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C'mon Miracle
MIRAH C’MON MIRACLE CAT#: KLP160 FORMAT: CD/LP RELEASE DATE: MAY 4, 2004 UPC: 789856116027 CD; 789856116010 LP LABEL: K RECORDS Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com Nobody Has to Stay • Jerusalem • The Light • Don’t Die in Me • Look Up! • We’re Both So Sorry • The Dogs of B.A. ∑ The Struggle • You’ve Gone Away Enough • Promise to Me • Exactly Where We’re From Something gentle this way comes in the form of Mirah and her third full-length album, C’mon Miracle (KLP160). Many hands lent themselves, strumming autoharps and bowing strings, accompanying the lilting, soaring voice that can not be mistaken. Mirah’s whole new batch of songs stands solid and un-afraid; pianos and drums, truth and protest. If her first album, you think it’s like this but really it’s like this (KLP112) snuck up and surprised you, then her second album Advisory Committee (KLP135) stunned you with cannon fire. Now sit back and relax as C’mon Miracle washes over you and etches its subtle ways into your psyche. Mirah recorded most of C’mon Miracle at Dub Narcotic studio with Phil Elverum and Calvin Johnson. Lori Goldston (of The Black Cat Orchestra), Emily Kingan (of The Haggard and Sextional), Khaela Maricich (The Blow), Aaron Hartman (OTR), Jason Anderson (Wolf Colonel) and Nora Davidson and Themba Lewis (of Liarbird) are among the other players and helpmates who knew just how to coax the right sounds out of Olympia’s late summer and make this album such a whirl of audio pleasure. -
Biographyelizabethbentley.Pdf
Tseng 2003.10.24 14:06 6655 Olmsted / RED SPY QUEEN / sheet 1 of 284 QUEEN RED SPY Tseng 2003.10.24 14:06 6655 Olmsted / RED SPY QUEEN / sheet 2 of 284 3 of 284 6655 Olmsted / RED SPY QUEEN / sheet RED SPY QUEEN A Biography of ELIZABETH BENTLEY Kathryn S.Olmsted The University of North Carolina Press Chapel Hill and London Tseng 2003.10.24 14:06 4 of 284 © 2002 6655 Olmsted / RED SPY QUEEN / sheet The University of North Carolina Press All rights reserved Set in Charter, Champion, and Justlefthand types by Tseng Information Systems, Inc. Manufactured in the United States of America The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Library of Congress Cataloging-in-Publication Data Olmsted, Kathryn S. Red spy queen : a biography of Elizabeth Bentley / by Kathryn S. Olmsted. p. cm. Includes bibliographical references and index. isbn 0-8078-2739-8 (cloth : alk. paper) 1. Bentley, Elizabeth. 2. Women communists—United States—Biography. 3. Communism—United States— 1917– 4. Intelligence service—Soviet Union. 5. Espionage—Soviet Union. 6. Informers—United States—Biography. I. Title. hx84.b384 o45 2002 327.1247073'092—dc21 2002002824 0605040302 54321 Tseng 2003.10.24 14:06 5 of 284 To 6655 Olmsted / RED SPY QUEEN / sheet my mother, Joane, and the memory of my father, Alvin Olmsted Tseng 2003.10.24 14:06 Tseng 2003.10.24 14:06 6655 Olmsted / RED SPY QUEEN / sheet 6 of 284 7 of 284 Contents Preface ix 6655 Olmsted / RED SPY QUEEN / sheet Acknowledgments xiii Chapter 1. -
Anti-Communism in Twentieth-Century America
Anti-Communism in Twentieth-Century America Anti-Communism in Twentieth-Century America A Critical History Larry Ceplair Copyright 2011 by Larry Ceplair All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Ceplair, Larry. Anti-communism in twentieth-century America / Larry Ceplair. p. cm. Includes bibliographical references and index. ISBN 978 1 4408 0047 4 (hardcopy : alk. paper) ISBN 978 1 4408 0048 1 (ebook) 1. Anti-communist movements United States History 20th century. 2. Political culture United States History 20th century. 3. Political activists United States Biography. 4. United States Politics and government 1919 1933. 5. United States Politics and government 1933 1945. 6. United States Politics and government 1945 1989. I. Title. E743.5.C37 2011 973.91 dc23 2011029101 ISBN: 978 1 4408 0047 4 EISBN: 978 1 4408 0048 1 1514131211 12345 This book is also available on the World Wide Web as an eBook. Visit www.abc-clio.com for details. Praeger An Imprint of ABC-CLIO, LLC ABC-CLIO, LLC 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper Manufactured in the United States of America To Christine, the love of my life and the source of my happiness. Contents Introduction -
Index to Authors
LaborHistory, Vol. 43, No. 1/ 2,2002 BOOK REVIEWINDEX Aalders, Gerard andCees Wiebes. The Art Aiken, Michael,et al. Economic Failure, of Cloaking Ownership:The Secret Collab- Alienation, andExtremism. (Ross Stag- oration andProtection of theGerman War ner)10:2, 293– 295, Spring 1969. Industry bythe Neutrals— The Case of Aitken,Hugh G. J. Taylorism atWatertown Sweden. (JohnGillingham) 38:1, 148– Arsenal: Scientic Management in Action, 150,Winter 1996– 97. 1908–1915. (LaurenceB. Cohen)2:2, Abella, IrvingM. Nationalism, Communism 248–249, Spring 1961. andCanadian Labour: TheCIO, the Akin, William E. Technocracy andthe Communist Party andthe Canadian Con- American Dream: TheTechnocratic Move- gressof Labour, 1935–1956. (George S. ment, 1900–1941. (SamuelHaber) 20:3, Kealey)15:1, 130– 134, Winter 1974. 456–458, Summer 1979. Abella, Irvingand David Millar(eds.). The Alba, Victor. TheCommunist Party In CanadianWorker in theTwentieth Cen- Spain. (GeorgeEsenwein) 28:4, 578– tury. (DavidFrank) 21:4, 617– 619, Fall 583,Fall 1987. 1980. Alba, Victor. Politics andthe Labor Move- Abelove, Henry, BetsyBlackmar, Peter ment in Latin America. (SamuelL. Baily) Dimock,and Jonathan Scheer (eds.). 10:2,304– 306, Spring 1969. Visions of History. (JohnHaynes) 26:1, Aldrich, Mark. SafetyFirst: Technology, 146–147, Winter 1985. Labor andBusiness in theBuilding of Abendroth, Wolfgang. AShort History of American Work Safety,1870– 1939. (Carl theEuropean Working Class. (Peter N. Gersuny)39:2, 219– 221, May 1998. Stearns)14:2, 310– 311, Spring 1973. Alexander,John K. RenderThem Submiss- Abraham, David. TheCollapse of theWei- ive:Responses to Poverty in Philadelphia, mar Republic: Political Economy andCri- 1760–1800. (Sharon V.Salinger)26:1, sis. -
September October 2007 Next @
EARLY FALL BRINGS EAGERLY AWAITED NEXT @ WEX SHOWS "America's top model for how modern music should be respected equally with the other 'high' arts."— Manny Theiner, Pittsburgh City Paper on the Next @ Wex series This September and October the Wexner Center presents a full slate of Next @ Wex concerts. With returning favorites and Wex debuts, the fall Next @ Wex roster promises the best in new and independent music. Tickets for the following shows are available now at the Wexner Center Ticket Office (614 292-3535) and Ticketmaster.com. More information on all of these shows, including information on November performances by My Brightest Diamond and José González, is available at www.wexarts.org/pa. A mixtape featuring clips from these bands is available now at www.wexarts.org/wexcasting. Akron/Family with Greg Davis and Megafaun Fri, Sept 21 | 8 PM Wexner Center Performance Space $12 all audiences “You never know when you’ll have your mind blown.”—Washington Post Highly focused on being loose-knit, the collective known as Akron/Family takes the road less traveled in more ways than one. The group left its rural roots (none of the four guys hails from Akron, by the way) to make a go of it in Brooklyn’s netherworld, where their notions of magical, ecstatic folk-skronk quickly found an appreciative home. Embraced by the leftfield crew at Young God Records for their fractal lo-fi sonic epics, Akron/Family is soon to issue its latest CD, Love us Simple. Fellow travelers on this tour include Greg Davis, who performs a solo set, and the trio Megafaun, who will all be adopted into Akron/Family for their extended set. -
The Black Studies Controversy at Reed College, 1968–1970
Reed College Archives, photographer Stephen Robinson Robinson College Archives, photographer Stephen Reed The Black Studies Controversy at Reed College, 1968–1970 MARTIN WHITE IN A RETROSPECTIVE published in 2012, a group of scholars described some of the accomplishments of the discipline of Black Studies during its first four decades: With a beginning remarkably different than conventional academic disciplines, Black Studies emerged on the American college campus amidst Black Power protests and student demands. Now more than forty years old, Black Studies exists as an established discipline constituted by a robust scholarly discourse, STUDENT DEMONSTRATORS protest the lack of a Black Studies program at Reed College an ever-expanding body of innovative interdisciplinary literature, hundreds of outside Eliot Hall in 1968. collegiate programs at the undergraduate level, a growing number of graduate and doctoral programs, and some of the world’s most well known intellectuals.1 Proponents of the new discipline, which had its origin in the struggle for racial justice in the 1960s, could take justifiable pride in its successful estab- ings and purchase age-specific clothing and recorded music; and access lishment in academic institutions around the county. In some places where to automobiles. The process was converting young-adult producers in a Black Studies programs were instituted, however, including at Reed College family-based economy into individual consumers known as “teenagers.”2 in Portland, Oregon, initial success was not sustained, and the program This transformation was an international phenomenon, but in the United failed to take root. States it was overlaid by the twin crises that color Americans’ perception Many people experienced the 1960s as a time of disorienting changes, of that era: civil rights and the Vietnam War. -
Michael Carley on the Secret World of American Communism
Harvey Klehr, John E. Haynes, Fridrikh I. Firsov, eds.. The Secret World of American Communism. New Haven, Conn. and London: Yale University Press, 1995. xxxii + 348 pp. $25.00, cloth, ISBN 978-0-300-06183-3. Reviewed by Michael J. Carley Published on H-Russia (June, 1995) The American editors and their Russian col‐ is to show that the revisionist school is wrong in laborator set out in this book to describe the histo‐ all its main lines, and that American "communists' ry of the Communist International's relationship duplicity poisoned normal political relationships with the Communist Party of the United States and contributed to the harshness of the (CPUSA), based on a selection of documents anti)communist reaction of the late 1940s and drawn from the large holdings of the Comintern 1950s" (p. 106). archives in Moscow. The editors contend that the The editors appear determined to deal a mor‐ CPUSA was subservient to the Comintern; re‐ tal blow to the revisionist school, so determined ceived large subsidies from the Soviet govern‐ in fact that they do not address what it seems to ment; and closely cooperated through its secret this reviewer are important questions concerning apparatus with Soviet government intelligence the Comintern and its relations not only with oth‐ services. The editors also place their fndings er national communist parties, but with the Com‐ within the orthodox and revisionist historiogra‐ munist party of the Soviet Union (CPSU) and the phy of the CPUSA. The former school (including Soviet government. In the 1920s British, French, Theodore Draper and editors Klehr and Haynes) and American diplomats assumed that national believes "that the CPUSA was never an indepen‐ communist parties were mere creatures of the dent American political party but a creature given Comintern, which was an instrument of the Soviet life and meaning by its umbilical ties to the Soviet government controlled by the CPSU. -
A Menace to Society
Faculty of Law University of Helsinki A Menace to Society Radicalism and Legal Scholarship in the United States, Scandinavia, and Finland, 1965─1980 Juhana Mikael Salojärvi ACADEMIC DISSERTATION To be presented, with the permission of the Faculty of Law of the University of Hel- sinki, for public examination in lecture room P III, Porthania, on the 23th November 2013, at 10 am. Helsinki 2013 Cover photo by Niko Kilpi Cover design by Juhana Salojärvi ISBN 978-952-10-9328-9 (pbk.) ISBN 978-952-10-9329-6 (PDF) (ethesis.helsinki.fi) Unigrafia Helsinki 2013 meanwhile, every 2 or 3 years, somebody in the academy, wanting to keep his place in the university structure (and if you think Vietnam is hell you ought to see what goes on between those so-called brains in battles of intrigue and power within their own little cellblocks) brings out the same old collection of glass and gutless poetry and labels it THE NEW POETRY or THE NEW NEW POETRY but it’s still the same marked deck Charles Bukowski This book is dedicated to nobody Preface Something has changed. The building at the other side of my room stares at me through my window as it has for the past three years, but something is different. It might be that the building is the same, but my perception of it has changed. Maybe I have changed. The past four years that I have spent writing this thesis, the first one just around the cor- ner and the last three in this room, have been truly remarkable in my life. -
To Read Matthew Stadler's Essay On
00 ripe—Where We Come From by Matthew Stadler 4 In summer 2001, a young couple in Portland, Oregon, Michael Hebb and Naomi Pomeroy, built a table in their rented bungalow on North- east Failing Street. It was a clever contraption with long, hinged pieces of plywood that unfolded from the wall to rest on old wine crates. It took up their whole front room and seated about twenty. They invited twenty friends to dinner, which Naomi made from whatever ingredi- ents were fresh that day. The friends who came to eat left something in return. The first night they left chairs, but after that they usually left money. Michael and Naomi called their gathering “family supper.” Fam- ily supper was a lot of fun. There was no advertising, so you only went if you knew someone who’d gone before. Like many small-scale diy projects, it was lively and storied. Dishes were washed by drunk guests in a plastic kiddie pool in the front yard. The five Weber grills Naomi used caught the back porch on fire once. One night, Benicio Del Toro came; he was down the street filmingThe Hunted and wandered over, 5 matthew stadler ripe—where we come from 6 wondering what the noise and laughter was all about. Michael and family supper, and where the back room events would take place). Naomi’s newborn daughter, August, slept on the table during supper The back room took the common table of family supper and added a and got passed around to make room for the salad, or some other plat- deliberate conversation. -
CALIFORNIA RED a Life in the American Communist Party
alifornia e California Red CALIFORNIA RED A Life in the American Communist Party Dorothy Ray Healey and Maurice Isserman UNIVERSITY OF ILLINOIS PRESS Urbana and Chicago Illini Books edition, 1993 © 1990 by Oxford University Press, Inc., under the title Dorothy Healey Remembers: A Life in the American Communist Party Reprinted by arrangement with Oxford University Press, Inc., New York, New York Manufactured in the United States of America P54321 This book is printed on acidjree paper. Library of Congress Cataloging-in-Publication Data Healey, Dorothy. California Red : a life in the American Communist Party I Dorothy Ray Healey, Maurice Isserman. p. em. Originally published: Dorothy Healey remembers: a life in the American Communist Party: New York: Oxford University Press, 1990. Includes index. ISBN 0-252-06278-7 (pbk.) 1. Healey, Dorothy. 2. Communists-United States-Biography. I. Isserman, Maurice. II. Title. HX84.H43A3 1993 324.273'75'092-dc20 [B] 92-38430 CIP For Dorothy's mother, Barbara Nestor and for her son, Richard Healey And for Maurice's uncle, Abraham Isserman ACKNOWLEDGMENTS This work is based substantially on a series of interviews conducted by the UCLA Oral History Program from 1972 to 1974. These interviews appear in a three-volume work titled Tradition's Chains Have Bound Us(© 1982 The Regents of The University of California. All Rights Reserved. Used with Permission). Less formally, let me say that I am grateful to Joel Gardner, whom I never met but whose skillful interviewing of Dorothy for Tradition's Chains Have Bound Us inspired this work and saved me endless hours of duplicated effort a decade later, and to Dale E. -
**A Note on Citations for the Information and Intrigue, America's
**A Note on Citations for the Information and Intrigue, America’s Information Wars and Related Works ** Because of number-of-pages limitations, we decided to limit the number and length of citations and endnotes in the texts and to employ as many space-saving formats as possible. If we used traditional approaches to citing and using notes, the texts would have been unbearably long. However, despite the citing parsimony we feel that readers will be more than adequately pointed to evidence and sources. Illustrative Bibliography, Information and Intrigue and Related Volumes, May, 2018 This bibliography contains some of the more important and more readily available secondary works used in the project. For the primary documents and their sources, see the texts. Copyright, Colin Burke, 2010 Abbott, Andrew, “Library Research Infrastructure for Humanistic and Social Scientific Scholarship in the Twentieth Century”, in, Charles Camic, et al. (eds.), Social Knowledge in the Making (Chicago: University of Chicago Press, 2011), 43-87. Abrams, Richard A., "A Paradox of progressivism: Massachusetts on the Eve of Insurgency," Political Science Quarterly, 75 3 (Sept., 1960: 379-399). Abrams, Richard M., Conservatism in a Progressive Era: Massachusetts Politics 1900-1912 (Cambridge, MA Harvard University Press, 1964). Abt, John, Advocate and Activist: Memoirs of an American Lawyer (Urbana: University of Illinois Press, 1993). Adams, Mark B., et al., “Human Heredity and Politics: a Comparative Study of the Eugenics Record Office at Cold Spring Harbor…,” OSIRIS 2nd Series, 20 1 (n.d.): 232-62. Adams, Scott, “Information for Science and Technology,” (Urbana: University of Illinois GLIS 109, 1945). Adkinson, Burton W., Two Centuries of Federal Information (Stroudsburg, PA: Dowden, Hutchinson & Ross, 1978). -
That Saucy Magazine from Citr Ioi.9Fm Mvs&Xs €^ INFAMOUS #Um& Lse J
that saucy magazine from citr ioi.9fm mvs&xs €^ INFAMOUS #uM& lse J FUNK • 1 v&V Wl DNESDAI tV# , i . Hedspin and FUpoM THURSEMfSr M$QS, HQUSErAND^ ^•ELECTRX)iWITH lmATMSMWANI_yB WF* M.'X$ d^&te2i^5^«£25-r: Republic Open til 3AM 7 nights a week I 958 Granville St dhmbars.ca ULY •200 7 the (gentle j/Xrt of Suiting Editor Well, this is my third issue of As a result, I have been experiment MIKE "SPIKE" CHILTON Art Director Regulars Discorder, and I must say, it's been an ing with some much-needed updates to COLE JOHNSTON interesting experience so far. As if taking the content of Discorder. Last month, Production Manager I began with bringing back an old COLE JOHNSTON The Gentle Art of Editing ? 3 over editorial duties on a magazine is not challenging enough as it is, the column with a new twist. Vancouver Copy Editors Textually Active 4 MIKE CHILTON • GregMcMuUen added challenge of knowing many new Special had long been featured in our BROCK THIESSEN pairs of eyes from across the country pages, and brought local scene news CHEYANNE TURIONS Inkstuds 5 Ad Manager Robin McConnell will be looking at your words with great and mini CD reviews from such writers CATHERINE RANA interest adds that much more pressure. (and on-air talent) as Janis MacKenzie, Under Review Editor Cinema Aspirant 6 CHEYANNE TURIONS Emma Myers CiTR hosted the 26th annual Val Cormier and Ben Lai. The June issue Datebook Editor Techs & The City National Campus-Community Radio featured the debut of Vancouver Special MIKE CHILTON Emma Myers i3®t Duplex, a section which, courtesy two RLA Editor Conference last month; for the final MIKE CHILTON Vancouver Special Duplex 13 word on it, see Conference Coordinator mini-features, throws the' spotlight on (FOR DANNY MCCASH) The Pad: 1 Amy Honey Alison Benjamin's final take on the local bands, scene news and previews Layout & Design of local cultural events.