DOCSLIB.ORG

V2 Axe Capoeira Carnaval Sponsorship 2015.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
V2 Axe Capoeira Carnaval Sponsorship 2015.Indd Axe Capoeira celebrates 25 years in Canada! REGISTER NOW AT AXEVANCOUVER.COM #abc2015 WHENWednesday, July 15 - Sunday, July 19 WHOSpecial guest Mestre Barrao WHATCapoeira workshops and rodas Afro-Brazilian Carnaval Batizado & Troca De Corda WHEREBritannia Community Centre, English Bay, Robson Art Gallery & Granville Street CBRPHOTOGRAPHY.CA PHOTO CREDIT: THANKS TO OUR PARTNERS: SPONSORSHIP OPPORTUNITIES Dear marketing and sponsorship personnel, This Summer, as Axé Capoeira celebrates 25 years in Canada, Vancouver will come to life with the energy of Brazil. From July 15 - 19 we are hosting a week long event that will feature demonstrations, workshops and seminars at Britannia Community Centre, English Bay, and the Robson Art Gallery. Our wide variety of special programming provides an opportunity to engage a broad demographic of the Vancouver community throughout the week. This world class capoeira event culminates on Saturday, July 18 with an exclusive opportunity to host a Brazilian cultural exhibition on Granville Street in the heart of Downtown Vancouver. Sponsored by the City of Vancouver and the Downtown Vancouver Business Association the Afro-Brazilian Cultural Society and Axé Capoeira will host the 5th annual Afro-Brazilian Carnaval. This cultural celebration showcases music, dance, martial arts, public workshops, skills exhibition, and authentic Brazilian food & drink. With everything from samba workshops, to a children’s show, an acrobatic martial arts demonstration, to a grand Brazilian dance fi nale everyone from young families, to business people, to residents of the area, will fi nd something unique to capture their attention at this event! We are inviting media and event sponsors to help us make this fantastic cultural celebration happen. Enclosed, please fi nd sponsorship and background information about Axé Capoeira. Please do not hesitate to contact us to discuss this exciting partnership opportunity.Yours truly, Yours truly, Marcus Aurelio President, Axé Capoeira CONTACT US Julie Ali Manager Axé Capoeira 604.761.4635 [email protected] WHY SPONSOR? Reasons to get involved 1. Reach a broad audience. Granville Street, with estimated foot traffi c of 50,000 pedestrians on weekends, is the place to promote your brand. The Afro-Brazilian Carnaval brings the colours, music, and movements of Brazil to Vancouver, attracting a wide variety of spectators and participants. We all remember the energy of Granville Street during the Olympics. This is your opportunity to help that energy continue and promote your brand through an energetic, family-friendly event in the heart of our city. 2. Support your community and the revitalization of East Vancouver. Axé Capoeira’s Vancouver academy is proud to be in the heart of Vancouver’s Eastside, adding Brazilian culture and our unique energy to the vibrant artistic community in this neighbourhood. Capoeira is a challenging and imaginative art form that has had a positive impact on youth across the globe. Your support of the Afro- Brazilian Carnaval will help us continue to give back to our community here in Vancouver. 3. Connect to a growing number of young capoeira enthusiasts. From humble beginnings, the art of capoeira has captured the interest of both artistic and sporting communities. Axé Capoeira has been featured on several hit television series including So You Think You Can Dance Canada, America’s Next Top Model, and The Ultimate Fighter. Axé Capoeira is regularly seen on social media channels — a spectacular 20-second MMA knockout on YouTube has received over 20 million views. With its increasing popularity among young adults, capoeira provides an ideal avenue for any brand. 4. Exciting media opportunity: Vibrant colours, cultural traditions, and athleticism. Media sponsors will have the opportunity to capture the excitement of Brazil’s Carnaval and the rich history of capoeira in the heart of downtown Vancouver. Videographers and photographers will be able to showcase their artistic abilities by shooting spectacular fl ips, kicks and acrobatics and the vibrant colours of samba and the traditional Afro-Brazilian dances of Northeast Brazil. CONTACT US Julie Ali Manager Axé Capoeira 604.761.4635 [email protected] SPONSORSHIP LEVELS AND BENEFITS We invite you to invest in your local community by sponsoring this event as either the title sponsor of a specialized sponsor. Title Sponsor Estimated value: $5,000+ I Banner displayed at Granville Street venue (title sponsor only). Pedestrian traffi c of approximately 50,000 people. Estimated value: $2,000 I Opportunity for on-site participation (10' x 10' space). Estimated value: $850 I Sponsor logo displayed on Axé Capoeira website. Estimated value: $500 I Sponsor logo promoted on all Axé Capoeira social media sites, including Twitter and Facebook. Estimated value: $250 I Banner displayed at Hastings Street academy and store during week of the event. Foot traffi c of 75–150 people per day. Estimated value: $150 I On-site demonstration by Axé Capoeira at sponsor’s place of business. Estimated value: $750 Event Sponsor Estimated value: $1,000–$3,000 I Opportunity for on-site participation (10' x 10' space). Estimated value: $850 I Sponsor logo displayed on Axé Capoeira website. Estimated value: $500 I Sponsor logo promoted on all Axé Capoeira social media sites, including Twitter and Facebook. Estimated value: $250 I Banner displayed at Hastings Street academy and store during week of the event. Foot traffi c of 75–150 people per day. Estimated value: $150 I On-site demonstration by Axé Capoeira at sponsor’s place of business. Estimated value: $750 Media Sponsors The Afro-Brazilian Carnaval offers unique content for all media outlets. Media sponsors will have unfettered access to all event venues and guaranteed location and visibility in all street performances. Media sponsors will also have the opportunity to interview local and international capoeira leaders, and arrangements can be made for on-site or in-studio performances with Axé Capoeira’s best international performers. In addition, media sponsor logos will be promoted on our website and social media channels. Media sponsors are free to use all photos and video footage, providing digital copies of all photos and edited video are provided to Axé Capoeira. We are presently looking for support in the following areas: CONTACT US I Financial or in kind contributions I Audio, video, and photography services Julie Ali I Equipment rentals Manager Axé Capoeira I Printing and graphics 604.761.4635 I Food and beverage services [email protected] I Accommodations for international performers WHO WE ARE Background and Objective Axé Capoeira originated in Recife, Brazil in 1982 and opened the fi rst-ever capoeira academy in Canada in 1996. Based in Vancouver, BC, the organization today continues to rise as one of the world’s leading schools of capoeira. With its internationally high standards of teaching and training students, Axé Capoeira has seen steady enrolment increase over the years, to a current total of approximately 10,000 students in over 30 countries around the world. Students and instructors from Axé Capoeira travel internationally to participate in capoeira workshops, competitions, and performances. The group is known for promoting the history, music, art and culture of Brazil through interactive and educational capoeira demonstrations featured in public or for other organizations. Although Axé Capoeira celebrates the Afro-Brazilian culture, it represents much more than that. In the last 25 years the group has performed at various events helping to bring the city of Vancouver together. It is an inclusive group dedicated to preserving the roots and traditions of capoeira, as well as celebrating the diversity of Vancouver. Axé Capoeira is committed to the community, and since 1990 has been a traveling group in Canada. By touring schools across BC, including those in remote areas, members have shown a deep commitment to share their knowledge. Ensuring that a percentage of yearly performances are donated to the community, Axé Capoeira also collects clothes, musical instruments and donations from members and students to give to children both at home and abroad in Brazil. In addition to encouraging and teaching the art of capoeira across the globe, Axé Capoeira has released eight internationally acclaimed music CDs, annual performance DVDs, and a four-volume instructional DVD set. Axé Capoeira works to ensure a strong future for capoeira. Through research, travel, hosting events, and networking with other capoeira organizations in Brazil and internationally, Axé Capoeira aims to increase the group’s own knowledge of capoeira while contributing to the art’s evolution in the world. Philosophy The philosophy of Axé Capoeira is based on respect for capoeira Mestres, those who devoted their lives to building up the art before us; on the preservation of the historical roots and traditions of capoeira; and on practicing capoeira in all its aspects: martial, aesthetic, and cultural. Instructors teach students in a way that will encourage positive, healthy growth in capoeira, delivering both physical and mental training so the student will become a well-rounded capoeirista and individual. CONTACT US The goal of capoeira is for the two players to create and maintain a physical and psychological dialogue, Julie Ali in which students learn how to create and respond to situations, within the game of capoeira and in life Manager situations outside of capoeira. By engaging with both friends and opponents students develop fl exibility Axé Capoeira of thinking, an openness to-others, and an appreciation for differences and multiculturalism. 604.761.4635 [email protected].
Load more

Recommended publications
  • The Effectiveness of Kickboxing Techniques and Its Relation to Fights Won by Knockout
    ORIGINAL ARTICLE The effectiveness of kickboxing techniques and its relation to fights won by knockout Authors’ Contribution: Tadeusz Ambroży1ABCD, Łukasz Rydzik1ABCD, Andrzej Kędra1BCD, A Study Design 1BD 2DE 2DE 2BCD B Data Collection Dorota Ambroży , Marta Niewczas , Ewa Sobiło , Wojciech Czarny C Statistical Analysis D Manuscript Preparation 1 Faculty of Physical Education and Sport, Institute of Sport, University of Physical Education in Krakow, Krakow, Poland E Funds Collection 2 College of Medical Sciences, Institute of Physical Culture Studies, University of Rzeszow, Rzeszow, Poland Received: 29 December 2019; Accepted: 21 January 2020; Published online: 17 February 2020 AoBID: 13154 Abstract Background and Study Aim: Ratio of fights won is important to kickboxers on professional and amateur levels. Knockout is the most eco- nomical way of winning the fight. The objective of the paper is the effectiveness of kickboxing techniques and their impact on winning the fight by knockout. Material and Methods: There were 156 participants in the study (61 amateurs and 95 professionals). Their total number of fights won by knockout was 188 and the amateur competitions they participated in complied with the K-1 ruleset. Fighters were 19 to 32 years old and their training experience was on the average 7.36 yrs. ±3.24 yrs. The shortest training lasted 3 yrs. and the longest one 18 yrs. The study was conducted using the analysis of vid- eos of professional fights as well as diagnostic survey conducted in a group of amateur fighters. The survey in- cluded questions about training experience and techniques used in a fight won by knockout.
    [Show full text]
  • CHAPTER 165-X-8 Professional Bare
    165-X-8-.01. Definitions., AL ADC 165-X-8-.01 Alabama Administrative Code Alabama Athletic Commission Chapter 165-X-8. Professional Bare-Knuckle Boxing Ala. Admin. Code r. 165-X-8-.01 165-X-8-.01. Definitions. Currentness (1) “Applicant” means any persons, corporations, organizations or associations required to be licensed before promoting, holding, organizing, participating in, or competing in a professional boxing match, contest, or exhibition. (2) “Body jewelry” means any tangible object affixed to, through, or around any portion of the contestant's body. (3) “Official” unless otherwise indicated is an exclusive term collectively meaning “judge,” “referee,” “timekeeper,” and “inspectors” (4) “Sanctioning Organization” means a national or international organization generally recognized in the bare-knuckle boxing community and which: ranks bare-knuckle boxers within each weight class; sanctions and approves championship matches in those weight classes; and awards championship status and championship prizes (belts, rings, plaques, etc.) to the winner of those matches. (5) “Special Event” means a bare-knuckle boxing card or bare-knuckle boxing show, which has among its contests a championship match, a pay-per-view or subscription television match, a national televised match, or any other match of significance to boxing in this state as designated by the commission. (6) “The Commission” is reference for the Alabama Athletic Commission. Authors: Dr. John Marshall, Joel R. Blankenship, Larry Bright, Stan Frierson, Shane Sears Credits Statutory Authority: Code of Ala. 1975, § 41-9-1024. History: New Rule: Filed July 16, 2010; effective August 20, 2010. Repealed: Filed December 27, 2013; effective January 31, 2014. New Rule: Published February 28, 2020; effective April 13, 2020.
    [Show full text]
  • Intracultural and Intercultural Dynamics of Capoeira Training in Brazil Paul H
    ge Intracultural and Intercultural Dynamics of Capoeira Training in Brazil Paul H. Mason Journal ǁ Global Ethnographic Publication Date ǁ 1.2013 ǁ No.1 ǁ Publisher ǁ Emic Press Global Ethnographic is an open access journal. Place of Publication ǁ Kyoto, Japan ISSN 2186-0750 © Copyright Global Ethnographic 2013 Global Ethnographic and Emic Press are initiatives of the Organization for Intra-Cultural Development (OICD). Global Ethnographic 2012 photograph by Puneet Singh (2009) 2 Paul H. Mason ge Capoeira Angola performance outside the Santo Antônio Além do Carmo, also known as the Forte da Capoeira, in Salvador da Bahia, Brazil. 3 Intracultural and Intercultural Dynamics of Capoeira Training in Brazil Paul H. Mason ABSTRACT In the port-cities of Brazil during the nineteenth and twentieth centuries, a distinct form of combat- dancing emerged from the interaction of African, European and indigenous peoples. The acrobatic movements and characteristic music of this art have come to be called Capoeira. Today, the art of Capoeira has grown in popularity and groups of practitioners can be found scattered across the globe. Exploring how Capoeira practitioners invent markers of difference between separate groups, the first section of this article discusses musical markers of identity that reinforce in-group and out- group dynamics. At a separate but interconnected level of analysis, the second section investigates the global origins of Capoeira movement and disambiguates the commonly recounted origin myths promoted by teachers and scholars of this art. Practitioners frequently relate stories promoting the African origins of Capoeira. However, these stories obfuscate the global origins of Capoeira music and movement and conceal the various contributions to this vibrant and eclectic form of cultural ex- pression.
    [Show full text]
  • Dancing Through Difficulties: Capoeira As a Fight Against Oppression by Sara Da Conceição
    Dancing Through Difficulties: Capoeira as a Fight Against Oppression by Sara da Conceição Capoeira is difficult to define. It is an African form of physical, spiritual, and cultural expression. It is an Afro-Brazilian martial art. It is a dance, a fight, a game, an art form, a mentality, an identity, a sport, an African ritual, a worldview, a weapon, and a way of life, among other things. Sometimes it is all of these things at once, sometimes it isn’t. It can be just a few of them or something different altogether. Capoeira is considered a “game” not a “fight” or a “match,” and the participants “play” rather than “fight” against each other. There are no winners or losers. It is dynamic and fluid: there is no true beginning or end to the game of capoeira. In perhaps the most widely recognized and referenced book dealing with capoeira, Ring of Liberation: Deceptive Discourse in Brazilian Capoeira, J. Lowell Lewis attempts to orient the reader with a fact-based, straightforward description of this blurred cultural genre: A game or sport played throughout Brazil (and elsewhere in the world) today, which was originally part of the Afro-Brazilian folk tradition. It is a martial art, involving a complete system of self-defense, but it also has a dance-like, acrobatic movement style which, combined with the presence of music and song, makes the games into a kind of performance that attracts many kinds of spectators, both tourists and locals. (xxiii) An outsider experiencing capoeira for the first time would undoubtedly assert that the “game” is a spectacular, impressive, and peculiar sight, due to its graceful and spontaneous integration of fighting techniques with dance, music, and unorthodox acrobatic movements.
    [Show full text]
  • Download Power Training: for Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Po
    Download: Power Training: For Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Power, Kicking Power, Grappling Power, and Ground Fighting Power PDF Free [036.Book] Download Power Training: For Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Power, Kicking Power, Grappling Power, and Ground Fighting Power PDF By J. Barnes Power Training: For Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Power, Kicking Power, Grappling Power, and Ground Fighting Power you can download free book and read Power Training: For Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Power, Kicking Power, Grappling Power, and Ground Fighting Power for free here. Do you want to search free download Power Training: For Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Power, Kicking Power, Grappling Power, and Ground Fighting Power or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Power Training: For Combat, MMA, Boxing, Wrestling, Martial Arts, and Self-Defense: How to Develop Knockout Punching Power, Kicking Power, Grappling Power, and Ground Fighting Power | #295499 in eBooks | 2014-07-31 | 2014-07-31 | File type: PDF | |8 of 8 people found the following review helpful.| Excellent Resource | By Let's Read Charles |I would first say that Power Training for Combat is an excellent resource for both beginners and more advanced fighters.
    [Show full text]
  • Mixed Martial Arts Rules for Amateur Competition Table of Contents 1
    MIXED MARTIAL ARTS RULES FOR AMATEUR COMPETITION TABLE OF CONTENTS 1. SCOPE Page 2 2. VISION Page 2 3. WHAT IS THE IMMAF Page 2 4. What is the UMMAF Page 3 5. AUTHORITY Page 3 6. DEFINITIONS Page 3 7. AMATEUR STATUS Page 5 8. PROMOTERS & REQUIREMENTS Page 5 9. PROMOTERS INSURANCE Page 7 10. PHYSICIANS AND EMT’S Page 7 11. WEIGN-INS & WEIGHT DIVISIONS Page 8 12. COMPETITORS APPEARANCE& REQUIREMENTS Page 9 13. COMPETITOR’s MEDICAL TESTING Page 10 14. MATCHMAKING APPROVAL Page 11 15. BOUTS, CONTESTS & ROUNDS Page 11 16. SUSPENSIONS AND REST PERIODS Page 12 17. ADMINISTRATION & USE OF DRUGS Page 13 18. JURISDICTION,ROUNDS, STOPPING THE CONTEST Page 13 19. COMPETITOR’s REGISTRATION & EQUIPMENT Page 14 20. COMPETITON AREA Page 16 21. FOULS Page 17 22. FORBIDDEN TECHNIQUES Page 18 23. OFFICIALS Page 18 24. REFEREES Page 19 25. FOUL PROCEDURES Page 21 26. WARNINGS Page 21 27. STOPPING THE CONTEST Page 22 28. JUDGING TYPES OF CONTEST RESULTS Page 22 29. SCORING TECHNIQUES Page 23 30. CHANGE OF DECISION Page 24 31. ANNOUNCING THE RESULTS Page 24 32. PROTESTS Page 25 33. ADDENDUMS Page 26 PROTOCOL FOR COMPETITOR CORNERS ROLE OF THE INSPECTORS MEDICAL HISTORY ANNUAL PHYSICAL OPTHTHALMOLOGIC EXAM PROTOCOL FOR RINGSIDE EMERGENCY PERSONNEL PRE & POST –BOUT MEDICAL EXAM 1 SCOPE: Amateur Mixed Martial Arts [MMA] competition shall provide participants new to the sport of MMA the needed experience required in order to progress through to a possible career within the sport. The sole purpose of Amateur MMA is to provide the safest possible environment for amateur competitors to train and gain the required experience and knowledge under directed pathways allowing them to compete under the confines of the rules set out within this document.
    [Show full text]
  • The Africanisms of Capoeira Angola Juan Esteban Sosa SIT Study Abroad
    SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2006 Visiting the Past, Reclaiming the Present: The Africanisms of Capoeira Angola Juan Esteban Sosa SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Dance Commons, and the Performance Studies Commons Recommended Citation Sosa, Juan Esteban, "Visiting the Past, Reclaiming the Present: The Africanisms of Capoeira Angola" (2006). Independent Study Project (ISP) Collection. 272. https://digitalcollections.sit.edu/isp_collection/272 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. Visiting the Past, Reclaiming the Present: The Africanisms of Capoeira Angola Juan Esteban Sosa Advisor: Eduardo David de Oliveira Graduado em filosofia Especialista em culturas Africanas e Relações Interetnicas na Educação Brasileira Mestre em Antropologia Social Doutorado em Educação Ativista dos Movimentos Sociais Populares Membro do Movimento Negro School for International Training- CSA Brazil – Northeast Fall 2006 1 Iê! Viva meu mestre, Viva meu mestre, camará! Iê! Que me ensinou Que me ensinou, camará! 2 This research is dedicated to Mestre Boca do Rio and to Grupo de Capoeira Angola Zimba for allowing
    [Show full text]
  • MARTIAL ARTS Capoeira Aikido Shorinji Kempo Tai
    ADULT MARTIAL ARTS Capoeira NEW Shorinji Kempo Tai Chi - 24 Form DAY Edson Gomes Shorinji Kempo Society (Suitable for Beginners) Capoeira is a Brazilian martial art that is unique A sophisticated martial art that not only develops Kelly Maclean because of the music, and dance-like movements. individual’s confidence and courage, but also Tai Chi is a martial art which uses the soft to Everyone is welcome in the class as all students nurtures a spirit of compassion and a sense of defeat the hard. It is a study of natural movement have something to contribute, no matter their age justice. The motto of Shorinji Kempo is “Half for and structural alignment to optimize the flow of or physical ability. Drop in $10. No class April 21 one’s own happiness, and half for the happiness energy (Qi) in the body. Balancing Yin and Yang and May 19. Instructors: Lesley Maranhao and of others. Please note: Pro-rated fees do not energies, it has been shown to confer both mental Edson Gomes. Cedar Hall Performing Arts Room. apply to this program. Drop in $8.00. Elm and physical health benefits. In training, we slow Mon Apr 7 8:10pm-9:40pm Room. down our movement in order to examine more 41654.201TL FREE/1 session Mon Fri 7:30pm-9:30pm closely our alignment and posture, to heighten Mon Apr 14-Jun 30 8:10pm-9:40pm Sat 2:30pm-4:30pm Apr 4-Apr 28 our awareness, and to cultivate our intrinsic, 41654.202TL $100/10 sessions 43409.201TL $50/12 sessions power and improve our balance.
    [Show full text]
  • Kim Chi, K-Pop, and Taekwondo: the Nationalization of South Korean Martial Arts
    © Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 18, no. 2 (2018), pp. 1–14 DOI: 10.14589/ido.18.2.1 HISTORY & ANTHROPOLOGY John Forrest1(AE), Badger Forrest-Blincoe2(ABDEF) 1 Professor Emeritus of Anthropology, Purchase College, State University of New York (USA), 2 Yonsei University, Seoul (South Korea) Contact: No 213J Street 19z, Chey Chomneas, Daun Penh Phnom Penh 12206, Cambodia, (+855) 8987 3956, e-mail: [email protected] Kim Chi, K-Pop, and Taekwondo: The Nationalization of South Korean Martial Arts Submission: 11.12.2017; acceptance: 7.01.2018 Key words: Korea, taekwondo, tang soo do, taekkyon, nationalism Abstract Background. Forrest-Blincoe is a 4th dan black belt master in Tang Soo Do which he has studied in the United States and Korea. He has also studied Taekkyon in South Korea.1 During this time, he has been interested in the official histories of these martial arts in contrast with documented histories (which often differ significantly). Both Forrest and Forrest-Blincoe are trained anthropologists. Forrest specializes in symbols and national identity, and has published extensively on the anthropology of movement and dance. Problem and Aim. The martial arts Taekwondo, Tang Soo Do, and Taekkyon have competed within Korea for some time to rep- resent Korean culture, and Korea has used martial arts as an export as one component in its drive to gain legitimacy as a world power competitive with its more powerful neighbors of China and Japan. This paper examines the process of using martial arts as symbols of Korean national identity.
    [Show full text]
  • One Definitions and General Rules Two Three Requirements for Bout Approval Four Requirements for Registration Five Six Seven
    Notice of Intent to Adopt Rules A copy of the proposed rules may be obtained at http://rules.wyo.gov Revised November 2016 1. General Information a. Agency/Board Name* b. Agency/Board Address c. City d. Zip Code e. Name of Agency Liaison f. Agency Liaison Telephone Number g. Agency Liaison Email Address h. Date of Public Notice i. Comment Period End Date j. Public Comment URL or Email Address: k. Program * By checking this box, the agency is indicating it is exempt from certain sections of the Administrative Procedure Act including public comment period requirements. Please contact the agency for details regarding these rules. 2. Legislative Enactment For purposes of this Section 2, “new” only applies to regular rules promulgated in response to a Wyoming legislative enactment not previously addressed in whole or in part by prior rulemaking and does not include rules adopted in response to a federal mandate. a. Are these rules new as per the above description and the definition of “new” in Chapter 1 of the Rules on Rules? No. Yes. Please provide the Enrolled Act Numbers and Years Enacted: 3. Rule Type and Information a. Provide the Chapter Number, Title, and Proposed Action for Each Chapter. Please use the Additional Rule Information form for more than 10 chapters, and attach it to this certification. Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed Chapter Number: Chapter Name: New Amended Repealed 1 4.
    [Show full text]
  • Muslims in Global Societies Series Volume 2 Series Editors
    Muslims in Global Societies Series Volume 2 Series Editors Gabriele Marranci University of Aberdeen, Scotland, UK Bryan S. Turner National University of Singapore, Singapore For further volumes: http://www.springer.com/series/7863 D.S. Farrer Shadows of the Prophet Martial Arts and Sufi Mysticism 1 23 ISBN: 978-1-4020-9355-5 e-ISBN: 978-1-4020-9356-2 DOI 10.1007/978-1-4020-9356-2 Library of Congress Control Number: 2008938182 © Springer Science+Business Media B.V. 2009 No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Printed on acid-free paper 9 8 7 6 5 4 3 2 1 springer.com But as there is no language for the Infinite, How can we express its mysteries In finite words? Or how can the visions of the ecstatic Be described in earthly formula? So mystics veil their meanings in these shadows of the unseen Mahmud Sa‘adu’l-Din Shabistari (quoted in al-Attas 1963: 25) Preface Contemporary accounts of Malay culture that focus on shamanism, dance, medicine and performance reveal only a partial view of Malay mysticism. However, given knowledge of the Malay martial art (silat) a more comprehensive understanding of Malay mysticism, religion, sorcery and magic becomes possible. Recognizing the silat master’s (guru silat) role in Malay mysticism reconfi gures the social anthro- pology of Malay religion, sorcery and magic.
    [Show full text]
  • Traumatic Brain Injury in Boxing and Mixed Martial Arts Dr
    TRAUMATIC BRAIN INJURY IN BOXING AND MIXED MARTIAL ARTS DR. DOMENIC F COLETTA,JR. CHIEF RINGSIDE PHYSICIAN NEW JERSEY STATE ATHLETIC CONTROL BOARD ACUTE TRAUMATIC BRAIN INJURY (ATBI) • DIFFUSE BRAIN INJURY - Diffuse axonal injury (KO) - Cerebral concussion - Second Impact Syndrome • FOCAL BRAIN INJURY - Subdural and epidural hemorrhage - Cerebral contusion - Other cerebral hemorrhages (rare) COMMON SIGNS AND SYMPTOMS OF ATBI • Cognitive features - Decreased speed of information processing - Confusion/ Disorientation - Amnesia/ Memory impairment - Impaired concentration - Loss of consciousness • Behavioral features - Irritability/ Anxiety - Sleep disturbance - Fatigue/ Apathy/ Psychomotor retardation - Easily distracted • Physical features - Headache/ Dizziness - Nausea - Impaired coordination/ ataxic gait - Visual disturbances - Vacant stare - Seizure PATHOPHYSIOLOGY OF BRAIN INJURY IN BOXING Three types of stresses to the brain. 1. Compressive 2. Stretching (tensile) 3. Shearing – the most dangerous HEAD BLOWS • Rotational (angular) acceleration – blows to the side of the head or to the chin that produce the greatest shearing forces causing direct neuronal and vascular damage, either focal or diffuse. • Translational (linear) acceleration – jabs to the face that are less dangerous but still can account for coup – contrecoup injury to the brain. • Impact deceleration – occurs when head strikes the mat after a KO and may cause an additional traumatic brain injury. CONCUSSION • A complex pathophysiologic process that affects the brain and is induced by traumatic biomechanical forces. • Typically it is a rapid onset of short-lived impairment of neurological function that resolves spontaneously (although a small percentage will have prolonged post- concussion symptoms. • It is difficult to diagnose during a boxing match because most concussions are not associated with LOC and, a fighter who gets KO’d may or may not be concussed.
    [Show full text]