England's Best Sellers ENGLAND }

Total Page:16

File Type:pdf, Size:1020Kb

England's Best Sellers ENGLAND } — — — England's Best Sellers ENGLAND } 1. Apache—The Shadows (Columbia) 11. How About That—Adam Faith (Francis Day & Hunter) (Parlophone) (Mills) ^ Somebody’s Fool — Ai’rangements have now been completed for Interdisc to operate in this coun- 2. A Mess Of Blues—Elvis Presley 12. Everybody’s Francis (M.G.M.) (Nevins- try beginning in October. This international organization was set up late in (R.C.A.) (Belinda) Connie Kirshner) 1959 and began operations in Lugano, Switzerland earlier this year. The com- 3. Because They’re Young — Duane 13. If She Should Come To You — pany was formed by Jack Lewerke (director), Bill Grauer of Riverside Records Eddy (London) (Chappell) (Decca) (president) and Lester Koenig with the idea of releasing material of independ- Anthony Newley (Essex) 4. Tell Laura I Love Her — Ricky Girl ent companies under their own labels for the European market. Besides the 14. Image Of A —Mark Wynter Valance (Columbia) (Lawrence (Decca) (Duchess) Riverside records. Interdisc handle the promotion and distribution of several Wright) other American indies throughout Europe including Jazzland, Wonderland, 15. I’m Sorry—Brenda Lee (Bruns- 5. Please Don’t Tease Cliff Rich- Stereo Oddities, Bluesville, Moodsville, Swingville, Washington and Off Beat — wick) (Peter Maurice) ard (Columbia) (Belinda) Girl Of Best Friend except in those countries where particular labels are already contracted to other 16. The My companies. 6. Only The Lonely — Roy Orbison Elvis Presley (R.C.A.) (Hill & In all cases, disks are manufactured by Interdisc in Italy from original mas- (London) (Acuff-Rose) Range) 17. Shakin’ All Over — Johnny Kidd t ters and distributed to European agents. The latest move by Interdisc is the 7. When Will I Be Loved—Everly (Mills) ^ establishment of a London office to handle distribution in the British Isles and Brothers (London) (Acuff-Rose) (H.M.V.) 18. Tie Me Kangaroo Down Sport to this end Lewerke and Alan Bates, Interdisc general manager, were in London 8. Shir- As Long As He Needs Me— Rolf Harris (Columbia) (Ardmore recently for discussions with Associated Recordings Ltd. and a new organiza- ley Bassey (Columbia) (Lake- tion Central Record Distributors Ltd. (the latter headed by Bates, Doug Dobell, & Beechwood) — view) I’m Falling proprietor of the famous Doug Dobell Jazz record shop in London’s West End 19. Please Help Me — y 9. Love Is Like A Violin—Ken Dodd (R.C.A.) (Aber- and Ken Lindsay, manager of the record mail order house Agate Co. Ltd.). Hank Locklin — & (Decca) (Keith Prowse) These two companies have been appointed to handle direct dealer distribution. bach) Sinatra British releases will be pressed primarily in this country with occasional im- 10. Paper Roses—Kaye Sisters (Phil- 20. Nice ‘N’ Easy — Frank (Barton) • portations from Italy. Grauer has also been in London to discuss the early re- ips) (Leeds) (Capitol) lease here of Riverside Records and the first six issues which will be marketed towards the end of October will include albums by Thelonious Monk, Cannonball Adderley and British satirist Peter Ustinov’s, “The Grand Prix of Gibraltar.” Initial release of Riverside and other labels will be 12" LP’s retailing at 39/9. England’sTop Ten IP’s England’sTopTenEP’s It was a pleasure last week to meet American publisher George Pincus and his attorney, Lawrence Greene, in town to launch his new English company Gil-Pincus Music Ltd. Pincus told The Cash Box that he has concluded a deal with Fred Jackson’s Tin Pan Alley Music Co. to exploit several songs in asso- 1. Down Drury Lane To Memory 1. Paddy Roberts Strikes Again ciation with Gil-Pincus for Great Britain, Eire and South Africa including Lane— 101 Strings (Pye ‘Golden Paddy Roberts (Decca) > Bryan Hyland’s follow-up to “Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini” Guinea’) 2. Strictly For Grown Ups—Paddy — 10. “Four Little Heels” (Kapp) and on the same label Jane Morgan’s “Where’s 2. South Pacific — Soundtrajck Roberts (Decca) Girl/Where’s Boy,” There recorded Charlie Phipps The The “Was Once” by (R.C.A.) 3. Love Is The Thing Part 1.—Nat (Capitol), “Dusty” by Jimmy Boyd (Dot) and “Tangerock” by The Chantones 3. Oliver—Original Cast (Decca) King Cole (Capitol) is very about these all (Top Rank). Jackson excited numbers which are due for 4. Elvis Is Back — Elvis Presley 4. C’mon Everybody—Eddie Coch- October release in this country. (R.C.A.) ran (London) and The association between Tin Pan Alley Music Gil-Pincus Music only 5. At The Oxford Union — Gerrard 5. Nina & Frederik No. 1—Nina & extends to these songs. In view of the extensive current activity of the Pincus Hoffnung (Decca) Frederik (Columbia) American firms, similar arrangements with other British publishers are likely 6. Inside Shelly Berman—Shelly Ber- 6. Strictly Elvis — Elvis Presley ^ in the near future and G. Pincus, who is currently visiting Paris, Berlin, Milan man (H.M.V.) (R. C. A.) and Stockholm, hopes to become a frequent visitor to these shores to personally 7. Can Can—Soundtrack (Capitol) 7. Miki & Griff—Miki & Griff (Pye) supervise his ever increasing British interests. 8. Cliff Sings No. 2 Cliff Richard 8. Songs — By the time Cliff Richard’s latest Columbia disk, “Nine Times Out Of Ten” For Swinging Sellers — (Columbia) . hit the counters last week, advance orders had already topped the 170,000 mark Peter Sellers (Parlophone) 9. South Pacific Highlights—Sound- —one of the highest ever in British record history. Still riding high with 9. Elvis’s Golden Records Vol. 2 track (R.C.A.) Cliff is certain to chart double. “Nine Elvis Presley (R.C.A.) “Please Don’t Tease,” have a Times Out Cliff Sings No. 3.—Cliff Richard Of Ten” again has the backing of The Shadows and is published by Aberbach 10. Oklahoma—Sountrack (Capitol) (Columbia) flip side “Thinking Of Our Love” by Belinda London, which also handles “Please Don’t Tease.” Two hits from Another golden boy heading for the No. 1 slot is Adam Faith with “How The Cash Box Top 100 are issued here on London—the fast- About That?” on Parlophone. Written by Johnny Worth with backing by John climbing “Alvin For President” by David Seville and the Chipmunks and “Blue ^ Barry the disk, released a week ago, is already climbing fast. This makes the Velvet” by The Statues. On Decca, Winifred Atwell, currently in Austi’alia, has fourth Faith hit for publisher Cyril Gee of Mills Music this year, others being a new single “Nicolette” backed with “Melody in G.” Good news from Jim “What Do You Want,” “Poor Me” and “Someone Elses Baby.” Mills is currently Reeves sings handling “Football Crazy” by Robin Hall and Jimmy McGregor on the Collector who “I’m Gettin’ Better” on RCA. On the same label, Elvis .., and Decca labels, Johnny Kidd’s latest disk for HMV, “Restless” and Garry Presley is still high in the charts with “Mess Of Blues.” Two more stateside Mills’ own composition, “Please Don’t Cheat Me” on Top Rank. hits are issued on Coral—“All My Love” by Jackie Wilson and “Anymore” by Monty Norman, David Heneker and Julian Moore currently in New York for Teresa Brewer. the Broadway opening of the musical, “Irma La Douce,” starring Elizabeth Seal Maurice for which they wrote the music and lyrics. Meantime “The Art Of Living,” a Chevalier has a new single release on MGM “Just In Time” (from revue based on the writings of Art Buchwald, European correspondent for the the film “Bells Are Ringing”) while Dean Martin’s version is released here on New York Herald Tribune in Paris, for which they also wrote the music and Capitol. On the same label comes Hank Thompson with “She’s Just A Whole lyrics, has settled down to a successful run at London’s Criterion Theatre. Lot Like You.” New Top Rank singles released this week by EMI include an Music from the show is handled by their publishing firm Brittania Music. The ^ instrumental, “Vaquero” Fireballs, I trio were also responsible for the highly successful shows “Expresso Bongo” (Cowboy) by The and “Honest Do” by and “Make Me An Offer.” The Innocents. Russ Conway with Tony Osborne and his Orchestra wax “Pass- The successful Lionel Bart musical, “Oliver,” has been the subject of a ing Breeze” for Columbia which also issued a cover version of “Move Two £100,000 theatre ticket library deal pacted between Impresario Donald Albery, Mountains” by The Mudlarks. ^ who is presenting the show at London’s New Theatre and Peter Cadbury, chair- man of Keith Prowse Co. Ltd. on behalf of the combined Theatre Libraries As- sociation. The original cast LP released on Decca is in the British Cash Box LP charts and is published by Lakeview Music. Owing to film commitments, Frankie Vaughan’s Las Vegas season has been cut 8 to 3% weeks commencing Friday, September 23 to October 17. The next Bennett in London day the star begins his second film for 20th Century Fox, “Live Wire” co- starring Hope Lang and Juliet Prowse. Frankie, who hopes to be back in London for Christmas will complete the rest of his Las Vegas contract at a later date. Manager Paul Cave reports that the proceeds of Frankie’s next disk for Philips—titles as yet unknown—will be devoted to The Boys Club of Gt. Britain of which he is a great supporter. The King Brothers, also managed by Cave now have their own weekly 15- minute series of programs on Radio Luxembourg and have telerecoi'ded an ATV “Saturday Spectacular” with Kay Starr for later this year.
Recommended publications
  • FY14 Tappin' Study Guide
    Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is .
    [Show full text]
  • Jim Vukovich - Music Director/Conductor/Pianist/Keyboardist/Arranger
    Jim Vukovich - Music Director/Conductor/Pianist/Keyboardist/Arranger Cell (818) 631-1010 E-mail – [email protected] Broadway / National Tours and Major Theatre Credits SLEEPING BEAUTY & WINTER KNIGHT Musical Director/Conductor/Arranger/Keyboard 1 T.U.T.S., Houston, TX BEST LITTLE WHOREHOUSE IN TEXAS Musical Director/Conductor/Arranger, Keyboard 1 T.U.T.S., Houston, TX MURDER BALLAD Conductor/Keyboard 1 T.U.T.S., Houston, TX HANDS ON A HARD BODY Musical Director/Conductor/Keyboard 1 T.U.T.S., Houston, TX LIZZIE Musical Director/Conductor/Keyboard 1 T.U.T.S., Houston, TX TWIST Musical Director/Conductor/ Arranger/Keyboard 1 Pasadena Playhouse, Los Angeles TWIST Musical Director/Conductor/ Arranger/Keyboard 1 Alliance Theatre, Atlanta WHISTLE DOWN THE WIND Musical Director/Conductor/Keyboard 1 1st NATIONAL TOUR, NYC BEEHIVE ‘07 Musical Director/Arranger/Conductor/Keyboard 1 T.U.T.S., Houston, TX ROCK OF AGES (workshop) Musical Director/Arranger/Conductor/Keyboard 1 New World Stages, NYC THE WEDDING SINGER Musical Director/Conductor/Keyboard 1 BROADWAY, NYC BEEHIVE ‘06 Musical Director/Conductor/Keyboard 1 El Portal Theatre, N. Hollywood, CA HOT FEET Musical Director/Conductor/Keyboard 1 BROADWAY, NYC HAIRSPRAY (3yrs/1100 shows) Musical Director/Conductor/Keyboard 1 1ST NATIONAL TOUR, NYC EMPIRE Producer, Music Supervisor, Dance Arranger Hudson Theatre, Hollywood, CA IMAGINARY FRIENDS(Pre-Broadway) Musical Director/Conductor, Pianist Old Globe Theatre, San Diego, CA How The Grinch Stole Xmas Musical Director/Conductor, Pianist (2 prods.)
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • JONATHAN CHARLES SMITH 2001 Master of Fine Arts, Dance Sam
    Name: JONATHAN CHARLES SMITH Title: Visiting Assistant Professor of Dance Department: Theatre and Dance College: Arts and Sciences Degrees Earned 2001 Master of Fine Arts, Dance Sam Houston State University Huntsville, Texas 1992 Bachelor of Arts, Theatre Arts and Dance University of Houston at Clear Lake Clear Lake, Texas Professional Licensure and Certifications PROFESSIONAL ORGANIZATIONS (Memberships) AEA‐Actors Equity Association‐Nationwide Professional Actors Union SSD&C‐Society of Stage Directors and Choreography‐Nationwide Professional Union for Directors and Choreographers‐New York City, New York Miss America Scholarship Organization‐Member of Board of Directors for Three Local Miss Texas Franchises and Pageants. Peer‐Review Publications and Artistic Performances/Exhibitions Articles Books Chapters Proceedings Artistic Performances CHOREOGRAPHY AND DIRECTION (University Theater and Musical Theater Direction and Choreography) The Best Little Whorehouse in Texas Sam Houston State Choreography University, Fall l994 The All Night Strut Sam Houston State Direction and Choreography University, Fall 1996 A Christmas Carol Sam Houston State Chorography and Musical Staging University, Fall (play) 1996 The Pirates of Penzance Sam Houston State Choreography University, Spring 2000 Dames at Sea Sam Houston State Direction and Choreography University, Fall MFA Thesis Concert 2000 A Grand Night for Singing Sam Houston State Direction and Choreography University, Fall 2001 The Sound Of Music Sam Houston State Choreography University, Spring
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Elvis Presley in the South African Musical Imaginary
    54 Acta Academica • 2015 47(2): 54-71 © UV/UFS • ISSN 0587-2405 <http://www.ufs.ac.za/ActaAcademica> Elvis Presley in the South African musical imaginary Harry Sewlall Prof H Sewlall, University of Venda, Private Bag X5050, Thohoyandor 0950; email: [email protected] First submission: 20 June 2014 Acceptance date: 2 June 2015 This paper derives its impetus from a question an elderly American woman once asked me: “Do people in South Africa know Elvis?” “Of course we South Africans know Elvis!” I replied. Or do we, really? Using a historiographic approach, this paper is an attempt to explore how Elvis Presley’s image was first imported into South Africa, especially during the Apartheid era when there was no television and media censorship was a fact of daily life. Additionally, this essay will reflect on the impact of the media – then and now – in creating images, fantasies and illusions in constituting the subjectivity of the Elvis of real life and the Elvis of sound, stage and celluloid in the South African musical imaginary. Harry Sewlall / Elvis Presley in the South African musical imaginary 55 1. Introduction: postmodern technologies and the marketing of Elvis’s image This paper has its genesis in my encounter with an elderly American couple on my first visit to Graceland, the home of Elvis Presley in Memphis, Tennessee in 2002 – the 25th anniversary of the death of the singer. Graceland, incidentally, was opened to the public on June 7, 1982 and on March 27, 2006 was declared a National Historic Landmark (Graceland). According to this online source, Graceland is said to be the second most visited edifice in the USA after the White House.
    [Show full text]
  • IN HOLIDAY FOLLIES JOY DEMAIN Joy Demain Is Thrilled to Produce HOLIDAY FOLLIES with SST
    Musical Numbers Act I Act II Opening Number – Company Hard Candy Christmas – Girls Happy Holidays I Want a Hippopotamus for Christmas – Andee The Christmas Waltz All I Ask of You – Jenny & Wallace We Need a Little Christmas I Love a Piano – Joy Let It Snow The Best Things Happen While You’re Dancing Snow The Best Things… – Wallace Sleigh Ride Won’t You Charleston – Shyra & Wallace Happy Holidays Reprise America – Jasmine & Wallace Santa Baby – Joy Lot of Livin’ to Do – Gaby & Wallace Christmas Time is Here – Girls The Best Things (Dance) – Adriana & Wallace Have Yourself a Merry Little Christmas – Jenny Tag – Wallace & Girls Mele Kalikimaka – Andee & Girls Let Me Sing and I’m Happy – Andee It’s Beginning to Look a Lot Like Christmas – Wallace I’ve Got My Love to Keep Me Warm – Jenny Both Sides Now – Joy Jingle Bells? – Joy The Happy Time – Jenny The Christmas Song – Wallace The Grass is Always Greener – Andee & Jenny Finale: Fiddler on the Roof Tribute Toyland – Company Tradition – Wallace & Company I’ll Be Home for Christmas – Jenny If I Were a Rich Man – Wallace Silver Bells – Joy & Girls Sunrise, Sunset – Andee & Company Winter Wonderland – Company Matchmaker – Girls White Christmas – Company Far From the Home I Love – Jenny Sabbath Prayer – Joy & Company There will be a 15-minute intermission between acts. Set list is subject to change without notice. Music licensing and permissions arranged by Jade Productions and SST with ASCAP HOLIDAY FOLLIES COMPOSERS “Happy Holiday(s)”, “Snow”, “I Love a Piano”, “The Best Things Happen While You’re Dancing”, “Let Me Sing and I’m Happy”, “I’ve Got My Love to Keep Me Warm”, “White Christmas” – IRVING BERLIN.
    [Show full text]
  • Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections
    Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections Any queries regarding the ASL film collection please contact Bev Angus ([email protected]) Updated:June 2015 Introduction In film, as with all other African Studies material in Special Collections, we collect comprehensively on South and Southern Africa and we are also committed to strengthening and broadening our film coverage of the rest of Africa to meet existing needs and to create new opportunities for research. Film is a powerful and accessible medium for conveying the stories and images of Africa, past and present. The African continent has a long and proud tradition of film-making, and has produced many film-makers of international renown. Our collection contains documentaries, television series and feature films made by both African and international film-makers. Besides supporting the teaching and research programmes of the University of Cape Town, the African Studies Library makes provision for the preservation of the films in the collection. Please note: The films in the ASL are primarily for viewing by members of the University of Cape Town community. For a collection of African films with public access see the Western Cape Provincial Library Service collection at http://cplweb.pals.gov.za Tips on searching the collection: To facilitate searching, click the binoculars in the toolbar. Select Use Advanced Search Options. If you know the title of the film, enter the exact title in the box and select Match Exact Word or Phrase in the dropdown box e.g. “Cry the Beloved Country” For a keyword search where the exact title is unknown or you are searching around a particular topic, enter appropriate keywords in the box provided, then select Match any of the Words in the drop-drown box below e.g.
    [Show full text]
  • {PDF EPUB} Lady Blue Eyes My Life with Frank by Barbara Sinatra Frank Sinatra's Widow on Man Behind the Legend: 'Big Tipper
    Read Ebook {PDF EPUB} Lady Blue Eyes My Life with Frank by Barbara Sinatra Frank Sinatra's Widow on Man Behind the Legend: 'Big Tipper. Romantic Husband'. Frank Sinatra's last wife, Barbara, discusses the couple's 22-year marriage. Frank Sinatra's Home Life Revealed in New Book. May 31, 2011— -- Frank Sinatra's last wife, Barbara Marx Sinatra, reveals details of the couple's 22-year marriage in her memoir, "Lady Blue Eyes." In the book, Barbara Marx Sinatra describes a homey side of the music legend -- a man who was extremely neat, a great cook, a voracious reader and a crossword puzzle ace. On their evenings out, she witnessed his state of the art tipping. "He'd walk into a restaurant with a stack of one hundred dollar bills," she recalls. "And say, 'Make sure to take care of all the busboys, not the waiters, the busboys. and everyone in the kitchen.'" Read an excerpt from "Lady Blue Eyes" below, then check out some other books in the "GMA" library. Prologue: A Very Good Year. The year I married Frank Sinatra was a very good year. It was 1976, but it had taken us five years of flirting and courting to finally say "I do." It probably took another year before I grew accustomed to the idea that I now carried his iconic name. At first, I'd almost whisper when booking a restaurant reservation or beauty parlor appointment. Even to say "Mrs. Sinatra" out loud felt like bragging. For a long time I had to pinch myself almost daily to believe that I, Barbara Ann Blakeley, the gangly kid in pigtails from the whistle-stop of Bosworth, Missouri, had somehow become the wife of Francis Albert Sinatra.
    [Show full text]
  • An Evening with Bernadette Peters
    PROGRAM This evening’s program will be announced from the stage. ARTISTS Bernadette Peters, vocals Marvin Laird, musical director/piano Cubby O’Brien, drums Kevin Axt, bass Tom Sorce, sound mix Lenny Cowles, lighting design Michael Flowers, road manager and production manager Bernadette Peters’ performance is generously PROGRAM: AN supported by Marcia L. and John D. Goldman. EVENING WITH BERNADETTE PETERS APRIL 16 / 8:00 PM BING CONCERT HALL PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you 34 STANFORD LIVE MAGAZINE APRIL/MAY 2016 PROGRAM: AN EVENING WITH BERNADETTE PETERS BERNADETTE PETERS classic TV game show Name That Tune, and Throughout her illustrious career, Tony The Horn and Hardart Children’s Hour. She Award–winning actress Bernadette made her theatrical debut in This Is Goggle, Peters has dazzled audiences and critics starring James Daly and Kim Hunter, directed with her performances on stage and by the legendary Otto Preminger. Still in television, in concert, and on recordings. her teens, she appeared in The Most Happy Fella and The Penny Friend and performed Ms. Peters currently stars in Amazon in the national touring company of Gypsy. Prime’s hit TV series Mozart in the Jungle, which won the 2016 Golden Globe for Ms. Peters made her Broadway debut in best TV comedy or musical series. Her 1967 in Johnny No-Trump and in 1968 starred recent stage credits include City Center’s with Joel Grey in the musical George M!, Encores! production A Bed and a Chair: A earning a Theatre World Award for her New York Love Affair featuring music by memorable portrayal of Josie Cohan.
    [Show full text]
  • Download Booklet
    557704bk Capt Blood 14/12/04 9:54 PM Page 2 Brandenburg Philharmonic Orchestra, Potsdam The Brandenburg Philharmonic Orchestra, Potsdam, is a relatively young orchestra consisting of some eighty musicians. It was formed in 1992 from members of the orchestra of the Hans-Otto Theater in Potsdam, founded Also available in the Naxos Film Music Classics series … in 1947 and specialising principally in operetta, and of the DEFA Symphony Orchestra in Babelsberg, which had a long tradition in film and television music. The new orchestra tackles a wide-ranging repertoire and its activities extend beyond Brandenburg and Potsdam to Berlin. Particular attention has been given to live performances of music for silent films such as Fritz Lang’s classic Metropolis or Paul Wegener’s Der Goletn und wie er auf die Welt kam. The orchestra is under the direction of conductor Manfred Rosenberg, who has had very considerable experience in this field and was formerly conductor of the DEFA Symphony Orchestra. Richard Kaufman Born in Los Angeles, Richard Kaufman began his musical life at the age of seven as a violinist. He played in the Peter Meremblum California Junior Symphony where he began conducting at the age of eleven. He continued his education, earning a B.A. in Music from California State University at Northridge, attending the Berkshire Music Festival at Tanglewood, Massachusetts, in the Fellowship Program, and as a violinist in the Debut Orchestra of the Young Musicians Foundation. In 1991, he conducted the Nuremberg Symphony 8.557470 8.557700 8.557701 Orchestra in the premiere recording of the Concerto for Viola and Orchestra by Miklós Rózsa, as well as film and classical works by American composer Lee Holdridge.
    [Show full text]