tools were refined and a variety of sharper and smaller tools were developed for different purposes. During the later period of the Paleolithic Age, the stone tools were used in conjunction with pieces of timber or horn. As stone working techniques became even more developed, it was possible to reproduce the same tool. - 2 - Prehistoric and Ancient 2. The Making of Chipped Stone Tools History Gallery 1 [Narration] These are stone tools from the Paleolithic Age. [Tourist] They’re tools? They look like normal stones to me. [Narration] They do, yes, but they really are chipped stone tools that Paleolithic people made and used for many different purposes. [Tourist] How did they chip the stones? [Narration] The simplest method they used was to smash one stone with another stone and hope for the best! Later on, they used stone hammers or horns to chip the stone in a more directed, controlled manner. -
Neural Substrates of Hanja (Logogram) and Hangul (Phonogram) Character Readings by Functional Magnetic Resonance Imaging
ORIGINAL ARTICLE Neuroscience http://dx.doi.org/10.3346/jkms.2014.29.10.1416 • J Korean Med Sci 2014; 29: 1416-1424 Neural Substrates of Hanja (Logogram) and Hangul (Phonogram) Character Readings by Functional Magnetic Resonance Imaging Zang-Hee Cho,1 Nambeom Kim,1 The two basic scripts of the Korean writing system, Hanja (the logography of the traditional Sungbong Bae,2 Je-Geun Chi,1 Korean character) and Hangul (the more newer Korean alphabet), have been used together Chan-Woong Park,1 Seiji Ogawa,1,3 since the 14th century. While Hanja character has its own morphemic base, Hangul being and Young-Bo Kim1 purely phonemic without morphemic base. These two, therefore, have substantially different outcomes as a language as well as different neural responses. Based on these 1Neuroscience Research Institute, Gachon University, Incheon, Korea; 2Department of linguistic differences between Hanja and Hangul, we have launched two studies; first was Psychology, Yeungnam University, Kyongsan, Korea; to find differences in cortical activation when it is stimulated by Hanja and Hangul reading 3Kansei Fukushi Research Institute, Tohoku Fukushi to support the much discussed dual-route hypothesis of logographic and phonological University, Sendai, Japan routes in the brain by fMRI (Experiment 1). The second objective was to evaluate how Received: 14 February 2014 Hanja and Hangul affect comprehension, therefore, recognition memory, specifically the Accepted: 5 July 2014 effects of semantic transparency and morphemic clarity on memory consolidation and then related cortical activations, using functional magnetic resonance imaging (fMRI) Address for Correspondence: (Experiment 2). The first fMRI experiment indicated relatively large areas of the brain are Young-Bo Kim, MD Department of Neuroscience and Neurosurgery, Gachon activated by Hanja reading compared to Hangul reading. -
Women's Life During the Chosŏn Dynasty
International Journal of Korean History(Vol.6, Dec.2004) 113 Women’s Life during the Chosŏn Dynasty Han Hee-sook* 1 Introduction The Chosŏn society was one in which the yangban (aristocracy) wielded tremendous power. The role of women in this society was influenced greatly by the yangban class’ attempts to establish a patriarchal family order and a Confucian-based society. For example, women were forced, in accordance with neo-Confucian ideology, to remain chaste before marriage and barred from remarrying once their husbands had passed away. As far as the marriage system was concerned, the Chosŏn era saw a move away from the old tradition of the man moving into his in-laws house following the wedding (男歸女家婚 namgwiyŏgahon), with the woman now expected to move in with her husband’s family following the marriage (親迎制度 ch΄inyŏng jedo). Moreover, wives were rigidly divided into two categories: legitimate wife (ch΄ŏ) and concubines (ch΄ŏp). This period also saw a change in the legal standing of women with regards to inheritance, as the system was altered from the practice of equal, from a gender standpoint, rights to inheritance, to one in which the eldest son became the sole inheritor. These neo-Confucianist inspired changes contributed to the strengthening of the patriarchal system during the Chosŏn era. As a result of these changes, Chosŏn women’s rights and activities became increasingly restricted. * Professor, Dept. of Korean History, Sookmyung Women’s University 114 Women’s Life during the Chosŏn Dynasty During the Chosŏn dynasty women fell into one of the following classifications: female members of the royal family such as the queen and the king’s concubines, members of the yangban class the wives of the landed gentry, commoners, the majority of which were engaged in agriculture, women in special professions such as palace women, entertainers, shamans and physicians, and women from the lowborn class (ch’ŏnin), which usually referred to the yangban’s female slaves. -
South Korea's Economic Engagement Toward North Korea
South Korea’s Economic Engagement toward North Korea Lee Sangkeun & Moon Chung-in 226 | Joint U.S.-Korea Academic Studies On February 10, 2016, the South Korean government announced the closure of the Gaeseong Industrial Complex, a symbol of its engagement policy and inter-Korean rapprochement. The move was part of its proactive, unilateral sanctions against North Korea’s fourth nuclear test in January and rocket launch in February.1 Pyongyang reciprocated by expelling South Korean personnel working in the industrial complex and declaring it a military control zone.2 Although the May 24, 2010 measure following the sinking of the Cheonan naval vessel significantly restricted inter-Korea exchanges and cooperation, the Seoul government spared the Gaeseong complex. With its closure, however, inter-Korean economic relations came to a complete halt, and no immediate signs of revival of Seoul’s economic engagement with the North can be detected. This chapter aims at understanding the rise and decline of this engagement with North Korea by comparing the progressive decade of Kim Dae-jung (KDJ) and Roh Moo-hyun (RMH) with the conservative era of Lee Myung-bak (LMB) and Park Geun-hye (PGH). It also looks to the future of inter-Korean relations by examining three plausible scenarios of economic engagement. Section one presents a brief overview of the genesis of Seoul’s economic engagement strategy in the early 1990s, section two examines this engagement during the progressive decade (1998-2007), and section three analyzes that of the conservative era (2008-2015). They are followed by a discussion of three possible outlooks on the future of Seoul’s economic engagement with Pyongyang. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
A Theological Analysis of the Non-Church Movement in Korea with a Special Reference to the Formation of Its Spirituality
A THEOLOGICAL ANALYSIS OF THE NON-CHURCH MOVEMENT IN KOREA WITH A SPECIAL REFERENCE TO THE FORMATION OF ITS SPIRITUALITY by SUN CHAE HWANG A Thesis Submitted to The University of Birmingham For the Degree of MASTER OF PHILOSOPHY School of Philosophy, Theology and Religion College of Arts and Law The University of Birmingham June 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This study provides a new theological approach for interpreting the Non- Church Movement (NCM) in Korea. Previous studies have been written from a historical perspective. Therefore, an examination of the spirituality and characteristics of the NCM from a theological standpoint is a new approach. The present study investigates the connection between the NCM and Confucianism. It attempts to highlight the influence of Confucian spirituality on the NCM, in particular the Confucian tradition of learning. It also examines the link between the NCM and Quakerism, in particular the influence of Quaker ecclesiology on the NCM. This too has not been examined in previous studies. The thesis argues that the theological roots of NCM ecclesiology lie in the relatively flat ecclesiology of the Quaker movement in the USA. -
Korean Dance and Pansori in D.C.: Interactions with Others, the Body, and Collective Memory at a Korean Performing Arts Studio
ABSTRACT Title of Document: KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO Lauren Rebecca Ash-Morgan, M.A., 2009 Directed By: Professor Robert C. Provine School of Music This thesis is the result of seventeen months’ field work as a dance and pansori student at the Washington Korean Dance Company studio. It examines the studio experience, focusing on three levels of interaction. First, I describe participants’ interactions with each other, which create a strong studio community and a women’s “Korean space” at the intersection of culturally hybrid lives. Second, I examine interactions with the physical challenges presented by these arts and explain the satisfaction that these challenges can generate using Csikszentmihalyi’s theory of “optimal experience” or “flow.” Third, I examine interactions with discourse on the meanings and histories of these arts. I suggest that participants can find deeper significance in performing these arts as a result of this discourse, forming intellectual and emotional bonds to imagined people of the past and present. Finally, I explain how all these levels of interaction can foster in the participant an increasingly rich and complex identity. KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO By Lauren Rebecca Ash-Morgan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2009 Advisory Committee: Dr. Robert C. Provine, Chair Dr. -
Beyond Line: the Art of Korean Writing
LACMA Exhibition Checklist Beyond Line: The Art of Korean Writing Introduction Suh Se Ok Person, c. 1990 Ink on paper 55 1/2 × 54 3/4 in. National Museum of Modern and Contemporary Art, Korea Kim Choong Hyun Poem on the Diamond Mountains, in Hangeul Script, c. 1900 Pair of hanging scrolls; ink on paper a-b) image: 50 × 24 3/4 in. each Los Angeles County Museum of Art Prehistoric Unknown Bangudae Petroglyphs, mid-20th century Ink on paper Imprint (total 3 pieces of hanging scrolls): 153 9/16 × 241 5/16 in. a): 153 9/16 × 86 5/8 in.; b): 153 9/16 × 76 in.; c): 153 9/16 × 86 5/8 in. Woljeon Museum of Art Icheon Unknown Letter Paper, 1392–1910 Paper Sheet (each): 10 15/16 × 19 3/8 in. Total 6 pieces National Museum of Korea Unknown Ink Stone Case 10 × 14 3/8 × 8 3/4 in. Robert Nicolais Pair of Inksticks Soot Each: 6 × 3 7/8 × 1 in. Ok Whan Kim Inkstick Soot 7 × 2 3/8 × 5/8 in. Ok Whan Kim Inkstone with Grape Design in Relief 16 × 12 × 2 in. Weight: 15 lb. Jun Soo Lee Unknown Writing Brush Animal hair and wood Length: 16 in. Sang H Han Writing brush Animal hair and wood Length: 14 in. Sang H Han Writing brush Animal hair and wood Length: 12 in. Sang H Han Unknown Water Dropper in the Form of a Lion, Joseon dynasty (1392–1910), 19th century Molded porcelain with blue painted decoration under clear glaze Height: 2 7/8 in.; length: 4 3/4 in.