Carmen Jones Audition
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Sweet Georgia Brown Presents Arranged by Marty Paich
Jazz Lines Publications sweet georgia brown Presents Arranged by marty paich Prepared for Publication by dylan canterbury, Rob duboff, and Jeffrey Sultanof full score jlp-9747 Music by Ben Bernie and Maceo Pinkard Words by Kenneth Casey © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Ella Fitzgerald Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA ella fitzgerald series sweet georgia brown (1966) Ella Fitzgerald Biography: Truly the First Lady of Song, Ella Fitzgerald was one of the greatest singers in American history. As her official website perfectly states, “Her voice was flexible, wide-ranging, accurate, and ageless. She could sing sultry ballads, sweet jazz, and imitate every instrument in an orchestra.” She enthralled audiences all over the world for decades, worked with everyone from Duke, Dizzy, and Count Basie to Nat King Cole and Sinatra, and left a recorded legacy that is second to none. Born Ella Jane Fitzgerald on April 25, 1917 in Newport News, Virginia, Ella endured some rough times as a child. Following the split of her parents, she moved with her mother to Yonkers, NY, and sadly lost her mother at age 15. Fighting poverty, Ella eventually used these difficult times as motiva- tion in life, and continued to harbor dreams of being an entertainer. She made her public singing debut at the Apollo Theater in Harlem on November 21, 1934 at age 17. -
Carmen Music for Orchestra (2021) to the Movie of the Same Tle (1918) by Ernst Lubitsch Dura On: 92 Min
Tobias Schwencke (*1974) Carmen Music for Orchestra (2021) to the movie of the same Atle (1918) by Ernst Lubitsch Dura:on: 92 Min. WORK IN PROGRESS – Rental material available from November 2021 Instrumenta:on: Wood instruments Brass instruments Keys, Percussion, Others Strings Carmen | D 1918 | D: Ernst Lubitsch | HD-s/w-newly restored version (2021) Carmen is a 1918 German silent drama film directed by Ernst Lubitsch and starring Pola Negri, Harry Liedtke, and Leopold von Ledebur. It was based on the novella Carmen by Prosper Mérimée. Like Bizet's opera Carmen, this film only adapts the third part of Mérimée's novella and transforms the character of Don José at the beginning of the story from bandit on the run to honest man in love with his childhood sweetheart. The film was released with English inter:tles in the United States in 1921 under the alternave :tle Gypsy Blood. Tobias Schwencke was born 1974 in Berlin and grew up in Duisburg. Studied in Duisburg, Saarbrücken and Berlin, where he has lived since 2001. His work includes free composion, music theatre, theatre music, pianis:c ac:vity; regular work at the Maxim Gorki Theater Berlin, Berliner Ensemble, Staatsoper Unter den Linden. Produc:ons under his musical direc:on and involvement include the Theater an der Wien, Teatro Real Madrid, Uppsala Stadstheater (S), HAU and Radialsystem and Deutsches Theater in Berlin; Düsseldorfer Schauspielhaus, Theater Bremen, Staatstheater Wiesbaden and the Munich State Opera. Collabora:on with Herbert Fritsch, Nurkan Erpulat, Claus Peymann, Manfred Karge, Anna Bergmann, Leander Haußmann, Frank Castorf, among others. -
April 1 & 3, 2021 Walt Disney Theater
April 1 & 3, 2021 Walt Disney Theater FAIRWINDS GROWS MY MONEY SO I CAN GROW MY BUSINESS. Get the freedom to go further. Insured by NCUA. OPERA-2646-02/092719 Opera Orlando’s Carmen On the MainStage at Dr. Phillips Center | April 2021 Dear friends, Carmen is finally here! Although many plans have changed over the course of the past year, we have always had our sights set on Carmen, not just because of its incredible music and compelling story but more because of the unique setting and concept of this production in particular - 1960s Haiti. So why transport Carmen and her friends from 1820s Seville to 1960s Haiti? Well, it all just seemed to make sense, for Orando, that is. We have a vibrant and growing Haitian-American community in Central Florida, and Creole is actually the third most commonly spoken language in the state of Florida. Given that Creole derives from French, and given the African- Carribean influences already present in Carmen, setting Carmen in Haiti was a natural fit and a great way for us to celebrate Haitian culture and influence in our own community. We were excited to partner with the Greater Haitian American Chamber of Commerce for this production and connect with Haitian-American artists, choreographers, and academics. Since Carmen is a tale of survival against all odds, we wanted to find a particularly tumultuous time in Haiti’s history to make things extra difficult for our heroine, and setting the work in the 1960s under the despotic rule of Francois Duvalier (aka Papa Doc) certainly raised the stakes. -
CARMEN.Maquia
SECTIONS MAGAZINE EVENTS ALERTS RADIO NEWSLETTER LINKS ABOUT US ADVERTISE NOTE: NJ Stage is not affiliated with this event. For ticket info, please contact the venue directly. Ballet Hispanico: CARMEN.maquia Facebook Twitter Print Email Pinterest More Sat, March 21, 2020 @ 7:30pm Category: dance Victoria Theater @ New Jersey Performing Arts Center (NJPAC) One Center Street Newark, NJ 07102 Ballet Hispánico, the nation’s premier Latin dance organization, brings its celebrated CARMEN.maquia, a sensual, full-length work created by Spanish choreographer Gustavo Ramírez Sansano, inspired by Bizet’s beloved opera. Fueled by physically charged choreography that fuses contemporary dance with Spanish paso doble and flamenco, CARMEN.maquia takes its cues from the 1845 novella by Prosper Mérimée and the 1875 opera by Georges Bizet. The ballet tells the dramatic story of Carmen, a spirited gypsy, and her love triangle with the doting Don Jose, an army officer, and Escamillo, a bullfighter. In his version, Sansano reimagines Carmen in a Picasso-inspired setting, with a white, canvas-like set and sculptural costumes made to evoke the inside of traditional flamenco attire. Bizet’s classic score remains the soundtrack, in the form of various orchestral versions with no vocals. Currently under the artistic direction of Eduardo Vilaro, Ballet Hispánico tours worldwide with a diverse repertory by some of the foremost choreographers of our time as well as emerging artists. The company is acclaimed for works that fuse Latin dance with classical and contemporary techniques to create a new style in which theatricality and passion propel every move. “Ballet Hispánico shows what it is to be Latino in the modern world,” says The Financial Times. -
Connection/Separation
Friday, February 12, 2021 | 4 PM MANHATTAN SCHOOL OF MUSIC OPERA THEATRE Tazewell Thompson, Director of Opera Studies presents Connection/Separation Featuring arias and scenes from Carmen, Così fan tutte, Die Zauberflöte, La clemenza di Tito, L’elisir d’amore, Le nozze di Figaro, Les pêcheurs de perles, and Lucio Silla A. Scott Parry, Director MSM Opera Theatre productions are made possible by the Fan Fox and Leslie R. Samuels Foundation and the Joseph F. McCrindle Endowment for Opera Productions at Manhattan School of Music. Friday, February 12, 2021 | 4 PM MANHATTAN SCHOOL OF MUSIC OPERA THEATRE Tazewell Thompson, Director of Opera Studies presents Connection/Separation Featuring arias and scenes from Carmen, Così fan tutte, Die Zauberflöte, La clemenza di Tito, L’elisir d’amore, Le nozze di Figaro, Les pêcheurs de perles, and Lucio Silla A. Scott Parry, Director Myra Huang, Vocal Coach & Pianist Kristen Kemp, Vocal Coach & Pianist Megan P. G. Kolpin, Props Coordinator DIRECTOR’S NOTE In each of our lives—during this last year especially—we may have discovered ourselves in moments of wanting, even needing some sort of human connection, but instead finding separation by any number of barriers. In the arias and scenes that follow, we witness characters in just this kind of moment; searching for meaningful contact yet being somehow barred from achieving it. Through circumstance, distance, convention, misunderstanding, pride, fear, ego, or what have you, we may find ourselves in situations similar to the characters in this program, while looking forward to the days when connection can be more easily achieved and separation the exception to the rule. -
Heyward, Dorothy Papers, 180.00
Dorothy Heyward papers, ca. 1850-1976 (bulk 1918-1961) SCHS 180.00 Creator: Heyward, Dorothy, 1890-1961. Description: 18 linear ft. Biographical/Historical note: Playwright and novelist. The daughter of Herman Luyties Kuhns (b. 1855) and Dora Virginia Hartzell, Dorothy Hartzell Kuhns was born in Wooster, Ohio. Dorothy studied playwrighting at Harvard University, and as a fellow of George Pierce Baker's Workshop 47 she spent a summer's residency at the MacDowell Colony, an artists' retreat in New Hampshire, where she met South Carolina author DuBose Heyward (1885-1940). They married in September 1923. Their only child was Jenifer DuBose Heyward (later Mrs. Jenifer Wood, 1930-1984), who became a ballet dancer and made her home in New York, N.Y. Dorothy collaborated with her husband to produce a dramatic version of his novel "Porgy." The play became the libretto for the opera "Porgy & Bess" (first produced in 1935) by DuBose Heyward and George and Ira Gershwin. She also collaborated with her husband to produce "Mamba's Daughters," a play based on DuBose Heyward's novel by the same name. In 1940 Dorothy Heyward succeeded her late husband as the resident dramatist at the Dock Street Theater (Charleston, S.C.). In the years following his death she continued to write and published a number of works including the plays "South Pacific" (1943) and "Set My People Free" (1948, the story of the Denmark Vesey slave insurrection), as well as the libretto for the children's opera "Babar the Elephant" (1953). Earlier works by Dorothy Heyward include the plays "Love in a Cupboard" (1925), "Jonica" (1930), and "Cinderelative" (1930, in collaboration with Dorothy DeJagers), and the novels "Three-a-Day" (1930) and "The Pulitzer Prize Murders" (1932). -
SPAIN and PORTUGAL Designed for Professor Sally Guyton | 13 Days | May 2016
SPAIN AND PORTUGAL Designed for Professor Sally Guyton | 13 days | May 2016 College Study Tour s SPAIN AND PORTUGAL INCLUDED ON TOUR Round-trip flights on major carriers; Full-time Tour Director; Air-conditioned motorcoaches and internal transportation; Superior tourist-class hotels with private bathrooms; Breakfast daily; Select meals with a mix of local cuisine. Sightseeing: Lisbon; Evora; Seville; Granada; Barcelona Entrances: Castelo De Sao Jorge Mosteiro dos Jeronimos Palacio Nacional de Sintra Bone Chapel Cork Factory Tour, São Brás de Alportel Fortaleza de Sagres Cathedral, Seville Alcazar, Seville Wine Tasting Course, Ronda Alhambra, Granada Park Guell, Barcelona Business Visit, Barcelona Overnight stays: Lisbon (2) Algarve (3) Seville (1) Costa del Sol (2) Granada (1) Barcelona (2) NOT INCLUDED ON TOUR Optional excursions; Global Travel Coverage; Beverages and lunches (unless otherwise noted); Transportation to free-time activities; Customary gratuities (for your Tour Director, bus driver and local guide); Porterage; Adult supplement (if applicable); Weekend supplement; Shore excursion on cruises; Any applicable baggage-handing fee imposed by SIGN UP TODAY the airlines (see efcst.com/baggage for details); Expenses caused by airline rescheduling, cancellations or delays caused by the airlines, bad efcst.com/1727810ZZ weather or events beyond EF’s control; Passports, visa and reciprocity fees YOUR ITINERARY Day 1: Board Your Overnight Flight to Lisbon! Day 4: Evora | Algarve Day 2: Lisbon Transfer to the Algarve Region via a Guided Sightseeing of Evora A local guide will lead you on a sightseeing tour of Evora. A walled Arrive in Lisbon town since Roman times, Evora is now mostly Moorish in character Built around the wide, winding River Tagus, the Atlantic port of Lisbon with alleys cut by arches and brilliant, whitewashed houses decorated was conquered from the Moors in 1147 and later set forth intrepid with colorful azulejos (tiles). -
The Opera: a Brief Overview
The Opera: a brief overview Emilio Sala The most reliable experts swear that the opera is the most widely performed in the world. However, when it was first staged at the Opéra-Comique in Paris on 3 March 1875, it was given a rather frosty reception. The fact that the public did not understand it was a cause of deep sorrow to Bizet, who died three months later at the age of only thirty-six. Even so, Carmen ran for 48 consecutive performances, which can hardly be considered a negligible figure, although ironically, the audiences were drawn by the opera’s reputed indecency and its condemnation by the press. “Our stages are increasingly invaded by courtesans. This is the class from which our authors so like to re - cruit the heroines of their dramas and their opéras-comiques ”, wrote Achille de Lauzières in his review published in La Patrie on 8 March. He went on: “It is the fille in the most repugnant sense of the word [that has been set on stage]; the fille who is obsessed with her body, who gives herself to the first soldier that passes, on a whim, as a dare, blindly; […] sensual, mocking, hard-faced; miscreant, obedient only to the law of pleasure; […] in short, well and truly a prostitute off the streets”. The critic for the Petit Journal on 6 March said of the interpretation of Carmen: “Madame Galli-Marié has found how to make the character of Carmen more vulgar, more hateful and more abject than it already was in Mérimée. Her interpretation is brutally re - alistic, in the manner of Courbet”. -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
Influential African Americans in History
Influential African Americans in History Directions: Match the number with the correct name and description. The first five people to complete will receive a prize courtesy of The City of Olivette. To be eligible, send your completed worksheet to Kiana Fleming, Communications Manager, at [email protected]. __ Ta-Nehisi Coates is an American author and journalist. Coates gained a wide readership during his time as national correspondent at The Atlantic, where he wrote about cultural, social, and political issues, particularly regarding African Americans and white supremacy. __ Ella Baker was an essential activist during the civil rights movement. She was a field secretary and branch director for the NAACP, a key organizer for Martin Luther King Jr.'s Southern Christian Leadership Conference (SCLC) and was heavily involved in the Student Nonviolent Coordinating Committee (SNCC). SNCC prioritized nonviolent protest, assisted in organizing the 1961 Freedom Rides, and aided in registering Black voters. The Ella Baker Center for Human Rights exists today to carry on her legacy. __ Ernest Davis was an American football player, a halfback who won the Heisman Trophy in 1961 and was its first African-American recipient. Davis played college football for Syracuse University and was the first pick in the 1962 NFL Draft, where he was selected by the Cleveland Browns. __ In 1986, Patricia Bath, an ophthalmologist and laser scientist, invented laserphaco—a device and technique used to remove cataracts and revive patients' eyesight. It is now used internationally. __ Charles Richard Drew, dubbed the "Father of the Blood Bank" by the American Chemical Society, pioneered the research used to discover the effective long-term preservation of blood plasma. -
Program Notes by Dr
Pittsburgh Symphony Orchestra 2016-2017 Gala Concert September 17, 2016 MANFRED HONECK, CONDUCTOR GIL SHAHAM, VIOLIN DMITRI SHOSTAKOVICH Festive Overture, Opus 96 SERGEI PROKOFIEV “Masks” from Romeo and Juliet, Opus 64a CLAUDE DEBUSSY Clair de Lune Orch. Arthur Luck FELIX MENDELSSOHN Scherzo from the Incidental Music to Shakespeare’s A Midsummer Night’s Dream, Opus 61 RICHARD STAUSS “Moonlight Scene” from Capriccio, Opus 85 EDVARD GREIG “In the Hall of the Mountain King” from Peer Gynt ARAM KHACHATURIAN Suite from Masquerade I. Waltz IV. Romance V. Galop FRITZ KREISLER Praeludium and Allegro Orch. Clark McAlister FRITZ KREISLER Liebesleid Orch. André Kostelanetz FRITZ KREISLER Schön Rosmarin Orch. André Kostelanetz PABLO DE SARASATE Fantasy on Bizet’s Carmen for Violin and Orchestra, Opus 25 Mr. Shaham Sept. 17, 2016, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA DMITRI SHOSTAKOVICH (1906-1975) Festive Overture, Opus 96 (1954) Among the grand symphonies, concertos, operas and chamber works that Dmitri Shostakovich produced are also many occasional pieces: film scores, tone poems, jingoistic anthems, brief instrumental compositions. Though most of these works are unfamiliar in the West, one — the Festive Overture — has been a favorite since it was written in the autumn of 1954. Shostakovich composed it for a concert on November 7, 1954 commemorating the 37th anniversary of the Russian Revolution, but its jubilant nature suggests it may also have been conceived as an outpouring of relief at the death of Joseph Stalin one year earlier. One critic suggested that the Overture was “a gay picture of streets and squares packed with a young and happy throng.” As its title suggests, the Festive Overture is a brilliant affair, full of fanfare and bursting spirits. -
CPY Document
COUNCIL FILE NO. 07~ (J 9q7 COUNCIL DISTRICT NO. 13 l/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _ ) A. Future Street Acceptance. _) B. Quitclaim of Easement(s). _) C. Dedication of Easement(s). _) D. Release of Restriction(s). i) E. Request for Star in Hollywood Walk of Fame. _) F. Brass Plaque(s) in San Pedro Sport Walk. _) G. Resolution to Vacate or Ordinance submitted in response to Council action. _) H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ~. Council Office of the District /2. Public Works Committee Chairperson *D/SAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in CounciL. AFTER COUNCIL ACTION: I Send copy of adopted report to the Real Estate Section. Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. I Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Offce of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles MAR 2 1 2007 Honorable Members: C.