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Commonwealth of Australia Gazette ASIC 16/02, Tuesday, 9 April 2002
= = `çããçåïÉ~äíÜ=çÑ=^ìëíê~äá~= = Commonwealth of Australia Gazette No. ASIC 16/02, Tuesday, 9 April 2002 Published by ASIC ^^ppff``==dd~~òòÉÉííííÉÉ== Contents Notices under the Corporations Act 2001 00/2496 01/1681 01/1682 02/0391 02/0392 02/0393 02/0394 02/0395 02/0396 02/0397 02/0398 02/0399 02/0400 02/0401 02/0402 02/0403 02/0404 02/0405 02/0406 02/0408 02/0409 Company deregistrations Page 43 Change of company status Page 404 Company reinstatements Page 405 ISSN 1445-6060 Available from www.asic.gov.au © Commonwealth of Australia, 2001 Email [email protected] This work is copyright. Apart from any use permitted under the Copyright Act 1968, all rights are reserved. Requests for authorisation to reproduce, publish or communicate this work should be made to: Gazette Publisher, Australian Securities and Investment Commission, GPO Box 5179AA, Melbourne Vic 3001 Commonwealth of Australia Gazette ASIC Gazette ASIC 16/02, Tuesday, 9 April 2002 Company deregistrations Page 43= = CORPORATIONS ACT 2001 Section 601CL(5) Notice is hereby given that the names of the foreign companies mentioned below have been struck off the register. Dated this nineteenth day of March 2002 Brendan Morgan DELEGATE OF THE AUSTRALIAN SECURITIES AND INVESTMENTS COMMISSION Name of Company ARBN ABBOTT WINES LIMITED 091 394 204 ADERO INTERNATIONAL,INC. 094 918 886 AEROSPATIALE SOCIETE NATIONALE INDUSTRIELLE 083 792 072 AGGREKO UK LIMITED 052 895 922 ANZEX RESOURCES LTD 088 458 637 ASIAN TITLE LIMITED 083 755 828 AXENT TECHNOLOGIES I, INC. 094 401 617 BANQUE WORMS 082 172 307 BLACKWELL'S BOOK SERVICES LIMITED 093 501 252 BLUE OCEAN INT'L LIMITED 086 028 391 BRIGGS OF BURTON PLC 094 599 372 CANAUSTRA RESOURCES INC. -
Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
Grimm's Fairy Stories
Grimm's Fairy Stories Jacob Grimm and Wilhelm Grimm The Project Gutenberg eBook, Grimm's Fairy Stories, by Jacob Grimm and Wilhelm Grimm, Illustrated by John B Gruelle and R. Emmett Owen This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Grimm's Fairy Stories Author: Jacob Grimm and Wilhelm Grimm Release Date: February 10, 2004 [eBook #11027] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK GRIMM'S FAIRY STORIES*** E-text prepared by Internet Archive, University of Florida, Children, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 11027-h.htm or 11027-h.zip: (http://www.ibiblio.org/gutenberg/1/1/0/2/11027/11027-h/11027-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/0/2/11027/11027-h.zip) GRIMM'S FAIRY STORIES Colored Illustrations by JOHN B. GRUELLE Pen and Ink Sketches by R. EMMETT OWEN 1922 CONTENTS THE GOOSE-GIRL THE LITTLE BROTHER AND SISTER HANSEL AND GRETHEL OH, IF I COULD BUT SHIVER! DUMMLING AND THE THREE FEATHERS LITTLE SNOW-WHITE CATHERINE AND FREDERICK THE VALIANT LITTLE TAILOR LITTLE RED-CAP THE GOLDEN GOOSE BEARSKIN CINDERELLA FAITHFUL JOHN THE WATER OF LIFE THUMBLING BRIAR ROSE THE SIX SWANS RAPUNZEL MOTHER HOLLE THE FROG PRINCE THE TRAVELS OF TOM THUMB SNOW-WHITE AND ROSE-RED THE THREE LITTLE MEN IN THE WOOD RUMPELSTILTSKIN LITTLE ONE-EYE, TWO-EYES AND THREE-EYES [Illustration: Grimm's Fairy Stories] THE GOOSE-GIRL An old queen, whose husband had been dead some years, had a beautiful daughter. -
Bill Willingham's Fables—A Fairy-Tale Epic
humanities Article We All Live in Fabletown: Bill Willingham’s Fables—A Fairy-Tale Epic for the 21st Century Jason Marc Harris Department of English, Texas A&M University, MS 4227 TAMU, College Station, TX 77843, USA; [email protected]; Tel.: +1-979-845-8358 Academic Editor: Claudia Schwabe Received: 1 March 2016; Accepted: 9 May 2016; Published: 19 May 2016 Abstract: Bill Willingham’s Fables comic book series and its spin-offs have spanned fourteen years and reinforce that fairy-tale characters are culturally meaningful, adaptable, subversive, and pervasive. Willingham uses fairy-tale pastiche and syncreticism based on the ethos of comic book crossovers in his redeployment of previous approaches to fairy-tale characters. Fables characters are richer for every perspective that Willingham deploys, from the Brothers Grimm to Disneyesque aesthetics and more erotic, violent, and horrific incarnations. Willingham’s approach to these fairy-tale narratives is synthetic, idiosyncratic, and libertarian. This tension between Willingham’s subordination of fairy-tale characters to his overarching libertarian ideological narrative and the traditional folkloric identities drives the storytelling momentum of the Fables universe. Willingham’s portrayal of Bigby (the Big Bad Wolf turned private eye), Snow White (“Fairest of Them All”, Director of Operations of Fabletown, and avenger against pedophilic dwarves), Rose Red (Snow’s divergent, wild, and jealous sister), and Jack (narcissistic trickster) challenges contemporary assumptions about gender, heroism, narrative genres, and the very conception of a fairy tale. Emerging from negotiations with tradition and innovation are fairy-tale characters who defy constraints of folk and storybook narrative, mythology, and metafiction. -
Jack of Fables Vol. 9: the Ultimate Jack of Fables Story Free
FREE JACK OF FABLES VOL. 9: THE ULTIMATE JACK OF FABLES STORY PDF Bill Willingham,Matthew Sturges,Tony Akins | 144 pages | 19 Jul 2011 | DC Comics | 9781401231552 | English | New York, NY, United Kingdom 9 Love Stories with Tragic Endings | Britannica I savor it, never rushing. I soak it up. It usually makes me smile, first at him, then at myself. This collection of magazine features and columns alongside personally published web pieces and new material may be populated by motorcycles, but it centers around the varied experiences of riders and their tolerant keepers in a world where risk is a bet you make with yourself for purposes that must always transcend mere recreation. Head Check is — beneath the sarcastic wit, wide-eyed fear, profound humility, and occasional Jack of Fables Vol. 9: The Ultimate Jack of Fables Story into scatology — a collection of love stories. Recommended for riders, readers, passengers, and humans. Available from LitsamAmazon and select bookstores and motorcycle shops. More Praise for Head Check. Ask your local bookstore to order it for you. It is also available as an ebook from KindleKoboand Nook. More Praise for Nothing in Reserve. Email Address. Sign me up! Jack Lewis. Purple Hearted was featured in the documentary Muse of Fire. A chapter in progress was published by Crosscut under the headline Remembering the Soldiers of Head Check "Jack Lewis takes the overall literary crown with his new book Jack of Fables Vol. 9: The Ultimate Jack of Fables Story in Reserve "Insightful and from the heart Email Updates! Looking for Something? Something Specific? It was as good a suggestion as any, [ No buddy's puppy The Craigslist picture was unprepossessing — a sad puppy with a blotchy gray coat [ Unexpected consequences There's an old story about Chinese luck. -
The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation. -
Comparative Analysis of Epic Helpers in English and Uzbek Folklore
Scientific eporr ts of Bukhara State University Volume 5 Issue 3 BSU 2021 (3) Article 9 7-2-2021 COMPARATIVE ANALYSIS OF EPIC HELPERS IN ENGLISH AND UZBEK FOLKLORE Sarvinoz Khikmatovna Akhmedova doctoral student, BSU, [email protected] Follow this and additional works at: https://uzjournals.edu.uz/buxdu Part of the Comparative Literature Commons Recommended Citation Akhmedova, Sarvinoz Khikmatovna (2021) "COMPARATIVE ANALYSIS OF EPIC HELPERS IN ENGLISH AND UZBEK FOLKLORE," Scientific eporr ts of Bukhara State University: Vol. 5 : Iss. 3 , Article 9. DOI: 10.52297/2181-1466/2021/5/3/8 Available at: https://uzjournals.edu.uz/buxdu/vol5/iss3/9 This Article is brought to you for free and open access by 2030 Uzbekistan Research Online. It has been accepted for inclusion in Scientific eporr ts of Bukhara State University by an authorized editor of 2030 Uzbekistan Research Online. For more information, please contact [email protected]. LITERARY CRITICISM UDC: 82-1/-9:821.111;(575.1) COMPARATIVE ANALYSIS OF EPIC HELPERS IN ENGLISH AND UZBEK FOLKLORE Akhmedova Sarvinoz Khikmatovna doctoral student, BSU [email protected] Abstract: Introduction. Uzbek and English people live in different continents, however the similarity in subjects, classification and representation of heroes can be observed in their folklore. Fairy tales, myths, legends, epics reflect the lifestyle, culture, beliefs and worldview of each nation. They embody national aspects for sure. National identities are reflected in images of protagonists and helpers in any genre of folklore. Research methods. Awareness of other cultures demands investigations in many spheres, including literature and folklore. Comparative-typological and historical- comparative analysis of the image of epic helper are the main methods used in our research. -
A Collection of Ballads
A COLLECTION OF BALLADS INTRODUCTION When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with European Märchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis— “I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. -
Fairy Tales and Political Socialization
FAIRY TALES AND POLITICAL SOCIALIZATION by Mehrdad Faiz Samadzadeh A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Curriculum, Teaching & Leadership University of Toronto Ontario Institute for Studies in Education © Copyright by Mehrdad Faiz Samadzadeh 2018 FAIRY TALES AND POLITICAL SOCIALIZATION Mehrdad Faiz Samadzadeh Doctor of Philosophy Department of Curriculum, Teaching & Leadership Ontario Institute for Studies in Education University of Toronto 2018 Abstract The concept of childhood is one of the many facets of modernity that entered Western consciousness in the seventeenth century. It emanated from the historical mutations of the post-Renaissance era that set in motion what Norbert Elias calls the civilizing process, one that spawned a repressive mode of socialization in tandem with the cultural and ideological hegemony of the new power elite. Accordingly, childhood became a metaphor for oppression targeting not only children, but also women, the underclass, the social outcast, and the colonized as they all were deemed “incompletely human”. From mid-nineteenth century on, however, childhood began to evince a liberating potential in tandem with the changing direction of modern Western civilization. This ushered in an alternative concept of childhood inspired by the shared characteristics between the medieval and modern child that finds expression in the works of distinguished literary figures of the Victorian era. What followed was an entire movement towards the recognition of children’s rights and status that set the context for the growing interest in childhood as a subject of historical inquiry in the twentieth century. This conceptual vicissitude of childhood is central to the present thesis which I pursue in relation to the literary genre of fairy tale. -
Fairy Tales in European Context Gen Ed Course Submission: for Inquiry – Humanitites
GER 103: Fairy Tales in European Context Gen Ed Course Submission: for Inquiry – Humanitites 2 lectures PLUS 1 discussion section: Professor Linda Kraus Worley 1063 Patterson Office Tower Phone: 257 1198 E-mail: [email protected] Office Hours: Wednesdays 10 - 12; Fridays 10 – 12 and by appointment FOLKTALES AND FAIRY TALES entertain and teach their audiences about culture. They designate taboos, write out life scripts for ideal behaviors, and demonstrate the punishments for violating the collective and its prescribed social roles. Tales pass on key cultural and social histories all in a metaphoric language. In this course, we will examine a variety of classical and contemporary fairy and folktale texts from German and other European cultures, learn about approaches to folklore materials and fairy tale texts, and look at our own culture with a critical-historical perspective. We will highlight key issues, values, and anxieties of European (and U.S.) culture as they evolve from 1400 to the present. These aspects of human life include arranged marriage, infanticide, incest, economic struggles, boundaries between the animal and human, gender roles, and class antagonisms. Among the tales we will read and learn to analyze using various interpretive methods are tales collected by the Brothers Grimm, by the Italians Basile and Straparola, by seventeenth- and eighteenth-century French writers such as D‘Aulnoy, de Beaumont, and Perrault, by Hans Christian Andersen and Oscar Wilde. We will also read 20th century re-workings of classical fairy tale motifs. The course is organized around clusters of Aarne, Thompson and Uther‘s ―tale types‖ such as the Cinderella, Bluebeard, and the Hansel-and-Gretel tales. -
Contemporary Russian Advertising As a Sociocultural Phenomenon
Russian Language Journal, Vol. 67, 2017 What Makes Russian Advertisements Russian? Contemporary Russian Advertising as a Sociocultural Phenomenon VALENTINA IEPURI Introduction It is common knowledge that advertisements reflect society. They play an important role in the formation of stereotypes and impose a certain way of life and a certain system of values. By analyzing both the foreground and the background of advertisements as texts, it is possible to reveal not only their primary sales messages but also the embedded social and cultural ones (Frith 1997, 3). Sociocultural, anthropological, and psychological aspects of Russian advertising and various forms of its impact on public consciousness, morality, and public taste require special attention and research, especially now that advertising has become an integral part of contemporary life in Russian society. Unfortunately, in literature on Russian advertising, there is a limited number of scholarly publications in which advertisements are viewed not only as a part of marketing activities but also in a broader context—as a cultural, anthropological, and socio psychological phenomenon with a certain influence on public consciousness (Trushina 2001, 170; Larionov 2014, 4). Advertisements present not only information about products and services, enticing customers to obtain them, but they also contain a certain kind of an ideological code with a system of symbolic values: social, moral, political, and familial (Turkina 2000, 78). This article attempts a brief analysis of how these values are mirrored in contemporary Russian advertising discourse and will outline the main cultural and linguistic features that make it culturally unique. A retrospective look at advertising in Russia in different time periods will serve as a helpful introduction. -
Andrew Lang - Poems
Classic Poetry Series Andrew Lang - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Andrew Lang(31 March 1844 - 20 July 1912) LAndrew Lang was a Scots poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. <b>Biography</b> Lang was born in Selkirk. He was the eldest of the eight children born to John Lang, the town clerk of Selkirk, and his wife Jane Plenderleath Sellar, who was the daughter of Patrick Sellar, factor to the first duke of Sutherland. On 17 April 1875 he married Leonora Blanche Alleyne, the youngest daughter of C. T. Alleyne of Clifton and Barbados. He was educated at Selkirk grammar school, Loretto, and at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford, where he took a first class in the final classical schools in 1868, becoming a fellow and subsequently honorary fellow of Merton College. As a journalist, poet, critic and historian, he soon made a reputation as one of the most able and versatile writers of the day. He died of angina pectoris at the Tor-na-Coille Hotel in Banchory, Banchory, survived by his wife. He was buried in the cathedral precincts at St Andrews. <b>Professions</b> <b>Folklore and anthropology</b> Lang is now chiefly known for his publications on folklore, mythology, and religion. The interest in folklore was from early life; he read John McLennan before coming to Oxford, and then was influenced by E.