IPMS August 2001

Total Page:16

File Type:pdf, Size:1020Kb

IPMS August 2001 PREZNOTES Be Careful What length when completed. As I say, small. Yet the kit has 650 injection plastic parts, 50 You Wish For photo etched brass parts, and an A4 sized set of instructions totaling 38 pages, From the time I started building armor covering 50 separate instruction steps. models in the late 1960s, I realized that the The kit comes with a full interior: engine, “rubber band” tracks that came with the and engine compartment, driver’s area, models left a lot to be desired. For a start, ammunition stowage area, full drive train, nothing seemed capable of gluing them full turret interior, including gun breach together. Even the instructions didn’t detail, radio set, even two sets of hand mention glue, but instead to heat a screw grenades in a box, and five parts per box. driver or a flat headed nail, and melt a series of “pins” to join the tracks together. And the Sherman tracks? I mentioned Often as not I messed this up, or the bond these at a meeting not too long ago: 960 wasn’t strong enough and the joined individual parts, which combine to tracks split apart. Other times the track was produce only the tracks for a kit which so ridged it was nearly impossible to get itself might have upwards of 500 or more the tracks to wrap around the road wheels, additional parts! drive sprocket and idler wheel with anything close to a realistic look. As I grew Be careful what you wish for… older and met other armor modelers, I realized my gripes were an almost universal complaint. “Individual track links, made from the same plastic as the rest of the Andrew model” seemed to be a popular wish. Then with the “discovery” of aftermarket photo etched brass parts, modelers started to wish for such parts to be included in the kits themselves. “Allow us to have scale Seattle Chapter News thickness parts” was the cry! And slowly but surely, the model firms heard about the track complaints, and the cries for parts that were of scale thickness. “And while you’re at it, how about better detailed parts, oh, and full interiors as well!” In This Issue So here I sit, typing this PrezNote, staring at the latest kit from Bronco Models of Hong Kong: a 1/35th scale Humber IPMS Vancouver Show Preview Armoured Car Mk.IV, as used by the 3 British in WW2. Sitting beside it is a set of MiniArt Soviet Field Kitchen aftermarket tracks (the tracks only), also by 4 Bronco, for a Sherman tank. The Humber Airfix Stratos 4 TSR.2MS 6 was a smallish wheeled reconnaissance Trumpeter J-20 8 vehicle with a turret, and with a three man Tamiya Do 335 10 crew. The model, in 1/35th scale, will Academy HMS Warspite 12 measure almost exactly five inches in Hurricane Theater: The Red Baron: What IS This? 14 Seattle Chapter IPMS/USA October 2011 IPMS Seattle Chapter Newsletter Page 2 SEATTLE CHAPTER CONTACTS President: Vice President: Treasurer: Show Chair: Andrew Birkbeck Eric Christianson Spencer Tom Jon Fincher P.O. Box 15983 18215 NE 95th Way #103 318 N.E. 81st St. 1819 S. 116th St. #307 Seattle, WA 98115 Redmond, WA 98052 Seattle, WA 98115 Seattle, WA 98166 Ph: 206-522-3539 Ph: 425-591-7385 Ph: 206-522-8414 Ph: 206-354-9682 [email protected] [email protected] [email protected] [email protected] IPMS Seattle Web Site (Webmasters, Norm Filer & Tracy White): http://www.ipms-seattle.org Public Disclaimers, Information, and Appeals for Help This is the official publication of the Seattle Chapter, IPMS-USA. As such, it serves as the voice for our Chapter, and depends largely upon the generous contributions of our members for articles, comments, club news, and anything else involving plastic scale modeling and associated subjects. Our meetings are generally held on the second Saturday of each month, (see below for actual meeting dates), at the North Bellevue Community/Senior Center, 4063-148th Ave NE, in Bellevue. See the back page for a map. Our meetings begin at 10:00 AM, except as noted, and usually last for two to three hours. Our meetings are very informal, and are open to any interested modeler, regardless of interests. Modelers are encouraged to bring their models to the meetings. Subscriptions to the newsletter are included with the Chapter dues. Dues are $25 a year for regular mail delivery of the newsletter, and $15 for e-mail delivery, and may be paid to Spencer Tom, our Treasurer. (See address above). We also highly recommend our members join and support IPMS-USA, the national organization. See below for form. Any of the members listed above will gladly assist you with further information about the Chapter or Society. The views and opinions expressed in this newsletter are those of the individual writers, and do not constitute the official position of the Chapter or IPMS-USA. You are encouraged to submit any material for this newsletter to the editor. He will gladly work with you and see that your material is put into print and included in the newsletter, no matter your level of writing experience or computer expertise. The newsletter is currently being edited using a PC, and PageMaker 6.5. Any Word, WordPerfect, or text document for the PC would be suitable for publication. Articles can also be submitted via e-mail, to the editor’s address above. Deadline for submission of articles is generally twelve days prior to the next meeting - earlier would be appreciated! Please call me at 425-823-4658 if you have any questions. If you use or reprint the material contained in the newsletter, we would appreciate attribution both to the author and the source document. Our newsletter is prepared with one thing in mind; this is information for our members, and all fellow modelers, and is prepared and printed in the newsletter in order to expand the skills and knowledge of those fellow modelers. Upcoming Meeting Dates The IPMS Seattle 2011 meeting schedule is as follows. All meetings are from 10 AM to 1 PM, except as indicated. To avoid conflicts with other groups using our meeting facility, we must NOT be in the building before our scheduled start times, and MUST be finished and have the room restored to its proper layout by our scheduled finish time. We suggest that you keep this information in a readily accessable place. October 8 November 12 December 10 Newsletter Editor: Robert Allen 12534 NE 128th Way #E3 Kirkland, WA 98034 Ph: 425-823-4658 [email protected] IPMS Seattle Chapter Newsletter Page 3 The IPMS Vancouver 41st • At the end of the day, awards and special Trophy Categories Annual Fall Model Show prizes are handed out and the winning models are photographed for the clubs Best of Show and Swap Meet archives. Best of Show Junior Best Aircraft - Jet/Helicopter Bonsor Recreation Complex 6550 Bonsor, Admission: Best Aircraft - Prop Engine Burnaby, BC, Canada $5 CDN (17 and Older); FREE (16 and Best Aircraft - Civilian Saturday, October 8, 2011 Under) Best Auto - Street or Show 9:00 AM - 4:30 PM Best Auto - Competition The Showroom will be closed 3:00 to 4:00 Vendor Tables: Best Armour - Allied or NATO Entry registration closes at 12:00 noon $40 CDN Best Armour - Axis or Warsaw Pact Best Figure The Show is held at the Bonsor Recreation Registration: from 9:00am to 12:00 noon Best Nautical Subject Complex in Burnaby, from 9 a.m. to 4:30 $7 CDN (17 and Older) Best Diorama p.m. The main show room is closed to $2 CDN (16 and Under) Best Sci¬ Space or Vehicle everyone but judges between 3 and 4 pm Best TV/Movie Monster for final judging and ribbon placement. For more information, see the club’s web George Price Memorial Award - Best site at http://www.ipmsvancouver.ca/ Canadian Subject The event is not limited to IPMS members. index.html Best Royal Canadian Navy Subject Anyone can come and view the show. Additionally, anyone can enter a kit to be On-line registration forms are available at judged, the objective is for the best kit in a http://www.ipmsvancouver.ca/page12/ category to win, not the best kit built by an page12.html IPMS member. Contacts: This years special theme is “Operation Show Info: Peter Hickey Barbarossa” , open to armour, aircraft, Phone : 604-988-3253 figures, dioramas etc. E-Mail: [email protected] Vendor Tables: Ross Hillman • This is the event of the year for modelers Phone : 604-949-1918 in the greater Vancouver area. The show attracts modelers from Western Canada and the Pacific Northwest. Recent Shows have had around 470 kits entered in dozens of trophy or ribbon categories. • Several other modeling clubs are in- volved, sponsoring trophies, door prizes, and volunteering to judge or just helping out. • Most of the hobby shops in the lower mainland contribute to the show, sponsor- ing trophies or donating door prizes. Several manufacturers and suppliers also contribute. There is a vendor room with tables set up in flea market fashion. • Door prizes, largely donated by hobby shops and suppliers to the industry, are given out during the day. IPMS Seattle Chapter Newsletter Page 4 MiniArt 1/35th Scale Soviet Also, the sides of the main cooking tub The figures included in this kit, like those Field Kitchen KP-42 assembled in Step 3 must fit around the in every MiniArt kit I build, are exquisite tub cover built in Step 4, and the cover fits and a great value by themselves.
Recommended publications
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • Bilancio Semestrale RAI 2020
    Bilanci separato e consolidato intermedi al 30 giugno 2020 Bilanci separato e consolidato intermedi al 30 giugno 2020 Indice 7 Introduzione 17 Relazione sulla Gestione 171 Bilancio separato intermedio al 30 giugno 2020 239 Bilancio consolidato intermedio al 30 giugno 2020 303 Corporate Directory 4 Indice Introduzione 7 Organi sociali 8 Struttura organizzativa 9 Introduzione del Presidente del Consiglio di Amministrazione 11 Principali dati finanziari 12 Relazione sulla Gestione 17 La missione 18 Lo scenario del mercato 18 Il Gruppo Rai 24 La televisione 41 La radio 97 RaiPlay e Digital 107 Pubblica utilità 116 Produzione Tv 119 Attività tecnologiche 120 Attività trasmissiva e diffusiva 129 Attività commerciali 130 Altre attività 135 L’evoluzione del quadro normativo e regolamentare 143 Corporate governance 148 Relazione sul governo societario - Modello di Control Governance di Rai e Sistema di Controllo Interno e Gestione dei Rischi (SCIGR) 150 Altre informazioni 155 Risorse Umane e Organizzazione 155 Safety & Security 159 Rapporti intersocietari 161 Fatti di rilievo occorsi oltre la chiusura dell’esercizio 168 Prevedibile evoluzione della gestione 168 5 Bilancio separato intermedio al 30 giugno 2020 171 Analisi dei risultati e dell’andamento della gestione economica-patrimoniale e finanziaria del primo semestre 2020 172 Prospetti contabili di Rai SpA 186 Note illustrative al Bilancio separato intermedio al 30 giugno 2020 191 Attestazione ai sensi dell’art. 154-bis del D. Lgs. 58/98 235 Relazione della Società di Revisione 236 Bilancio consolidato intermedio al 30 giugno 2020 239 Analisi dei risultati e dell’andamento della gestione economica-patrimoniale e finanziaria consolidata del primo semestre 2020 240 Prospetti contabili del Gruppo Rai 255 Note illustrative al Bilancio consolidato intermedio al 30 giugno 2020 260 Attestazione ai sensi dell’art.
    [Show full text]
  • El Anime De Los Noventa Como Un Reflejo De La Interacción Entre El Hombre/Usuario E Internet
    UNIVERSIDAD JUAN AGUSTÍN MAZA FACULTAD DE PERIODISMO LICENCIATURA EN COMUNICACIÓN SOCIAL DE LO FANTÁSTICO A LO REAL: EL ANIME DE LOS NOVENTA COMO UN REFLEJO DE LA INTERACCIÓN ENTRE EL HOMBRE/USUARIO E INTERNET Alumna: Lourdes Micaela Arrieta Tutor disciplinario: Lic. Andrea Ginestar Tutor metodológico: Lic. Guillermo Gallardo MENDOZA 2016 Mediante la presente tesina y la defensa del mismo aspiro al título de Licenciatura en Comunicación Social. Alumno: Lourdes Micaela Arrieta DNI: 37.298.417 Matrícula: 2.029 Fecha del examen final: Docentes del Tribunal Evaluador: Calificación: Lourdes Micaela Arrieta I DEDICATORIA “Entonces, cuando aprendió a navegar por la Red, nuestro mundo se derrumbó. Se dejó llevar por los signos calientes y empezó conocer sin caras. Los perfiles adúlteros de los espectros femeninos (y si es que los eran), condujeron a desconocernos. Fue, cuando como espías cibergálacticos, incursionamos (los tres) a engañar a las maestras de la seducción virtual. ¡Qué fácil era embaucar con datos falsos las ilusiones de las destructoras de familias! Parece ser, son las mujeres de entre 40 y 50 años de viejas, las que se registran para jugar a los detestables clicks en los “gatos” (o chats) y las redes sociales (no lo sé, me imagino una red pesquera y alrededor cientos de individuos, en un mismo bote, todos hablándole a la mar) y pretenden, quizá, escapar de sus maridos, sus hijos u otro contacto ‘romántico’. No le hallo la gracia… De adolescente me pasaba un largo rato en Internet; indagaba cómo burlar los datos, aunque no son conocimientos de un hacker, es más básico. Pensándolo bien, no logro comprender el dolor de ella, ante semejantes artimañas de él, y tampoco de él, el querer abandonarnos por signos efímeros y ¿reales? Lo cierto, es que con mi hermano llorábamos muy mucho.
    [Show full text]
  • Sample File CONTENTS 3 PROTOCULTURE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ✾ PRESENTATION
    Sample file CONTENTS 3 PROTOCULTURE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ✾ PRESENTATION .......................................................................................................... 4 NEWS STAFF ANIME & MANGA NEWS: Japan / North America ................................................................. 5, 9 Claude J. Pelletier [CJP] — Publisher / Manager ANIME RELEASES (VHS / DVD) & PRODUCTS (Live-Action, Soundtracks, etc.) .............................. 6 Miyako Matsuda [MM] — Editor / Translator MANGA RELEASES / MANGA SELECTION ................................................................................. 7 Martin Ouellette [MO] — Editor JAPANESE DVD (R2) RELEASES .............................................................................................. 9 NEW RELEASES ..................................................................................................................... 10 Contributing Editors Aaron K. Dawe, Keith Dawe, Neil Ellard Kevin Lillard, Gerry Poulos, James S. Taylor REVIEWS THE TOP SHELF ..................................................................................................................... 16 Layout MANGA Etc. ........................................................................................................................ 17 The Safe House MODELS .............................................................................................................................. 26 ANIME ................................................................................................................................
    [Show full text]
  • L'evoluzione Della Relazione Uroborica Fra Videogioco E Musica: Il Singolare Caso Di Transculturalità Dell'industria Videoludica Giapponese
    Corso di Laurea magistrale in Economia e Gestione delle Arti e delle Attività culturali Dipartimento di Filosofia e Beni culturali Tesi di Laurea L'evoluzione della relazione uroborica fra videogioco e musica: il singolare caso di transculturalità dell'industria videoludica giapponese Relatore: Giovanni De Zorzi Correlatrice: Maria Roberta Novielli Laureando: Enrico Pittalis Numero di Matricola: 871795 Anno accademico 2018/2019 Sessione Straordinaria Ringrazio Valentina, la persona più preziosa, senza cui questo lavoro non sarebbe stato possibile. Ringrazio i miei relatori, i professori Giovanni De Zorzi e Maria Roberta Novielli, che mi hanno guidato lungo questo percorso con grande serietà. Ringrazio i miei amici per i tanti consigli, confronti e spunti di riflessione che mi hanno dato. Ringrazio il Dott. Tommaso Barbetta per avermi incoraggiato ed aiutato a trovare gli obiettivi e il Prof. Toshio Miyake per avermi suggerito dei materiali di approfondimento. Ringrazio il Prof. Marco Fedalto per avermi dato importantissimi consigli. Ringrazio i miei genitori per avermi sostenuto nelle mie scelte, anche le più stravaganti. Glossario: - Anime: termine con cui si fa riferimento alle serie televisive animate prodotte in Giappone, spesso adattamenti televisivi di romanzi brevi o manga, talvolta videogiochi. - Arcade: prestito linguistico dall’inglese, termine con cui ci si riferisce alle “Macchine da gioco”, costituita fisicamente da un videogioco posto all'interno di un cabinato di grandi dimensioni operabile a monete o gettoni, che normalmente viene posto in postazioni pubbliche come sale giochi, bar, talvolta cinema e centri commerciali. L’Etimologia è incerta, probabilmente derivante da “Arcata” facente riferimento storicamente a lunghi viali sotto i portici dei borghi, dove si trovavano le botteghe e luoghi dediti al divertimento.
    [Show full text]
  • Global Communication, Local Perspectives
    2010 China Communication Forum Global Communication, Local Perspectives English Papers 10-12, December ,2010 Hong Kong,China China Association of Communication Chinese Communication Association Department of Media and Communication, City University of Hong Kong National Center for Radio and Television Studies, Communication University of China 2010 China Communication Forum Copyright Statement 1.All papers in this symposium (including text, graphics) are provided by the participants of the 2010 China Communication Forum on "Global communication, local perspective" . All papers are restricted for discussions within this symposium only. It is forbidden for anyone to use these thesis for any commercial purposes. 2.The conference organizers and the symposium do not have any rights about the papers (including text, graphics). The copyright is reserved within the legal owners of all papers. Any quotation and reproduction without the permission of copyright owners is forbidden. All the copyright disputes are irrelevant to the conference organizers and the symposium. 3.This symposium has not done any modifications to the papers included. Thus we do not guarantee the accuracy, security, integrity and the legitimacy of all the thesis. We also do not take any responsibility for the damage it has done to the users of these papers and the harm the users have done to others.If the papers in this symposium are disputed on intellectual property right, the authors should take the responsibility themselves. 2 2010 China Communication Forum CONTENTS Angela K. Y. Mak The “Customer” Metaphor in Social Institutions in the Public’s Eyes: An Exploratory Study in Singapore...........................................................4 Augustine Pang Yeo Su Lin Crisis Management Consultancy: Exploration of the Expertise, Experience and Expediency of Consultants in Public Relations Agencies in Singapore ...........................................................................................
    [Show full text]
  • Protoculture Addicts Is ©1987-2003 by Protoculture
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # 7 9 November / December 2003. Published bimonthly by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, ANIME VOICES Canada, H3B 3L2. Web: http://www.protoculture-mag.com Presentation ............................................................................................................................ 3 Letters ................................................................................................................................... 70 E d i t o r i a l S t a f f Claude J. Pelletier [CJP] – Publisher / Editor-in-chief [email protected] NEWS Miyako Matsuda [MM] – Editor / Translator ANIME & MANGA NEWS: Japan ................................................................................................. 5 Martin Ouellette [MO] – Editor ANIME RELEASES (VHS / R1 DVD) .............................................................................................. 6 PRODUCTS RELEASES (Live-Action, Soundtracks) ......................................................................... 7 C o n t r i b u t i n g E d i t o r s MANGA RELEASES .................................................................................................................... 8 Keith Dawe, Kevin Lillard, James S. Taylor MANGA SELECTION .................................................................................................................. 8 P r o d u c t i o n A s s i s t a n t s ANIME & MANGA NEWS: North America ...................................................................................
    [Show full text]
  • Capitulos Peliculas Ovas Formato 2 × 2 Shinobu-Den 12 Avi 3 X 3 Ojos 7
    SERIES Capitulos Peliculas Ovas Formato 2 × 2 Shinobu-den 12 avi 3 x 3 Ojos 7 Divx Aa! Megami-sama? (2 Temp) 52 1 8 avi y Divx Aa! Megami-sama! Chitchai tte koto wa benri da ne 48 avi Abenobashi 12 avi Afro Samurai 5 Divx Aishiteruze Baby 26 mp4 Air Gear 25 avi Air Master 27 avi AIR TV 13 1 2 avi Ai Yori Aoshi (2 Temp) 26 avi Akira 1 avi Amaenaideyo!! (2 Temp) 26 avi Angel Sanctuary 3 DVD Angelic Layer 26 avi Agent Aika 7 avi Aquarian Age 13 avi Arc the lad 26 avi Area 88 12 3 avi Argento Soma 25 avi Asatte no Houkou 12 avi Avatar (2 Libros) 40 avi Avenger 13 avi Ayakashi 11 avi Ayashi no Ceres 24 avi Azumanga Daioh 26 avi Baccano 13 mp4 Bakuretsu Tenshi (Burst Angel) 26 Mkv Bartender 11 avi Basilisk 26 avi Bastard!! 6 Divx Battle Angel Alita 1 avi Battle Programmer Shirase 15 avi Beck 26 avi Berserk 25 Divx Bible Black 14 avi Binbou Shinai Manogatari 10 avi Black Blood Brothers 12 avi Black Cat 23 avi Black Lagoon (2 Temp) 24 avi Blame 7 mp4 Bleach 164/? 1 2 avi Blood+ 50 1 avi Blue Dragon 20/? Divx Blue Gender 26 avi Blue Seed 26 DVD Bokura Ga Ita 26 mp4 Bokurano 24 mp4 Bokusatsu Tenshi Dokuro-chan 4 avi Boogiepop Phantom 12 avi Bottle Fairy 10 avi Bouken ou Beet 52 avi Boys Be 12 avi Bt'x (2 Temp) 39 avi Bubblegum Crisis Tokyo 2040 26 DVD Burn Up (3 Temp) 24 4 Mp4 y avi Busou Renkin 26 avi Buzzer Beater 13 avi Candidate for Goddess 11 1 avi Candy Candy 115 1 avi Canvas 24 2 avi Capitan Tsubasa Road 2002 52 avi Card Captor Sakura 70 avi Cat Soup 1 avi Chitchana Yukitsukai Shugā 24 2 mp4 Chobits 26 2 Divx Chrno Crusade 24 avi Cindrella
    [Show full text]
  • Erotism in the History of Japanese Film Art - Anime
    Georgios Lazaridis 01.2019 Erotism in the history of Japanese film art - Anime. Table of contents: 1. Abstract 2. Anime - definition of the term. 3. Origins of anime art. 4. Erotism in Japanese arts - shunga and ukiyo-e . 5. Erotism in anime: origins, aspects, kinds. 6. Erotism as romance, a love story. 7. Erotism as pornography - the phenomenon of Hentai. 8. Conclusion and the summary of erotism in anime - ending words. 9. Bibliography and the sources of images. 1.Abstract The below text’s main aim is to present to the reader an analysis of the erotic aspect of Japanese film and animation arts - anime. It contains a brief review of the subject including informations about the film art as itself, as well as the way it represents erotic content on different tiers of explicitly. It will point out the origins and history of anime, the evolution through time and it’s expansion to different forms of media arts and social events. As erotism is deeply rooted in traditional Japanese art forms, the possibilities of the moving image let it expand through the media taking different paths and shapes, often crossing the boundaries of social ethics. !1 2. Anime - the definition , etymology , main features and occurrence. The term anime (アニメ) is used to describe the animation style that was developed in Japan in the late 1910s and through time expanded as an individual art form into the mainstream culture. The etymological origins of the word date back to 1980s pointing out a borrowing from English - animation or French - animé1, absorbed into the Japanese language under the word animēshon and simplified into the final form - anime.
    [Show full text]
  • Brice Prelims 1..16
    موقع عالم اﻹلكترون.... موقع إلكتروني متخصص في علوم الھندسة التكنلوجية واختصاصاتھا المختلفة مكتبة عالم اﻹلكترون 4electron.com إلى قارئ ھذا الكتاب ، تحية طيبة وبعد ... لقد أصبحنا نعيش في عالم يعج باﻷبحاث والكتب والمعلومات، وأصبح العلم معياراً حقيقياً لتفاضل اﻷمم والدول والمؤسسات واﻷشخاص على ﱟحد سواء، وقد أمسى بدوره حﻻً شبه ٍوحيد ﻷكثر مشاكل العالم حدة وخطورة، فالبيئة تبحث عن حلول، وصحة اﻹنسان تبحث عن حلول، والموارد التي تشكل حاجة أساسية لﻹنسان تبحث عن حلول كذلك، والطاقة والغذاء والماء جميعھا تحديات يقف العلم في وجھھا اﻵن ويحاول أن يجد الحلول لھا. فأين نحن من ھذا العلم ؟ وأين ھو منا؟ نسعى في موقع عالم اﻹلكترون www.4electron.com ﻷن نوفر بين أيدي كل من حمل على عاتقه مسيرة درب تملؤه التحديات ما نستطيع من أدوات تساعده في ھذا الدرب، من مواضيع علمية، ومراجع أجنبية بأحدث إصداراتھا، وساحات لتبادل اﻵراء واﻷفكار العلمية والمرتبطة بحياتنا الھندسية، ٍوشروح ﻷھم برمجيات الحاسب التي تتداخل مع تطبيقات الحياة اﻷكاديمية والعملية، ولكننا نتوقع في نفس الوقت أن نجد بين الطﻻب والمھندسين والباحثين من يسعى مثلنا لتحقيق النفع والفائدة للجميع، ويحلم أن يكون عضواً في ٍمجتمع يساھم بتحقيق بيئة خصبة للمواھب واﻹبداعات والتألق، فھل تحلم بذلك ؟ حاول أن تساھم بفكرة، بومضة من خواطر تفكيرك العلمي، بفائدة رأيتھا في إحدى المواضيع العلمية، بجانب مضيء لمحته خلف ثنايا مفھوم ھندسي ما. تأكد بأنك ستلتمس الفائدة في كل خطوة تخطوھا، وترى غيرك يخطوھا معك ... أخي القارئ، نرجو أن يكون ھذا الكتاب مقدمة لمشاركتك في عالمنا العلمي التعاوني، وسيكون موقعكم عالم اﻹلكترون ww.4electron.com بكل اﻹمكانيات المتوفرة لديه جاھزاً على الدوام ﻷن يحقق البيئة والواقع الذي يبحث عنه كل باحث أو طالب في علوم الھندسة، ويسعى فيه لﻹفادة كل ٍساع ، فأھﻻً وسھﻻً بكم .
    [Show full text]
  • Protoculture Addicts Is ©1987-2004 by Protoculture
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # 8 0 January / February 2004. Published bimonthly by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, ANIME VOICES Canada, H3B 3L2. Web: http://www.protoculture-mag.com Presentation ............................................................................................................................ 4 Letters ................................................................................................................................... 70 E d i t o r i a l S t a f f Claude J. Pelletier [CJP] – Publisher / Editor-in-chief [email protected] NEWS Miyako Matsuda [MM] – Editor / Translator ANIME & MANGA NEWS: Japan ................................................................................................. 5 Martin Ouellette [MO] – Editor ANIME RELEASES (VHS / R1 DVD) .............................................................................................. 6 PRODUCTS RELEASES (Live-Action, Soundtracks) ......................................................................... 7 C o n t r i b u t i n g E d i t o r s MANGA RELEASES .................................................................................................................... 8 Asaka Dawe, Keith Dawe, Kevin Lillard, James S. Taylor MANGA SELECTION .................................................................................................................. 8 P r o d u c t i o n A s s i s t a n t s ANIME & MANGA NEWS: North
    [Show full text]
  • Brice Prelims 1..16
    Newnes Guide to Digital TV Newnes Guide to Digital TV Second edition Richard Brice OXFORD AMSTERDAM BOSTON LONDON NEW YORK PARIS SAN DIEGO SAN FRANSISCO SINGAPORE SYDNEY TOKYO Newnes An imprint of Elsevier Science Linacre House, Jordan Hill, Oxford OX2 8DP 200 Wheeler Road, Burlington, MA 01803 First published 2000 Second edition 2003 Copyright # 2000, 2003, Richard Brice. All rights reserved No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0 7506 5721 9 For information on all Newnes publications, visit our website at www.newnespress.com Data manipulation by David Gregson Associates, Beccles, Suffolk Printed and bound in Great Britain by Antony Rowe Ltd., Chippenham, Wiltshire Preface to the second edition........................... xiii Preface to the first edition ................................ xv 1 Introduction ....................................................
    [Show full text]