CATALOGUE 2020 CATALOGUE 2020 “Nothing but a Sensation!” (SWR2)
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Alles Hausgemacht« – Unter Diesem Motto Stehen Die Geschichten Rund Um Den Gasteig in Unserer April- Ausgabe
04/20 Neu Programm & Magazin Alles hausgemacht APR Heimspiel: IsarFLUX: Bläserpower: Percussionistin Festival der U.M.P.A. Jazzorchestra Vivi Vassileva Gasteig-Azubis bei Jazz & Talk Liebe Besucherin, lieber Besucher, »Alles hausgemacht« – unter diesem Motto stehen die Geschichten rund um den Gasteig in unserer April- Ausgabe. Was entsteht im Gasteig? Welche Menschen verbringen hier ihre Zeit und womit? Was lernen unsere Auszubildenden, was passiert hinter den Kulissen? Die Percussionistin Vivi Vassileva treffen wir in einer Probenpause im Restaurant »gast«. Die Absolventin der Hochschule für Musik und Theater München kennt den Gasteig seit ihrer Zeit als Jungstudentin. Inzwischen Bevor Sie dieses Heft lesen studiert sie in Salzburg bei Martin Grubinger und ist als gefeierte Solistin weltweit unterwegs. Was für eine Powerfrau! Die Hochschule für Musik und Theater München ist auch die künstlerische Heimat des U.M.P.A. Jazzorchestra – die jungen Musikerinnen und Musiker Liebe Gasteig-Besucherinnen und -Besucher, können Sie am 20. April im Rahmen von Jazz & Talk im Carl-Orff-Saal live erleben. leider sind wir bei der Produktion dieser Ausgabe von der Wirklichkeit Hausgemachtes aus dem Gasteig gibt es auch am eingeholt worden: Bei Andruck lagen die behördlichen Verfügungen Ostersonntag: Das IsarFLUX-Festival wird von unse- zur Absage von Veranstaltungen noch nicht vor. Deshalb enthält das ren Auszubildenden traditionell selbst geplant und durchgeführt. Unsere Redaktionsvolontärin Clara hat Heft alle ursprünglich geplanten Veranstaltungen. Wir konnten nur den Azubis dabei über die Schultern geschaut. Dass das noch diese Seite ändern. Sie werden also in diesem Heft Veranstaltun- Festival von Jahr zu Jahr beliebter wird, freut mich ganz gen finden, die nicht stattfinden können. -
MUSICWEB INTERNATIONAL Recordings of the Year 2018 This
MUSICWEB INTERNATIONAL Recordings Of The Year 2018 This is the fifteenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2017-November 2018). The 130 selections have come from 25 members of the team and 70 different labels, the choices reflecting as usual, the great diversity of music and sources - I say that every year, but still the spread of choices surprises and pleases me. Of the selections, 8 have received two nominations: Mahler and Strauss with Sergiu Celibidache on the Munich Phil choral music by Pavel Chesnokov on Reference Recordings Shostakovich symphonies with Andris Nelsons on DG The Gluepot Connection from the Londinium Choir on Somm The John Adams Edition on the Berlin Phil’s own label Historic recordings of Carlo Zecchi on APR Pärt symphonies on ECM works for two pianos by Stravinsky on Hyperion Chandos was this year’s leading label with 11 nominations, significantly more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2400 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year the choice was a little easier than usual. Pavel CHESNOKOV Teach Me Thy Statutes - PaTRAM Institute Male Choir/Vladimir Gorbik rec. 2016 REFERENCE RECORDINGS FR-727 SACD The most significant anniversary of 2018 was that of the centenary of the death of Claude Debussy, and while there were fine recordings of his music, none stood as deserving of this accolade as much as the choral works of Pavel Chesnokov. -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
The Festival D'aix
FESTIVAL D’AIX-EN-PROVENCE 2017 69th edition 3 – 22 JULY 2017 PRESS RELEASE www.festival-aix.com PRESS OFFICE Valérie Weill | [email protected] +33 (0)1 44 88 59 66 | +33 (0)6 85 22 74 66 Christine Delterme | [email protected] CONTENTS THE INSTITUTION PAGES 4 - 5 CALENDAR PAGES 6 - 8 OPERA PAGES 9 - 15 CONCERTS PAGES 16-17 AIX EN JUIN PAGES 18 - 21 ACADEMIE DU FESTIVAL PAGES 22-30 PASSERELLES PAGES 31-34 TALKS AND EVENTS PAGE 35 TOURS IN 2017 PAGE 36 ESTIMATED BUDGET 2017 PAGE 37 SUSTAINABLE DEVELOPMENT PAGES 38-39 SPONSORS AND PARTNERSHIPS PAGES 40-47 PRICES PAGE 48 PRACTICAL INFORMATION PAGE 49 3 FESTIVAL D’AIX-EN-PROVENCE 2017 THE FESTIVAL D’AIX KEY FIGURES 2016 | by 31 December 2016 | | ATTENDANCE | | PASSERELLES | 75,526 SPECTATORS 3,200 STUDENTS FROM 133 CLASSES of 87 educational institutions (schools, secondary 40% OF TICKETS SOLD FOR LESS THAN 55 ¤ schools, highschools, music schools, universities, 534 YOUNG PEOPLE ENJOYED THE conservatoires) « CHILDREN DISCOVERY » RATE including 1,170 students from Aix-Marseille 39,972 TICKETS FOR OPERAS AND CONCERTS Université (370 through the Opera ON programme) ( not including the Académie ) 2,250 YOUNG ADULTS AND ADULTS 35,554 SPECTATORS FOR AIX EN JUIN, THE BENEFITED FROM THE RAISING AWARENESS ACADEMIE, THEIR PUBLIC REHEARSAL AND OF OPERA PROGRAMME THEIR LIVE BROADCASTING as well as 110 associations and social partners 220 AMATEUR ARTISTS | AIX EN JUIN | 1 450 SPECTATORS 17 004 SPECTATORS or the opening performance Ouverture[s] including 12,736 for free performances 3 000 -
[email protected] BERNARD LABADIE to RETU
FOR IMMEDIATE RELEASE October 26, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] BERNARD LABADIE TO RETURN TO NEW YORK PHILHARMONIC TO CONDUCT ALL-MOZART PROGRAM Flute Concerto No. 2 with Principal Flute ROBERT LANGEVIN Exsultate, jubilate with Soprano YING FANG in Her Philharmonic Debut Symphony No. 31, Paris Symphony No. 39 December 1–3, 2016 Bernard Labadie will return to the New York Philharmonic to conduct an all-Mozart program: the Flute Concerto No. 2, with Principal Flute Robert Langevin as soloist; Exsultate, jubilate with soprano Ying Fang in her Philharmonic debut; Symphony No. 31, Paris; and Symphony No. 39. The program takes place Thursday, December 1, 2016, at 7:30 p.m.; Friday, December 2 at 8:00 p.m.; and Saturday, December 3 at 8:00 p.m. The concerts open with three youthful works written when Mozart was 17, 21, and 22 years old, and close with the darker Symphony No. 39, written three years before his death. A leading specialist in the Baroque and Classical repertoire, Bernard Labadie led Mozart’s Requiem in his most recent appearance with the Philharmonic, in November 2013. The New York Times described this performance as “glowing … one of the most cohesive I have heard.” These concerts will mark Principal Flute Robert Langevin’s first of Mozart’s Flute Concerto No. 2 with the Philharmonic. Soprano Ying Fang has been acclaimed for her performances of Mozart, including her Metropolitan Opera debut in The Marriage of Figaro in September 2014, and Don Giovanni with The Juilliard School in April 2012. -
Brochure De La Saison 2021-2022
Les Talens Lyriques Les Talens Lyriques ont 30 ans ! ui, nous célébrerons cet anniversaire coûte que coûte. O Quelle longévité ! Je ne l’aurais moi-même jamais espé- rée. Comment m’imaginer diriger tant d’opéras, italiens et français, comment imaginer Les Talens à l’opéra de Sydney, de Versailles ou de Drottningholm, comment aurais-je pu me voir diriger du Berlioz, du Verdi, du Gounod ? Ma grande satisfaction est d’avoir tenu ma ligne entre la France et l’Italie, d’avoir pu éviter l’effet pour l’effet, d’avoir pris des risques avec les trompettistes mais aussi les cornistes et autres aventuriers du baroque pour retrouver les techniques et les sonorités « justes ». Je ne rougis d’aucune eau dans le vin que je respecte trop pour l’édulcorer. Cette saison marquera aussi nos 15 ans d’actions pédagogiques dans les écoles et les collèges. Aujourd’hui, les partenariats se transforment et se multiplient, de nou- veaux projets se développent dans ce souci de transmis- sion qui m’est si cher. Bien sûr, tous ces accomplissements ne seraient pos- sibles sans l’aide de nos partenaires qui nous soutiennent fidèlement depuis de nombreuses années. Sans eux, Les Talens Lyriques n’auraient pu mener à bien tous ces beaux projets. Qu’ils en soient ici très chaleureusement remerciés. Et merci à vous cher public pour votre présence pas- sionnée à nos côtés depuis toutes ces années. Vous me manquez, et j’ai hâte de vous retrouver ! Et maintenant : que la fête commence ! Cette saison justement rassemble ce qui est le cœur de notre vocation : 3 beaucoup d’opéras, surtout méconnus ; de la musique de chambre (car le claveciniste que je suis tient à rester aussi chambriste) ; des récitals de jeunes chanteurs (car découvrir de nouveaux talents est aussi notre marque de fabrique) ; et des incursions dans le romantisme. -
Mozart (Re)Inventions Ensemble Paladino
RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 1 mozart (re)inventions ensemble paladino lamb rummel RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 2 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 3 mozart (re)inventions eric lamb & martin rummel 3 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 4 Wolfgang Amadeus Mozart (1756–1791) arr. Eric Lamb & Martin Rummel from “Die Zauberflöte“ from the “London Sketchbook” (“The Magic Flute”), K 620 07 […] K Anh. 109b, No 1 (K 15a) 01:40 01 “Der Vogelfänger bin ich ja” 01:27 02 “Das klinget so herrlich” 01:21 08 Menuet in G Major, K 1 (1e) 02:13 09 Menuet in F Major, K 2 00:58 Duo in G Major, K 423 10 Allegro in B Flat Major, K 3 01:05 (original for violin and viola) 11 Andante in F Major, K 6 03:10 03 Allegro 06:58 12 Menuet in D Major, K 7 01:10 04 Adagio 03:34 13 […] K 15hh 01:58 05 Rondeau. Allegro 05:29 14 […] K 33b 01:12 06 Allegro in C Major 02:27 Duo in B Flat Major, K 424 (original for violin and viola) 15 Adagio - Allegro 08:43 16 Andante cantabile 03:06 17 Andante con variazioni 09:09 from “Die Zauberflöte“ (“The Magic Flute”), K 620 18 “Ein Mädchen oder Weibchen” 01:07 19 “Wie stark ist nicht dein Zauberton” 02:50 TT 59:40 4 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 5 Eric Lamb, flute Martin Rummel, cello 5 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 6 RZ_pmr0050_BOOKLET-Lamb-Rummel_24-stg_Layout 1 22.12.14 17:58 Seite 7 “Mozart (re)inventions” is ensemble paladino’s The Duos K 423 and 424 were written in Salzburg continued reimagining and exploration of classical works during the summer of 1783, as favors for his old friend of great composers. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Grosser Saal Klangwolke Brucknerhaus Präsentiert Von Der Linz Ag Linz
ZWISCHEN CREDO Vollendeter Genuss TRADITION BEKENNTNIS braucht ein & GLAUBE perfektes MODERNE Zusammenspiel RELIGION Als führendes Energie- und Infrastrukturunternehmen im oberösterreichischen Zentralraum sind wir ein starker Partner für Wirtschaft, Kunst und Kultur und die Menschen in der Region. Die LINZ AG wünscht allen Besucherinnen und Besuchern beste Unterhaltung. bezahlte Anzeige LINZ AG_Brucknerfest 190x245.indd 1 02.05.18 10:32 6 Vorworte 12 Saison 2018/19 16 Abos 2018/19 22 Das Große Abonnement 32 Sonntagsmatineen 44 Internationale Orchester 50 Bruckner Orchester Linz 56 Kost-Proben 60 Das besondere Konzert 66 Oratorien 128 Hier & Jetzt 72 Chorkonzerte 134 Moderierte Foyer-Konzerte INHALTS- 78 Liederabende 138 Musikalischer Adventkalender 84 Streichquartette 146 BrucknerBeats 90 Kammermusik 150 Russische Dienstage 96 Stars von morgen 154 Musik der Völker 102 Klavierrecitals 160 Jazz VERZEICHNIS 108 Orgelkonzerte 168 Jazzbrunch 114 Orgelmusik zur Teatime 172 Gemischter Satz 118 WortKlang 176 Kinder.Jugend 124 Ars Antiqua Austria 196 Serenaden 204 Kooperationen 216 Kalendarium 236 Saalpläne 242 Karten & Service 4 5 Linz hat sich schon längst als interessanter heimischen, aber auch internationalen Künst- Der Veröffentlichung des neuen Saisonpro- Musik wird heutzutage bevorzugt über diverse und innovativer Kulturstandort auch auf in- lerinnen und Künstlern es ermöglichen, ihr gramms des Brucknerhauses Linz sehen Medien, vom Radio bis zum Internet, gehört. ternationaler Ebene Anerkennung verschafft. Potenzial abzurufen und sich zu entfalten. Für unzählige Kulturinteressierte jedes Jahr er- Dennoch hat die klassische Form des Konzerts Ein wichtiger Meilenstein auf diesem Weg war alle Kulturinteressierten jeglichen Alters bietet wartungsvoll entgegen. Heuer dürfte die nichts von ihrer Attraktivität eingebüßt. Denn bislang auf jeden Fall die Errichtung des Bruck- das ausgewogene und abwechslungsreiche Spannung besonders groß sein, weil es die das Live-Erlebnis bleibt einzigartig – dank der nerhauses Linz. -
Christopher Hinterhuber the Original Debut Recording
christopher hinterhuber the original debut recording bach haydn liszt stravinsky rachmaninoff christopher hinterhuber the original debut recording 3 Johann Sebastian Bach (1685–1750) Franz Liszt (1811–1886) Partita No 2 in c minor BWV 826 9 13:15 Rhapsodie Espagnole S 254 1 4:33 Sinfonia (Folies d’Espagne et Jota aragonesa) 2 4:44 Allemande 3 2:16 Courante 4 3:27 Sarabande Igor Stravinsky (1882–1971) 5 1:27 Rondeaux Trois Mouvements de Pétrouchka 6 3:16 Capriccio 10 2:34 I. Danse russe. Allegro giusto 11 4:35 II. Chez Pétrouchka Joseph Haydn (1732–1809) 12 8:43 III. La semaine grasse Sonata No 32 in g minor Hob. XVI:44 7 10:04 Moderato Sergei Rachmaninoff (1873–1943) 8 3:34 Allegretto 13 5:58 Vocalise op 34/14 total time: 1:08:29 4 Christopher Hinterhuber, piano 5 Johann Sebastian Bach Partita No 2 in c minor BWV 826 In 1723, Bach arrived in Leipzig to assume the position Joseph Haydn of a cantor at the Thomaskirche, a post by which he Sonata in g minor Hob. XVI:44 undertook the responsibility of organizing the musical life of the city. It was during his earliest years in Leipzig that Around 1770, Haydn composed his first important he embarked on the four volumes of harpsicord and symphonies and string quartets. The rarely-heard two organ music known as the Clavierübung (keyboard movements Sonata in g minor hob. XVI:44 recorded on practice). Finally, Bach published, at his own expense, six this CD can, in the same vein, be considered to belong partitas or suites, first singley from 1726 to 1730, and to the list of his greatest piano sonatas. -
Stephan Matthias Lademann, Piano Stephan Matthias Lademann Was
Stephan Matthias Lademann, piano Stephan Matthias Lademann was born in Meißen, Germany. He studied piano at the Dresden University of Music where he soon specialized in accompaniment. Since then he has won praise for his accomplished work with world renowned artists such as Diana Damrau, Siegfried Jerusalem, Edita Gruberova, Paul Armin Edelmann, Sibylla Rubens, Chen Reiss, Günther Groissböck, Daniela Fally and Robert Dean Smith. Stephan Matthias Lademann has performed to critical acclaim at numerous international music festivals including the Salzburg Festival, the Schubertiade Schwarzenberg, the Rheingau Festival, the Schleswig-Holstein Festival, the Ludwigsburger Schloss Festival, the Kissinger Sommer, the Klangbogen-Festival Theater an der Wien, and the Munich Opera Festival. He has distinguished himself on stage at the Wiener Musikverein, the Wiener Konzerthaus, the Alte Oper Frankfurt, the Laeiszhalle Hamburg, the Semperoper Dresden, the Berlin Philharmonie, the Teatro della Zarzuela Madrid, the Auditorio Santiago de Compostela, the New York Carnegie Hall, the Teatro alla Scala di Milano, the Wigmore Hall London, the Concert Hall Vancouver, and the Teatro Nacional Bogota. In 2006 Stephan Matthias Lademann was awarded the International Record Prize Toblach for his debut recording of the original piano version of Gustav Mahler's “Des Knaben Wunderhorn” with Diana Damrau and Iván Paley. His other CD recordings include a live recording of the recital with Diana Damrau at the Salzburg Festival 2005; the debut recording of Gustav Mahler's “Das Lied von der Erde” in the version for tenor, baritone and piano with Robert Dean Smith and Iván Paley (2007); and a CD of Italian songs by Franz Schubert and Gaetano Donizetti with soprano Chen Reiss (2007). -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.