Japanese Rinzai Zen Buddhism
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PUBLICATION of SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS
PUBLICATION OF SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS TALKS 3 The Gift of Zazen BY Shunryu Suzuki-roshi 16 Practice On and Off the Cushion BY Anna Thom 20 The World Is Vast and Wide BY Gretel Ehrlich 36 An Appropriate Response BY Abbess Linda Ruth Cutts POETRY AND ART 4 Kannon in Waves BY Dan Welch (See also front cover and pages 9 and 46) 5 Like Water BY Sojun Mel Weitsman 24 Study Hall BY Zenshin Philip Whalen NEWS AND FEATURES 8 orman Fischer Revisited AN INTERVIEW 11 An Interview with Annie Somerville, Executive Chef of Greens 25 Projections on an Empty Screen BY Michael Wenger 27 Sangha-e! 28 Through a Glass, Darkly BY Alan Senauke 42 'Treasurer's Report on Fiscal Year 2002 DY Kokai Roberts 2 covet WNO eru 111 -ASSl\ll\tll.,,. o..N WEICH The Gi~ of Zazen Shunryu Suzuki Roshi December 14, 1967-Los Altos, California JAM STILL STUDYING to find out what our way is. Recently I reached the conclusion that there is no Buddhism or Zen or anythjng. When I was preparing for the evening lecture in San Francisco yesterday, I tried to find something to talk about, but I couldn't; then I thought of the story 1 was told in Obun Festival when I was young. The story is about water and the people in Hell Although they have water, the people in hell cannot drink it because the water burns like fire or it looks like blood, so they cannot drink it. -
Reflections on Zen and Ethics Jan Van Bragt Introduction Quite a Few
Reflections on Zen and Ethics1 Jan Van Bragt Introduction Quite a few years ago already, the fast-growing Zen world in the United States was shocked by the news of scandals discovered in some U.S. Zen halls, sexual and financial abuses committed by Zen Masters. I have forgotten all the details already, but the facts confronted us all with an intriguing question, namely: How is it possible that Zen Masters (Rôshis) – people who are supposed to be enlightened – commit such unethical, immoral acts? From the Zen world two. rather contradictory, answers were soon heard. One, (the answer explicitly voiced by Abe Masao): “A Zen Master who commits such acts proves thereby that he is not enlightened.” The presupposition here seems to be that transcendental wisdom is intrinsically linked to morality and directs the subject to spontaneously lead a highly ethical life. – The problem here is only that doubt is thrown at the system of attestation of the enlightenment of the disciple by the master (inka). The second answer is rather the opposite of the first: “Enlightenment has nothing to do with ethics,” and further: “Zen has nothing to do with ethics.” I must confess that I never heard this answer explicitly formulated, in all its definiteness, by any of my Zen friends. The nearest thing I ever heard directly was a statement made, at the 1991 meeting of the Japan Society for Buddhist-Christian Studies, by Nishimura Eshin, presently president of Hanazono University at Kyoto: “Zen has nothing to do with social engagement.” For the sake of possible later -
Fall 1969 Wind Bell
PUBLICATION OF ZEN •CENTER Volume Vilt Nos. 1-2 Fall 1969 This fellow was a son of Nobusuke Goemon Ichenose of Takahama, the province of Wakasa. His nature was stupid and tough. When he was young, none of his relatives liked him. When he was twelve years old, he was or<Llined as a monk by Ekkei, Abbot of Myo-shin Monastery. Afterwards, he studied literature under Shungai of Kennin Monastery for three years, and gained nothing. Then he went to Mii-dera and studied Tendai philosophy under Tai-ho for. a summer, and gained nothing. After this, he went to Bizen and studied Zen under the old teacher Gisan for one year, and attained nothing. He then went to the East, to Kamakura, and studied under the Zen master Ko-sen in the Engaku Monastery for six years, and added nothing to the aforesaid nothingness. He was in charge of a little temple, Butsu-nichi, one of the temples in Engaku Cathedral, for one year and from there he went to Tokyo to attend Kei-o College for one year and a half, making himself the worst student there; and forgot the nothingness that he had gained. Then he created for himself new delusions, and came to Ceylon in the spring of 1887; and now, under the Ceylon monk, he is studying the Pali Language and Hinayana Buddhism. Such a wandering mendicant! He ought to <repay the twenty years of debts to those who fed him in the name of Buddhism. July 1888, Ceylon. Soyen Shaku c.--....- Ocean Wind Zendo THE KOSEN ANO HARADA LINEAOES IN AMF.RICAN 7.llN A surname in CAI':> andl(:attt a Uhatma heir• .l.incagea not aignilleant to Zen in Amttka arc not gi•cn. -
The Koan : Texts and Contexts in Zen Buddhism
1 The Form and function of Koan Literature A Historical Overview T. GRIFFITH FOULK ANY DISCUSSION o f koan s i n th e histor y o f Eas t Asia n Buddhis m needs t o star t wit h a definitio n o f the wor d "koan " itself , fo r althoug h th e word ha s entere d int o relativel y commo n Englis h usage , fe w people hav e a clear idea o f what it refers to, and ambiguities remain even in scholarly stud- ies.1 The first part o f this chapter, accordingly , is dedicated t o a brief history of the koan, with particular attentio n t o th e etymology of the word and th e evolution of its meaning in China an d Japan. Th e second part delineates the range of texts that I take to be "koan literature " an d explains my reasons for regarding the m as such. The remaining part s of the chapter are dedicated to a form-critical analysi s of the comple x internal structur e o f the koan literatur e and an exploration o f how that literatur e has both mirrored an d serve d as a model for its social and ritual functions. The treatmen t o f the koa n a s a literar y genre in thi s chapter ma y strik e some readers as peculiar or even irrelevant. After all , many accounts of koans today, both popular an d scholarly, describe them as devices that ar e meant to focus th e mind in meditation, t o confound the discursive intellect, freezing it into a single ball of doubt, an d finally to trigger an awakening (J. -
ZEN at WAR War and Peace Library SERIES EDITOR: MARK SELDEN
ZEN AT WAR War and Peace Library SERIES EDITOR: MARK SELDEN Drugs, Oil, and War: The United States in Afghanistan, Colombia, and Indochina BY PETER DALE SCOTT War and State Terrorism: The United States, Japan, and the Asia-Pacific in the Long Twentieth Century EDITED BY MARK SELDEN AND ALVIN Y. So Bitter Flowers, Sweet Flowers: East Timor, Indonesia, and the World Community EDITED BY RICHARD TANTER, MARK SELDEN, AND STEPHEN R. SHALOM Politics and the Past: On Repairing Historical Injustices EDITED BY JOHN TORPEY Biological Warfare and Disarmament: New Problems/New Perspectives EDITED BY SUSAN WRIGHT BRIAN DAIZEN VICTORIA ZEN AT WAR Second Edition ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Oxford ROWMAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowmanlittlefield.com P.O. Box 317, Oxford OX2 9RU, UK Copyright © 2006 by Rowman & Littlefield Publishers, Inc. Cover image: Zen monks at Eiheiji, one of the two head monasteries of the Sōtō Zen sect, undergoing mandatory military training shortly after the passage of the National Mobilization Law in March 1938. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Victoria, Brian Daizen, 1939– Zen at war / Brian Daizen Victoria.—2nd ed. -
The Zen Koan; Its History and Use in Rinzai
NUNC COCNOSCO EX PARTE TRENT UNIVERSITY LIBRARY Digitized by the Internet Archive in 2019 with funding from Kahle/Austin Foundation https://archive.org/details/zenkoanitshistorOOOOmiur THE ZEN KOAN THE ZEN KOAN ITS HISTORY AND USE IN RINZAI ZEN ISSHU MIURA RUTH FULLER SASAKI With Reproductions of Ten Drawings by Hakuin Ekaku A HELEN AND KURT WOLFF BOOK HARCOURT, BRACE & WORLD, INC., NEW YORK V ArS) ' Copyright © 1965 by Ruth Fuller Sasaki All rights reserved First edition Library of Congress Catalog Card Number: 65-19104 Printed in Japan CONTENTS f Foreword . PART ONE The History of the Koan in Rinzai (Un-chi) Zen by Ruth F. Sasaki I. The Koan in Chinese Zen. 3 II. The Koan in Japanese Zen. 17 PART TWO Koan Study in Rinzai Zen by Isshu Miura Roshi, translated from the Japanese by Ruth F. Sasaki I. The Four Vows. 35 II. Seeing into One’s Own Nature (i) . 37 vii 8S988 III. Seeing into One’s Own Nature (2) . 41 IV. The Hosshin and Kikan Koans. 46 V. The Gonsen Koans . 52 VI. The Nanto Koans. 57 VII. The Goi Koans. 62 VIII. The Commandments. 73 PART THREE Selections from A Zen Phrase Anthology translated by Ruth F. Sasaki. 79 Drawings by Hakuin Ekaku.123 Index.147 viii FOREWORD The First Zen Institute of America, founded in New York City in 1930 by the late Sasaki Sokei-an Roshi for the purpose of instructing American students of Zen in the traditional manner, celebrated its twenty-fifth anniversary on February 15, 1955. To commemorate that event it invited Miura Isshu Roshi of the Koon-ji, a monastery belonging to the Nanzen-ji branch of Rinzai Zen and situated not far from Tokyo, to come to New York and give a series of talks at the Institute on the subject of koan study, the study which is basic for monks and laymen in traditional, transmitted Rinzai Zen. -
Gateless Gate Has Become Common in English, Some Have Criticized This Translation As Unfaithful to the Original
Wú Mén Guān The Barrier That Has No Gate Original Collection in Chinese by Chán Master Wúmén Huìkāi (1183-1260) Questions and Additional Comments by Sŏn Master Sǔngan Compiled and Edited by Paul Dōch’ŏng Lynch, JDPSN Page ii Frontspiece “Wú Mén Guān” Facsimile of the Original Cover Page iii Page iv Wú Mén Guān The Barrier That Has No Gate Chán Master Wúmén Huìkāi (1183-1260) Questions and Additional Comments by Sŏn Master Sǔngan Compiled and Edited by Paul Dōch’ŏng Lynch, JDPSN Sixth Edition Before Thought Publications Huntington Beach, CA 2010 Page v BEFORE THOUGHT PUBLICATIONS HUNTINGTON BEACH, CA 92648 ALL RIGHTS RESERVED. COPYRIGHT © 2010 ENGLISH VERSION BY PAUL LYNCH, JDPSN NO PART OF THIS BOOK MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, GRAPHIC, ELECTRONIC, OR MECHANICAL, INCLUDING PHOTOCOPYING, RECORDING, TAPING OR BY ANY INFORMATION STORAGE OR RETRIEVAL SYSTEM, WITHOUT THE PERMISSION IN WRITING FROM THE PUBLISHER. PRINTED IN THE UNITED STATES OF AMERICA BY LULU INCORPORATION, MORRISVILLE, NC, USA COVER PRINTED ON LAMINATED 100# ULTRA GLOSS COVER STOCK, DIGITAL COLOR SILK - C2S, 90 BRIGHT BOOK CONTENT PRINTED ON 24/60# CREAM TEXT, 90 GSM PAPER, USING 12 PT. GARAMOND FONT Page vi Dedication What are we in this cosmos? This ineffable question has haunted us since Buddha sat under the Bodhi Tree. I would like to gracefully thank the author, Chán Master Wúmén, for his grace and kindness by leaving us these wonderful teachings. I would also like to thank Chán Master Dàhuì for his ineptness in destroying all copies of this book; thankfully, Master Dàhuì missed a few so that now we can explore the teachings of his teacher. -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Review Of" Unsui: a Diary of Zen Monastic Life" by E. Nishimura
Swarthmore College Works Religion Faculty Works Religion 10-1-1975 Review Of "Unsui: A Diary Of Zen Monastic Life" By E. Nishimura Donald K. Swearer Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-religion Part of the Religion Commons Recommended Citation Donald K. Swearer. (1975). "Review Of "Unsui: A Diary Of Zen Monastic Life" By E. Nishimura". Philosophy East And West. Volume 25, Issue 4. 495-496. DOI: 10.2307/1398231 https://works.swarthmore.edu/fac-religion/122 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Religion Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. 495 is, to write a twentieth century Cloud of' Unknowing (a Christian document) by using Buddhism. PAUL WIENPAHL University of California, Santa Barbara Unsui: A Diary of Zen Monastic Life, by Eshin Nishimura, edited by Bardwell L. Smith, drawings by Giei Sa to . Honolulu: University Press of Hawaii, 1973 . In Unsui Eshin Nishimura and Bardwell Smith have put together a thoroughly delightful volume on Zen Buddhist training and monastic life. The book combines ninety-six comic, cartoonlike color drawings by Giei Sato (1920- 1970)- an "ordinary Rinzai Zen temple priest"- with Nishimura's running commentary, and a useful introduction by Bardwell Smith which underlines the paradox of tension and harmony characterizing Zen Buddhist monastic life. Taken as a whole, from its appreciative Foreword by Zenkei Shibayama to its Glossary, the book provides a helpful counterpoint to the standard popular work in this area, D. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Faith and Power in Japanese Buddhist Art, 1600-2005
japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them.