Solar Eclipses in the Outlook of the Slavs
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Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
PYRAMIDS and ZIGGURATS AS the ARCHITECTONIC REPRESENTATIONS of the ARCHETYPE of the COSMIC MOUNTAIN. Part I
I Andrzej WIERCINSKI, Warszawa PYRAMIDS AND ZIGGURATS AS THE ARCHITECTONIC REPRESENTATIONS OF THE ARCHETYPE OF THE COSMIC MOUNTAIN. Part I "Is there a man of you who by anxious thought can add a cubit to the age of his life? "(The Gospel of St. Matthew, 6, 27, according to Greek text) 1. Explanation of the problem The astrobiological religion played the role of a main ideological system which regulated societies of the formative-theocratic phase of cultural development of mankind which was distinguished by the rise of cultic centers of the monumental architecture. The latter ones were the cores of early urbanisation process. This religion has precised a model of the world with well defined position of man within it, and the sense of his activities. Its essence consisted of a dynamical and informational principle of transformation of an Absolute One into pairs of polarised opposites which, in turn, create an universal frame of reference of Cardinal Points organizing the time-spatial order of rhythmically repeating and mutually synchron ised cosmic, biological and socio-cultural processes and, at last, the psychic processes of the human individual. All these was vivified, personificated and deified ( for the main assumtions of the model see: A. Wiercinski, 19761 ). The astrobiological model of the world and man was statically patterned in mutually equivalent, due to a symbolical analogisation, archetypical (in Jungian sense) and iconic-numerical representations. Among them, the main position has been occupied by: the Cosmic Mountain, the Cosmic Tree � Cosmic Ladder � Cosmic Pillar, the Mandala, the Cosmic Man� man as Microcosmos and, © Del documento, los autores. -
MAN in NATURE Pre-Christian Eastern Slavic Reflections on Nature
MAN IN NATURE Pre-Christian Eastern Slavic Reflections on Nature Molly Kaushal What follows is a simple account of how, in earlier times, the Eastern Slavs, particularly the pre-Christian Russians, interacted with nature. Pre-Christian slavic religion was mainly based on nature worship. Fire, Earth and Water figured prominently in its beliefs and ritual practices. The forces of nature were personified, feared, and revered, and the Slavs developed a whole pantheon of gods and goddesses. However, the three main gods of their pantheon were linked together not in a hierarchical way, but in a mutually complementary way, where each was incomplete without the other. A whole cycle of rituals revolved around various forces of nature and their personified images. The arrival of Christianity as the official religion and the establishment of the Russian Orthodox Church culminated in the banning of many folk ritual practices which were pre-Christian in origin, and in the persecution of those who practised them. Yet, a complete annihilation of earlier beliefs and practices could never be accomplished. Pre- Christian beliefs and gods exerted such a strong influence upon the Russian mind that the only way to come to terms with them was through incorporating them in the mainstream of the Christian order. Water, Fire, and the Mother Earth Goddess were, and have remained, the most powerful images of Russian religious beliefs and practices, and folk memory has remained loyal to the personified and non- personified images of these elements. According to some scholars, Rusi, or Russians as we call them, have their origins in the word Roce. -
N.I.Il`Minskii and the Christianization of the Chuvash
Durham E-Theses Narodnost` and Obshchechelovechnost` in 19th century Russian missionary work: N.I.Il`minskii and the Christianization of the Chuvash KOLOSOVA, ALISON,RUTH How to cite: KOLOSOVA, ALISON,RUTH (2016) Narodnost` and Obshchechelovechnost` in 19th century Russian missionary work: N.I.Il`minskii and the Christianization of the Chuvash, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11403/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Narodnost` and Obshchechelovechnost` in 19th century Russian missionary work: N.I.Il`minskii and the Christianization of the Chuvash PhD Thesis submitted by Alison Ruth Kolosova Material Abstract Nikolai Il`minskii, a specialist in Arabic and the Turkic languages which he taught at the Kazan Theological Academy and Kazan University from the 1840s to 1860s, became in 1872 the Director of the Kazan Teachers‟ Seminary where the first teachers were trained for native- language schools among the Turkic and Finnic peoples of the Volga-Urals and Siberia. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that -
Mythical Spirits of the Volga-Ural Forests
Acta Orientalia Academiae Scientiarum Hung. Volume 71 (1), 45 – 69 (2018) DOI: 10.1556/062.2018.71.1.4 ARÇURA/ŞÜRÄLE: MYTHICAL SPIRITS OF THE VOLGA-URAL FORESTS RUSTEM SULTEEV 49B Cowper Gardens, Southgate, London N14 4NS, UK e-mail: [email protected] Folk beliefs, which have their source in history, culture and geography, are among the most signifi- cant factors determining the identity and characteristic features of a people. In Tatar and Chuvash folk literature myths about mythological beings are often stories written in prose, describing su- pernatural creatures and spirits. These stories describe “encounters” between humans on the one hand and various mythological creatures, on the other. Among these Arçura/Şüräle is a Forest Spirit which has a very significant role in folk narratives of not only the Tatars and the Chuvash, but widely in the folk culture of other Volga-Ural peoples. These mythological beliefs help people of the Volga- Ural region perceive themselves as a part of the universe. In this paper, the etymology of the word Arçura/Şüräle is investigated; then its characteristics and its comparison with some other neighbour- ing Volga-Ural Finno-Ugrian and shamanic Turkic-Mongol spirits are examined. Key words: mythology, Forest Spirit, Şüräle, Arçura, Tatar folk narratives, Chuvash folk narratives. Introduction Folk beliefs, which have their source in history, culture, and geography, are among the most significant factors determining the identity and characteristics of a people. These beliefs which carry traces of paganism, above all show peoples’ ways of think- ing, traditional ties with the environment and nature in early ages, whilst each ethnic group has its own type of myths and beliefs related to mythical creatures. -
The Slavic Vampire Myth in Russian Literature
From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Dorian Townsend Thesis submitted for the degree of Doctor of Philosophy School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales May 2011 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Townsend First name: Dorian Other name/s: Aleksandra PhD, Russian Studies Abbreviation for degree as given in the University calendar: School: Languages and Linguistics Faculty: Arts and Social Sciences Title: From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Abstract 350 words maximum: (PLEASE TYPE) The Slavic vampire myth traces back to pre-Orthodox folk belief, serving both as an explanation of death and as the physical embodiment of the tragedies exacted on the community. The symbol’s broad ability to personify tragic events created a versatile system of imagery that transcended its folkloric derivations into the realm of Russian literature, becoming a constant literary device from eighteenth century to post-Soviet fiction. The vampire’s literary usage arose during and after the reign of Catherine the Great and continued into each politically turbulent time that followed. The authors examined in this thesis, Afanasiev, Gogol, Bulgakov, and Lukyanenko, each depicted the issues and internal turmoil experienced in Russia during their respective times. By employing the common mythos of the vampire, the issues suggested within the literature are presented indirectly to the readers giving literary life to pressing societal dilemmas. The purpose of this thesis is to ascertain the vampire’s function within Russian literary societal criticism by first identifying the shifts in imagery in the selected Russian vampiric works, then examining how the shifts relate to the societal changes of the different time periods. -
Midsummer Storybooks
Description Magic Items Pick 2: Subtract your Popularity from 3 and choose that little coat, pretty, plump, rosy cheeks, youngest, many magic items from the following: smallest, willful, hair of gold, hair of silver, lovely, magic stones (2) Child clad in leaves, hooded, thick brows, humble, joyful, bread crumbs (1) conceited, curly hair, loveable, blue coat, red shoes, horn of waking (1) “All children, except too spoiled, headstrong, polite, frills, patched, little, wooden horse (2) sometimes good, sometimes bad, fond of good lamp of seven kingdoms (1) one, grow up.” things singing quilt (1) - Peter Pan and Wendy, James M. Barrie pan pipes (2) Mundane Life cursed mirror shards (2) Pick 1: treasure map (1) babysitter, paperboy, thief, runaway, foster child, silver knife (1) (magical weapon 1) hacker, volunteer, scout, child singer, child star, little black casket (2) abductee, skateboarder, busker, dog walker, student, wooden sword (2) (magical weapon 2) assistant, urchin, bellhop, dish washer, assembly any wealth 1 trinket line worker, bagger, caretaker, gardener, juvenile delinquent Experience Improve Stats Improvements You are filled with the pure wonder Choose one set: Add +1 to your Courage (maximum of +3). Courage +1, Brawn 0, Cunning +2, Wisdom -2 Add +1 to your Brawn (maximum of +3). and innocence of childhood, for you Courage 0, Brawn +1, Cunning +2, Wisdom -2 Add +1 to your Cunning (maximum of +3). Courage +2, Brawn -2, Cunning +2, Wisdom -1 Add +1 to your Wisdom (maximum of +3). are an eternal child. Tricks and tales Courage -1, Brawn -1, Cunning +2, Wisdom +1 Choose a new Child move. -
Russian Byliny As Discursive Space
Putting Words in Their Mouths: Russian Byliny as 83 Discursive Space Putting Words in Their Mouths: Russian Byliny as Discursive Space Kate Christine Moore Koppy Marymount University and the University of the District of Columbia Community College Arlington, Virginia, United States of America Abstract This article follows the Melnitsa Animation Studio into the imagined medieval space of their bogatyr films. With particular focus on Melnitsa’s use of the Il’ia Muromets corpus in Илья Муромец и Соловей Разбойник [Il’ia and the Robber], we consider the complex set of conflicts among characters and ideas that reflect concepts of identity and social issues in contemporary Russia. In moments of cultural unrest, adaptations of canonical stories serve as a discursive space for the community to redefine itself. In the nineteenth, twentieth, and twenty-first centuries, the byliny [western Slavic heroic epics] have functioned as tools of cultural cohesion at critical moments of national self-redefinition. Most recently, the Студия анимационного кино Мельница [Melnitsa Animation Studio] (1) has adapted the byliny into animated films for children, in which stories of medieval princes, heroes, and villains become a discursive space for the exploration of social issues in the post-Soviet Russian Federation. Melnitsa’s 2007 film Il’ia and the Robber is the most recent example in a steady stream of adaptation and retelling of byliny from the time they were first printed to the present. Along that timeline, there are three moments in which adaptations flourish, and each of these coincides with a crucial moment of redefinition of Russian culture. The nineteenth century recording of these heroic epics, which adapts them from dynamic oral epics to written texts (2), was part of the wave of romantic nationalism that drove scholars across Europe to gather folkloric material as the feudal city-states of the medieval period coalesced into more stable nations. -
Ethnokulturelle Elemente in Der Phraseologie (Untersuchung Anhand Folgender Sprachen: Ukrainisch, Tschechisch, Deutsch Und Russisch)
Ethnokulturelle Elemente in der Phraseologie (Untersuchung anhand folgender Sprachen: Ukrainisch, Tschechisch, Deutsch und Russisch) Inauguraldissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Ernst-Moritz-Arndt-Universität Greifswald vorgelegt von Yaroslava Tushych Greifswald, 22. Mai 2013 Dekan: Prof. Dr. Alexander Wöll Erstgutachter und Betreuer: Prof. Dr. Dr. h.c. Valerij M. Mokienko Zweitgutachter: Prof. Dr. Bernhard Brehmer Datum der Disputation: 05.02.2014 2 Danksagung Mehreren Personen möchte ich an dieser Stelle vom ganzen Herzen danken. Mein besonderer und herzlichster Dank gilt in erster Linie den Betreuern meiner Doktorarbeit Herrn Professor Dr. Dr. h.c. Valerij M. Mokienko und Herrn Professor Dr. Dr. h.c. Harry Walter, die mich durch kompetente fachliche Beratung unterstützten und geleitet haben. Ich bedanke mich bei Ihnen sowohl für die fundierte wissenschaftliche Betreuung als auch für die freundliche und wertvolle Unterstützung. Herrn Prof. Dr. Bernhard Brehmer danke ich aufrichtig für die Zweitbegutachtung. Zugleich möchte ich mich sehr bei meinem Lehrer an der Iwan-Franko-National-Universität Lemberg Herrn Univ.-Dozenten Dr. Ivan M. Tepljakov bedanken, der mein Interesse für die Phraseologie der tschechischen Sprache besonders für ihre kulturelle Seite geweckt hat. In tiefster Dankbarkeit möchte ich meine Eltern und meine Großeltern erwähnen, die in mir schon früh das Interesse für die Wissenschaft entdeckten und förderten. Sie haben mich ermutigt, die Promotion in Deutschland anzufangen und haben mich durch alle Phasen meiner Arbeit mit Geduld und Liebe begleitet. Für die wertvolle Hilfe bei der Korrektur möchte ich mich bei Frau Kristin J. Loos und Frau Anna Volivach sehr herzlich bedanken. 3 Inhaltsverzeichnis 1. -
JARCE Article Silvia Zago 2Nd Revision Latest Version
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Liverpool Repository 1 Imagining the beyond – The conceptualization of Duat between the Old and the Middle Kingdom Silvia Zago, University of Toronto Abstract: This paper focuses on the evolution of the conceptualization of the notion of Duat in the Old and Middle Kingdom funerary texts. This notion is already attested in the Pyramid Texts, which provide only ambiguous references to it, which seemingly identify the Duat both with (part of) the sky and with a liminal domain located presumably somewhere between earth and horizon, and endowed with regenerative power. Towards the end of the Old Kingdom, with the emergence of the Coffin Texts, the depiction of the cosmos appears slightly altered. A better-defined universe is now sketched in the spells: contrasted with the earth and the diurnal sky stands the Duat, which is to some extent described as including both (nether)sky and netherworld. This paper aims to trace the process of development of the concept of Duat within the broader frame of the ancient Egyptian afterlife beliefs attested in the Pyramid and Coffin Texts. Moreover, a brief analysis of a particular category of funerary items popular during that period shows that the evolution in the conceptualization of the afterlife found in funerary texts underlies changes in material culture as well. The notion of Duat is a major component of the ancient Egyptian afterlife belief system, as it refers to the realm of the dead.1 Yet, scholars do not agree on a proper definition of what the Egyptians meant as Duat.2 The term is mostly translated as “underworld” or “netherworld,” but a portrayal of the Duat as such is found only in the funerary compositions preserved in the New Kingdom royal tombs.