Contemporary Russian Advertising As a Sociocultural Phenomenon
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Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
Midsummer Storybooks
Description Magic Items Pick 2: Subtract your Popularity from 3 and choose that little coat, pretty, plump, rosy cheeks, youngest, many magic items from the following: smallest, willful, hair of gold, hair of silver, lovely, magic stones (2) Child clad in leaves, hooded, thick brows, humble, joyful, bread crumbs (1) conceited, curly hair, loveable, blue coat, red shoes, horn of waking (1) “All children, except too spoiled, headstrong, polite, frills, patched, little, wooden horse (2) sometimes good, sometimes bad, fond of good lamp of seven kingdoms (1) one, grow up.” things singing quilt (1) - Peter Pan and Wendy, James M. Barrie pan pipes (2) Mundane Life cursed mirror shards (2) Pick 1: treasure map (1) babysitter, paperboy, thief, runaway, foster child, silver knife (1) (magical weapon 1) hacker, volunteer, scout, child singer, child star, little black casket (2) abductee, skateboarder, busker, dog walker, student, wooden sword (2) (magical weapon 2) assistant, urchin, bellhop, dish washer, assembly any wealth 1 trinket line worker, bagger, caretaker, gardener, juvenile delinquent Experience Improve Stats Improvements You are filled with the pure wonder Choose one set: Add +1 to your Courage (maximum of +3). Courage +1, Brawn 0, Cunning +2, Wisdom -2 Add +1 to your Brawn (maximum of +3). and innocence of childhood, for you Courage 0, Brawn +1, Cunning +2, Wisdom -2 Add +1 to your Cunning (maximum of +3). Courage +2, Brawn -2, Cunning +2, Wisdom -1 Add +1 to your Wisdom (maximum of +3). are an eternal child. Tricks and tales Courage -1, Brawn -1, Cunning +2, Wisdom +1 Choose a new Child move. -
RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D
HUMANITIES INSTITUTE RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D. Introduction Mythology takes as its subject the significance of the objects that exist in the world, natural events, and the private matters and objects of social life from an emotional point of view. Mythology is the identification of humanity with nature, making the powers of nature one’s own in the imagination. In the face of natural events, the first humans were powerless, both before the events within themselves and those that came from outside. Therefore, it is directed at describing events and objects that were considered taboo, or embodying and personalizing events or objects that the mind could not grasp. Identifying itself with all living and non-living thing from the very beginning, the human mind tried to express them through various objects and symbols. The rustle of leaves, thunder, bird calls, and lightning striking – all these natural events were perceived by humans as a sign of good or evil, life or death. Mythological images are indirect expressions of humans’ internal worlds and emotions. Emotions override reason. Mythological images do not consist only of imaginary depictions. They also have the quality of making living in harmony with human desires and emotions, and acting together easier. In this context, The subject of Russian mythology consists of the belief of the Russian people, who planted fields, worked the land, and spent their lives together with animals such as eagles and wolves, that supernatural powers directed the fates of men, and the symbols and gods that before and after the coming of Christianity were passed down from generation to generation. -
Slavic Mitra. Benevolent and Legal Pole of the Function of Religious Sovereignty in the Slavic Mythology and Epic
Slavic Mitra. Benevolent and Legal Pole of the Function of Religious Sovereignty in the Slavic Mythology and Epic* Martin Golema Dumézil’s discovery of two opposing and complementary faces of the highest power – on the one side legal and priestly, kind, benevolent, shining, near to world and people (“as Mitra”), and on the other side magic, violent, threatening, dark, invisible and dis- tant (“as Varuna”) – gave rise to a lot of research in various Indo-European traditions. Despite the impressive results of such research, the functional place of “Slavic Mitra” is still open. On the following pages we would like to try to indicate whom, where and how to look for this place. Introduced will be several hypotheses with the aim to show that just this functional place probably created an important and irreplaceable part, maybe one of the key pillars of the ancient Slavic model of the world. Keywords: Slavs, religious sovereignty, legal pole, “Slavic Mitra” As a basic source of substantial analogies we use the Vedic god Mitra. In the Rig-Veda there is only one hymn dedicated to him as to an independent divine being, far more often he creates an almost inseparable couple with Varuna that was often perceived as something integrated. He is worshipped at sunrise, his connection with the Sun and heaven explains the motives of the heaven ride. Horses, carriage, golden throne, metheglin, soma and cows are amongst his attributes. The name Mitra derives from the Indo-European root *mi-, *mei-, related to the idea of mediation, mutuality, legality, consent, and also to creating peace, friendship and affection (Топоров, 1988, 157–158). -
Byliuni 2016
Introduction to Byliny, Russian Heroic Poems By Luceta di Cosimo, BMDL, Aethelmearc. ©2005-2016 [email protected] The byliny (pleural of bylina) are Russian epic songs that are loosely tied to historical events of 11-16th centuries. Byliny were first collected in the mid to late 18th century. The first serious collection was collected in mid 1700s, by Kirsha Danilov, probably a krepostnoy (a serf) folk singer from Ural mountains for his master, a land and factory owner, P.A. Demidov. This collection was first published in 1804. Many other collections folowed. The bylina tradition seems to have died out in 1960’s; however, now seems to be on the rise again. The scholar who rediscoverd byliny was P.N. Rybnikov, who accidentally overheard a singer entertaining a group of travellers in 1860 in the Kizhi district. By the nineteenth century, the byliny survived only in the north of Russia, were performed for entertainment, and were sung by a single singer without music. Rubnikov later collected several hundred byliny in many variants, and published them between 1861-1867. A.F. Gilferding collected about 300 hundred tales from the same region in 1871-1872, which were published posthumously in 1873 as another collection.1 The term bylina (something that has happened), as applied to this sung folk epic was first used by Sakharov in 1830, the performers themselves used the term starina (something that is old).2 Performers and Performance: By the time byliny were collected, peasants in the Northern Russia were the only ones still performing byliny; however, there is some evidence that earlier, skomorokhi (travelling minstrels) and kaliki perekhozhiye (religious pilgrims) were also performers of byliny. -
The Proto-Indo-Europeans
APPENDIX III: THE PROTO-INDO-EUROPEANS III.1. PEOPLE The Proto-Indo-Europeans are the speakers of the reconstructed Proto-Indo-European language, a prehistoric people of the Chalcolithic and early Bronze Age. They are a group of people whose existence from around 4000 BCE is inferred from their language, Proto-Indo-European. Some things about their culture can be determined with confidence, based on the words reconstructed for their language: They used a kinship system based on relationships between men. The chief of their pantheon was djḗus patḗr (lit. ―sky father‖) and an earth god. They composed and recited heroic poetry or song lyrics, that used stock phrases like undying fame. The climate they lived in had snow. They were both pastoral and nomadic, domesticating cattle and horses. They had carts, with solid wheels, but not yet chariots, with spoked wheels. What is known about the Proto-Indo-Europeans with any certainty is the result of comparative linguistics, partly seconded by archaeology. The following traits are widely agreed-upon, but it should be understood that they are hypothetical by their reconstructed nature. The Proto-Indo-Europeans were a patrilineal society, probably semi-nomadic, relying on animal husbandry (notably cattle and sheep). They had domesticated the horse (ékwos). The cow (cṓus) played a central role, in religion and mythology as well as in daily life. A man's wealth would have been measured by the number of his animals (péku, the word for small livestock, acquired a meaning of ―value‖ in both English fee and in Latin pecunia). They practiced a polytheistic religion centered on sacrificial rites, probably administered by a priestly caste. -
RKF CUP 2019” Moscow Region, “Crocus Expo”, 04.11.2019
Интернациональная выставка собак всех пород «КУБОК РКФ 2019» МО, «Крокус Экспо», 04.11.2019 IDS “RKF CUP 2019” Moscow region, “Crocus Expo”, 04.11.2019 Организатор выставки: Российская кинологическая федерация (РКФ) Москва, Гостиничная ул. 9, [email protected] Organizer: Russian Kynological Federation (RKF) Moscow, Gostinichnaya 9, [email protected] Президент РКФ – Владимир Семёнович Голубев RKF President – Vladimir S. Golubev Дирекция РКФ: Александр Синяк – директор по управлению и корпоративно-правовым отношениям Денис Новгородов – операционный директор Рабочая группа оргкомитета: Координатор выставки: Екатерина Домогацкая – руководитель департамента международной и выставочной деятельности РКФ Руководитель отдела организации выставок: Марина Мартынова Секретариат: Наталья Позднякова, Александр Сидоров Сопровождение судей: Елена Комарницкая, Ирина Макеева Техническое обеспечение выставки: Сергей Кудрин Координация группы PR, сопровождение спонсоров и партнеров: Анна Шилина IT поддержка: Дмитрий Фофанов, Константин Феохари Графический дизайн: Муза Соколова Координация работы главного ринга: Евгений Купляускас Юридическая поддержка: Милена Дребезова Финансовый директор: Павел Ролдугин Главный бухгалтер: Ольга Гаськова СУДЬИ ИНТЕРНАЦИОНАЛЬНОЙ ВЫСТАВКИ СОБАК «КУБОК РКФ 2019» IDS “RKF CUP 2019”: LIST OF JUDGES Otto KRCAL (Austria) Anna DOMINIAK (Poland) Andrei KISLIAKOV (Belarus) Sebastian HARNIK (Poland) Olga KISLIAKOVA (Belarus) Jerzy OLSZEWSKI (Poland) Bas BOSCH (Belgium) Joao VASCO POCAS (Portugal) Veronika CHRPOVA (Czeсh Republic) Shamil -
Russian & Slavic
Encyclopedia of Russian & Slavic Myth and Legend Encyclopedia of Russian & Slavic Myth and Legend Mike Dixon-Kennedy Santa Barbara, California Denver, Colorado Oxford, England Copyright © 1998 by Mike Dixon-Kennedy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Dixon-Kennedy, Mike, 1959– Encyclopedia of Russian and Slavic myth and legend. p. cm. Includes bibliographical references and index. Summary: Covers the myths and legends of the Russian Empire at its greatest extent as well as other Slavic people and countries. Includes historical, geographical, and biographical background information. 1. Mythology, Slavic—Juvenile literature. [1. Mythology, Slavic. 2. Mythology—Encyclopedias.] I. Title. BL930.D58 1998 398.2'0947—dc21 98-20330 CIP AC ISBN 1-57607-063-8 (hc) ISBN 1-57607-130-8 (pbk) 0403020100999810987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 Typesetting by Letra Libre This book is printed on acid-free paper I. Manufactured in the United States of America. For Gill CONTENTS Preface, ix How to Use This Book, xi Brief Historical and Anthropological Details, xiii Encyclopedia of Russian and Slavic Myth and Legend, 1 References and Further Reading, 327 Appendix 1, 331 Glossary of Terms Appendix 2, 333 Transliteration from Cyrillic to Latin Letters Appendix 3, 335 The Rulers of Russia Appendix 4, 337 Topic Finder Index, 353 vii PREFACE Having studied the amazingly complex sub- This volume is not unique. -
Proto-Indo-European Religion Evolved, Attributes of Gisches Wörterbuch (In German)
דאוס ديوس (Pashto for angel) َم ََليِ َکه http://thepashto.com/word.php?english=angel (Pashto for Dyēus) ډيَيُوس ډيوس http://jame-ghor.com/pashtoobooks/0006_06122012_adabi.pdf Δεύς Dyeus Dyēus (also *Dyēus ph2ter, alternatively spelled dyēws) is believed to have been chief deity in the religious tra- ditions of the prehistoric Proto-Indo-European societies. Part of a larger pantheon, he was the god of the day- light sky, and his position may have mirrored the posi- tion of the patriarch or monarch in society. This deity is not directly attested; rather scholars have reconstructed this deity from the languages and cultures of later Indo- European peoples. 1 Later gods etymologically con- nected with Dyeus • In Greek mythology Zeus[1] • In Roman mythology Jupiter (pronounced Iuppiter)[2] • In Historical Vedic religion Dyauṣ Pitār[3] Roman god Jupiter is a form of Dyeus. • Dionysus, especially with the Thracians and Sabines Rooted in the related but distinct Indo-European word *deiwos is the Latin word for deity, deus. The Latin word is also continued in English divine, “deity”, and the orig- inal Germanic word remains visible in “Tuesday” (“Day of Tīwaz”) and Old Norse tívar, which may be continued in the toponym Tiveden (“Wood of the Gods”, or of Týr). The following names derive from the related *deiwos: • Germanic Tīwaz (known as Týr in Old Norse) • Latin Deus (not originally the name of any single god, but later adopted as the name of the Christian god) • Indo-Iranian Deva/Daeva • Baltic Dievas • Celtic mythology e.g. Gaulish Dēuos • Slavic mythology div(-ese) (miracle) Estonian Tharapita bears similarity to Dyaus Pita in name, although it has been interpreted as being related to the god Thor. -
Russian & Slavic
Encyclopedia of Russian & Slavic Myth and Legend Encyclopedia of Russian & Slavic Myth and Legend Mike Dixon-Kennedy Santa Barbara, California Denver, Colorado Oxford, England Copyright © 1998 by Mike Dixon-Kennedy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Dixon-Kennedy, Mike, 1959– Encyclopedia of Russian and Slavic myth and legend. p. cm. Includes bibliographical references and index. Summary: Covers the myths and legends of the Russian Empire at its greatest extent as well as other Slavic people and countries. Includes historical, geographical, and biographical background information. 1. Mythology, Slavic—Juvenile literature. [1. Mythology, Slavic. 2. Mythology—Encyclopedias.] I. Title. BL930.D58 1998 398.2'0947—dc21 98-20330 CIP AC ISBN 1-57607-063-8 (hc) ISBN 1-57607-130-8 (pbk) 0403020100999810987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 Typesetting by Letra Libre This book is printed on acid-free paper I. Manufactured in the United States of America. For Gill CONTENTS Preface, ix How to Use This Book, xi Brief Historical and Anthropological Details, xiii Encyclopedia of Russian and Slavic Myth and Legend, 1 References and Further Reading, 327 Appendix 1, 331 Glossary of Terms Appendix 2, 333 Transliteration from Cyrillic to Latin Letters Appendix 3, 335 The Rulers of Russia Appendix 4, 337 Topic Finder Index, 353 vii PREFACE Having studied the amazingly complex sub- This volume is not unique. -
The Image of Bogatyrs in Yakut and Russian Folklore Texts
Journal of Siberian Federal University. Humanities & Social Sciences 7 (2018 11) 1113-1126 ~ ~ ~ УДК 398(=512.127); 398(=161.1) The Image of Bogatyrs in Yakut and Russian Folklore Texts Elena V. Naumova* M.K. Ammosov North-Eastern Federal University 58 Belinsky Str., Yakutsk, 677000, Russia Received 19.02.2018, received in revised form 13.04.2018, accepted 26.04.2018 Nearly all the developed world cultures have their own written or oral works of art which were created by the people, representatives of a certain nation. These records may or may not have been publicly acknowledged for various individual reasons. However, in some cases, these oral works of art reached us due to the fact that they were reproduced and recorded in a written form. This way, anyone who wishes to learn about the folklore of a certain national group can do so, especially nowadays when many of these fine works of art had been translated from the source language to various target languages. The present article focuses on a literary analysis of the profound characters of Russian and Yakut folklore to see if and in what aspects do the notions they imply coincide linguistically, semantically and ideologically. Keywords: folklore, Russian bylinas, Yakut olonkho, bogatyrs, traditions, antagonists, protagonists. DOI: 10.17516/1997-1370-0295. Research area: linguistics, culturology. Introduction and valuable source of knowledge in the age of World culture has been developing globalization, when specific world cultures are throughout the centuries. While there may be losing their traditional features in the world of different cultural representations of various today. -
Mythological Chronotop and Hero of Russian Bylin
Proceedings of International Conference on Digital Economy: Problems, Solutions, Prospects Organized by Samarkand State University, Samarkand, Uzbekistan International Journal of Innovations in Engineering Research and Technology [IJIERT] ISSN: 2394-3696, Website: www.ijiert.org, May, 2020 MYTHOLOGICAL CHRONOTOP AND HERO OF RUSSIAN BYLIN: PHILOSOPHICAL-CULTURAL ANALYSIS Kasimov Ilnur Ravilevich 2nd year student of Andijan State University named after Z.M. Babur Andijan, Republic of Uzbekistan. Rakhmanov Tazhiddin Latypovich, Scientific tutor, Candidate of philological sciences, Associate Professor Andijan State University, Republic of Uzbekistan. Annotation: The article provides a philosophical and cultural analysis of the mythological chronotope and the heroes of Russian epics. The question of the appearance of epics, their structural and substantive features and their perception are discussed. The images of the most famous heroes of Russian epics and their path to achieving heroism are presented. Key words: folk art, chronotope, mythologem, mythological chronotop, historical prototypes, Russian epics, myth, epic, bylina, chronotope, Jung, Propp, history study, ancient, hero, legend, primitive, Kiev. Russian epic is a unique work of folk art, which is at the junction of an archaic myth, fairy tale and history. In terms of the wealth of mythological content, the epic is of interest to philosophy, cultural studies, history, religious studies, psychology and other humanitarian disciplines. Bylina is a special kind of ancient legend-song, which narrates both real historical events and mythological images and ideas. The chronotope acts as the base mythologem of the epic, and the epic hero is the mythological image of the hero. The goal of this article is the analysis of the specifics of the informational interaction of myth and epic in the context of philosophical and cultural analysis and based on the archetypal approach of C.G.Jung.