Influential African Americans in History
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Heroes of the Colored Race by Terry Ann Wildman Grade Level
Lesson Plan #2 for the Genius of Freedom: Heroes of the Colored Race by Terry Ann Wildman Grade Level: Upper elementary or middle school Topics: African American leaders Pennsylvania History Standards: 8.1.6 B, 8.2.9 A, 8.3.9 A Pennsylvania Core Standards: 8.5.6-8 A African American History, Prentice Hall textbook: N/A Overview: What is a hero? What defines a hero in one’s culture may be different throughout time and place. Getting our students to think about what constitutes a hero yesterday and today is the focus of this lesson. In the lithograph Heroes of the Colored Race there are three main figures and eight smaller ones. Students will explore who these figures are, why they were placed on the picture in this way, and the background images of life in America in the 1800s. Students will brainstorm and choose heroes of the African American people today and design a similar poster. Materials: Heroes of the Colored Race, Philadelphia, 1881. Biography cards of the 11 figures in the image (attached, to be printed out double-sided) Smartboard, whiteboard, or blackboard Computer access for students Poster board Chart Paper Markers Colored pencils Procedure: 1. Introduce the lesson with images of modern superheroes. Ask students to discuss why these figures are heroes. Decide on a working definition of a hero. Note these qualities on chart paper and display throughout the lesson. 2. Present the image Heroes of the Colored Race on the board. Ask what historic figures students recognize and begin to list those on the board. -
Sweet Georgia Brown Presents Arranged by Marty Paich
Jazz Lines Publications sweet georgia brown Presents Arranged by marty paich Prepared for Publication by dylan canterbury, Rob duboff, and Jeffrey Sultanof full score jlp-9747 Music by Ben Bernie and Maceo Pinkard Words by Kenneth Casey © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Ella Fitzgerald Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA ella fitzgerald series sweet georgia brown (1966) Ella Fitzgerald Biography: Truly the First Lady of Song, Ella Fitzgerald was one of the greatest singers in American history. As her official website perfectly states, “Her voice was flexible, wide-ranging, accurate, and ageless. She could sing sultry ballads, sweet jazz, and imitate every instrument in an orchestra.” She enthralled audiences all over the world for decades, worked with everyone from Duke, Dizzy, and Count Basie to Nat King Cole and Sinatra, and left a recorded legacy that is second to none. Born Ella Jane Fitzgerald on April 25, 1917 in Newport News, Virginia, Ella endured some rough times as a child. Following the split of her parents, she moved with her mother to Yonkers, NY, and sadly lost her mother at age 15. Fighting poverty, Ella eventually used these difficult times as motiva- tion in life, and continued to harbor dreams of being an entertainer. She made her public singing debut at the Apollo Theater in Harlem on November 21, 1934 at age 17. -
©2013 Luis-Alejandro Dinnella-Borrego ALL RIGHTS
©2013 Luis-Alejandro Dinnella-Borrego ALL RIGHTS RESERVED “THAT OUR GOVERNMENT MAY STAND”: AFRICAN AMERICAN POLITICS IN THE POSTBELLUM SOUTH, 1865-1901 By LUIS-ALEJANDRO DINNELLA-BORREGO A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Mia Bay and Ann Fabian and approved by ________________________ ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May 2013 ABSTRACT OF THE DISSERTATION “That Our Government May Stand”: African American Politics in the Postbellum South, 1865-1913 by LUIS-ALEJANDRO DINNELLA-BORREGO Dissertation Director: Mia Bay and Ann Fabian This dissertation provides a fresh examination of black politics in the post-Civil War South by focusing on the careers of six black congressmen after the Civil War: John Mercer Langston of Virginia, James Thomas Rapier of Alabama, Robert Smalls of South Carolina, John Roy Lynch of Mississippi, Josiah Thomas Walls of Florida, and George Henry White of North Carolina. It examines the career trajectories, rhetoric, and policy agendas of these congressmen in order to determine how effectively they represented the wants and needs of the black electorate. The dissertation argues that black congressmen effectively represented and articulated the interests of their constituents. They did so by embracing a policy agenda favoring strong civil rights protections and encompassing a broad vision of economic modernization and expanded access for education. Furthermore, black congressmen embraced their role as national leaders and as spokesmen not only for their congressional districts and states, but for all African Americans throughout the South. -
Heyward, Dorothy Papers, 180.00
Dorothy Heyward papers, ca. 1850-1976 (bulk 1918-1961) SCHS 180.00 Creator: Heyward, Dorothy, 1890-1961. Description: 18 linear ft. Biographical/Historical note: Playwright and novelist. The daughter of Herman Luyties Kuhns (b. 1855) and Dora Virginia Hartzell, Dorothy Hartzell Kuhns was born in Wooster, Ohio. Dorothy studied playwrighting at Harvard University, and as a fellow of George Pierce Baker's Workshop 47 she spent a summer's residency at the MacDowell Colony, an artists' retreat in New Hampshire, where she met South Carolina author DuBose Heyward (1885-1940). They married in September 1923. Their only child was Jenifer DuBose Heyward (later Mrs. Jenifer Wood, 1930-1984), who became a ballet dancer and made her home in New York, N.Y. Dorothy collaborated with her husband to produce a dramatic version of his novel "Porgy." The play became the libretto for the opera "Porgy & Bess" (first produced in 1935) by DuBose Heyward and George and Ira Gershwin. She also collaborated with her husband to produce "Mamba's Daughters," a play based on DuBose Heyward's novel by the same name. In 1940 Dorothy Heyward succeeded her late husband as the resident dramatist at the Dock Street Theater (Charleston, S.C.). In the years following his death she continued to write and published a number of works including the plays "South Pacific" (1943) and "Set My People Free" (1948, the story of the Denmark Vesey slave insurrection), as well as the libretto for the children's opera "Babar the Elephant" (1953). Earlier works by Dorothy Heyward include the plays "Love in a Cupboard" (1925), "Jonica" (1930), and "Cinderelative" (1930, in collaboration with Dorothy DeJagers), and the novels "Three-a-Day" (1930) and "The Pulitzer Prize Murders" (1932). -
Civil War and Reconstruction Exhibit to Have Permanent Home at National Constitution Center, Beginning May 9, 2019
FOR IMMEDIATE RELEASE Contact: Annie Stone, 215-409-6687 Merissa Blum, 215-409-6645 [email protected] [email protected] CIVIL WAR AND RECONSTRUCTION EXHIBIT TO HAVE PERMANENT HOME AT NATIONAL CONSTITUTION CENTER, BEGINNING MAY 9, 2019 Civil War and Reconstruction: The Battle for Freedom and Equality will explore constitutional debates at the heart of the Second Founding, as well as the formation, passage, and impact of the Reconstruction Amendments Philadelphia, PA (January 31, 2019) – On May 9, 2019, the National Constitution Center’s new permanent exhibit—the first in America devoted to exploring the constitutional debates from the Civil War and Reconstruction—will open to the public. The exhibit will feature key figures central to the era— from Abraham Lincoln and Frederick Douglass to John Bingham and Harriet Tubman—and will allow visitors of all ages to learn how the equality promised in the Declaration of Independence was finally inscribed in the Constitution by the 13th, 14th, and 15th Amendments, collectively known as the Reconstruction Amendments. The 3,000-square-foot exhibit, entitled Civil War and Reconstruction: The Battle for Freedom and Equality, will feature over 100 artifacts, including original copies of the 13th, 14th, and 15th Amendments, Dred Scott’s signed petition for freedom, a pike purchased by John Brown for an armed raid to free enslaved people, a fragment of the flag that Abraham Lincoln raised at Independence Hall in 1861, and a ballot box marked “colored” from Virginia’s first statewide election that allowed black men to vote in 1867. The exhibit will also feature artifacts from the Civil War Museum of Philadelphia—one of the most significant Civil War collections in the country—housed at and on loan from the Gettysburg Foundation and The Union League of Philadelphia. -
Hiram Rhodes Revels 1827–1901
FORMER MEMBERS H 1870–1887 ������������������������������������������������������������������������ Hiram Rhodes Revels 1827–1901 UNITED STATES SENATOR H 1870–1871 REPUBLICAN FROM MIssIssIPPI freedman his entire life, Hiram Rhodes Revels was the in Indiana, Illinois, Kansas, Kentucky, and Tennessee. A first African American to serve in the U.S. Congress. Although Missouri forbade free blacks to live in the state With his moderate political orientation and oratorical skills for fear they would instigate uprisings, Revels took a honed from years as a preacher, Revels filled a vacant seat pastorate at an AME Church in St. Louis in 1853, noting in the United States Senate in 1870. Just before the Senate that the law was “seldom enforced.” However, Revels later agreed to admit a black man to its ranks on February 25, revealed he had to be careful because of restrictions on his Republican Senator Charles Sumner of Massachusetts movements. “I sedulously refrained from doing anything sized up the importance of the moment: “All men are that would incite slaves to run away from their masters,” he created equal, says the great Declaration,” Sumner roared, recalled. “It being understood that my object was to preach “and now a great act attests this verity. Today we make the the gospel to them, and improve their moral and spiritual Declaration a reality. The Declaration was only half condition even slave holders were tolerant of me.”5 Despite established by Independence. The greatest duty remained his cautiousness, Revels was imprisoned for preaching behind. In assuring the equal rights of all we complete to the black community in 1854. -
"We Are in Earnest for Our Rights": Representative
Representative Joseph H. Rainey and the Struggle for Reconstruction On the cover: This portrait of Joseph Hayne Rainey, the f irst African American elected to the U.S. House of Representatives, was unveiled in 2005. It hangs in the Capitol. Joseph Hayne Rainey, Simmie Knox, 2004, Collection of the U.S. House of Representatives Representative Joseph H. Rainey and the Struggle for Reconstruction September 2020 2 | “We Are in Earnest for Our Rights” n April 29, 1874, Joseph Hayne Rainey captivity and abolitionists such as Frederick of South Carolina arrived at the U.S. Douglass had long envisioned a day when OCapitol for the start of another legislative day. African Americans would wield power in the Born into slavery, Rainey had become the f irst halls of government. In fact, in 1855, almost African-American Member of the U.S. House 20 years before Rainey presided over the of Representatives when he was sworn in on House, John Mercer Langston—a future U.S. December 12, 1870. In less than four years, he Representative from Virginia—became one of had established himself as a skilled orator and the f irst Black of f iceholders in the United States respected colleague in Congress. upon his election as clerk of Brownhelm, Ohio. Rainey was dressed in a f ine suit and a blue silk But the fact remains that as a Black man in South tie as he took his seat in the back of the chamber Carolina, Joseph Rainey’s trailblazing career in to prepare for the upcoming debate on a American politics was an impossibility before the government funding bill. -
Hiram Revels—The First African American Senator Hiram Rhodes Revels Was Born in North Carolina in the Year 11 1827
Comprehension and Fluency Name Read the passage. Use the ask and answer questions strategy to help you understand the text. Hiram Revels—The First African American Senator Hiram Rhodes Revels was born in North Carolina in the year 11 1827. Through his whole life he was a good citizen. He was a 24 great leader. He was highly respected. Revels became the first 34 African American to serve in the U.S. Senate. 42 A Hard Time for African Americans 48 Revels was born during a hard time for African Americans. 58 African Americans were treated badly. Most African Americans 66 in the South were enslaved. But Revels grew up as a free African 79 American, or freedman. This meant he could make his own 89 choices. 90 Still, the laws in the South were unfair. African Americans 100 had to work hard jobs. They were not allowed to go to school. 113 Though it was not legal, some freedmen ran schools for African 124 American children. As a child, Revels went to one of these 135 schools. But he was unable to go to college in the South. So he 149 left home to go to college in the North. Copyright © The McGraw-Hill Companies, Inc. 158 Preaching and Teaching 161 After college, Revels became the pastor of a church. He was 172 a good speaker. He was also a great teacher. He travelled all over 185 the country. He taught fellow African Americans. He knew that 195 this would make them good citizens. Practice • Grade 3 • Unit 5 • Week 4 233 Comprehension and Fluency Name The First African American Senator Revels moved to Natchez, Mississippi in 1866. -
CPY Document
COUNCIL FILE NO. 07~ (J 9q7 COUNCIL DISTRICT NO. 13 l/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _ ) A. Future Street Acceptance. _) B. Quitclaim of Easement(s). _) C. Dedication of Easement(s). _) D. Release of Restriction(s). i) E. Request for Star in Hollywood Walk of Fame. _) F. Brass Plaque(s) in San Pedro Sport Walk. _) G. Resolution to Vacate or Ordinance submitted in response to Council action. _) H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ~. Council Office of the District /2. Public Works Committee Chairperson *D/SAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in CounciL. AFTER COUNCIL ACTION: I Send copy of adopted report to the Real Estate Section. Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. I Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Offce of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles MAR 2 1 2007 Honorable Members: C. -
Porgy and Bess
PORGY AND BESS by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin Directed by Charles Newell Music Direction by Doug Peck Artistic Consultant Ron OJ Parson May 12 – July 3, 2011 at Court Theatre Kittiwah Island, looking for Bess. All of a sudden, Clara spies the overturned fishing boat of her husband Jake outside the window. Fearing for his life, Clara hands her infant baby to Bess and throws herself out the door into the storm. Bess begs for one of the men to follow her; Crown volunteers, but only after taunting Porgy, who is unable to go. The next day, the deaths of Jake and Clara are mourned by the residents of Catfish Row. The care of their baby has fallen to Bess, who sings him a lullaby. After night falls, Crown returns to seize Bess, but Porgy is waiting there to stop him. They fight, and Porgy kills Crown, against all odds. The next day, the local detective arrives to inquire about the murders of Crown and Robbins, and the residents collaborate to protect Porgy. The police take Porgy in anyway, ordering him to identify Crown’s body. Once he is gone, Sporting Life takes his opportunity to persuade Bess to come with him to New York, convincing her that Porgy will be imprisoned. He forces drugs on her and extols the virtues of the city. She refuses, but Sporting Life waits patiently for her to give in. A week later, Porgy returns from prison, bearing gifts he bought with the craps money he earned in jail. -
Lasting Impressions: Blacks Actors of the 1950'S and 1960S by Ryan Garcia
Lasting Impressions: Blacks Actors of the 1950’s and 1960s Ryan L. Garcia An Interpretive History of African-American Education Part II: 1950 to the Present EDU P&L 834 DR. Beverly Gordon May 29, 2012 A. Overview When going to the movies we often see names such as Halle Berry, Will Smith, Whoopi Goldberg, Samuel L. Jackson, and Morgan Freemen who make us laugh, cry, think, and forgot about the worries of the world. However, we often forget about or have no understanding of those people who paved the way for the actors to be on the big screen and left lasting impressions in our culture. Icons like Sidney Poitier, Dorothy Dandridge, Hattie McDaniel, Bill Cosby, Alvin Childress, and Flip Wilson of the 1950’s and 1960’s through their portrayal in media brought their experiences through perseverance, strife, and overcoming racism real and allowed for the changes seen today to be made possible. Throughout the early part of the century and during the Civil Rights Era, most black actors were depicted in stereotypical roles such as the butler, chauffeurs, entertainers, the “mammie” and the unemployed/ill-educated lazy person who does nothing but gamble and drink alcohol. “Mainstream society has long used the arts- including music, visual culture, theater, film and television-to offer unflattering images of blacks, images that would validate the poor treatment of blacks within American society” (Catanese, 2008). Despite these images those roles were a far cry from today’s standards and complexities of black life and meaning. Dorothy Dandridge, Sidney Poitier, and Bill Cosby helped make a way for future generations of black actors to achieve more than the standard stereotypes to stand out as among the best in award winning Hollywood Royalty who left us with the messages of the past and the hope for the future to overcome the oppressive images and rise to take the lead. -
1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 A.M
Title 1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 a.m. Matchbox 20 A Lot of Lovin' to Do Charles Strouss Bye, Bye Birdie A Thousand Miles Vanessa Carlton A Whole New World Aladdin Aladdin A Wonderul Guy Rodgers & Hammerstein South Pacific All I Ask of You Andrew Lloyd Webber Phantom of the Opera Duet Another Suitcase in Another Hall Andrew Lloyd Webber Evita Anthem Chess Chess Anything You Can Do Irving Berlin Annie Get Your Gun Duet Apologize One Republic Bad Michael Jackson Bali Hai Rodgers & Hammerstein South Pacific Barnum (Complete Score) Cy Coleman Barnum Beautiful Christina Aguilera Beauty and the Beast Beauty and the Beast Beauty and the Beast Beauty School Dropout Grease Grease Beethoven Day You're a Good Man Charlie Brown You're a Good Man Charlie Brown Before I Gaze at You Again Lerner & Loewe Camelot Believe Cher Bennie & the Jets Elton John Best of Beyonce (Anthology) Beyonce Better Edward Kleban A Class Act Bewtiched Ella Fitzgerald Pal Joey Beyond the Sea Bobby Darin Black Coffee Ella Fitzgerald Blackbird The Beatles Blue Christmas Elvis Presley Blue Moon Elvis Presley Bohemian Rhapsody Queen Bombshell (music from SMASH) Marc Shaiman Bombshell Born this Way Lady Gaga Bosom Buddies Jerry Herman Mame Duet Both Sides Now Joni Mitchell Brand New You Jason Robert Brown 13, the Musical Breeze Off the River The Full Monty The Full Monty Bring Him Home Boublil & Schoenberg Les Miserables Bring On the Men Leslie Bricusse Jekyll & Hyde Broadway Baby Stephen Sondheim Follies Broadway, Here I Come Smash Smash Brown-Eyed