General Index

Total Page:16

File Type:pdf, Size:1020Kb

General Index Cambridge University Press 978-1-107-03398-6 - Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus Steven D. Smith Index More information General index Achilles Tatius 5, 6, 31, 47, 49, 56, 95, 213, Atalante 10, 253, 254, 261, 262, 263, 265, 266, 265 267, 268 Aeneas 69, 92, 94, 95, 97 Atargatis 135 Aeschylus 91, 227 Athena 107, 125, 155 Aesop 6, 260 Athenaeus 47, 49, 58, 150, 207, 212, 254 aitnaios 108, 109, 181 Athenians 8, 16, 29, 30, 31, 33, 34, 35, 41, 45, 58, akolasia 41, 43, 183, 279 77, 79, 109, 176, 199, 200, 202, 205, 206, 207, Alciphron 30, 33, 41, 45, 213 210, 227, 251, 252, 253 Alexander of Mundos 129 Athens 55, 60, 79 Alexander Severus 22, 72, 160, 216, 250, 251 Augustus 18, 75, 76, 77, 86, 98, 126, 139, 156, 161, Alexander the Great 58, 79, 109, 162, 165, 168, 170, 215, 216, 234, 238 170, 171, 177, 215, 217, 221, 241, 249 Aulus Gellius 47, 59, 203, 224, 229 Alexandria 23, 47, 48, 49, 149, 160, 162, 163, 164, Aurelian 127 168, 203 Anacreon 20 baboons 151 Androkles 81, 229, 230, 231, 232, 235, 236, 237, Bakhtin, Mikhail 136 247 Barthes, Roland 6 anthias 163, 164 bears 128, 191, 220, 234, 252, 261 ants 96, 250 bees 10, 33, 34, 36, 38, 45, 109, 113, 181, 186, 217, apes 181 218, 219, 220, 221, 222, 223, 224, 225, 242, 246 apheleia 20 beetles 14, 44 Aphrodite 34, 55, 122, 123, 125, 141, 150, 180, 207, Bhabha, Homi 85 210, 255, 256, 259, 260, 263, 267 boars 2, 40, 46, 250, 263 Apion 22, 118, 130, 149, 229, 231, 232 Brisson, Luc 194, 196 Apollo 38, 122, 123, 124, 125, 131, 140, 144, 155, 157, 175, 242, 272 Callimachus 47, 48, 223, 245 Apuleius 7, 47 calves 36 Ares 125 camels 110, 181 Arion 203 Capitoline hill 1, 73, 74, 91, 98, 122, 126 Aristainetos 29 Caracalla 2, 3, 16, 31, 50, 71, 72, 126, 142, 143, Aristophanes 33, 34, 60, 176, 196, 223, 227, 251 159, 161, 162, 163, 164, 170, 172, 173, 177, 187, Aristotle 4, 15, 55, 56, 101, 115, 152, 165, 171, 195, 216, 217, 237, 239, 247, 250, 251, 276 196, 218, 221, 222, 242, 249, 253 Cassius Dio 17, 86, 143, 186, 212, 215, 216, 217, Arrian 16 231, 237, 239, 246, 251, 278 Artemis 53, 89, 122, 124, 125, 155, 262, 263 cats 181 Asklepios 125, 162 Censorinus 47 Aspasia 10, 253, 254, 255, 256, 257, 258, 259, 260, chameleons 109 262, 264, 267, 268 Chariton 31, 141, 180, 204, 253, 260 Aspasius of Ravenna 72 Chrysippus 103, 104, 106, 107, 108, 111 asps 4, 75, 122, 153, 191 Cicero 18, 20, 238 asses 2, 123, 125, 172 Claudius 143 299 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03398-6 - Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus Steven D. Smith Index More information 300 General index Clement of Alexandria 47, 49 167, 168, 170, 171, 172, 177, 181, 182, 185, 199, Cleopatra 57, 75, 76 211, 214, 272 cocks 166, 183 Emesa 126, 135, 175, 272 Commodus 3, 50, 80, 81, 126, 142, 156, 239 Ennius 19, 128 Constitutio Antoniniana 19 Epictetus 31, 87, 105, 107 Cornutus 19 Epicureanism 13, 101, 110, 186 cranes 123 Eratosthenes 48 Crassus 89, 90, 97 erosˆ 13, 14, 31, 60, 89, 179, 180, 181, 183, 185, 199, Creusa 92, 95 200, 202, 203, 204, 205, 206, 208, 209, 211, crocodiles 2, 113, 153, 155, 158, 159, 164, 191 213, 214, 229, 256, 259, 260, 267 crows 10, 36, 109, 181, 240, 242, 245, 246, 247, Ethiopia 80, 82, 129, 273 272 Etruria 110, 163, 193, 198 cuckoos 94 Etruscans 186, 187 Cynicism 13, 35, 101, 221 Euripides 53, 54, 62, 63, 64, 65, 66, 139, 206, 249, 260, 263 deer 53, 80, 122, 138, 140, 144, 168, 240 Deleuze, Gilles 6, 7, 8, 183 Favorinus 47, 49, 197 Demeter 108, 125 flies 124, 186 Demokritos 102 Fortuna 25, 28, 160 Demosthenes 20, 141 Foucault, Michel 6, 87, 209, 253, 254 Demostratos 77, 270, 271 foxes 14, 44, 250 Dido 95 frogs 93, 123, 250 dikairon 148 Dio of Prusa 20, 215, 216, 217, 221, 264 Galba 77 Diodoros of Sicily 56, 156, 196 Galen 17, 47 Diogenes Laertius 63, 64, 103, 110, 117 gazelles 80, 122 Diomedes 67, 68, 69, 70, 71, 72, 73, 75, 85, 97, geese 10, 70, 73, 74, 91, 98, 123, 199, 240, 241, 233, 244 242, 247 Dionysius of Halikarnassos 56 gender 8, 187, 191, 193, 196, 197, 198, 213, 214, Dionysus 42, 43, 57, 125, 137, 139, 141, 171, 278 253, 275 dogs 2, 36, 73, 74, 77, 109, 111, 112, 115, 116, 120, Germanicus Caesar 82, 83, 98 122, 125, 153, 155, 169, 171, 181, 195, 228, 229, Geta 2, 3, 173, 237 250 goats 36, 39, 40, 43, 46, 122, 123, 199, 201, 250 dolphins 76, 109, 110, 199, 200, 203, 204, 205, grups 165, 166 206, 207, 208, 210 Guattari, Felix´ 6, 7, 8, 183 doves 36 gulls 36 eagles 10, 70, 122, 217, 220, 238, 239, 240, 241, Hadrian 17, 48, 156, 159, 231 242, 243, 244, 245, 246, 247, 250 hares 36, 115, 122, 191, 192, 193, 194, 195, 197, 240 eels 89, 90, 97, 124 hawks 122, 124, 153, 155, 181, 272 effeminacy 21, 22, 54, 57, 59, 61, 66, 110, 167, Helen 37, 38, 54, 148, 254 186, 191, 192, 197, 198, 214, 251, 253, 269, 277, Helios 1, 110, 123, 125, 135, 144, 148, 175, 176, 178, 279 192, 209, 210, 211, 214, 224, 225, 227, 247, 272 Egypt 1, 4, 9, 17, 19, 26, 27, 57, 59, 75, 76, 77, Hephaistos 108, 181 78, 85, 118, 122, 123, 124, 125, 129, 130, 145, 147, Hera 89, 92, 93, 94, 96, 108, 122, 123, 125, 135, 148, 149, 150, 151, 152, 153, 155, 156, 157, 158, 137, 155 159, 160, 161, 162, 163, 164, 165, 168, 170, 176, Herakle¨ıs 132, 133, 134, 135, 137, 138, 145, 272 177, 192, 224, 225, 227, 229, 237, 272, 273 Herakles 55, 124, 135, 144, 147, 157, 252 ekphrasis 262, 263, 264, 265, 266, 267 Hermes 118, 125, 155 Elagabal 126, 135, 145, 175, 237, 240, 272 Hermogenes 20, 115, 132, 141 Elagabalus 3, 4, 10, 21, 22, 27, 71, 126, 142, 143, Herodes Atticus 24, 144 173, 175, 186, 198, 212, 240, 247, 250, 251, 274, Herodian 80, 81, 162, 163, 164, 170, 173, 186, 251, 275, 276, 277, 278, 279 276 elephants 2, 4, 45, 81, 82, 83, 84, 85, 86, 88, 90, Herodotus 124, 149, 155, 156, 177, 201, 244, 245, 91, 94, 95, 97, 98, 113, 117, 124, 129, 130, 165, 254 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03398-6 - Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus Steven D. Smith Index More information General index 301 Hesiod 207, 223, 245 Libya 2, 51, 82, 122 Homer 15, 37, 44, 54, 75, 147, 166, 173, 193, 207, lions 2, 10, 14, 36, 39, 44, 54, 80, 81, 122, 123, 159, 224, 234, 254, 264 165, 171, 217, 220, 224, 225, 226, 227, 228, 229, hoopoes 110, 123, 174, 176, 178, 272 230, 231, 232, 233, 234, 235, 236, 237, 240, 242, horses 40, 110, 174, 181, 199, 200, 201, 203, 204, 247, 250, 263, 272 205, 207, 210, 270 Livy 19, 92, 93 Hortensius 79, 89, 109 lizards 14, 44, 166 hunting 3, 15, 16, 27, 49, 50, 52, 54, 65, 80, 81, logos 12, 27, 100, 102, 103, 105, 108, 109, 111, 112, 98, 112, 115, 116, 120, 138, 159, 162, 163, 164, 114, 115, 118, 120, 133, 144, 169, 194, 262, 263, 172, 180, 229, 233, 236, 250, 263, 270, 271 266 hyenas 185, 191, 193, 194, 195, 196, 197 Longus 18, 20, 30, 31, 32, 56, 144, 212 Hyginus 138 Lucian 20, 30, 31, 41, 135, 137, 213, 229 Lucius Ampelius 47, 48 ibises 113, 118, 119, 125, 130, 153, 155 Lucullus 18 ichneumons 153, 155, 191, 192, 193, 194, 197 Lukaon 138 India 2, 9, 79, 80, 82, 90, 91, 97, 110, 119, 121, 123, 129, 147, 148, 151, 152, 165, 166, 167, 168, Maecenas 18, 143, 215, 216 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, Marcus Aurelius 3, 50, 72, 80, 187, 239, 247 181, 199, 272, 273 Marcus Volusius 26 Indictment of the Little Woman 3, 4, 21, 24, 127, marriage 6, 24, 34, 86, 87, 88, 89, 90, 94, 95, 96, 186, 198, 251 97, 98, 108, 123, 182, 206, 256, 260, 262, 263, intersex 196 278, 279 Isis 2, 26, 28, 122, 125, 149, 150, 152, 159, 160, martens 124 162, 164, 177 Martial 81 Isocrates 55 martikhoras 165 Medea 89, 109, 260 John of Stobi 249 Menander 15, 20, 32, 36, 39, 41, 44, 180 Josephus 172 metamorphosis 7, 8, 42, 69, 70, 96, 97, 98, 110, Juba 68, 69, 165, 233, 234, 235, 236, 247 123, 128, 129, 132, 139, 175, 176, 182, 192, 210, Julia Domna 1, 3, 4, 31, 50, 86, 126, 135, 142, 145, 254, 257, 263, 267, 272, 273 159, 162, 175, 240, 272 mice 124, 156, 181, 250 Julia Sohaemias 3 monkeys 165, 171, 177, 250 Julius Africanus 47, 49, 176 morays 108 Julius Pollux 47, 53, 54 Mucianus 84 Juno 92, 93, 96, 122 Jupiter 1, 124, 126, 138, 238 nature 5, 12, 14, 15, 35, 52, 54, 59, 65, 81, 83, 102, 103, 104, 105, 106, 107, 108, 109, 112, 115, 117, katreus 167 118, 119, 120, 147, 148, 155, 160, 165, 170, 172, kephalos 181 181, 182, 184, 185, 191, 192, 193, 197, 211, 214, kerkionˆ 168, 169 216, 218, 222, 224, 227, 241, 244, 246, 259, 262, khannˆe 181 267, 269, 271, 272, 273 kingship 6, 10, 22, 106, 109, 215, 216, 217, 221, Nerites 200, 207, 208, 209, 210, 211, 213, 222, 224, 228, 229, 233, 237, 238, 240, 241, 242, 214 245, 246, 247, 272 nˆeritˆes 123, 131, 207 Ktesias 165, 177 Nero 126, 242, 279 kunokephalos 169 Nikostratos 20 Nile 123, 147, 153, 155, 160 Laenilla 89, 97, 98, 109, 110 Lanuvium 92, 93, 94, 122 Octavian, see Augustus Latin 1, 4, 12, 17, 18, 19, 24, 49, 67, 69, 72, 73, octopus 4, 10, 181, 240, 242, 243, 244, 247, 84, 85, 91, 96, 97, 98, 151, 229, 233, 269 250 Latinus 69, 92, 93 Oedipus 109 Lavinia 92, 93, 94, 97 On Manifestations of the Divine 4, 113 Lavinium 91, 92, 93, 95 On Providence 4 leopards 44, 80, 232, 235 Oppian 49, 180, 271 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03398-6 - Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus Steven D.
Recommended publications
  • Marvelling at a Youth's Good Looks
    Marvelling at a youth’s good looks The gaze and Classical pederastic culture in ancient Greece MA thesis in Ancient History By: Nicky Schreuder (s1342460) Supervisor: Dr. K. Beerden Date: 26/07/2019 Cover: Drinking cup (kylix) with youth running, attributed to the Triptolemos Painter (c. 500 BC). Museum of Fine Arts Boston, inv. 13.81. 1 Contents Introduction ........................................................................................................................3 Historiography and inquiry .............................................................................................4 Methodology and sources ...............................................................................................7 Chapter 1. Gaze theory ...................................................................................................... 10 1.1 The psychoanalytical approach ............................................................................... 10 1.2 The feminist take .................................................................................................... 12 1.3 Criticisms and reactions.......................................................................................... 14 1.4 Relativity and application to ancient Greece ........................................................... 15 Chapter 2. Catching the eye of Sokrates. Plato, Xenophon and the pederastic gaze ............ 19 2.1 Ancient theories of sight ......................................................................................... 20 2.2 Plato
    [Show full text]
  • Myth and Reality in the Battle Between the Pygmies and the Cranes in the Greek and Roman Worlds
    ARTÍCULOS Gerión. Revista de historia Antigua ISSN: 0213-0181 http://dx.doi.org/10.5209/GERI.56960 Myth and Reality in the Battle between the Pygmies and the Cranes in the Greek and Roman Worlds Asher Ovadiah1; Sonia Mucznik2 Recibido: 19 de septiembre de 2016 / Aceptado: 23 de marzo de 2017 Abstract. Ancient writers, such as Homer, Aesop, Hecataeus of Miletus, Herodotus, Aristotle, Philostratus, Pliny the Elder, Juvenal and others have often referred to the enmity and struggle between the Pygmies and the Cranes. It seems that this folk-tale was conveyed to the Greeks through Egyptian sources. Greek and Roman visual works of art depict the Pygmies fighting against the vigorous and violent attack of the birds, which in some cases was vicious. This article sets out to examine the reasons for the literary and artistic portrayals of the Battle between the Pygmies and the Cranes (Geranomachy) in the context of the migration of the cranes in the autumn from the Caucasus (Scythian plains) to Central (Equatorial) Africa. In addition, an attempt will be made to clarify whether the literary sources and visual works of art reflect myth and/or reality. Keywords: Egypt; Ethiopia; Geranomachy; Migration; Nile; Scythia; Trojans. [en] Mito y realidad en la batalla entre los pigmeos y las grullas en el mundo griego y romano Resumen. Escritores antiguos, tales como Homero, Esopo, Hecateo de Mileto, Herodoto, Aristóteles, Filóstrato, Plinio el Viejo, Juvenal y otros se refirieron frecuentemente a la enemistad y guerra entre los pigmeos y las grullas. Es posible que este cuento popular fuese transmitido a los griegos a través de fuentes egipcias.
    [Show full text]
  • Parte Seconda Bibliotheca Collinsiana, Seu Catalogus Librorum Antonji Collins Armigeri Ordine Alphabetico Digestus
    Parte seconda Bibliotheca Collinsiana, seu Catalogus Librorum Antonji Collins Armigeri ordine alphabetico digestus Avvertenza La biblioteca non è solo il luogo della tua memoria, dove conservi quel che hai letto, ma il luogo della memoria universale, dove un giorno, nel momento fata- le, potrai trovare quello che altri hanno letto prima di te. Umberto Eco, La memoria vegetale e altri scritti di bibliografia, Milano, Rovello, 2006 Si propone qui un’edizione del catalogo manoscritto della collezione libra- ria di Anthony Collins,1 la cui prima compilazione egli completò nel 1720.2 Nei nove anni successivi tuttavia Collins ampliò enormemente la sua biblioteca, sin quasi a raddoppiarne il numero delle opere. Annotò i nuovi titoli sulle pagine pari del suo catalogo che aveva accortamente riservato a successive integrazio- ni. Dispose le nuove inserzioni in corrispondenza degli autori già schedati, attento a preservare il più possibile l’ordine alfabetico. Questo tuttavia è talora impreciso e discontinuo.3 Le inesattezze, che ricorrono più frequentemente fra i titoli di inclusione più tarda, devono imputarsi alla difficoltà crescente di annotare nel giusto ordine le ingenti e continue acquisizioni. Sono altresì rico- noscibili abrasioni e cancellature ed in alcuni casi, forse per esigenze di spazio, oppure per sostituire i titoli espunti, i lemmi della prima stesura sono frammez- zati da titoli pubblicati in date successive al 1720.4 In appendice al catalogo, due liste confuse di titoli, per la più parte anonimi, si svolgono l’una nelle pagi- ne dispari e l’altra in quelle pari del volume.5 Agli anonimi seguono sparsi altri 1 Sono molto grato a Francesca Gallori e Barbara Maria Graf per aver contribuito alla revi- sione della mia trascrizione con dedizione e generosità.
    [Show full text]
  • Poikilia in the Book 4 of Alciphron's Letters
    The Girlfriends’ Letters : Poikilia in the Book 4 of Alciphron’s Letters Michel Briand To cite this version: Michel Briand. The Girlfriends’ Letters : Poikilia in the Book 4 of Alciphron’s Letters. The Letters of Alciphron : To Be or not To be a Work ?, Jun 2016, Nice, France. hal-02522826 HAL Id: hal-02522826 https://hal.archives-ouvertes.fr/hal-02522826 Submitted on 27 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THE GIRLFRIENDS’ LETTERS: POIKILIA IN THE BOOK 4 OF ALCIPHRON’S LETTERS Michel Briand Alciphron, an ambivalent post-modern Like Lucian of Samosata and other sophistic authors, as Longus or Achilles Tatius, Alciphron typically represents an ostensibly post-classical brand of literature and culture, which in many ways resembles our post- modernity, caught in permanent tension between virtuoso, ironic, critical, and distanced meta-fictionality, on the one hand, and a conscious taste for outspoken and humorous “bad taste”, Bakhtinian carnavalesque, social and moral margins, convoluted plots and sensational plays of immersion and derision, or realism and artificiality: the way Alciphron’s collection has been judged is related to the devaluation, then revaluation, the Second Sophistic was submitted to, according to inherently aesthetical and political arguments, quite similar to those with which one often criticises or defends literary, theatrical, or cinematographic post- 1 modernity.
    [Show full text]
  • Nomos, Kosmos & Dike in Plutarch Ferreira, José Ribeiro, Coord.; Leão, Delfim F., Coord.; Jesus, Carlos A
    Nomos, Kosmos & Dike in Plutarch Ferreira, José Ribeiro, coord.; Leão, Delfim F., coord.; Jesus, Carlos A. Author(s: Martins de, coord. Published by: Imprensa da Universidade de Coimbra Persistent URL: URI:http://hdl.handle.net/10316.2/32868 DOI: DOI:http://dx.doi.org/10.14195/978-989-721-012-9 Accessed : 5-Oct-2021 14:22:56 The browsing of UC Digitalis, UC Pombalina and UC Impactum and the consultation and download of titles contained in them presumes full and unreserved acceptance of the Terms and Conditions of Use, available at https://digitalis.uc.pt/en/terms_and_conditions. As laid out in the Terms and Conditions of Use, the download of restricted-access titles requires a valid licence, and the document(s) should be accessed from the IP address of the licence-holding institution. Downloads are for personal use only. The use of downloaded titles for any another purpose, such as commercial, requires authorization from the author or publisher of the work. As all the works of UC Digitalis are protected by Copyright and Related Rights, and other applicable legislation, any copying, total or partial, of this document, where this is legally permitted, must contain or be accompanied by a notice to this effect. pombalina.uc.pt digitalis.uc.pt 16 OBRA PUBLICADA COM A COORDENAÇÃO CIENTÍFICA Nomos, Kosmos & Dike • in Plutarch in Plutarch Nomos, Kosmos & Dike & Dike Kosmos Nomos, José Ribeiro Ferreira, Delfim F. Leão & Carlos A. Martins de Jesus (eds.) & Carlos A. Martins de Jesus (eds.) Jesus de Martins A. Carlos & José Ribeiro Ferreira, Delfim F. Leão F.
    [Show full text]
  • The Spell of Achilles Tatius: Magic and Metafiction in Leucippe and Clitophon
    The Spell of Achilles Tatius: Magic and Metafiction in Leucippe and Clitophon ASHLI J.E. BAKER Bucknell University Eros is “…δεινὸς γόης καὶ φαρμακεὺς καὶ σοφιστής…” (Plato, Symposium 203d) Introduction In the beginning of Book Two of Achilles Tatius’ Leucippe and Clitophon, the clever but thus far failed lover Clitophon witnesses a remarkable – and useful – scene. He passes by just as Clio, Leucippe’s slave, is stung on the hand by a bee. He sees Leucippe soothe Clio’s pain by singing incantations (ἐπᾴδω) she says she learned from an Egyptian woman.1 When Clitophon, determined to woo Leu- cippe, finds himself alone with her on the following day, he pretends that he too has been stung by a bee. Leucippe approaches, asking where he has been stung. In reply, Clitophon says, ————— 1 παύσειν γὰρ αὐτὴν τῆς ἀλγηδόνος δύο ἐπᾴσασαν ῥήματα· διδαχθῆναι γὰρ αὐτὴν ὑπό τινος Αἰγυπτίας εἰς πληγὰς σφηκῶν καὶ μελιττῶν. Καὶ ἅμα ἐπῇδε· καὶ ἔλεγεν ἡ Κλειὼ μετὰ μικρὸν ῥᾴων γεγονέναι. (2.7 - “…she would, she said, stop her pain by chanting two spells; she had been taught by an Egyptian woman how to deal with wasp- and bee-stings. As she had chanted, Clio had said that the pain was gradually relieved.”). All Greek text of Leu- cippe and Clitophon is that of Garnaud 1991. All translations are cited, with occasional alterations, from Whitmarsh 2001. I want to give special thanks to Catherine Connors for her insightful comments throughout the drafting of this paper. Thanks too to Alex Hollmann and Stephen Trzaskoma for feedback on earlier versions of this project.
    [Show full text]
  • Author BC AD ACHILLES TATIUS 500? Acts of Paul and Thecla, of Pilate, of Thomas, of Peter and Paul, of Barnabas, Etc
    Author BC AD ACHILLES TATIUS 500? Acts of Paul and Thecla, of Pilate, of Thomas, of Peter and Paul, of Barnabas, etc. at the earliest from 2d cent. on AELIAN c. 180 AESCHINES 345 AESCHYLUS *525, †456 AESOP 1 570 AETIUS c. 500 AGATHARCHIDES 117? ALCAEUS MYTILENAEUS 610 ALCIPHRON 200? ALCMAN 610 ALEXIS 350 AMBROSE, Bp. of Milan 374 AMMIANUS MARCELLINUS †c. 400 AMMONIUS, the grammarian 390 ANACREON2 530 ANAXANDRIDES 350 ANAXIMANDER 580 ANDOCIDES 405 ANTIPHANES 380 ANTIPHON 412 ANTONINUS, M. AURELIUS †180 APOLLODORUS of Athens 140 APOLLONIUS DYSCOLUS 140 APOLLONIUS RHODIUS 200 APPIAN 150 APPULEIUS 160 AQUILA (translator of the O. T.) 2d cent. (under Hadrian.) ARATUS 270 ARCHILOCHUS 700 ARCHIMEDES, the mathematician 250 ARCHYTAS c. 400 1 But the current Fables are not his; on the History of Greek Fable, see Rutherford, Babrius, Introd. ch. ii. 2 Only a few fragments of the odes ascribed to him are genuine. ARETAEUS 80? ARISTAENETUS 450? ARISTEAS3 270 ARISTIDES, P. AELIUS 160 ARISTOPHANES *444, †380 ARISTOPHANES, the grammarian 200 ARISTOTLE *384, †322 ARRIAN (pupil and friend of Epictetus) *c. 100 ARTEMIDORUS DALDIANUS (oneirocritica) 160 ATHANASIUS †373 ATHENAEUS, the grammarian 228 ATHENAGORUS of Athens 177? AUGUSTINE, Bp. of Hippo †430 AUSONIUS, DECIMUS MAGNUS †c. 390 BABRIUS (see Rutherford, Babrius, Intr. ch. i.) (some say 50?) c. 225 BARNABAS, Epistle written c. 100? Baruch, Apocryphal Book of c. 75? Basilica, the4 c. 900 BASIL THE GREAT, Bp. of Caesarea †379 BASIL of Seleucia 450 Bel and the Dragon 2nd cent.? BION 200 CAESAR, GAIUS JULIUS †March 15, 44 CALLIMACHUS 260 Canons and Constitutions, Apostolic 3rd and 4th cent.
    [Show full text]
  • © 2012 Scott A. Trudell ALL RIGHTS RESERVED
    © 2012 Scott A. Trudell ALL RIGHTS RESERVED LITERARY SONG: POETRY, DRAMA AND ACOUSTIC PERFORMANCE IN EARLY MODERN ENGLAND by SCOTT A. TRUDELL A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Literatures in English written under the direction of Henry S. Turner and approved by ______________________________________ ______________________________________ ______________________________________ ______________________________________ New Brunswick, New Jersey May, 2012 ABSTRACT OF THE DISSERTATION Literary Song: Poetry, Drama and Acoustic Performance in Early Modern England by SCOTT A. TRUDELL Dissertation Director: Henry S. Turner This dissertation traces the development of verse with a musical dimension from Sidney and Shakespeare to Jonson and Milton, in genres ranging from prose romance and printed songbooks to outdoor pageantry and professional theater. Song was an essential part of the early modern literary canon, and it circulated ubiquitously in written format. Yet it was also highly performative, inseparable from the rhythmic, vocal and instrumental conditions of its recital. As such, song brings out the extensive interaction between writing and sound in sixteenth- and seventeenth-century literary culture. Drawing on media theory, I argue that song reveals a continual struggle to define literature, from Sidney’s emphasis on the musical properties of writing in The Defence of Poesie to Milton’s conception of the printed book as a profoundly performative medium in Areopagitica. I use song to rethink Shakespeare’s Ophelia, whom I see as a disruptive, non-scriptive versifier whose mad songs amount to an extreme type of poetry.
    [Show full text]
  • Chinese Clay Figures
    Field Museum of Natural History Publication 177 Anthropological Series Vol. XIII, No. 2 CHINESE CLAY FIGURES PART I PROLEGOMENA ON THE HISTORY OF DEFENSIVE ARMOR BY Berthold Laufer Associate Curator of Asiatic Ethnology 64 Plates and 55 Text-figures The Mrs. T. B. Blackstone Expedition Chicago 1914 CONTENTS PAGE I. History of the Rhinoceros 73 II. Defensive Armor of the Archaic Period . i?4 III. Defensive Armor of the Han Period 201 IV. History of Chain Mail and Ring Mail 237 V. The Problem of Plate Armor 258 VI. Defensive Armor of the T'ang Period 292 VII. Horse Armor and Clay Figures of Horses .... 306 CHINESE CLAY FIGURES PART I PROLEGOMENA ON THE HISTORY OF DEFENSIVE ARMOR I. HISTORY OF THE RHINOCEROS. An extensive collection of ancient clay figures gathered in the provinces of Shen-si and Ho-nan during the period from 1908 to 19 10 is the basis of the present investigation. As the character of this material gives rise to research of manifold kinds, it has been thought advisable to publish it in two separate parts. Many of the clay statu- ettes which form the nucleus of our study are characterized by the wear of defensive armor, hence this first part is devoted to an inquiry into the history of defensive armor,—a task of great interest, and one which here- tofore has not been attempted. It will be recognized that this subject sheds new light on the ancient culture of China and her relations to other culture zones of Asia. The second part of this publication will deal in detail with the history of clay figures, the practice of interring them, the religious significance underlying the various types, and the culture phase of the nation from which they have emanated.
    [Show full text]
  • CHRIST CHURCH LIBRARY NEWSLETTER Volume 4, Issue 2 Hilary 2008
    CHRIST CHURCH LIBRARY NEWSLETTER Volume 4, Issue 2 Hilary 2008 ISSN 1756-6797 (Print), ISSN 1756-6800 (Online) HEARING MORLEY’S PUZZLES Dating Wolsey’s Lectionaries The beautiful 1608 edition of Thomas Morley’s A Among the most stunningly beautiful volumes Plaine and Easie Introduction to Practicall Musicke housed at Christ Church is the Epistle Lectionary, a was a striking part of the Michaelmas term exhibit at 16th century manuscript richly illuminated in the the Christ Church Library. Indeed, “Sacred Music” Flemish style. This large folio still sparkles brightly in and “Hidden Treasures” made it well worth a hunt all the colours of the rainbow and is - literally - heavy through Morley’s treatise. The cruciform puzzle with gold. The book contains readings from the canon from Part III of the treatise is the sort of visual Epistles for a number of feast days throughout the stimulus to attract both the musician and non- year. Another Lectionary, containing the texts from musician alike; likewise the scholar and the casual the Gospels, illuminated in precisely the same observer. manner and including the same selection of feast days, is now at Magdalen College in Oxford. Morley’s treatise, first published in 1597 and then re- issued in 1608 (of which edition the Christ Church About the provenance of the Epistle Lectionary at copy is one), became a leading theoretical work in Christ Church, there is only a brief entry in the Renaissance England and for many decades Donors’ Book. This simply records that the following. In the treatise, Morley lays out his material manuscript was given by John Lante, in 1614, along as a pleasant dialogue between a Master and two with three printed medical books: “Magister Ioannes eager students.
    [Show full text]
  • Aristaenetus, Erotic Letters
    ARISTAENETUS, EROTIC LETTERS Writings from the Greco-Roman World David Konstan and Johan C. Thom, General Editors Editorial Board Erich S. Gruen Wendy Mayer Margaret M. Mitchell Teresa Morgan Ilaria L. E. Ramelli Michael J. Roberts Karin Schlapbach James C. VanderKam L. Michael White Number 32 Volume Editor Patricia A. Rosenmeyer ARISTAENETUS, EROTIC LETTERS Introduced, translated and annotated by Peter Bing and Regina Höschele Society of Biblical Literature Atlanta ARISTAENETUS, EROTIC LETTERS Copyright © 2014 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Aristaenetus, author. Erotic letters / Aristaenetus ; introduced, translated, and annotated by Peter Bing and Regina Höschele. pages cm. — (Writings from the Greco-Roman world ; volume 32) ISBN 978-1-58983-741-6 (paper binding : alk. paper) — ISBN 978-1-58983-742-3 (electronic format) — ISBN 978-1-58983-882-6 (hardcover binding : alk. paper) 1. Aristaenetus. Love epistles. I. Bing, Peter. II. Höschele, Regina. III. Aristaenetus. Love epistles. English. 2013. IV. Series: Writings from the Greco-Roman world ; v. 32. PA3874.A3E5 2013 880.8'.03538—dc23 2013024429 Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence.
    [Show full text]
  • Poetry Night on Paper
    POETRY NIGHT ON PAPER By Apheleia’s wonderful international team Preface From 29 March to 8 April 2017, the Apheleia seminar brought students and professors from different countries and backgrounds to the little village of Mação in Portugal. During ten days of presentations, workshops and field visits, members contributed ideas from their own specialised fields of knowledge towards finding solutions for the sustainable and integrated management of cultural landscapes. The experience proved fulfilling not only academically through the sharing of knowledge but also socially through the personal interactions that occurred during the event. These exchanges were not limited to the participants of the conference: through cultural activities such as Music Night and Poetry Night integrated into the seminar’s programme, the interactions extended to the local inhabitants of Mação. This e-publication containing the collection of poems read during Poetry Night is a testament to the cultural exchange that took place. It was a night where each one shared a glimpse into his or her own cultural landscape through the choice of poet or poem and the performance of reading, acting or singing it aloud in its original language. To all those who have contributed, a big thank you. We wish you an enjoyable read. Kimberly Leong & Mathilde Craker “ Words. Ever since chisel was taken to slate, it has been accepted that words can and do change the world.” - Anonymous Summary Intro Verses – Marta Arzarello (Italy) 1. Simon Wyrwol (Germany) 2. Eleonora Gargani (Italy) 3. Callum Fisher (United Kingdom) 4. Liao Zhi Xiao (China) 5. Reda Stangyté (Lithuania) 6. Jean Gibert (France) 7.
    [Show full text]