The Last Journey∗
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Mad-Cow’ Worries Intensify Becoming Prevalent.” Institute
The National Livestock Weekly May 26, 2003 • Vol. 82, No. 32 “The Industry’s Largest Weekly Circulation” www.wlj.net • E-mail: [email protected] • [email protected] • [email protected] A Crow Publication ‘Mad-cow’ worries intensify becoming prevalent.” Institute. “The (import) ban has but because the original diagnosis Canada has a similar feed ban to caused a lot of problems with our was pneumonia, the cow was put Canada what the U.S. has implemented. members and we’re hopeful for this on a lower priority list for testing. Under that ban, ruminant feeds situation to be resolved in very The provincial testing process reports first cannot contain animal proteins be- short order.” showed a possible positive vector North American cause they may contain some brain The infected cow was slaugh- for mad-cow and from there the and spinal cord matter, thought to tered January 31 and condemned cow was sent to a national testing BSE case. carry the prion causing mad-cow from the human food supply be- laboratory for a follow-up test. Fol- disease. cause of symptoms indicative of lowing a positive test there, the Beef Industry officials said due to pneumonia. That was the prima- test was then conducted by a lab Canada’s protocol regarding the ry reason it took so long for the cow in England, where the final de- didn’t enter prevention of mad-cow disease, to be officially diagnosed with BSE. termination is made on all BSE- food chain. they are hopeful this is only an iso- The cow, upon being con- suspect animals. -
Alice Munro and the Anatomy of the Short Story
Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master -
Bulletin of the Center for Children's Books
ILLINO S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS JULY/AUGUST 1992 VOLUME 45 NUMBER 11 THE UNIVERSITY OF CHICAGO PRESS EXPLANATION OF CODE SYMBOLS USED WITH ANNOTATIONS * Asterisks denote books of special distinction. R Recommended. Ad Additional book of acceptable quality for collections needing more material in the area. M Marginal book that is so slight in content or has so many weaknesses in style or format that it should be given careful consideration before purchase. NR Not recommended. SpC Subject matter or treatment will tend to limit the book to specialized collections. SpR A book that will have appeal for the unusual reader only. Recommended for the special few who will read it. C.U. Curricular Use. D.V. Developmental Values. THE BULtum OF THE CENTER PO CmLDREN'S BOOKs (ISSN 0008-9036) is published monthly except August by The University of Chicago Press, 5720 S. Woodlawn, Chicago, Illinois, 60637 for The Centeor Children's Books. Betsy Hearnm Editor; Roger Sutton Executive Editor; Zena Sutherland, Associate Editor, Deborah Stevenson, Editorial Assistant. An advisory committee meets weekly to discuss books and reviews. The members are Alba Endicott, Robert Strang, Elizabeth Taylor, Kathryn Jennings, and Deborah Stevenson. Reviewers' initials are appended to reviews. SUBSCRI RATES:•oN 1 year, institutions, $32.00; individuals, $27.00; $24.00 per year for two or more subscriptions to the same address; Canada, $39.24. In countries other than the United States and Canada, add $5.00 per subscription for postage. -
March 22, 2018
Packer Lambs Steady To Mostly Lower San Angelo slaughter lamb prices were $10-20 lower this week, feeder lambs steady. Goldthwaite wool lambs were $5 lower, light Dorper and Bar- bado lambs $5-10 lower, and medium and heavy hair lambs steady to $5 lower. Hamilton lambs sold steady. Fredericks- burg lambs were $5 lower. VOL. 70 - NO. 11 SAN ANGELO, TEXAS THURSDAY, MARCH 22, 2018 LIVESTOCKWEEKLY.COM $35 PER YEAR Lamb and mutton meat production for the week end- ing March 16 totaled three million pounds on a slaugh- ter count of 40,000 head compared with the previous week’s totals of 3.1 million pounds and 42,000 head. Imported lamb and mutton for the week ending March 10 totaled 2553 metric tons or approximately 5.63 million pounds, equal to 182 percent of domestic production for the same period. San Angelo’s feeder lamb market had medium and large 1-2 newcrop lambs weighing 40-60 pounds at $200-206, 60-90 pounds $192-218, 80- 100 pounds $192-218, oldcrop 60-90 pounds $184-196, and 100-105 pounds $166-172. Fredericksburg No. 1 wool lamb weighing 40-60 pounds were $200-240 and 60-80 pounds $200-230. Hamil- ton Dorper and Dorper cross lambs weighing 20-40 pounds sold for $180-260. Direct trade on feeder lambs last week was limited to Colo- rado, where 400 head weighing SOCIAL WARRIORS may take offense, but males-only 125-135 pounds brought $168. enclaves are still common in the livestock business. San Angelo choice 2-3 Whether bucks, bulls or billies, the Old Boys’ clubs are slaughter lambs weighing Range Sales a fi xture much of the year, giving way only during breed- 110-170 pounds brought ing season, itself a highly non-PC concept. -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
Personality Development of Grigory Stepanovitch Smirnov in the Bear Drama by Anthon Chekhov (1888): an Individual Psychological Approach
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UMS Digital Library - Selamat datang di UMS Digital Library PERSONALITY DEVELOPMENT OF GRIGORY STEPANOVITCH SMIRNOV IN THE BEAR DRAMA BY ANTHON CHEKHOV (1888): AN INDIVIDUAL PSYCHOLOGICAL APPROACH PUBLICATION ARTICLE Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by: DARMAWAN ROSADI A 320 080 124 SCHOOL OF TEACHING TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2015 1 PERSONALITY DEVELOPMENT OF GRIGORY STEPANOVITCH SMIRNOV IN THE BEAR DRAMA BY ANTHON CHEKHOV (1888): AN INDIVIDUAL PSYCHOLOGICAL APPROACH Darmawan Rosadi Dewi Candraningrum Titis Setyabudi School of Teacher Training and Education Muhammadiyah University of Surakarta ABSTRACT The object of the research is the drama entitled The Bear by Anthon Chekhov. The major problem of this study is how personality development influences the major character, Grigory Stepanovitch Smirnov, in Anthon Chekhov’s The Bear. It is aimed to analyze the drama based on individual psychological approach by Alfred Adler. The type of the study is qualitative research. There are two data sources that the researcher uses, the primary data sources and secondary data sources. The primary data source is the drama itself and the secondary data sources are any information related to study and other books which deal with the study. The techniques of data collection are documentations and library research. Anthon Chekhov wants to tell that everyone has his own personality developments and ways of overcoming them. In the drama, Smirnov has problem with his personality development. It influences his personality in facing the others people. -
Boys and Girls by Alice Munro
Boys and Girls by Alice Munro My father was a fox farmer. That is, he raised silver foxes, in pens; and in the fall and early winter, when their fur was prime, he killed them and skinned them and sold their pelts to the Hudson's Bay Company or the Montreal Fur Traders. These companies supplied us with heroic calendars to hang, one on each side of the kitchen door. Against a background of cold blue sky and black pine forests and treacherous northern rivers, plumed adventures planted the flags of England and or of France; magnificent savages bent their backs to the portage. For several weeks before Christmas, my father worked after supper in the cellar of our house. The cellar was whitewashed, and lit by a hundred-watt bulb over the worktable. My brother Laird and I sat on the top step and watched. My father removed the pelt inside-out from the body of the fox, which looked surprisingly small, mean, and rat-like, deprived of its arrogant weight of fur. The naked, slippery bodies were collected in a sack and buried in the dump. One time the hired man, Henry Bailey, had taken a swipe at me with this sack, saying, "Christmas present!" My mother thought that was not funny. In fact she disliked the whole pelting operation--that was what the killing, skinning, and preparation of the furs was called – and wished it did not have to take place in the house. There was the smell. After the pelt had been stretched inside-out on a long board my father scraped away delicately, removing the little clotted webs of blood vessels, the bubbles of fat; the smell of blood and animal fat, with the strong primitive odour of the fox itself, penetrated all parts of the house. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Complaints and Disorders
The medical system is strategic for women’s liberation. It is the guardian of reproductive technology – birth control, abortion, and the means for safe childbirth. It holds the promise of Complaints freedom from hundreds of unspoken fears and complaints that have handicapped women throughout history. When we demand AND control over our own bodies, we are making that demand above all to the medical system. It is the keeper of the keys. But the medical system is also strategic to women’s oppression. Medical science has been one of the most powerful sources of sexist ideology in our culture. Justifi cations for sexual Disorders discrimination – in education, in jobs, in public life – ultimately The Sexual Politics of Sickness rest on the one thing that differentiates women from men: their bodies. Theories of male superiority ultimately rest on biology. Medicine stands between biology and social policy, between the “mysterious” world of the laboratory and everyday life. It makes public interpretations of biological theory; it dispenses the medical fruits of scientifi c advances. Biology discovers hormones; doctors make public judgments on whether “hormonal unbalances” make women unfi t for public offi ce. More generally, biology traces the origins of disease; doctors pass judgment on who is sick and who is well. Medicine’s prime contribution to sexist ideology has been to describe women as sick, and as potentially sickening to men. Barbara Ehrenreich & Deirdre English Tacoma, WA This pamphlet was originally copyrighted in 1973. However, the distributors of this zine feel that important [email protected] information such as this should be shared freely. -
Smoke Ivan Turgenev Smoke Ivan Turgenev
Smoke Ivan Turgenev Smoke Ivan Turgenev Translated by Constance Garnett THE NAMES OF THE CHARACTERS IN THE BOOK Grigóry [Grísha] Mihálovitch Litvínov. Tat-yána [Tánya] Petróvna Shestóv. Kapitolína Márkovna. Rostisláv Bambáev. Semyón Yákovlevitch Voroshílov. Stepán Nikoláevitch Gubar-yóv. Matróna Semyónovna Suhántchikov. Tit Bindásov. Pish-Tchálkin. Sozónt Ivánitch Potúgin. Irína Pávlovna Osínin. Valerián Vladímirovitch Ratmírov. I On the 10th of August 1862, at four o’clock in the afternoon, a great number of people were thronging before the well-known Konversation in Baden-Baden. The weather was lovely; everything around—the green trees, the bright houses of the gay city, and the undulating outline of the mountains—everything was in holiday mood, basking in the rays of the kindly sunshine; everything seemed smiling with a sort of blind, 1 Smoke Ivan Turgenev confiding delight; and the same glad, vague smile strayed over the human faces too, old and young, ugly and beautiful alike. Even the blackened and whitened visages of the Parisian demi-monde could not destroy the general impression of bright content and elation, while their many-coloured ribbons and feathers and the sparks of gold and steel on their hats and veils involuntarily recalled the intensified brilliance and light fluttering of birds in spring, with their rainbow-tinted wings. But the dry, guttural snapping of the French jargon, heard on all sides could not equal the song of birds, nor be compared with it. Everything, however, was going on in its accustomed way. The orchestra in the Pavilion played first a medley from the Traviata, then one of Strauss’s waltzes, then ‘Tell her,’ a Russian song, adapted for instruments by an obliging conductor. -
Anton Chekhov Analysis
Anton Chekhov Analysis By Ryan Funes If you were to have gone out on the street and asked anyone about Mark Twain, William Shakespear, or even F. Scott Fitzgerald, you may get a positive response from the person, in that they know of the person. But, if you were to have asked about Anton Chekhov, you would probably get a dumbfounded, confused response. I would not be surprised though by those results, since Chekhov did not really have anything iconic about him or any gimmick, but when I was introduced to his short stories, I was immediatley hooked in by his themes and writing style. I really did not know what to say about the guy, but after reading and looking into his life, he was definitely a skilled dramatist, satirist, and writer. For those who are not too familiar with his life, Anton Chekhov was born in 1860, Taganrog, Russia to the son of a serf and a merchants wife. He lived a fairly well childhood and also did well in school, as he did continue on to become a medical student, and at the same time, an author who started out as a columnist for a Moscow newspaper. While his first short stories were not well recieved at first, along with a bloody play of his being under heavy censorship at the time, he continued on with his writing career, even while under the pressure of supporting his family, whose health was deterring. But, as a result of his writings, Chekhov became well known for his wit and subtle satire in his early writings. -
The Characterization of the Physician in Schnitzler's and Chekhov's Works
THE PHYSICIAN IN SCHNITZLERIS AND CHEKHOV1S WORKS THE CHARACTERIZATION OF THE PHYSICIAN IN SCHNITZLER 'S Al''-ID CHEKHOV I S WORKS By LOVORKA IVANKA FABEK, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master Gf Arts McMaster University September 1985 MASTER OF ARTS (1985) McMaster University Hamilton, Ontario TITLE: THE CHARACTERIZATION OF THE PHYSICIAN IN SCHNITZLER'S AND CHEKHOV'S WORKS AUTHOR: LOVORKA IVANKA FABEK, B.A. (McMaster University) SUPERVISOR: Dr. Gerald Chapple NUMBER OF PAGES: viii, 146. ii ABSTRACT Arthur Schnitzler (1862-1931) and Anton Pavlovich Chekhov (1860-1904) were both writers as well as physicians. The latter profession had a significant influence on their works, which is evident in the frequent use of the doctor figure in their plays and prose works. What distinguishes Schnitzler and Chekhov from other writers of the fin-de,...si~c1e, is their ability to clinically observe psycho logical and social problems. Sclmitzler's and Chekhov's works contain "diagnosesJl made by their doctor figure. This study examines the respective qualities of a spectrum of six major types. There are mixed, mainly positive and mainly negative types of doctor figures, ranging from the revolutionary type down to the pathetic doctor figure and the calculating type. Dealing with differences as well as with similarities, the thesis concludes by showing how the characterization of the doctor figure sh.eds light on the authors that created them. iii ACKNOWLEDGEMENTS I would like to express my gratitude to my Supervisor, Dr. Gerald Chapple, for initially suggesting the topic of this thesis and for his guidance and advice.