Mechanized Doom: Ernest Hemingway and the Spanish Civil War Author(s): Allen Guttmann Source: The Massachusetts Review , Spring, 1960, Vol. 1, No. 3 (Spring, 1960), pp. 541- 561 Published by: The Massachusetts Review, Inc. Stable URL: http://www.jstor.com/stable/25086537 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms is collaborating with JSTOR to digitize, preserve and extend access to The Massachusetts Review This content downloaded from 95.183.180.42 on Sun, 19 Jul 2020 08:22:35 UTC All use subject to https://about.jstor.org/terms Allen Guttmann Mechanized Doom: Ernest Hemingway and the Spanish Civil War The Spanish by Ernest Earth, Hemingway a documentary and directed by Joris film Ivens, written begins in 1937 with the camera focused upon the soil itself. From the very beginning the film is an assertion of an intimate relationship between men and the land: "This Spanish earth is hard and dry and the faces of the men who work on [this] earth are hard and dry from the sun." The land must be defended, in the film as in reality, against an enemy armed with the most up-to date mechanized equipment.